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1000 tulosta hakusanalla Janet Taylor-Perry

Gender Violence in Russia

Gender Violence in Russia

Janet Elise Johnson

Indiana University Press
2009
pokkari
Just a few years ago, most Russian citizens did not recognize the notion of domestic violence or acknowledge that such a problem existed. Today, after years of local and international pressure to combat violence against women, things have changed dramatically. Gender Violence in Russia examines why and how this shift occurred—and why there has been no similar reform on other gender violence issues such as rape, sexual assault, or human trafficking. Drawing on more than a decade of research, Janet Elise Johnson analyzes media coverage and survey data to explain why some interventions succeed while others fail. She describes the local-global dynamics between a range of international actors, from feminist activists to national governments, and an equally diverse set of Russian organizations and institutions.
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Belle Gunness

Belle Gunness

Janet L. Langlois

Indiana University Press
1985
sidottu
The Guinness Book of World Records has in twelve editions listed Belle Gunness under the category "Most Prolific Murderers." She earned the epithet the Lady Bluebeard because she is believed to have killed as many as twenty spouses. She settled on a farm on the outskirts of LaPorte, Indiana, in 1901. Over the next seven years it is believed that she killed a husband, children, and an indeterminate number of would-be suitors who answered her matrimonial advertisements. Through symbolic analysis of the folk art about the murderess—anecdotes, personal-experience stories, legends, ballads, and plays and skits—Langlois discovers an integrated symbol system through which the community comes to various and contradictory conclusions about the deviant woman, deviancy in general, and social changes.
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Inventing the Medium

Inventing the Medium

Janet H. Murray

MIT Press
2011
sidottu
A foundational text offering a unified design vocabulary and a common methodology for maximizing the expressive power of digital artifacts.Digital artifacts from iPads to databases pervade our lives, and the design decisions that shape them affect how we think, act, communicate, and understand the world. But the pace of change has been so rapid that technical innovation is outstripping design. Interactors are often mystified and frustrated by their enticing but confusing new devices; meanwhile, product design teams struggle to articulate shared and enduring design goals. With Inventing the Medium, Janet Murray provides a unified vocabulary and a common methodology for the design of digital objects and environments. It will be an essential guide for both students and practitioners in this evolving field.Murray explains that innovative interaction designers should think of all objects made with bits-whether games or Web pages, robots or the latest killer apps-as belonging to a single new medium: the digital medium. Designers can speed the process of useful and lasting innovation by focusing on the collective cultural task of inventing this new medium. Exploring strategies for maximizing the expressive power of digital artifacts, Murray identifies and examines four representational affordances of digital environments that provide the core palette for designers across applications: computational procedures, user participation, navigable space, and encyclopedic capacity. Each chapter includes a set of Design Explorations-creative exercises for students and thought experiments for practitioners-that allow readers to apply the ideas in the chapter to particular design problems. Inventing the Medium also provides more than 200 illustrations of specific design strategies drawn from multiple genres and platforms and a glossary of design concepts.
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Designed for Success

Designed for Success

Janet Borgerson; Jonathan Schroeder

MIT PRESS LTD
2024
sidottu
A charmingly illustrated history of midcentury instructional records and their untold contribution to the American narrative of self-improvement, aspiration, and success.For the midcentury Americans who wished to better their golf game through hypnosis, teach their parakeet to talk, or achieve sexual harmony in their marriage, the answers lay no further than the record player. In Designed for Success, Janet Borgerson and Jonathan Schroeder shed light on these endearingly earnest albums that contributed to a powerful American vision of personal success. Rescued from charity shops, record store cast-off bins, or forgotten boxes in attics and basements, these educational records reveal the American consumers’ rich but sometimes surprising relationship to advertising, self-help, identity construction, and even aspects of transcendentalist thought.Relegated to obscurity and novelty, instructional records such as Secrets of Successful Varmint Calling, You Be a Disc Jockey, and How to Ski (A Living-Room Guide for Beginners) offer distinct insights into midcentury media production and consumption. Tracing the history of instructional records from the inception of the recording industry to the height of their popularity, Borgerson and Schroeder offer close readings of the abundant topics covered by “designed for success” records. Complemented by over a hundred full-color illustrations, Designed for Success is a wonderfully nostalgic tour that showcases the essential role these vinyl records played as an unappreciated precursor to contemporary do-it-yourself culture and modern conceptions of self-improvement.
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Inventing the Internet

Inventing the Internet

Janet Abbate

MIT Press
2000
pokkari
Janet Abbate recounts the key players and technologies that allowed the Internet to develop; but her main focus is always on the social and cultural factors that influenced the Internet's design and use.Since the late 1960s the Internet has grown from a single experimental network serving a dozen sites in the United States to a network of networks linking millions of computers worldwide. In Inventing the Internet, Janet Abbate recounts the key players and technologies that allowed the Internet to develop; but her main focus is always on the social and cultural factors that influenced the Internets design and use. The story she unfolds is an often twisting tale of collaboration and conflict among a remarkable variety of players, including government and military agencies, computer scientists in academia and industry, graduate students, telecommunications companies, standards organizations, and network users.The story starts with the early networking breakthroughs formulated in Cold War think tanks and realized in the Defense Department's creation of the ARPANET. It ends with the emergence of the Internet and its rapid and seemingly chaotic growth. Abbate looks at how academic and military influences and attitudes shaped both networks; how the usual lines between producer and user of a technology were crossed with interesting and unique results; and how later users invented their own very successful applications, such as electronic mail and the World Wide Web. She concludes that such applications continue the trend of decentralized, user-driven development that has characterized the Internet's entire history and that the key to the Internet's success has been a commitment to flexibility and diversity, both in technical design and in organizational culture.
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Hamlet on the Holodeck

Hamlet on the Holodeck

Janet H. Murray

MIT Press
2017
pokkari
An updated edition of the classic book on digital storytelling, with a new introduction and expansive chapter commentaries.I want to say to all the hacker-bards from every field—gamers, researchers, journalists, artists, programmers, scriptwriters, creators of authoring systems... please know that I wrote this book for you."— Hamlet on the Holodeck, from the author's introduction to the updated edition Janet Murray's Hamlet on the Holodeck was instantly influential and controversial when it was first published in 1997. Ahead of its time, it accurately predicted the rise of new genres of storytelling from the convergence of traditional media forms and computing. Taking the long view of artistic innovation over decades and even centuries, it remains forward-looking in its description of the development of new artistic traditions of practice, the growth of participatory audiences, and the realization of still-emerging technologies as consumer products. This updated edition of a book the New Yorker calls a "cult classic" offers a new introduction by Murray and chapter-by-chapter commentary relating Murray's predictions and enduring design insights to the most significant storytelling innovations of the past twenty years, from long-form television to artificial intelligence to virtual reality. Murray identifies the powerful new set of expressive affordances that computing offers for the ancient human activity of storytelling and considers what would be necessary for interactive narrative to become a mature and compelling art form. Her argument met with some resistance from print loyalists and postmodern hypertext enthusiasts, and it provoked a foundational debate in the emerging field of game studies on the relationship between narrative and videogames. But since Hamlet on the Holodeck's publication, a practice that was largely speculative has been validated by academia, artistic practice, and the marketplace. In this substantially updated edition, Murray provides fresh examples of expressive digital storytelling and identifies new directions for narrative innovation.
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Recoding Gender

Recoding Gender

Janet Abbate

MIT Press
2017
pokkari
The untold history of women and computing: how pioneering women succeeded in a field shaped by gender biases.Today, women earn a relatively low percentage of computer science degrees and hold proportionately few technical computing jobs. Meanwhile, the stereotype of the male "computer geek" seems to be everywhere in popular culture. Few people know that women were a significant presence in the early decades of computing in both the United States and Britain. Indeed, programming in postwar years was considered woman's work (perhaps in contrast to the more manly task of building the computers themselves). In Recoding Gender, Janet Abbate explores the untold history of women in computer science and programming from the Second World War to the late twentieth century. Demonstrating how gender has shaped the culture of computing, she offers a valuable historical perspective on today's concerns over women's underrepresentation in the field.Abbate describes the experiences of women who worked with the earliest electronic digital computers: Colossus, the wartime codebreaking computer at Bletchley Park outside London, and the American ENIAC, developed to calculate ballistics. She examines postwar methods for recruiting programmers, and the 1960s redefinition of programming as the more masculine "software engineering." She describes the social and business innovations of two early software entrepreneurs, Elsie Shutt and Stephanie Shirley; and she examines the career paths of women in academic computer science.Abbate's account of the bold and creative strategies of women who loved computing work, excelled at it, and forged successful careers will provide inspiration for those working to change gendered computing culture.
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Designed for Hi-Fi Living

Designed for Hi-Fi Living

Janet Borgerson; Jonathan Schroeder; Daniel Miller

MIT Press
2018
pokkari
How record albums and their covers delivered mood music, lifestyle advice, global sounds, and travel tips to midcentury Americans who longed to be modern.The sleek hi-fi console in a well-appointed midcentury American living room might have had a stack of albums by musicians like Frank Sinatra, Elvis Presley, or Patti Page. It was just as likely to have had a selection of LPs from slightly different genres, with such titles as Cocktail Time, Music for a Chinese Dinner at Home, The Perfect Background Music for Your Home Movies, Honeymoon in Hawaii, Strings for a Space Age, or Cairo! The Music of Modern Egypt. The brilliantly hued, full-color cover art might show an ideal listener, an ideal living room, an ideal tourist in an exotic landscape-or even an ideal space traveler. In Designed for Hi-Fi Living, Janet Borgerson and Jonathan Schroeder listen to and look at these vinyl LPs, scouring the cover art and the liner notes, and find that these albums offered a guide for aspirational Americans who yearned to be modern in postwar consumer culture.Borgerson and Schroeder examine the representations of modern life in a selection of midcentury record albums, discussing nearly 150 vintage album covers, reproduced in color-some featuring modern art or the work of famous designers and photographers. Offering a fascinating glimpse into the postwar imagination, the first part, "Home," explores how the American home entered the frontlines of cold war debates and became an entertainment zone-a place to play music, mix drinks, and impress guests with displays of good taste. The second part, "Away," considers albums featuring music, pictures, and tourist information that prepared Americans for the jet age as well as the space race.
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The Green Tuxedo

The Green Tuxedo

Janet Holmes

University of Notre Dame Press
1998
nidottu
Janet Holmes's second book of poems explores and interrogates the quotidian life of the late twentieth century for what exists behind its often seductive appearance. In these poems we see beneath acceptable, sleek surfaces into the turbulence they often conceal, as the splendid green tuxedo of the title may disguise a heart that harbors racism, fear, and violence. Holmes exhorts us to look beyond the face value of what presents itself, to resist literal interpretations, and to plumb the many depths afforded by each encounter with the world outside ourselves. In the second half of The Green Tuxedo, Holmes draws on recently discovered diaries kept by her journalist father nearly fifty years before her birth. Sifting through evidence and memory, she entwines actual diary entries (such as a seventy-seven-name list of "Wild Women I Have Known") with speculation and invention to generate a portrait that discovers him- re-invents him-as a young man. This sequence, searching and elegiac, affords closure to a book whose questionings suggest less a need for absolute answers than a declaration of the need to explore. Holmes leads us through a world of appearances, celebrating the necessary examination of what is concealed.
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Humanophone

Humanophone

Janet Holmes

University of Notre Dame Press
2001
sidottu
The poetry in Humanophone, the third volume from award-winning poet Janet Holmes, celebrates composers and creators such as Harry Partch, Raymond Scott, Leon Theremin, and George Ives, who had to invent new instruments to capture the music heard in their "mind's ear." Taking its title from a George Ives invention—an instrument made from a group of humans, each of whom sings a single note, arrayed like a xylophone—Humanophone appears on its surface to be about music. But its real subject is the artist's creative dilemma—how to deliver a new idea, whether it be a song or a poem, through existing media. Holmes works language into a variety of forms both familiar—syllabics, couplets, villanelles, sonnets—and engagingly new. With everything from kumquats to abandoned wedding pictures, Clara Bow to Bill Robinson, Keats's belle dame to Dante's Francesca, feng shui to a recipe for octopus, Humanophone celebrates how the body shapes art from the world it is given. In Humanophone, Holmes not only chronicles events such as Harry Partch's transformation of glass chemical containers from the Berkeley Radiation Lab into the melodious and beautiful Cloud-Chamber Bowls, but also traces a playful path through the familiar, as a trombone's upwards glissando becomes "a backwards pratfall/in brass." Engaging a broad array of subjects, Holmes's poetry is as delightful as it is thoughtful, as simple as it is complex.
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Humanophone

Humanophone

Janet Holmes

University of Notre Dame Press
2001
nidottu
The poetry in Humanophone, the third volume from award-winning poet Janet Holmes, celebrates composers and creators such as Harry Partch, Raymond Scott, Leon Theremin, and George Ives, who had to invent new instruments to capture the music heard in their "mind's ear." Taking its title from a George Ives invention—an instrument made from a group of humans, each of whom sings a single note, arrayed like a xylophone—Humanophone appears on its surface to be about music. But its real subject is the artist's creative dilemma—how to deliver a new idea, whether it be a song or a poem, through existing media. Holmes works language into a variety of forms both familiar—syllabics, couplets, villanelles, sonnets—and engagingly new. With everything from kumquats to abandoned wedding pictures, Clara Bow to Bill Robinson, Keats's belle dame to Dante's Francesca, feng shui to a recipe for octopus, Humanophone celebrates how the body shapes art from the world it is given. In Humanophone, Holmes not only chronicles events such as Harry Partch's transformation of glass chemical containers from the Berkeley Radiation Lab into the melodious and beautiful Cloud-Chamber Bowls, but also traces a playful path through the familiar, as a trombone's upwards glissando becomes "a backwards pratfall/in brass." Engaging a broad array of subjects, Holmes's poetry is as delightful as it is thoughtful, as simple as it is complex.
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F2F

F2F

Janet Holmes

University of Notre Dame Press
2006
nidottu
f2f: Shorthand for "face-to-face," as in meeting someone in real life, flesh-to-flesh, as opposed to in the electronic world of cyberspace. Used in chat rooms and while instant messaging on the Internet. At the core of this challenging new collection from Janet Holmes is the conceit of the sense of sight and the complex role it plays in women's self-identities and relationships. Emily Dickinson is introduced as the iconic female writer who, unread in her time, is frequently misinterpreted and unheard. Holmes relates Dickinson's self-isolation to the writer's isolation from the reader and the intimacy of the act of reading. Echo, Eurydice, and Eros—other "E" figures, these mythological, their stories relying on seeing and being seen—are related by Holmes to twentieth-century counterparts manifesting as an anorexic, a flamboyant dresser, and a love god, respectively. Holmes intersperses her meditation with the language of online text-messaging, employing it as a vehicle for probing the dual limitations and liberties afforded on-line correspondents. Through her correspondents' postings, we chart their relationship evolving without benefit of ever meeting or exchanging photographs, the participants deeply affected by the absence of the sense of sight. By turns provocative and timid, lyrical and terse, the voices in f2f exhibit myriad human reactions to how seeing each other influences how we behave.
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Dreamlife of a Philanthropist

Dreamlife of a Philanthropist

Janet Kaplan

University of Notre Dame Press
2011
nidottu
With a salve in one hand and a burcher's knife in the other, Janet Kaplan offers her masterful third collection, Dreamlife of a Philanthropist, winner of the 2011 Ernest Sandeen prize in Poetry. The prose poems and sonnets in Dreamlife are packed with postmodern language-leaping, modern irony and absurdity, and a poet's ageless ear for the pleasures of the lyric and formal experimentation. These are poems that can never quite abandon the hope that life--and language—are worthy pursuits; but they never offer up easy assurances about the benefits of humanity to anyone or anything. Get ready for dogs that wail and overtake the scene; an invitation to make love on a mattress of ants; and the philanthropist of the title, who dreams that people are tuned into fish. It's "good luck and bad in random but equal measure," Kaplan writes in "Life and Times."
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Servants of the Poor

Servants of the Poor

Janet Nolan

University of Notre Dame Press
2004
sidottu
In the late nineteenth century, an era in which social mobility was measured almost exclusively by the success of men, Irish American women were leading their ethnic group into the lower middle class occupations of civil service, teaching, and health care. Unlike their immigrant mothers who became servants of the rich, Irish American daughters became servants of the poor by teaching in public school classrooms. The remarkable success of Irish American women was tied to their educational achievements. Unlike many of their contemporaries, the daughters of Irish America attended four-year academic programs in high schools, followed by two to three years of normal school training. By the first decade of the twentieth century, Irish American women were the largest single ethnic group among public elementary school teachers in cities such as Boston, Chicago, and San Francisco. Janet Nolan argues that the roots of this female-driven mobility can be traced to immigrant women's education in Ireland. Armed with the literacy and numeracy learned in Irish schools, Irish immigrant women in America sent their daughters, more than their sons, to school in preparation for professional careers. As a result, Nolan contends, Irish American women entered white-collar work at least a generation before their brothers. Servants of the Pooris a pioneering work which looks at the teaching profession at the turn of the century from the perspective of the women who taught in Irish and American classrooms. Drawing on previously unpublished archival and manuscript sources, including memoirs and letters, Servants of the Poor will be of considerable value to those interested in Irish, Irish American, educational, and women's history.
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Servants of the Poor

Servants of the Poor

Janet Nolan

University of Notre Dame Press
2004
nidottu
In the late nineteenth century, an era in which social mobility was measured almost exclusively by the success of men, Irish American women were leading their ethnic group into the lower middle class occupations of civil service, teaching, and health care. Unlike their immigrant mothers who became servants of the rich, Irish American daughters became servants of the poor by teaching in public school classrooms. The remarkable success of Irish American women was tied to their educational achievements. Unlike many of their contemporaries, the daughters of Irish America attended four-year academic programs in high schools, followed by two to three years of normal school training. By the first decade of the twentieth century, Irish American women were the largest single ethnic group among public elementary school teachers in cities such as Boston, Chicago, and San Francisco. Janet Nolan argues that the roots of this female-driven mobility can be traced to immigrant women's education in Ireland. Armed with the literacy and numeracy learned in Irish schools, Irish immigrant women in America sent their daughters, more than their sons, to school in preparation for professional careers. As a result, Nolan contends, Irish American women entered white-collar work at least a generation before their brothers. Servants of the Pooris a pioneering work which looks at the teaching profession at the turn of the century from the perspective of the women who taught in Irish and American classrooms. Drawing on previously unpublished archival and manuscript sources, including memoirs and letters, Servants of the Poor will be of considerable value to those interested in Irish, Irish American, educational, and women's history.
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Zodiaque

Zodiaque

Janet T. Marquardt

Pennsylvania State University Press
2015
sidottu
Begun in 1951 by monks at the abbey of La Pierre-qui-Vire in Burgundy, the Zodiaque publications consisted of a triennial journal and multiple series of books, including the most famous: La Nuit des temps. The editors’ goal was to renew sacred art for twentieth-century viewers by making connections between the direct, “primitive” character of pre-Gothic religious art and an emerging modernist aesthetic. Focusing almost exclusively on Romanesque architecture and sculptural decoration, Zodiaque revived the style’s richness and variety, bringing to light monuments lost to popular currency and visually shaping their reception with a new eye to graphic forms. What captured the public imagination and brought the Zodiaque books to international attention was their primary feature: striking black-and-white photogravures. These powerful images went beyond documentary photography to become collectible graphic prints, shaping the plastic form seen by the camera into a fresh two-dimensional artwork. In Zodiaque, Janet Marquardt explores the motivations, philosophies, and workshop practices of Éditions Zodiaque and how they affected the scholarly discourse on medieval art and architecture.
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A Vivifying Spirit

A Vivifying Spirit

Janet Moore Lindman

Pennsylvania State University Press
2022
sidottu
American Quakerism changed dramatically in the antebellum era owing to both internal and external forces, including schism, industrialization, western migration, and reform activism. With the “Great Separation” of the 1820s and subsequent divisions during the 1840s and 1850s, new Quaker sects emerged. Some maintained the quietism of the previous era; others became more austere; still others were heavily influenced by American evangelicalism and integration into modern culture. Examining this increasing complexity and highlighting a vital religiosity driven by deeply held convictions, Janet Moore Lindman focuses on the Friends of the mid-Atlantic and the Delaware Valley to explore how Friends’ piety affected their actions—not only in the evolution of religious practice and belief but also in response to a changing social and political context. Her analysis demonstrates how these Friends’ practical approach to piety embodied spiritual ideals that reformulated their religion and aided their participation in a burgeoning American republic.Based on extensive archival research, this book sheds new light on both the evolution of Quaker spiritual practice and the history of antebellum reform movements. It will be of interest to scholars and students of early American history, religious studies, and Quaker studies as well as general readers interested in the history of the Society of Friends.
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A Vivifying Spirit

A Vivifying Spirit

Janet Moore Lindman

Pennsylvania State University Press
2025
pokkari
American Quakerism changed dramatically in the antebellum era owing to both internal and external forces, including schism, industrialization, western migration, and reform activism. With the “Great Separation” of the 1820s and subsequent divisions during the 1840s and 1850s, new Quaker sects emerged. Some maintained the quietism of the previous era; others became more austere; still others were heavily influenced by American evangelicalism and integration into modern culture. Examining this increasing complexity and highlighting a vital religiosity driven by deeply held convictions, Janet Moore Lindman focuses on the Friends of the mid-Atlantic and the Delaware Valley to explore how Friends’ piety affected their actions—not only in the evolution of religious practice and belief but also in response to a changing social and political context. Her analysis demonstrates how these Friends’ practical approach to piety embodied spiritual ideals that reformulated their religion and aided their participation in a burgeoning American republic.Based on extensive archival research, this book sheds new light on both the evolution of Quaker spiritual practice and the history of antebellum reform movements. It will be of interest to scholars and students of early American history, religious studies, and Quaker studies as well as general readers interested in the history of the Society of Friends.
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Working with the Family in Primary Care

Working with the Family in Primary Care

Janet Christie Seely

Praeger Publishers Inc
1984
sidottu
A systematic approach to the role that the family can and should play in improving health care management. The concept of working with families toward this end is viewed as a major step forward in clarifying the role of the physician and nurse in family medicine. Includes numerous case histories.
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Life Change, Life Events, and Illness

Life Change, Life Events, and Illness

Janet H. Alexander; Ella M. David; Elizabet Mcgreer; Eleanor H. Williams

Praeger Publishers Inc
1989
sidottu
A pioneer in the field of behavioral medicine, the late Thomas H. Holmes developed a set of scales that measured the impact of life changes and events on a person's health, particularly stress-related disorders. This volume collects for the first time the key research studies that emanated from the Holmes laboratory at the University of Washington from 1957 through 1981. Designed to serve as a reference book and a resource for students and scholars interested in life change research, Life Change, Life Events, and Illness provides ready access to the historical record of the Holmes psychosocial laboratory. For archival purposes, editorial revisions have been undertaken only to correct errata, update references, and establish stylistic conformity.The first chapter, written specifically for this volume, places the work of the Holmes laboratory in historical context, probes the beginning of Holme's research hypothesis in studies of the physiology of emotions, and outlines the direction of his research program. The first group of readings review the development, testing, and validation of three innovative research instruments: The Social Readjustment Rating Scale, the Seriousness of Illness Rating Scale, and the Schedule of Recent Experience. Subsequent chapters reconstruct the initial applications of methodologies developed by Holmes and his colleagues, culminating in the formulation of a paradigm for the relationship of life change and illness susceptibility. The final papers illustrate the realms into which life change research expanded in the last decade of Holme's tenure at the laboratory.
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