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1000 tulosta hakusanalla Toni Morrison

Toni Morrison and the Natural World

Toni Morrison and the Natural World

Anissa Janine Wardi

University Press of Mississippi
2021
nidottu
Critics have routinely excluded African American literature from ecocritical inquiry despite the fact that the literary tradition has, from its inception, proved to be steeped in environmental concerns that address elements of the natural world and relate nature to the transatlantic slave trade, plantation labor, and nationhood. Toni Morrison's work is no exception. Toni Morrison and the Natural World: An Ecology of Color is the first full-length ecocritical investigation of the Nobel Laureate's novels and brings to the fore an unequaled engagement between race and nature.Morrison's ecological consciousness holds that human geographies are enmeshed with nonhuman nature. It follows, then, that ecology, the branch of biology that studies how people relate to each other and their environment, is an apt framework for this book. The interrelationships and interactions between individuals and community, and between organisms and the biosphere are central to this analysis. They highlight that the human and nonhuman are part of a larger ecosystem of interfacings and transformations. Toni Morrison and the Natural World is organized by color, examining soil (brown) in The Bluest Eye and Paradise; plant life (green) in Song of Solomon, Beloved, and Home; bodies of water (blue) in Tar Baby and Love; and fire (orange) in Sula and God Help the Child. By providing a racially inflected reading of nature, Toni Morrison and the Natural World makes an important contribution to the field of environmental studies and provides a landmark for Morrison scholarship.
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Toni Morrison's Spiritual Vision

Toni Morrison's Spiritual Vision

Nadra Nittle

Fortress Press,U.S.
2021
pokkari
When Toni Morrison died in August 2019, she was widely remembered for her contributions to literature as an African American woman, an identity she wore proudly. Morrison was clear that she wrote from a Black, female perspective and for others who shared her identity. But just as much as she was an African American writer, Toni Morrison was a woman of faith. Morrison filled her novels with biblical allusions, magic, folktales, and liberated women, largely because Christianity, African American folk magic, and powerful women defined her own life. She grew up with family members who could interpret dreams, predict the future, see ghosts, and go about their business. Her relatives, particularly her mother, were good storytellers, and her family's oral tradition included ghost stories and African American folktales. But her family was also Christian. As a child, Morrison converted to Catholicism and chose a baptismal name that truly became her own--Anthony, from St. Anthony of Padua--going from Chloe to Toni. Morrison embraced both Catholicism and the occult as a child and, later, as a writer. She was deeply religious, and her spirituality included the Bible, the paranormal, and the folktales she heard as a child. Toni Morrison's Spiritual Vision unpacks this oft-ignored, but essential, element of Toni Morrison's work--her religion--and in so doing, gives readers a deeper, richer understanding of her life and her writing. In its pages, Nadra Nittle remembers and understands Morrison for all of who she was: a writer, a Black woman, and a person of complex faith. As Nittle's wide-ranging, deep exploration of Morrison's oeuvre reveals, to fully understand the writing of Toni Morrison one must also understand the role of religion and spirituality in her life and literature.
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Toni Morrison's Fiction

Toni Morrison's Fiction

Jan Furman

University of South Carolina Press
1999
nidottu
In this introduction to the Nobel Prize-winning fiction of Toni Morrison, the author surveys six novels, a short story, and a book of criticism to reconstruct the development of Morrison's creative vision and to assess its influence on contemporary literature. She chronicles Morrison's growth as a writer and traces the recurrent characters, themes, and settings that embody Morrison's literary philosophy. Demonstrating that Morrison strongly supports the idea that the artist must engender and interpret culture, the book examines the novelist's contribution to the expansion and redefinition of the American literary canon through her portrayal of the African American experience.
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Toni Morrison's Developing BTCass Consciousness

Toni Morrison's Developing BTCass Consciousness

Doreatha Drummond Mbalia

Susquehanna University Press
2004
sidottu
Toni Morrison scholars as well as those interested in the creative process will be excited about a new feature that appears in this second edition of this book: a sampling of Toni Morrison's creative process. In Part Two of this critical work, the author spotlights some of the autobiographical kernels that appear in each of Morrison's novels. Part One offers a comprehensive study of Morrison's novels, demonstrating that each one is a thematic and structural offshoot of the preceding one, evidencing a pattern of growth in Morrison's consciousness of the exploitation and oppression of all people of African descent and of her commitment to struggle for a solution. The Bluest Eye investigates the effects of racism on African female children. Sula explores avenues of self-fulfillment, but in the process ignores the collective that nurtures her. Song of Solomon reveals Morrison's increased awareness of the impact of historical and current events on the nation-class oppression of African people. Tar Baby offers evidence of Morrison's awareness that capitalism is the primary enemy of African people. Beloved proposes the only viable solution if African people are to be truly liberated: collective struggle. Jazz avows that conditions make people wild, and conditions in the U.S. and the rest of the world are life-threatening for women in particular. Paradise reflects Morrison's recognition of the African's mistaken belief that the enemy is the "white man," rather than capitalism. Doreatha Mbalia is an associate professor of Africology at the University of Wisconsin-Milwaukee.
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Toni Morrison (Bloom's Modern Critical Views) (Bloom's Modern Critical Views (Hardcover))

Toni Morrison (Bloom's Modern Critical Views) (Bloom's Modern Critical Views (Hardcover))

Bloom

Chelsea House Publishers
2011
sidottu
Toni Morrison, winner of the Nobel Prize in Literature in 1993, is one of America's most popular American authors, and her works are frequently studied in college and high school courses. Her novels, including The Bluest Eye, Song of Solomon, Beloved, and Paradise, have won almost every major award available to them. In addition, her influence as a critic, book editor, and mentor to other writers has been incalculable. This latest addition to the Bloom's Modern Critical Views series delves into Morrison's life and works, providing a chronology and bibliography, plus an index for quick reference.
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Toni Morrison's Fiction

Toni Morrison's Fiction

Jan Furman

University of South Carolina Press
2014
nidottu
In this revised introduction to Nobel Laureate Toni Morrison's novels, Jan Furman extends and updates her critical commentary. New chapters on four novels following the publication of Jazz in 1992 continue Furman's explorations of Morrison's themes and narrative strategies. In all Furman surveys ten works that include the trilogy novels, a short story, and a book of criticism to identify Morrison's recurrent concern with the destructive tensions that define human experience: the clash of gender and authority, the individual and community, race and national identity, culture and authenticity, and the self and other. As Furman demonstrates, Morrison more often than not renders meaning for characters and readers through an unflinching inquiry, if not resolution, of these enduring conflicts. She is not interested in tidy solutions. Enlightened self-love, knowledge, and struggle, even without the promise of salvation, are the moral measure of Morrison's characters, fiction, and literary imagination.Tracing Morrison's developing art and her career as a public intellectual, Furman examines the novels in order of publication. She also decodes their collective narrative chronology, which begins in the late seventeenth century and ends in the late twentieth century, as Morrison delineates three hundred years of African American experience. In Furman's view Morrison tells new and difficult stories of old, familiar histories such as the making of Colonial America and the racing of American society.In the final chapters Furman pays particular attention to form, noting Morrison's continuing practice of the kind of ""deep"" novelistic structure that transcends plot and imparts much of a novel's meaning. Furman demonstrates, through her helpful analyses, how engaging such innovations can be.
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A Toni Morrison Treasury

A Toni Morrison Treasury

Toni Morrison; Slade Morrison; Oprah Winfrey

SIMON SCHUSTER
2023
sidottu
Presidential Medal of Freedom, Nobel Prize, and Pulitzer Prize recipient Toni Morrison’s eight children’s books, cowritten with her son, are collected in one hardcover volume for the first time in this beautiful keepsake treasury with a foreword by Oprah Winfrey!The three Who’s Got Game books slyly and exuberantly retell some of Aesop’s fables. Three of the stories feature illustrations by Pascal Lemaitre: The Ant or the Grasshopper? examines friendship, betrayal, and survival while The Lion or the Mouse? takes a hilarious, subversive look at bullying and ego, big and small, and The Poppy or the Snake? shows how an accidental injury spirals into a battle of wills. In The Tortoise or the Hare?, illustrated by Joe Cepeda, slow and steady wins the race…or does it? Peeny Butter Fudge, also illustrated by Joe Cepeda, celebrates the relationship between three kids and their Nana. Nana can take an ordinary afternoon and make it extra special! Nap time, story time, and playtime are transformed by fairies, dragons, dancing, and pretending—and then mixing and fixing yummy, yummy fudge just like Nana and Mommy did not so many years ago. A lot can happen when Nana is left in charge! Little Cloud and Lady Wind features artwork by Sean Qualls and follows Little Cloud, who likes her own place in the sky. Away from the other clouds, the sky is all hers. Can Lady Wind show Little Cloud the power of being with others? Shadra Strickland’s charming illustrations illuminate Please, Louise. One gray afternoon, Louise makes a trip to the library. With the help of a new library card and through the transformative power of books, what started out as a dull day turns into one of surprises, ideas, and curiosity! This engaging picture book celebrates the wonders of reading, the enchanting capacity of the imagination, and, of course, the splendor of libraries. Toni Morrison’s first book for children, The Big Box, illustrated by Giselle Potter, introduces three feisty children who show grown-ups what it really means to be a kid.
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Toni Morrison on Mothers and Motherhood

Toni Morrison on Mothers and Motherhood

Demeter Press
2017
nidottu
This collection of essays explores the gamut of Toni Morrison’s novels from her earliest to her most recent. Each of the essays examines the various ways in which Morrison’s work delineates and interrogates Western culture’s ideological norms of mothers, motherhood, and mothering. The essays consider Morrison’s female, and in some cases male, characters as challenging the concept that mothering and motherhood is a stable notion. The essays reveal both that mothering is a central concept in Morrison’s work and that an examination of this pervasive notion illuminates her corpus as a whole. Toni Morrison on Mothers and Motherhood offers a wide range of scholarship that provides a compelling look at Morrison’s work through an array of interdisciplinary approaches that are grounded in feminist/gender studies. This interdisciplinary collection of essays will be of interest to scholars and critics concerned with the notions of how we define mother/motherhood/mothering and the problem of its interpretation within Western society, as well as those engaged in the interpretation of African-American literature, and Morrison’s work in particular.
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Toni Morrison's Jazz

Toni Morrison's Jazz

Florian König

Grin Publishing
2009
pokkari
Seminar paper from the year 2009 in the subject American Studies - Literature, grade: 1,3, http: //www.uni-jena.de/, course: African America in the Historical Novel, language: English, abstract: "...who in novels characterized by visionary force and poetic import, gives life to an essential aspect of American reality". This statement by the Swedish Academy seems an appropriate description of Nobel Prize laureate Toni Morrison. Her novel Jazz, which was first published in 1992, is set in the Harlem of the 1920s and re-creates an "essential aspect" of African-American history - the Harlem Renaissance. ...] In this project on the subject of 'African America in the Historical Novel', I want to examine Morrison's fictional representation of the afrorementioned era in relation to nonfictional depictions provided by significant writers of this epoch who explored the implications of jazz (and the development of African-American culture) during the actual historical period in which Morrison's novel is set. Therefore, her own narrative approach to history will be compared to the views Harlem Renaissance contemporaries such as Alain Locke and F. Scott Fitzgerald articulated in their assessments of this particular epoch of (African-) American experience. Selected parts of the Survey Graphic's issue Harlem: Mecca of the New Negro edited by Alain Locke and foundation for his groundbreaking anthology The New Negro as well as Fitzgerald's notable essay Echoes of the Jazz Age2 will be taken into consideration when evaluating Morrison's historical reconstruction of how the Harlem Renaissance, or how Fitzgerald calls it, the "Jazz Age", shaped and expressed African-American identity.
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