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Mark Hadjipateras, HOMEWARD

Mark Hadjipateras, HOMEWARD

Alexandra Koroxenidis; Barry Schwabsky; Christopher Hudson

ABRAMS
2025
nidottu
Mark Hadjipateras’s remarkable range of works, including monotypes, prints, drawings, paintings, sculpture, photosculpture, and numerous installations throughout the yearsMark Hadjipateras, Homeward presents the richly varied, fifty-year-long career of an international artist who has a deep understanding of our common roots in nature and the universal human need for belonging. His work explores nature as our shared “home” in a transhistorical exploration of prehistoric, modern, and futuristic habitats and their inhabitants. Mark Hadjipateras revisits major 20th -century movements such as surrealism, modernism, minimalism, and pop art, honoring them through his own distinct style to produce new, thought-provoking interpretations. Rendered in a remarkable range of media such as paintings, sculptures, assemblages, and site-specific installations, his forms harmoniously blend opposite qualities: movement with static form, weightlessness with volume, abstraction with figuration.
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The Complete Short Stories of Mark Twain

The Complete Short Stories of Mark Twain

Mark Twain

Digireads.com
2018
pokkari
This comprehensive collection of Twain's short stories showcases his immense talent, humor, and wit. Considered to be the greatest American humorist of all time, Mark Twain was born in 1835 and was raised in Hannibal, Missouri, where many of his most well-known stories take place. Twain led an adventurous life: working as a type setter for his brother's newspaper as a young man, then as a riverboat pilot on the Missouri river, followed by a stint as a miner in Nevada and California, and then finally as a journalist and writer, where he found success and fame. These experiences would form the basis of many of his most famous tales, such as "The Celebrated Jumping Frog from Calaveras County," the first story to bring him national attention and fame and was based on a tale he heard while mining in California. While Twain may be best known for his accomplishments as a novelist, this collection of short stories spanning his lengthy and prolific career showcases his brilliant ability to create fascinating characters, his expert plotting, and his unrivaled wit and humor. This edition is printed on premium acid-free paper.
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Mark Twain as Critic

Mark Twain as Critic

Sydney J. Krause

Johns Hopkins University Press
2020
pokkari
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
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