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261 tulosta hakusanalla Traugott Fischer
Abstract artefacts and natural languages : on the ontology of abstract cultural objects
Traugott Schiebe
Traugott Schiebe
2021
nidottu
Bokens syfte är att undersöka abstrakta kulturobjekt i allmänhet och språk i synnerhet för att ta reda på vad för slags ting de egentligen är eller åtminstone vad för slags ting vi normalt uppfattar dem som. Den argumenterar för att vi vid sidan om ting med strukturell identitet i stor utsträckning har att göra med abstrakta objekt med historisk identitet och existens, dvs abstrakta ting som blir till vid någon tidpunkt. Att inse deras beskaffenhet i detta avseende är viktigt när det gäller att förstå hur de fungerar och hur vi handskas med dem i vårt liv, inte minst när det gäller uttrycksmedlen i våra naturliga språk. Denna undersökning grundar sig på delvis nya analyser av sådana grundläggande begrepp som representation, information och lagbundenhet.
Ueber die Beziehungen der Urinfisteln zu den Geschlechtsfunctionen des Weibes
Traugott Kroner
Antigonos Verlag
2025
pokkari
Unver nderter Nachdruck der Originalausgabe von 1882. Der Verlag Antigonos spezialisiert sich auf die Herausgabe von Nachdrucken historischer B cher. Wir achten darauf, dass diese Werke der ffentlichkeit in einem guten Zustand zug nglich gemacht werden, um ihr kulturelles Erbe zu bewahren.
Ueber die Beziehungen der Urinfisteln zu den Geschlechtsfunctionen des Weibes
Traugott Kroner
Antigonos Verlag
2025
sidottu
Handel und Industrie der Stadt Basel: Zunftwesen und Wirtschaftsgeschichte bis zum Ende des XVII. Jahrhunderts
Traugott Geering
Antigonos Verlag
2025
nidottu
Der Verfasser stand 39 Jahre im Dienst der evangelischen Kirche der Kirchenprovinz Sachsen, ab 2010 in der Evangelischen Kirche in Mitteldeutschland. Er ist Pfarrer im Ruhestand und wohnt in Bernsdorf bei Lichtenstein/Sa.In diesem Buch geht es ihm um die Frage, wie der kirchliche Abbruch sich auswirken kann. Er sieht dabei zwei gegens tzliche Entwicklungen: Die Entstehung von geistlichen W sten und von freien Gemeinden.
Gemälde Von Nord-Amerika in Allen Beziehungen Von Der Entdeckung an Bis Auf Die Neueste Zeit, Erster Band
Traugott Bromme
Creative Media Partners, LLC
2018
pokkari
Phycologia germanica, d.i. Deutschlands Algen in bündigen Beschreibungen.
Friedrich Traugott Kützing
Wentworth Press
2018
sidottu
'To the barricades!' - The cry conjures images of angry citizens, turmoil in the streets, and skirmishes fought behind hastily improvised cover. This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of revolution. Exploring the most compelling moments of its history, Traugott finds that the barricade is more than a physical structure; it is part of a continuous insurrectionary lineage that features spontaneous collaboration even as it relies on recurrent patterns of self-conscious collective action. A case study in how techniques of protest originate and evolve, "The Insurgent Barricade" tells how the French perfected a repertoire of revolution over three centuries, and how students, exiles, and itinerant workers helped it spread across Europe.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
In June 1848, two irregular armies of the urban poor fought a four-day battle in the streets of Paris that decided the fate of the French Second Republic. The Parisian National Workshops and the Parisian Mobile Guard-organizations newly created at the time of the February Revolution-provided the bulk of the June combatants associated with the insurrection and repression, respectively. According to Marx's simple and compelling hypothesis, a nascent French proletariat unsuccessfully attempted to assert its political and social rights against a coalition of the bourgeoisie and lumpenproletariat, represented by the Parisian Mobile Guard. Through a detailed study of archival sources, Mark Traugott challenges this interpretation of these events and proposes an organizational explanation.Research has consistently shown that skilled artisans and not unskilled proletarians stood at the forefront of the revolutionary struggles of the nineteenth century. Traugott compares the social identities of the main participants on opposite sides of the conflict and sorts out the reasons for the political alignments observed. Drawing on work by Charles Tilly and Lynn Lees, Traugott demonstrates that the insurgents were not highly proletarianized workers, but rather members of the highly skilled trades predominant in the Parisian economy. Meanwhile, those who spearheaded the repression were little different in occupational status, though they tended to be significantly younger. Traugott's "organizational hypothesis" makes sense of the observed configuration of forces. He accounts for the age differential as a by-product of the recruitment criteria that Mobile Guard volunteers were required to meet. Finally, he explains why class position creates no more than a diffuse political predisposition that remains subject to the influence of situation-specific factors such as organizational affiliations. Armies of the Poor helps clarify our understanding of the dynamic at work in the insurrectionary turmoil of 1848 in particular and in the great waves of early industrial revolutionism in general. It now is a standard interpretation for subsequent research on the French Revolution of 1848. Armies of the Poor will be of interest to historians seeking a re-interpretation of a major revolutionary episode and social scientists considering a re-examination of Marx and Engels' hypotheses of the roots of political mobilization and protest.
William Lumpkin's residential designs speak volumes about the fusion of styles -- Spanish colonial, Pueblo, Art Deco -- in the Southwest. This book shows his distillation of the pure architectural elements of Pueblo style -- the heart of 'Santa Fe' style -- in 47 modern adobe projects. A skilled manipulation of this truly American architectural form. Also demonstrated is Lumpkin's adept talent for incorporating modern living standards into historic architecture with pleasing functional results.
This lavishly illustrated book explores the aesthetic and cultural impact of New Mexico art from the 1880s to the present, and highlights a refreshing range of works representing European, native, ethnic, tourist, regional and commercial art. For the past 125 years, art in New Mexico has told a complex story of aesthetic interaction and cultural fusion. Southwest art began with 19th-century documentarians confronting a disappearing Native America and an exotic landscape. Artists who arrived in New Mexico beginning in the 1880s wrestled with the commercialisation of the region and the clash of cultural identities. Native peoples and expedition photographers, tourism and the railroad, artist colonies, the arrival of modernism, Trinity and the end of romanticism, a new generation of native artists challenging ethnic identity -- all have played a part in what we now call New Mexican art. "The Art of New Mexico" provides new perspectives on the evolution of art in the state, and highlights the outstanding collection of the Museum of Fine Arts in Santa Fe, which is the repository for some of the finest works by renowned artists such as Adam Clark Vroman, Marsden Hartley, Robert Henri, John Sloan, Georgia O'Keeffe, and Luis Elijo Tapia. Curator and author Joseph Traugott discusses how Native American and Hispanic artists of the Southwest not only influenced the non-native artists who came to call New Mexico home, but how in turn their work was influenced by these newcomers. By organising key objects from the museum's collection with an intercultural history of New Mexico art, the book makes cogent connections between specific works, aesthetic movements, and cultural traditions. As a result, this book will engage readers who are well versed in the artistic traditions of New Mexico, as well as those new to its aesthetic heritage. The book is published to coincide with a reinstallation of the permanent collection at the Museum of Fine Arts in Santa Fe.
This book considers 250 works of art from across a vast timeline of 14,000 years, expanding the definition of what constitutes art to include aestheticised cultural objects extending back to the earliest worked points of the Paleo-Indian Clovis people. The transition from these early works to modern and contemporary art reflects changing economic, ethnic, ideological, religious, and cultural perspectives, while considering the diversity, aesthetic complexity, and cultural breadth that developed in New Mexico and the greater Southwest. The art in this lavishly illustrated publication includes pre-European Native American pottery, baskets, and weavings; Hispanic santero art highlighting religious bultos and retablos; as well as twentieth-century artists, many of whom helped to shape the canon of modern and contemporary art. Examples are drawn from both fine art and anthropology collections and include works by the luminaries of twentieth-century art, including the Santa Fe and Taos colony artists, Georgia O'Keeffe, Paul Strand, Richard Diebenkorn, Agnes Martin, Bruce Nauman, Fritz Scholder, and many more. This comprehensive book is published to coincide with an exhibition at the New Mexico Museum of Art in Santa Fe, New Mexico to open May 2012.
This book takes a serious and ironic look at popular icons in western American culture -- cowboy boots and masterpieces in western art -- to explore American cultural values and pervasive themes in twentieth century art. Cowboy boots are examined as markers of western life, as works of art, and subjects of works of art. The author has selected stellar examples of boots made by skilled and famous boot makers, including Lucchese, Tony Lama, and C C McGuffin, to offer a counterpoint to the "fine art" more typically considered. He has also selected drawings, paintings, prints, and photographs that reflect the changing attitudes and perceptions of western culture over the past 50 years and raise conceptual issues about western mores and modern life. Featured are works by Barbara Van Cleve, Frederick Hammersley, Bruce Nauman, Hal West, Luis A Jimenez, Jr., and many others whose art define and redefine aspects of Western mythology and culture. The text examines the contemporary art forms that shape the current representation of the cow-boy and the West in modern life and explores the origins of cowboy imagery; the isolation of ranch life; the non-traditional roles of female cobblers; and the depictions of boot wearers (both male and female) as powerful, sexual, and independent.
Jerry West: The Alchemy of Memory is the long-awaited, richly deserved retrospective of one of Santa Fe and New Mexico's most prominent artists. West was born in 1933 before the war that brought New Mexico into the modern century. His father Harold E. ("Hal") West, a WPA artist, anchored his son in the rugged world of ranch life and an abiding respect for American regionalism. Dreams, memory, prairie, the night sky; demons, family, history; remoteness and the grandeur of the vast windmills, coyotes and low-flying ravens; childhood, manhood, a tiny white kite and an advancing storm; vulnerability and masculinity; the strong, saturated colors of an artist who knows what he knows - a figurative artist of the subconscious nestled in peronal history with the New Mexico roots intact. Featuring ninety painting and some prints and murals that cover the period from early 1960s to the present and narrated by the artist.
Visualizing Albuquerque is a comprehensive overview of twelve thousand years of artistic activity in the central Rio Grande Valley. From sophisticated Paleo-Indian spear points to Pueblo pottery, from the Spanish and American Colonial periods to the city finding its true voice after World War II, Visualizing Albuquerque reveals the vibrant creativity spawned by the encounter with this unique region.While to the north Santa Fe and Taos built reputations largely based on a retrospective nostalgia, Visualizing Albuquerque demonstrates that Albuquerque has often acted as the more vital art center. Throughout the twentieth century the city became a haven for modern artists who looked eagerly forward, rather than toward an idealized, mythic past.Albuquerque's role as a hub for commerce and cutting-edge technology inspired decades of artistic innovation and activity. Artists in Albuquerque continue to directly confront the city's unique factors of geography, ethnicity, and complex history to overcome divisions, and in doing so they discover political, aesthetic, and spiritual solutions to difficult problems in challenging times.
Visualizing Albuquerque is a comprehensive overview of twelve thousand years of artistic activity in the central Rio Grande Valley. From sophisticated Paleo-Indian spear points to Pueblo pottery, from the Spanish and American Colonial periods to the city finding its true voice after World War II, Visualizing Albuquerque reveals the vibrant creativity spawned by the encounter with this unique region.While to the north Santa Fe and Taos built reputations largely based on a retrospective nostalgia, Visualizing Albuquerque demonstrates that Albuquerque has often acted as the more vital art center. Throughout the twentieth century the city became a haven for modern artists who looked eagerly forward, rather than toward an idealized, mythic past.Albuquerque's role as a hub for commerce and cutting-edge technology inspired decades of artistic innovation and activity. Artists in Albuquerque continue to directly confront the city's unique factors of geography, ethnicity, and complex history to overcome divisions, and in doing so they discover political, aesthetic, and spiritual solutions to difficult problems in challenging times.