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A BRAND NEW heartwrenching, historical read from Helen Parusel Praise for Helen Parusel: 'This debut shines a light on a little known, but no less vital, corner of the war - events we should all know about. Fascinating.' Mandy Robotham 'The story is poignant and compelling - and what an ending: wow! ... A brilliant story with a powerful message. I wholeheartedly recommend it.' Gill Thompson ‘This novel is a true page turner, as well as being a heart-wrenching, emotional story of one of the darkest chapters of history ...first class research and captivating story-telling!' Louise Fein 'Pacy, twisty and emotional... a beautiful page-turner ... I highly recommended it.' Amanda Geard 'The layers of deception Laila encounters at the Lebensborn home were masterfully done and had me glued to the pages. A powerful debut, and a must-read for fans of historical fiction.' Andie Newton 'Atmospheric and gripping.' Jacquie Bloese 'A heartbreaking tale of love, loss and overwhelming courage. I was captivated, and couldn't turn the pages fast enough.' Siobhan Daiko 'The compelling story of Laila - a woman of great hope and courage - who showed how love, loyalty and compassion can endure despite the evils of war.' Catherine Law
This female Mad Men-like story chronicles the legendary Cosmopolitan magazine editor's rise to power as both a cultural icon and trailblazer who redefined what it means to be an American woman. In the mid-Sixties, Helen Gurley Brown, author of the groundbreaking Sex and the Single Girl, took over the ailing Cosmopolitan magazine and revamped it into one of the most successful brands in the world. At a time when magazines taught housewives how to make the perfect casserole, Helen reimagined Cosmo and womanhood itself, championing the independent, ambitious, man-loving single woman. Though she was married, to Hollywood producer David Brown, no one embodied the idea of the Cosmo Girl more than the Ozarks-born Helen, who willed, worked, and-yes-occasionally slept her way to the top, eventually becoming one of the most influential media players in the world. Drawing on new interviews with Helen's friends and former colleagues as well as her personal letters, Enter Helen brings New York City vibrantly to life during the Sexual Revolution and the Women's Movement and features a cast of characters including Hugh Hefner, Nora Ephron, and Gloria Steinem. It is the cinematic story of an icon who bucked convention, defined her own destiny, and became a controversial model for modern feminism, laying the groundwork for television shows like Sex and the City and Girls. "Bad Feminist" or not, Helen Gurley Brown got people talking-about sex, work, reproductive choices, and having it all-forever changing the conversation.
This volume brings together the writings of Nannie Helen Burroughs, an educator, civil rights activist, and leading voice in the African American community during the first half of the twentieth century. Nannie Helen Burroughs (1879–1961) is just one of the many African American intellectuals whose work has long been excluded from the literary canon. In her time, Burroughs was a celebrated African American (or, in her era, a "race woman") female activist, educator, and intellectual. This book represents a landmark contribution to the African American intellectual historical project by allowing readers to experience Burroughs in her own words. This anthology of her works written between 1900 and 1959 encapsulates Burroughs's work as a theologian, philosopher, activist, educator, intellectual, and evangelist, as well as the myriad of ways that her career resisted definition. Burroughs rubbed elbows with such African American historical icons as W. E. B. DuBois, Booker T. Washington, Anna Julia Cooper, Mary Church Terrell, and Mary McLeod Bethune, and these interactions represent much of the existing, easily available literature on Burroughs's life. This book aims to spark a conversation surrounding Burroughs's life and work by making available her own tracts on God, sin, the intersections of church and society, black womanhood, education, and social justice. Moreover, the volume is an important piece of the growing movement toward excavating African American intellectual and philosophical thought and reformulating the literary canon to bring a diverse array of voices to the table.
This volume brings together the writings of Nannie Helen Burroughs, an educator, civil rights activist, and leading voice in the African American community during the first half of the twentieth century. Nannie Helen Burroughs (1879–1961) is just one of the many African American intellectuals whose work has long been excluded from the literary canon. In her time, Burroughs was a celebrated African American (or, in her era, a "race woman") female activist, educator, and intellectual. This book represents a landmark contribution to the African American intellectual historical project by allowing readers to experience Burroughs in her own words. This anthology of her works written between 1900 and 1959 encapsulates Burroughs's work as a theologian, philosopher, activist, educator, intellectual, and evangelist, as well as the myriad of ways that her career resisted definition. Burroughs rubbed elbows with such African American historical icons as W. E. B. DuBois, Booker T. Washington, Anna Julia Cooper, Mary Church Terrell, and Mary McLeod Bethune, and these interactions represent much of the existing, easily available literature on Burroughs's life. This book aims to spark a conversation surrounding Burroughs's life and work by making available her own tracts on God, sin, the intersections of church and society, black womanhood, education, and social justice. Moreover, the volume is an important piece of the growing movement toward excavating African American intellectual and philosophical thought and reformulating the literary canon to bring a diverse array of voices to the table.
Classicism = cultural embezziement? History is a love story: a tale of desire and jealousy, abandonment and fidelity, abduction and theft, rupture and reconciliation. This contention is central is central to Grafting Helen, Matthew Gumpert's original and dazzling meditation on Helen of Troy as a crucial emblem for much of Western thought and literature. Grafting Helen looks at ""classicism"" - the privileged thetorical language for describing cultural origins in the West - as a protracted form of cultural embezzlement. No coin of the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coverted once again. Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.
Classicism = cultural embezziement? History is a love story: a tale of desire and jealousy, abandonment and fidelity, abduction and theft, rupture and reconciliation. This contention is central is central to Grafting Helen, Matthew Gumpert's original and dazzling meditation on Helen of Troy as a crucial emblem for much of Western thought and literature. Grafting Helen looks at ""classicism"" - the privileged thetorical language for describing cultural origins in the West - as a protracted form of cultural embezzlement. No coin of the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coverted once again. Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.
This up-to-date edition offers a detailed literary and cultural analysis of Euripides' Helen, a work which arguably embodies the variety and dynamism of fifth-century Athenian tragedy more than any other surviving play. The story of an exemplary wife (not an adulteress) who went to Egypt (not to Troy), Euripides' 'new Helen' skilfully transforms and supplants earlier currents of literature and myth. The Introduction elucidates Euripides' treatment of Helen and sets the play in its wider intellectual context. It also discusses questions of genre and reception, rejecting such descriptions as 'tragicomedy' or 'romantic tragedy', and showing how later artists have responded to Euripides' unorthodox heroine and her phantom double. The Commentary's notes on language and style are intended to make Helen fully accessible to readers of Greek at all levels, while the edition as a whole is designed for use by anyone with an interest in Greek tragedy.
This up-to-date edition offers a detailed literary and cultural analysis of Euripides' Helen, a work which arguably embodies the variety and dynamism of fifth-century Athenian tragedy more than any other surviving play. The story of an exemplary wife (not an adulteress) who went to Egypt (not to Troy), Euripides' 'new Helen' skilfully transforms and supplants earlier currents of literature and myth. The Introduction elucidates Euripides' treatment of Helen and sets the play in its wider intellectual context. It also discusses questions of genre and reception, rejecting such descriptions as 'tragicomedy' or 'romantic tragedy', and showing how later artists have responded to Euripides' unorthodox heroine and her phantom double. The Commentary's notes on language and style are intended to make Helen fully accessible to readers of Greek at all levels, while the edition as a whole is designed for use by anyone with an interest in Greek tragedy.
The grand tour, no longer the exclusive tradition of wealthy young Englishmen, by the early 20th century morphed to include twenty-three year old Helen, and Clara, her recently widowed mother. They sailed from their beloved America on the steamship, S.S. Blucher to Europe and kept two journals. You'll read from their travels, presented in a parallel arrangement, as they record their thoughts and activities day-by-day. You can feel in these writings something of the vibrancy of the cultures that they encountered. If you are interested in history, geography, culture, and women's studies, you are likely to find much to appreciate. Enjoy discovering something of the tenor and rhythum of the times as you follow their ten month itinerary to eight countries. You will be transported as you get to know these curious and open hearted women.
