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1000 tulosta hakusanalla Edgard Auguin

Edward Schillebeeckx and Hans Frei

Edward Schillebeeckx and Hans Frei

Marguerite Abdul-Masih

Wilfrid Laurier University Press
2001
nidottu
What is ""theological method""? Can there be more than one method? If so, how do you choose between them? How does method relate to experience? Would experience affect your choice of method and method affect experience? Abdul-Masih offers a three-part proposition. The first is that theological method is influenced by theological reasoning. That is, beliefs about the doctrines of revelation and God's activity will shape one's attitude toward experience. Your convictions provide a broad definition of ""experience,"" and determine how it is to be used. Her second proposition is that one's attitude toward experience and its use will, in turn, shape subsequent theology. In other words, the relationship between theological method and subsequent theological discourse is circular - or, more accurately, a spiral. Her third proposition is that ""experience"" is itself contextual, and therefore there is no right or wrong choice but rather a plurality of methods. To expand upon and illustrate her claim, Abdul-Masih analyzes, throughout her book, the methods of Edward Schillebeeckx and Hans Frei, who represent the tension in contemporary theology surrounding the issue of experience. Edward Schillebeeckx and Hans Frei: A Conversation on Method and Christology is a book that will challenge and enlighten those who wish to expand their understanding of theological methodology.
Edgar Degas – Waiting

Edgar Degas – Waiting

. Thomson

Getty Publications
1995
nidottu
Degas's pastel Waiting (L'Attente) is an extraordinary object in its craftsmanship and color, as well as in the emotional pull it exerts upon the viewer. But in addition to these, which we expect from a great work of art, Waiting also has an aura of ambiguity and even mystery. This study look at both its aesthetic qualities and the deeper questions that it arouses. Part of the Getty Museum Studies on Art series, the book offers a detailed discussion of Degas's pastel as well as an analysis of the broader context in which the work was created.
Edward Weston's Book of Nudes

Edward Weston's Book of Nudes

. Weston

J Paul Getty Trust Publications,US
2007
sidottu
Edward Henry Weston (1886-1958) first started taking photographs at the age of sixteen with a camera given to him by his father. Over the next five decades, he would come to be regarded by his peers as one of the greatest photographers of the twentieth century.This unique volume is a collection of his photographic studies of the nude form, first put together in 1953 with co-operation of acclaimed photography critic Nancy Newhall, and is the only book on the subject that Weston himself participated in. In the 1950s, however, publishers of fine art photography were reluctant to address the subject, and the proposal was rejected.In 1985, an incomplete version of the original mock up was acquired by the J. Paul Getty Museum. It was only in 2006 that the previously unpublished volume was able to be re-created in its original form - finally realizing Weston and Newhall's true vision.
Edward Hillel (Bilingual edition)
In 1987, The Main: Portrait of a Neighborhood celebrated tolerance and the urban immigrant experience around Montreal's Boulevard Saint Laurent. This 2025 reimagining investigates belonging, identity and memory in a globalized world. In 1987 The Main: Portrait of a Neighborhood was published and quickly sold out. The critically acclaimed project celebrated the communities around Montreal’s Boulevard Saint Laurent and contributed to the eventual designation of “The Main” as a Canadian heritage landmark. In 2017 to celebrate the city’s 375th anniversary, the author was invited to re-imagine the original book. Returning to his former neighbourhood, his new book weaves old and new photographs with texts and archives, inviting us on a journey into his creative process to reflect on questions of home, identity, time, memory, and the evolving urban landscape, and asking: in a globalized world where people and cities are in constant movement, what happens to places and memories? Can we go home again?
Edward Burr Van Vleck Collection of Japanese Prints

Edward Burr Van Vleck Collection of Japanese Prints

University of Wisconsin-Madison Art

University of Wisconsin Press
1990
sidottu
The Van Vleck collection of Japanese woodblock prints is one of the Elvehjem Museum of Art s (now the Chazen Museum of Art) most important collections of more than 3700 prints collected by Van Vleck between 1910 and 1943, including the prints that Frank Lloyd Wright collected in Japan in the 1920s. This copiously illustrated catalog is the culmination of several years of intensive study and documentation, and is the first step in making this impressive collection accessible to museum visitors and scholars. Distributed for theChazen Museum of Art, University of Wisconsin Madison"
Edward Borein

Edward Borein

Harold G. Davidson

Gerald Peters Gallery,U.S.
2011
nidottu
John Edward Borein (1872-1945) was the oldest of five children, born into a politically inclined family in San Leandro, then a Western cow town on the main northern California cattle trail not far from Oakland. The constant stream of cattle and 'vaqueros' moving through his hometown had a powerful effect on the young Borein, who began to sketch these men and animals when he was but five years old. Borein's artistic bent was encouraged by his family, and after grade school he briefly enrolled at the San Francisco Art Association School, leaving to become a working cowboy himself. For several years, the artist combined the two occupations, becoming a skilled and prolific sketcher of the Old West and its life. A move to New York in 1907 helped to cement his reputation as an artist. Like his good friend Charles M. Russell, Borein stands today as one of the most artistically gifted and intellectually honest chroniclers of the American West and a way of life that has now passed almost completely away. A master at portraying cowboys, Indians and Western life and work, his early work documented the transition from Spanish to American influence in California. He continued to paint Western scenes until the end of his life. The fine sketches, etchings, drawings and watercolors of this self-taught artist come to life in this book.
Edgar Allan Poe's San Francisco

Edgar Allan Poe's San Francisco

Joseph Jr Covino

Epic Press
2005
pokkari
Edgar Allan Poe's San Francisco: Terror Tales of the City is a psychological gothic horror suspense thriller perfectly faithful to the style and tradition of Edgar Allan Poe, set in contemporary San Francisco, in which a hypnotist, Dr. Vincent Valdemar, ostensibly undertakes to condition a writer, Nicolino, to copycat the murderous modus operandi of a notorious serial killer, known as the Scarabus Killer, who stalked San Francisco in times past. Fate unites both characters who coincidentally admire the works of Poe, themes and images of which are liberally interspersed throughout this perversely tantalizing terror tale of Poe, of hypnosis--of the City! What's real and unreal becomes eerily blurred in a shadowy and murky fog as this surreal brew weaves its way through an ethereal cityscape populated by spectral characters: in this ultimate Poe-pourri.
Leaves from the Autumns of Yesterday: A Collection by Edward C. Larson
Set in the sweeping landscape of Montana, on the majestic, often perilous waters of Alaska, along the coastal lands and waterways of California, and in the skies over China and the Far East, Leaves from the Autumns of Yesterday tells the stories of people Ed Larson has lived with and loved. Ed Larson paints pictures with his words and tells stories with his drawings. In Leaves from the Autumns of Yesterday, he takes you on a series of amazing adventures; and in due course, you will grow to respect and love Grandpa Charlie and Gram, Victor and Pete, and the cast of fisherman and fliers, family, friends, and lovers who have peopled Ed's stories and his life. Leaves from the Autumns of Yesterday reminds us that tenacity often triumphs over adversity; that life holds many surprising gifts; and that there is astounding beauty in the places, things, and people we so easily fail to notice and often take for granted. Ultimately, Leaves from the Autumns of Yesterday is a reflection of a life well lived.
Graphic Classics Volume 1: Edgar Allan Poe (4th Edition)
"Graphic Classics: Edgar Allan Poe" returns in a revised 4th edition, with 40 new pages of content! New comics adaptations include "The Pit and the Pendulum" by David Hontiveros and Carlo Vergara, and "William Wilson" by Rafael Nieves and Dan Dougherty. "The Raven" returns in a revised adaptation by J.B. Bonivert, with "Annabel Lee" by the same artist as a new companion piece. Plus, "The Black Cat", "The Tell-Tale Heart", "The Fall of the House of Usher", and four more terrifying tales.
Graphic Classics Volume 21: Edgar Allan Poe's Tales of Mystery

Graphic Classics Volume 21: Edgar Allan Poe's Tales of Mystery

Edgar Allan Poe; Antonella Caputo; Rod Lott; Rich Rainey

Eureka Productions
2011
nidottu
Poe's Tales of Mystery features a new full-color comics adaptation of Poe's seminal detective story "The Murders in the Rue Morgue". Also "The Facts in the Case of M. Valdemar", "The Man of the Crowd", "MS Found in a Bottle" and nine more stories and poems by the creator of the mystery genre. Artists include Michael Manning, Reno Maniquis, Brad Teare, Nelson Evergreen and Lisa K. Weber.