Annette Yates' book is designed for the person who has to prepare individual meals for whatever reason
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1000 tulosta hakusanalla Annette Jackson
A must-have book for anyone with a microwave
Get the most out of your combination microwave
Fresh Bread in the Morning (From Your Bread Machine)
Annette Yates
Constable And Robinson
2003
pokkari
Enjoy delicious fresh bread every day, all at the push of a button!
Here is a feast of super soups: light and chilled for a warm summer's day; smooth pureed or creamed for that formal occasion; hearty and thick for a cold winter evening. Subtle, rich, savoury, sweet, traditional or quick-to-make sauces which transform everyday meals or that special party dish into a true culinary delight.
The perfect introduction to this popular, healthy and simple method of preparing food.
This book is the answer to ice cream lovers' dreams. Resist it at your peril!
Get the most from your microwave
Pregnant women are used to hearing the warnings from their ob-gyns about which foods and medications to avoid, but surprisingly no one informs them about which skin care ingredients could be potentially harmful to their unborn child through topical absorption. Many of the ingredients used in beauty products are normally safe, but when applied during pregnancy are actually linked to birth defects and miscarriage. Exposing the hidden pitfalls of the products we use every day, expert Annette Rubin- founder of Belli Skincare, the #1 beauty brand recommended by ob-gyns- and beauty writer Melissa Schweiger show moms how to detoxify their skincare regimens. They explain the ingredients to watch for on labels and identify the safest products across major brands. But pregnancy and motherhood doesn't have to mean a ban on beauty! Packed with essential guidance, Belli Beautiful helps moms take the best care of their babies while still looking as fabulous as ever.
The Jewish community of Ioannina, in Northwestern Greece, traces its roots to Byzantine times if not earlier. In the early 20th century, at least half of the community's population emigrated to settle in Athens, Israel, and the United States because of economic and religious reasons. The cataclysm of the Holocaust dramatically decimated the community. This steady outward movement created an abrupt rupture of their patterns of traditional culture. We are Few brings this unique community to life in a series of ethnographic sketches of history and traditional culture in order to understand its intense allegiance to ethnic identity. Dr. Annette Fromm explores the decreasing inventory of cultural traditions from the patterns of daily life to the rituals and customs associated with life cycle events and holiday celebrations. Through the periodic return of individuals associated with the Jews of Ioannina, pilgrims, a new avenue of the expression of ethnic identity has been created. These visits reassure residents that the Jewish community of Ioannina still exists no matter how dispersed. This study is useful for graduate level students and researchers of Anthropology and Jewish Studies.
Health Communication and Breast Cancer among Black Women
Annette D. Madlock
Lexington Books
2016
sidottu
Health Communication and Breast Cancer among Black Women: Culture, Identity, Spirituality, and Strength addresses how the discourse of strength constructs the identity of Black women even during times of chronic illness through the lens of Black feminist thought and womanist ideology. In doing so, Madlock Gatison explores how the narratives surrounding pink ribbon awareness and survivorship culture, religion and spirituality, and the myth of the strong Black woman impact Black female breast cancer survivors’ self-perceptions, views others had of them, and their ability to express their needs and concerns including those involving their healthcare. This book will be of interest to scholars of public health, health communication, and sociology.
This insightful exploration delves into Middle English romances, which grapple with identity on both macro and micro levels, encompassing culture, religion, and the individual's societal role. Amidst the backdrop of political turmoil, war, and the ravages of plague, these romances probe the essence of Englishness, Christianity, gender roles, kingship, and knighthood. The encounters with the "Other," particularly Saracens, serve as a powerful lens through which to examine identity uncertainties and complexities. Saracens feature prominently in Middle English canon, from the crusade narratives involving Christian knights venturing to the Holy Land to the insular Arthurian tales. These Saracenic figures simultaneously shed light on and blur the boundaries of Middle English Christian identity. Moreover, these romances contemplate the historical context, including the series of failed crusades, prompting reflection on what it would take to achieve lasting victory in the Middle East.
This new edition contextualizes Lareau's original ethnography in a discussion of the most pressing issues facing educators at the beginning of the new millennium.
This new edition contextualizes Lareau's original ethnography in a discussion of the most pressing issues facing educators at the beginning of the new millennium.
"Essential reading for all those who seek to understand the worldwide opposition to neoliberal globalisation and the social and environmental destruction wrought by industrial agriculture. The hopes that have propelled peasants and small farmers to cross-border unity and action are on proud display in this moving account." Marc Edelman, Professor of Anthropology, City University of New York"A ground-breaking study of the rise of a significant new transnational political and social force, the Via Campesina."Philip McMichael, International Professor of Development Sociology, Cornell University"How the Via Campesina survived and thrived to champion food sovereignty, gender equity and global grassroots solidarity is an inspiring tale, beautifully told."Terisa Turner, Associate Professor, Sociology and Anthropology, University of GuelphLa Via Campesina is one of the world's largest and most important transnational social movements. Formed in 1993, it brings together rural women, peasants, indigenous communities, small-scale farmers and farm workers from around the world. Comprising millions of people, it is a leading force against the globalization of a neo-liberal and corporate-led model of agriculture.This book explores the movement from the inside. Annette Aurelie Desmarais, a former grain farmer and long time participant in La Via Campesina shows how peasants and small-scale farmers have found the strength to challenge multinational agribusiness corporations and international institutions whose power and influence increasingly dictate government policy. This book accompanies La Via Campesina in a struggle to keep people on the land, producing food and culture, and building viable communities.
This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality. Key features * Examines the influence of international figures such as Aristotle, Brecht, Artaud and Boal who are central to theatre as a discipline * Explores realistic and anti-realistic styles of American drama and their political and social implications, along with key critical terms and movements * Places the complexity of contemporary American drama within its political, sexual and ethnic contexts * Includes rare images from La MaMa Archive/Ellen Stewart Private Collection * Discusses in detail Stairs to the Roof and Camino Real by Tennessee Williams, Death of a Salesman and The Crucible by Arthur Miller, Dutchman and The Slave by Amira Baraka, Funnyhouse of a Negro by Adrienne Kennedy, The Tooth of Crime and True West by Sam Shepherd and American Buffalo by David Mamet as well as a range of other texts and performers.
This book explores the development of contemporary theatre in the United States in its historical, political and theoretical dimensions. It focuses on representative plays and performance texts that experiment with form and content, discussing influential playwrights and performance artists such as Tennessee Williams, Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna Deavere Smith, Karen Finley and Will Power, alongside avant-garde theatre groups. Saddik traces the development of contemporary drama since 1945, and discusses the cross-cultural impact of postwar British and European innovations on American theatre from the 1950s to the present day in order to examine the performance of American identity. She argues that contemporary American theatre is primarily a postmodern drama of inclusion and diversity that destabilizes the notion of fixed identity and questions the nature of reality. Key features * Examines the influence of international figures such as Aristotle, Brecht, Artaud and Boal who are central to theatre as a discipline * Explores realistic and anti-realistic styles of American drama and their political and social implications, along with key critical terms and movements * Places the complexity of contemporary American drama within its political, sexual and ethnic contexts * Includes rare images from La MaMa Archive/Ellen Stewart Private Collection * Discusses in detail Stairs to the Roof and Camino Real by Tennessee Williams, Death of a Salesman and The Crucible by Arthur Miller, Dutchman and The Slave by Amira Baraka, Funnyhouse of a Negro by Adrienne Kennedy, The Tooth of Crime and True West by Sam Shepherd and American Buffalo by David Mamet as well as a range of other texts and performers.
