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1000 tulosta hakusanalla Susan Howatch

Susan B. Anthony: Biography of a Rebel, Crusader, and Humanitarian of the Women’s Rights and Feminist Movements (Hardcover)
Alma Lutz's outstanding biography of Susan B. Anthony is revered for its descriptive power, attention to detail and historical significance to the women's Suffragette movement. In this superb biography, we receive passionate accounts of the major turning points in Susan B. Anthony's life. The people who were her role models as a young woman, such as the articulate anti-slavery author Frederick B. Douglass, receive attention. Anthony's vociferous opposition to slavery led her to campaign before and during the U.S. Civil War for its abolition: her resolute spirit is well-documented from an early age: even as a teenager, Susan B. Anthony leafleted and campaigned for emancipation. As a leading figure in women's rights during the 19th and early 20th centuries, Susan B. Anthony was responsible for forming and organising several groups instrumental to women eventually gaining the vote in the United States. A tireless campaigner and speaker, Anthony would average between 75 and 100 speeches each year.
Susan Isaacs

Susan Isaacs

Philip Graham

Routledge
2019
sidottu
This biography provides a critical account of the life and work of Susan Isaacs (1885-1948). This educationist, a pioneer of child-centred education in Britain was also an early and historically important child psychoanalyst. She is described in the Oxford Dictionary of National Biography as the greatest influence on British education in t
Susan Strange and the Future of Global Political Economy
This edited volume addresses the 2007/2009 financial crisis as the occasion to engage critically with the corpus of Susan Strange’s work, in order to consider what changes (if any) this crisis portends for the structural organization of the global political economy. The contributors use Strange’s rich conceptual framework to explore the financial crisis and its aftermath, and reflect critically on the broader contributions which her work has made to the discipline of IPE.The volume makes three valuable contributions for scholars and students. First, it raises the profile of Susan Strange, a unique and powerful contributor to the field of IPE whose ideas matter to our current circumstance and can provide deep and enduring insights into important questions and issues. Secondly, each contributor to this volume combines her work and ideas with that of other traditions or individual theorists in ways that extend and/or deepen Strange’s own efforts. Finally, this volume leaves us with a judicious optimism about the future of both IPE and the world as it actually is, on the ground. This book will be of interest to scholars and students who are interested in the dynamics shaping contemporary and future developments in the global political economy, as well as those who are interested in the theoretical debates about how to study IPE.
A Susan Sontag Reader

A Susan Sontag Reader

Susan Sontag

Farrar, Straus and Giroux
1982
nidottu
Susan Sontag occupies a special place in Modern American letters. She has become our most important critic, while her brilliant novels and short fiction are, at long last, getting the recognition they deserve. Sontag is above all a writer, which is only to say that, though the form may differ, there is an essential unity in all her work. The truth of this is perhaps more evident in A Susan Sontag Reader than in any of Sontag's individual books. The writer selected a sampling of her work, meaning the choice both to reflect accurately a career and also to guide the reader toward those qualities and concerns which she prizes in her own writing. A Susan Sontag Reader is arranged chronologically and draws on most of Sontag's books. There are selections from her two novels, The Benefactor and Death Kit, and from her collections of short stories, I, etcetera. The famous essays from the 1960s--"Against Interpretation," "Notes on Camp," and "On Style"--which established Sontag's reputation and can be fairly said to have shaped the cultural views of a generation are included, as are selctions from her two subsequent volumes of essays, Styles of Radical Will and Under the Sign of Satury.A part of Sontag's best-selling On Photography is also included. It is astonishing to read these works when they are detached from the books they appeared in and offered instead in the order in which Sontag wrote them. The connections between various literary forms, the progression of themes, are revealed in often startling ways. Moreover, Sontag has included a long interview in which she moves mroe informally over the whole range of her concerns and of her work. The volume ends with "Writing Itself," a previously uncollected essay on Roland Barthes which, in the eyes of many, is one of Sontag's finest achievements. This collection is, in a sense, both a self-potrait and a key for a reader to understand the work of one of the most imporant writers of our time.
When All the Men Wore Hats: Susan Cheever on the Stories of John Cheever
A sympathetic and illuminating account of the stories of John Cheever, and the intersecting life and work of the legendary writer John Cheever, as told by his eldest daughter.The Stories of John Cheever, published in 1978, brought together some of the finest short fiction ever written. The collection was honored with the Pulitzer Prize and the National Book Award, and it would go on to sell millions of copies and to define the American short story and shape generations of writers. Cheever's chronicles of modern life both emerged from a distinctly American culture and also created it--inspiring everything from Mad Men to a Raymond Carver story, from rock songs to a Seinfeld episode.Growing up, Susan Cheever, John Cheever's eldest child and only daughter, read what he read, heard what he heard, bantered and gossiped with him and her brothers and mother at the dinner table, and later watched her father type on the cheap yellow paper he favored. A daughter much like Susan appears in many of Cheever's stories and a family much like theirs is at the center of his writing. In When All the Men Wore Hats, Susan Cheever looks back on her father's work and seeks to understand the connections between art and life. How did a bit of local gossip, a slice of Greek myth, and a new translation of Madame Bovary somehow become a brilliant gem like "The Country Husband" or "The Swimmer"? In her 1984 book Home Before Dark, published two years after her father's death, Cheever wrote movingly about her father and the secrets he kept, but here, years later, she tells the story of the remarkable stories themselves, six of which appear in full in the book's appendix.
Susan Sontag

Susan Sontag

Rollyson Carl E.; Paddock Lisa Olson

WW Norton Co
2007
sidottu
The first--and unauthorized--biography of the so-called dark lady of American letters. Ever since she took American culture by storm with the publication of her Notes on Camp in 1964, Susan Sontag has been a star. Her austere glamour has been a critical factor in her success, making her a role model for intellectual women, a sex symbol for brainy men. She has never ceased to fascinate the public: as brilliant wunderkind, bringing the latest in French thought to America; as sophisticated analyst of her own experience with cancer in Illness as Metaphor; as champion of free speech in the Rushdie Affair; as theater director in besieged Sarajevo; and, with the publication of The Volcano Lover, as best-selling historical novelist. Yet she has both courted that fascination and insisted on holding it at a distance, demanding control over her public image. This first--and most definitely unauthorized--biography delves beneath the surface to examine the forces that made Susan Sontag an international icon. Carl Rollyson and Lisa Paddock explore her public persona and private passions, including the strategies behind her meteoric rise to fame and her political moves and missteps. Above all, they show how the life of Susan Sontag reveals to us the way we live now.
Susan Glaspell and Sophie Treadwell

Susan Glaspell and Sophie Treadwell

Barbara Ozieblo; Jerry Dickey

Routledge
2008
nidottu
Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.
Susan Glaspell and Sophie Treadwell

Susan Glaspell and Sophie Treadwell

Barbara Ozieblo; Jerry Dickey

Routledge
2008
sidottu
Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.
Susan Glaspell in Context

Susan Glaspell in Context

J. Ellen Gainor

The University of Michigan Press
2003
nidottu
Susan Glaspell in Context not only discusses the dramatic work of this key American author -- perhaps best known for her short story "A Jury of Her Peers" and its dramatic counterpart, Trifles -- but also places it within the theatrical, cultural, political, social, historical, and biographical climates in which Glaspell's dramas were created: the worlds of Greenwich Village and Provincetown bohemia, of the American frontier, and of American modernism. J. Ellen Gainor is Professor of Theatre, Women's Studies, and American Studies, Cornell University. Her other books include Performing America: Cultural Nationalism in American Theater (co-edited with Jeffrey D. Mason) from the University of Michigan Press.
Susan Glaspell

Susan Glaspell

The University of Michigan Press
2002
nidottu
The career of Susan Glaspell (1876-1948), the American playwright and novelist, follows closely the trajectory of other "reclaimed" American women writers of the century such as Kate Chopin, Charlotte Perkins Gilman, and Zora Neale Hurston. She was well known in her time, effaced from canonical consideration after her death, and rediscovered years later through the surfacing of one work around which critical attention has focused.Glaspell was a respected international playwright and novelist who amassed some of the most impressive credentials in American theater history, including the Pulitzer Prize in 1931. Over the past fifteen years, she has been rediscovered through the work of leading feminist scholars; and her one-act play Trifles and its short story form, "A Jury of Her Peers," have become classics.This book is the first collection devoted to the study of the body of Glaspell's work. Essays by leading playwrights and scholars provide an array of perspectives on the writer and her work. The book features the first complete Glaspell bibliography, including original reviews of her plays and fiction and recent critical studies of her writing.Linda Ben-Zvi is Professor of Theater, Tel Aviv University. She is also author of Theater in Israel (Michigan, 1996).
Susan Meiselas

Susan Meiselas

Susan Meiselas; Marta Gili

THAMES HUDSON LTD
2024
nidottu
Best known for her work documenting the political upheaval in Central America during the 1970s and 80s, American photographer Susan Meiselas has been at the forefront of ethical debates around documentary photography for most of her career. Through close engagement with subjects such as war and exploitation, she has interrogated her own relationship to what she’s photographing, the circulation and dissemination of these images, and the pivotal questions around social and cultural representation and memory. Her influential contribution to the way audiences approach and engage with photography is as vital and resonant today as it was 40 years ago. This new addition to the Photofile series also includes short texts by Meiselas herself accompanying each work in the volume.
Susan Meiselas: On the Frontline

Susan Meiselas: On the Frontline

Susan Meiselas

Thames Hudson Ltd
2017
sidottu
This landmark book offers a synthesis of celebrated Magnum photographer Susan Meiselas’s views on her work and the role of the documentary photographer. Through text drawn largely from exclusive interviews with editor Mark Holborn, she offers a remarkable commentary on her career, from early work with carnival strippers, through groundbreaking reportage on Nicaragua and El Salvador, to projects encompassing subjects as varied as the Dani tribe of Indonesia, the Kurds of Northern Iraq and victims of domestic violence in California. Central to Meiselas’s work are themes of collaboration, return and exchange. With over 110 photographs – some classics, others rarely published – this book demonstrates how the frontline on which Meiselas has worked involves a bearing of witness and a gathering of evidence. As Meiselas has stated: ‘To continue on is to be curious – to be compelled to confront, to examine, to expose, to engage, and not know where you will end up or how the journey will change you. The frontline is always a choice.’
Plays by Susan Glaspell

Plays by Susan Glaspell

Susan Glaspell

Cambridge University Press
1987
pokkari
A co-founder of the Provincetown Players - the group which acted as midwife to the American theatre - Susan Glaspell (1876–1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O’Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism which may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O’Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring.
Susan Boyle, Professional Singer

Susan Boyle, Professional Singer

LucyB Lightner

Lulu.com
2010
pokkari
This is the first in a series chronicling the significant daily occurrences in the public Susan Boyle world as she pursued her dream of becoming a Professional Singer and became an International Singing Sensation. The information was gleaned from available public sources and the Forum at Susan-Boyle.com from July 1 to December 26, 2009. Just a few of the highlights covered-debut of "Wild Horses" on America's Got Talent Finale (Sept. 16); sang 3 songs LIVE at Rockefeller Plaza on NBC's Today Show, and debut of first album, I Dreamed a Dream (Nov. 23) and spectacular resulting album sales in US and UK; and taping (Dec. 6-7) and airing (Dec. 13) of the ITV special "I Dreamed a Dream: The Susan Boyle Story"