Artist Jonathan Wolstenholme paints exquisitely detailed still lifes of books in watercolour. Born in London and trained at Croydon Art College, he is fascinated by the world of antiquarian books and paraphernalia from a bygone age when craftsmanship was highly prized. He works in such detail that it is possible to read every word in the books that he paints. As an illustrator Jonathan worked for all the major magazines and newspapers using his own brand of quirky humour, as well as being commissioned to illustrate such works as The Diary of Samuel Pepys, Alice's Adventures in Wonderland and Grimm's Fairy Tales. This calendar showcases 12 of his enthralling and entertaining paintings that bring books to life. The datepad features previous and next months views in this art calendar. Printed on FSC-certified paper, with plastic-free packaging.
‘Epic, stunning, and completely delicious. Jonathan Becker: Lost Time is a fitting legacy for one of the true photographic masters of our age.’ – Graydon Carter, founder and co-editor of Air Mail and former editor of Vanity Fair The first retrospective monograph on photographer Jonathan Becker, one of the great visual storytellers of our time Over the course of five decades, Jonathan Becker has produced a body of evocative photographic work that documents lives of the twentieth-century beau monde. A protégé of legendary Parisian photographer Brassaï and a longtime contributor to Vanity Fair, Becker’s work provides a link between fine-art photography and the notion of the photographer as social observer. Bringing together commissioned and personal work, this stunning collection presents more than 200 images from across Becker’s career, charting his journeys in New York, Paris, London, and Buenos Aires from the 1970s to the 2010s. Portraits of artists Ed Ruscha and Cindy Sherman, writers Arthur Miller and Eudora Welty, musicians David Bowie and Mick Jagger, and others reveal Becker’s exceptional eye and astute sociological observations. The monograph includes an introductory text by the book’s editor, Mark Holborn, along with a narrative text by Becker about his life, travels, and encounters with some of the most well-known figures in the twentieth century. Brilliantly reproduced and housed in a cloth case, this luxurious collection is a captivating and essential book that reveals Becker as one of the premier chroniclers of our time. Includes Becker’s portraits of figures such as: Peter Beard, HRH King Charles III, Fran Lebowitz, Robert Mapplethorpe, Arthur Miller, Jackie O., Gwyneth Paltrow, Cindy Sherman, André Leon Talley, François Truffaut, Gloria Vanderbilt, Gore Vidal, Diana Vreeland, Andy Warhol, and many more.
Jonathan Edwards was just an ordinary American boy but he was different too. The country he lived in wasn’t the America of today – but a new world full of adventure and opportunity. Battles and Tomahawks were just some of the thrilling adventures that his family lived through. But Jonathan also loved the small things in life too. In an age of scientific discovery, Edwards saw God’s beauty displayed most perfectly through nature. His journals are filled with drawings of plants, animals, and spiders because he knew that each one of them reflected the creativity of its Creator. His mind was full of questions and he grappled for the answers. Intellectually there were few to beat him. However it wasn’t just his amazing intelligence that set him apart from other boys his age – he may have had a thirst for knowledge but he also had a strong desire for the things of God. His genius and abilities teamed up well with his faith and love for the Lord Jesus Christ. One day the country that would become the United States of America would look back at this man of brilliance as a founding influence on their land. The Trailblazer’s series collects great stories from Christians of the past and delivers them to the young people of today. This gripping and astonishing story from Christian George will challenge young readers to trust God as Jonathan Edwards did. A well–known and long–standing series: Over 50 titlesGreat for ages 9 to 14Published in 14 languagesHalf a million books soldAlso available in box sets when one book is not enough! 7 themed box sets, each with 5 books Each biography follows the trailblazer’s journey to faith, and on to the work that God had planned for them. With lots of dialogue, these engaging stories show how God uses normal individuals to bring about his purpose. Each book features: Thinking Further Topics for each chapter to help readers think about how what they’ve read applies to their life todayTimeline of important events in the lifetime of each book’s subject
Jonathan Franzen is one of the most influential, critically-significant and popular contemporary American novelists. This book is the first full-length study of his work and attempts to articulate where American fiction is headed after postmodernism. Stephen Burn provides a comprehensive analysis of each of Franzen's novels - from his early work to the major success of The Corrections - identifying key sources, delineating important narrative strategies, and revealing how Franzen's themes are reinforced by each novel's structure. Supplementing this analysis with comparisons to key contemporaries, David Foster Wallace and Richard Powers, Burn suggests how Franzen's work is indicative of the direction of experimental American fiction in the wake of the so-called end of postmodernism.
This is another consignment of spiritually inspired works. The communicator is a spiritual soul called,'JONATHAN SWIFT'. Born 1667. Died 1745. He would send these writings through all day and every day, if I allowed it. Yet he is always available immediately when I want to link up with him. These wonderful epistles are covering every aspect of human feelings and fears, and also the solutions to many of our day to day problems. The missives in these first five books for me completely prove 'Life after death'. What a wonderful spirit. I feel deeply honoured that he chose me to express himself through.
A tour of the works of the highly regarded graphic designer explores his well-known and unpublished personal projects, offering insight into the thought processes and preparations leading up to his work, as well as the complex graphic and sociopolitical issues addressed by his designs.
PM is a firm favourite amongst Primary Schools due to its reputation for reading success. Offering over 800 carefully levelled fiction and non-fiction books, PM builds confidence through gradual progression and step-by-step support.
Susan’s Breasts "Gems’s piece is a bitter dissection of the heroin generation, where bright young things attempt to maintain their rigid codes of personal freedom and loveless sex … Sparky, sexy, sterile Susan is the object of Gems’s despair, and the object of desire for her predatory he-admirers – a loutish intellectual, a wise-cracking, good-time restaurateur, and a film-maker with acute semiotics-disease. It is only the old-fashioned romantic love professed by Lemon, a Romeo-cum-seer, which makes the eponymous breasts swell with maternity. Sharply observed and often carrying a charge of rich comic irony." – Time Out Naked Robots "An extremely well-written evocation of life in the style-conscious world of popular music." – The Sunday Times The Paranormalist "The climax of The Paranormalist has Denholm Elliott in spotlit levitation above a bickering family in a suburban living room. Dishevelled in baggy cardy and slippers, Elliott gives an affectionate and authoritative portrayal as an English eccentric. It’s a brilliant performance in an exhilarating new play which interweaves drawing-room farce with a witty use of the paranormal." – Time Out
The relationship between the Hebrew heroes David and Jonathan has caught the attention of popular and scholarly writers alike. Yet there is little agreement about the nature of this relationship that speaks of a love between two men that 'surpasses the love of a man for a woman' (2 Sam. 1.26). Weighing the arguments of scholars including Nissinen, Stone and Zehnder, Heacock produces a meta-critical analysis of the many interpretations of the relationship between David and Jonathan, identifying three dominant readings: the traditional political-theological interpretation, the homoerotic interpretation, and the homosocial interpretation.After outlining the three interpretive approaches, Heacock considers the evidence cited to support each: namely, themes in the David and Jonathan narrative and related biblical texts, ancient political treaties, laws pertaining to homogenital behaviour in the ancient Mediterranean world, and the heroic tales of the Gilgamesh Epic and Homer's Iliad. By applying recent epistemological shifts in knowledge as developed in the interdisciplinary fields of sexuality studies, queer studies and ancient studies, Heacock emphasizes the inescapability of the modern reader's cultural context when reading the narrative, particularly the influence of modern discourses of sexuality.Rather than suggest an alternative historical reading, Heacock turns the debate on its head by abandoning claims to historical veracity and embracing the input of the contemporary queer reader. Using queer theory and reader-response criticism, he offers a reading of the relationship between David and Jonathan through the lens of contemporary gay male friendships. This queer reading not only celebrates manly love in its numerous forms, but also adds a self-critical voice to the discussion that exposes the heteronormative assumptions underlying the questions often asked of the narrative.
Jonathan Richardson (1667–1745) was one of 18th-century England’s most significant cultural figures. A leading portrait painter and influential art theorist, he also amassed one of the period’s greatest collections of drawings. But there was another, highly unusual dimension to his pursuits. In 1728, at the age of 61 and shortly before his retirement from professional life, Richardson began to create a remarkable series of self-portrait drawings. Not intended for public display, these works were unguarded explorations of his own character. In one of the most astonishing projects of self-examination ever undertaken by an artist, for over a decade Richardson repeatedly drew his own face. His self-portrait drawings are usually dated precisely, and they document, from month to month, his changing state of mind as much as his appearance. Many were drawn in chalks on large sheets of blue paper, from his reflection in the mirror. Some of these are bold and psychologically penetrating, while others, in which he regards his aging features with gentle but unflinching scrutiny, are deeply touching. A further group of self-portraits is drawn with graphite on small sheets of fine vellum, and in these Richardson often presents himself in inventive and humorous ways, such as in profile, all’antica, as though on the face of a coin or medal; or crowned with bays, like a celebrated poet. Sometimes, too, he copies his image from oil paintings made decades earlier, in order to recall his appearance as a younger man. In this extraordinary series of self-portraits, Richardson offers a candid insight into his mind and personality. Together, these drawings create nothing less than a unique and compelling visual autobiography. This publication – which accompanies the first ever exhibition devoted to Richardson’s self-portrait drawings, held in the new Gilbert and Ildiko Butler Drawings Gallery at the Courtauld – tells the story of these remarkable works and puts them into the context of his other activities at this period of his life – in particular the self-searching poems he wrote during the same years and often on the same days as he made the drawings. An introductory essay is followed by focused discussions of each work in the exhibition. This part of the book explores the materials and techniques Richardson used, whether working in chalks on a large scale or creating exquisitely refined drawings on vellum. It will also reveal how Richardson modeled some of his portraits on old master prints and drawings, including works in his own collection by Rembrandt and Bernini. The publication brings together the Courtauld Gallery’s fine collection of Richardson’s drawings with key works in the British Museum, the National Portrait Gallery and the Fitzwilliam Museum.
Leading professional Jonathan Little excels live No-Limit cash game play. In this book he teaches readers how to master the intricacies of this fascinating game. Jonathan's first book in this series, Jonathan Little on Live no-Limit Cash Games, Volume 1: The Theory outlined how the modern professional plays the game. Now Jonathan has produced a second volume, allowing players to test their understanding of the nuances of playing NL live. The question and answer format allows the reader to examine each individual hand, consider the relevant factors and formulate their thinking about the best line to take. In this way the reader can compare his or her thought processes with those of a top flight professional. No-Limit play is all about successfully adapting your strategy based on: The pre-flop actionWhether you are the aggressorWhether you are in positionThe relative stack sizes at the tableTesting yourself by going through the examples in this book will enable you to make these adaptations instinctive.
Excelling at No-Limit Hold'em is a sensation in poker publishing. Renowned poker professional and author Jonathan Little brings together 17 of the greatest no-limit experts in the world to discuss all aspects of the game. These experts include superstars such as Phil Hellmuth, Chris Moneymaker, Mike Sexton and Jared Tendler. In Part 1 strategies are analysed for topics such as understanding the fundamentals, satellite play, lower-buy in events, analysing tells and moving up in stakes Part 2 sees a thorough technical breakdown of the game including sections on range analysis, game theory optimal play, short stack strategies, value betting and final table play. As any serious poker will confirm, the technical side is only half the battle and so Part 3 deals with mental toughness, psychology and understanding tilt. Excelling at No-Limit Hold'em provides all the tools that an aspiring player needs to understand no-limit hold'em. It is a must buy for anyone who is serious about wanting to improve their poker.
Jonathan Wateridge was born in Lusaka, Zambia, in 1972. Today he lives and works in Norfolk, UK. This, the artist’s first trade monograph, presents two significant bodies of work, ‘Enclave’ and ‘Expatria’. In these series, Wateridge returns to his childhood memories of growing up within the privileged white ex-pat communities of Zambia in the 1970s and 1980s, during the early years of the country’s independence from British rule. ‘Having grown up in an apparent world of sunshine and suburban pools, I sought to overlap those aspects of my formative experiences with the wider issues of the West’s post-colonial role,’ Wateridge has stated. His recent paintings, produced with the artist’s characteristic virtuosity and based on elaborate studio stage sets replete with a varied cast of actors, also seek to explore more lyrical figurative languages offered by the medium, adding to the uneasy dynamics that haunt these memorable and accomplished works.This hardback monograph, designed by Peter B. Willberg, has been edited and authored by London-based independent curator, writer and art consultant Mark Sanders. The publication features an essay by Dr Gilda Williams, a London correspondent for Artforum who also teaches art writing on the MFA Curating programme at Goldsmiths College, University of London. Presenting over 130 paintings and details, this 200-page monograph is essential reading for anybody passionate about contemporary painting, and makes a valuable contribution to discussion of the post-colonial condition in the visual arts.
_Uncertain Swimmer_ is the second monograph on the work of British artist Jonathan Wateridge (b. 1972, Lusaka, Zambia), presenting around eighty paintings and works on paper made between 2019 and 2022\. Following on from the bodies of work Enclave and Expatria (2016–18), _Uncertain Swimmer_ develops the artist’s interest in modes of representation and the legacies of twentieth-century modernist painting through a visual and social exploration of the motif of the pool, depicting swimmers and sunbathers, often by night. Far from being an escapist environment of aspiration and privilege, Wateridge imbues the pool with a disquieting atmosphere, creating a cumulative feeling of unease and ennui among those present, now seemingly unsure of their world. The publication charts a marked evolution in the artist’s style from the realism of his earlier paintings with complex multi-figure compositions to more solitary, gestural and expressive works. His masterly application of paint takes new forms in the beautiful, curious and often haunting paintings and works on paper showcased here. Art historian and curator Marco Livingstone’s essay considers the change from Wateridge’s naturalistic paintings to the flattened, reduced shapes, forms and lines of the modernism- and abstraction-infused pieces he is making today. Francis Bacon, Edvard Munch and Paul Cézanne are among numerous art historical influences cited by Livingstone, who ruminates on the identity of the people in Wateridge’s portraits and the mercurial spaces they occupy, examining how Wateridge’s current critical preoccupations have transitioned from the autobiographical to more formal concerns. In the featured conversation between Wateridge and fellow painter Caroline Walker, the two artists discuss their overlapping experiences studying painting at Glasgow, as well as Wateridge’s fourteen-year break from painting until 2005\. He eventually returned to the medium when he realised it excited him more than anything else. Wateridge elaborates on his fascinating painting process, staging shoots in studios with hired actors and using elements from the photographs in the paintings, often over a period of years. On his canvases, he will scrape back the paint and reapply it, frequently taking pictures of the paintings in their various stages; he will then print the photographs and draw over them to continue working out what he will do with the final paintings. For Wateridge, a painting works when it stops failing, and he embraces unforeseen conclusions. Jonathan Wateridge has recently exhibited with the Hayward Gallery, London; Nino Mier Gallery, Los Angeles, New York and Brussels; TJ Boulting, London; Galerie Haas, Zurich; Pace Gallery and HENI, London. Wateridge's art is in the collections of institutions worldwide, including Aïshti Foundation, Lebanon; Pinault Foundation, Venice; the Saatchi Collection, London; the Rennie Collection, Vancouver; and Simmons & Simmons, London. He has been featured in publications such as _The Sunday Times, The Independent, Fad Magazine, Artforum_ and _Artnet_. Wateridge is represented by Nino Mier Gallery.
Excelling at Tough No-Limit Hold'em Games is a must-have if you have ambitions to move up the stakes. Renowned poker player and leading coach Jonathan Little brings together 10 No-Limit experts to provide cutting-edge information for the keen student. All the authors are established content producers at pocarr.com, the prominent coaching and backing company. Pocarr has helped numerous players to climb the poker ladder and succeed at the highest levels in events such as the Pokerstars WCOOP (World Championship of Online Poker) and SCOOP (Spring Championship of Online Poker) events. Success beyond the lower stakes demands a highly specific skill set and Excelling at Tough No-Limit Hold'em Games will show you how to develop that skill set. Topics include: Quick tips for beating the low stakes games When to continuation bet Defending against continuation bets Fundamental poker math Basic ICM (Independent Chip Model) and advanced ICM Short stack adjustments and deep stack adjustments Maximally efficient HUD (Heads-up Display) set-ups for online play Excelling at Tough No-Limit Hold'em Games is the essential guide for anyone who is serious about wanting to succeed at the high stakes and make a significant income from poker.
Downland is a unique collaboration celebrating the landscape of the Berkshire Downs as seen through the eyes of artist Anna Dillon and poet Jonathan Davidson. Featuring twenty paintings, this is the first extensive publication in book form of Anna Dillon’s vibrant and colourful work. The artworks are complemented by a series of poems from Jonathan Davidson inspired both by the paintings and by the landscape. Taken together they form a kind of guidebook in paintings and poetry to the most popular stretch of the Ridgeway National Trail. The book includes a map pinpointing the locations that inspired the paintings and the poems.
Jonathan receives a birthday gift from his beloved grandfather, one that would change his forever...A key that would take him on an incredible journey to another world full of adventure, fun, fantasy and self-discovery. Along the way he will make many new friends and confront his darkest fears.
JONATHAN BEN UZIEL, the author of the Aramaic Translation of the major and minor Prophets lived thirty years before the birth of our Lord Jesus Christ. He was a disciple of Hillel. This author is held by the Jews in the highest esteem. His Translation is considered by the Synagogue as inspired. This Aramaic Translation contains the doctrines of Christianity, expressed and enforced in the plainest language.The unprejudiced Jew by reading this Aramaic Targum in English Translation will see, that we Christians believe in no other salvation, than that which their fathers expected the Messiah should bring. If the doctrines of Jonathan Ben Uziel are considered by the Synagogue to be inspired, it follows that the present Jewish faith cannot be the faith of their fathers.We beg every Israelite to emancipate himself from all imbibed prejudices, and to search the Scriptures with the Translation of Jonathan Ben Uziel in his hands, that he may see whether our Christian faith is not the faith of their fathers, before it degenerated through the traditions of the elders.
JONATHAN BEN UZIEL, the author of the Aramaic Translation of the major and minor Prophets lived thirty years before the birth of our Lord Jesus Christ. He was a disciple of Hillel. This author is held by the Jews in the highest esteem. His Translation is considered by the Synagogue as inspired. This Aramaic Translation contains the doctrines of Christianity, expressed and enforced in the plainest language.The unprejudiced Jew by reading this Aramaic Targum in English Translation will see, that we Christians believe in no other salvation, than that which their fathers expected the Messiah should bring. If the doctrines of Jonathan Ben Uziel are considered by the Synagogue to be inspired, it follows that the present Jewish faith cannot be the faith of their fathers.We beg every Israelite to emancipate himself from all imbibed prejudices, and to search the Scriptures with the Translation of Jonathan Ben Uziel in his hands, that he may see whether our Christian faith is not the faith of their fathers, before it degenerated through the traditions of the elders.
