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1000 tulosta hakusanalla Rene Beauclair
Les enseignements secrets de Martinès de Pasqually. Notice historique sur le martinézisme et le martinisme
René Philipon; Franz Von Baader
Lulu.com
2018
pokkari
La pr sente dition est la r dition d'un volume de la c l bre Biblioth que rosicrucienne. Franz von Baader est un important th osophe du d but du XIXe si cle. Parmi ses oeuvres, il a compos cette courte tude sur Martin s de Pasqually. La notice historique est de Ren Philipon.
Je suis un gnome et je me fais vieux. Temoin du temps qui passe, je suis celui qui en trace les sillons. Je relate dans de vieux grimoires aux pages jaunies les grandes lignes de ce qui fut et de ce qui est. Jamais je n'aurais cru qu'on se servirait de mes talents de scribe a des fins peu avouables. J'ai failli a mon ordre. Mes doigts tracent des courbes faites d'encre qui sechent a la lueur d'une bougie. Je suis celui qui transmet les legendes et propheties des temps anciens. Je suis le garant de l'histoire des mondes, le conducteur d'une tradition oubliee. Je suis les cinq sens des generations futures, le garde de ce qui est, de ce qui a ete. Jamais je ne mens, jamais je ne trompe, jamais je ne falsifie. J'applique dans mon art une neutralite telle que je suis devenu l'exemple de ma guilde, le patriarche venere. Je suis pourtant le jouet de forces obscures, noires comme le fond de mon encrier.
Les passions de l'âme, le chef-d'oeuvre philosophique de Descartes (texte intégral)
René Descartes
Lulu.com
2018
pokkari
Les lans passionnels nous emportent sans nous dire o ni jusqu'o . Comment expliquer ces mouvements "en nous" qui ne sont pas "de nous" ? Proviennent-ils de l' me ? Sont-ils l'expression psychique d'un mouvement particulier de notre cerveau ? Les passions sont pour Descartes l'impact dans l' me d'un cours particulier du flux sanguin entre le coeur et une certaine glande c r brale. La pr gnance de la pens e passionnelle qui accapare l'attention et obnubile l'esprit ne s'explique donc pas pour lui "psychiquement" mais en tant qu'effet du corps, effet "neurophysiologique," dirions-nous aujourd'hui. Le propos g n ral du trait Les Passions de l' me, publi en 1649, est de r habiliter les passions contre la tradition sto cienne qui y voit un obstacle au bonheur et la libert . Inscrites dans notre nature d'origine divine, Descartes consid re qu'elles ne peuvent qu' tre bonnes en elles-m mes. Le grand texte de Descartes sur la question morale. --Emilio Balturi
Schubert's Instrumental Music and Poetics of Interpretation
René Rusch
INDIANA UNIVERSITY PRESS
2023
sidottu
Music scholarship's views of Franz Schubert's instrumental works continue to evolve. How might aesthetic values, historiographies, revisions to the composer's biography, and disciplinary commitments affect how we interpret his music? Schubert's Instrumental Music and Poetics of Interpretation explores the aesthetic positions and operations that underlie critical assessments of Schubert's instrumental works. In six chapters, each devoted to one or two of Schubert's pieces, René Rusch examines the conditions that have prompted scholarship to reevaluate the composer's music and legacy, considers how different conclusions about his music may be reflective of certain aesthetic values, investigates the role of narrative in both music analysis and constructions of history, and explores alternative forms of coherence through updated analyses of the composer's instrumental works. Rusch's observations and comparative analyses address four significant areas of scholarly focus in Schubert studies, including his approach to chromaticism, his unique musical forms, the relationship between his music and biography, and the influence of Beethoven. Drawing from a range of philosophical, hermeneutic, historical, biographical, theoretical, and analytical sources, Schubert's Instrumental Music and Poetics of Interpretation offers readers a unique and innovative foray into the poetics of contemporary analyses of Schubert's instrumental music and develops new ways to engage with his repertoire.
Schubert's Instrumental Music and Poetics of Interpretation
René Rusch
INDIANA UNIVERSITY PRESS
2023
pokkari
Music scholarship's views of Franz Schubert's instrumental works continue to evolve. How might aesthetic values, historiographies, revisions to the composer's biography, and disciplinary commitments affect how we interpret his music? Schubert's Instrumental Music and Poetics of Interpretation explores the aesthetic positions and operations that underlie critical assessments of Schubert's instrumental works. In six chapters, each devoted to one or two of Schubert's pieces, René Rusch examines the conditions that have prompted scholarship to reevaluate the composer's music and legacy, considers how different conclusions about his music may be reflective of certain aesthetic values, investigates the role of narrative in both music analysis and constructions of history, and explores alternative forms of coherence through updated analyses of the composer's instrumental works. Rusch's observations and comparative analyses address four significant areas of scholarly focus in Schubert studies, including his approach to chromaticism, his unique musical forms, the relationship between his music and biography, and the influence of Beethoven. Drawing from a range of philosophical, hermeneutic, historical, biographical, theoretical, and analytical sources, Schubert's Instrumental Music and Poetics of Interpretation offers readers a unique and innovative foray into the poetics of contemporary analyses of Schubert's instrumental music and develops new ways to engage with his repertoire.
Discours De La Methode/Discourse on the Method
René Descartes
University of Notre Dame Press
1994
nidottu
No text has defined the self-understanding of the present time like Jean-François Lyotard's La condition postmoderne, Rapport sur le savoir (1979). But few participants in the dialogue between the moderns and the postmoderns can claim to understand exactly what "modernity" is. Yet one can hardly understand "post-modernism" without adequately understanding what it is supposed to supersede. Thus there also arises one of the biggest difficulties in understanding postmodernism itself. A good way to try to meet this need is by rereading, now more carefully than ever, the book to which Stephen Toulmin refers, in Cosmopolis, The Hidden Agenda of Modernity (1990), as one of ". . . the founding documents of modern thought . . ." (p.14). It is René Descartes' Discours de la méthode/Discourse on the Method (1637), which is both a classic of modern philosophy and the crucial source book of modernity. This unique edition of the Discours/Discourse contains an improved version of the original French text of Adam and Tannery, a new English translation as literal as possible and as liberal as necessary, an interpretive essay contextualizing the text historically and philosophically, an extensive bibliography, and a comprehensive index of Cartesian terminology. The edition is not only for advanced students and teachers of philosophy as well as of related disciplines such as literary and cultural criticism, but also for all those "human beings of good sense" motivated by an interest in uncovering "the hidden agenda of modernity". It is thus also intended as a timely contribution to the modern-postmodern debate.
Meditations on First Philosophy/ Meditationes De Prima Philosophia
René Descartes
University of Notre Dame Press
1990
nidottu
This bilingual edition of Descartes' Meditations on First Philosophy is aimed both specifically at serious students and professors of philosophy, and generally at anyone motivated by a strong philosophical interest.
Souvenirs D'un Garibaldien
René Du Mesnil de Maricourt; Achille Bizzoni
Wentworth Press
2018
pokkari
The Evolution of Taste in American Collecting
René Brimo
Pennsylvania State University Press
2016
sidottu
The Evolution of Taste in American Collecting is a new critical translation of René Brimo’s classic study of eighteenth- and nineteenth-century patronage and art collecting in the United States. Originally published in French in 1938, Brimo’s foundational text is a detailed examination of collecting in America from colonial times to the end of World War I, when American collectors came to dominate the European art market. This work helped shape the then-fledgling field of American art history by explaining larger cultural transformations as manifested in the collecting habits of American elites. It remains the most substantive account of the history of collecting in the United States.In his introduction, Kenneth Haltman provides a biographical study of the author and his social and intellectual milieu in France and the United States. He also explores how Brimo’s work formed a turning point and initiated a new area of academic study: the history of art collecting.Making accessible a text that has until now only been available in French, Haltman’s elegant translation of The Evolution of Taste in American Collecting sheds new critical light on the essential work of this extraordinary but overlooked scholar.
The Evolution of Taste in American Collecting
René Brimo
Pennsylvania State University Press
2017
pokkari
The Evolution of Taste in American Collecting is a new critical translation of René Brimo’s classic study of eighteenth- and nineteenth-century patronage and art collecting in the United States. Originally published in French in 1938, Brimo’s foundational text is a detailed examination of collecting in America from colonial times to the end of World War I, when American collectors came to dominate the European art market. This work helped shape the then-fledgling field of American art history by explaining larger cultural transformations as manifested in the collecting habits of American elites. It remains the most substantive account of the history of collecting in the United States.In his introduction, Kenneth Haltman provides a biographical study of the author and his social and intellectual milieu in France and the United States. He also explores how Brimo’s work formed a turning point and initiated a new area of academic study: the history of art collecting.Making accessible a text that has until now only been available in French, Haltman’s elegant translation of The Evolution of Taste in American Collecting sheds new critical light on the essential work of this extraordinary but overlooked scholar.
Mémoires Pour Servir À L'histoire Des Insectes; Volume 10
René Antoine Ferchault de Réaumur
Wentworth Press
2018
pokkari
