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Middle-Class Dharma

Middle-Class Dharma

Jennifer D. Ortegren

OXFORD UNIVERSITY PRESS INC
2023
sidottu
Middle-Class Dharma is a contemporary ethnography of class mobility among Hindus in Udaipur, Rajasthan, India. Focusing on women in Pulan, an emerging middle-class neighborhood of Udaipur, Jennifer D. Ortegren argues that upward class mobility is not just a socio-economic process, but also a religious one. Central to Hindu women's upward class mobility is negotiating dharma, the moral and ethical groundings of Hindu worlds. As women experiment with middle-class consumer and lifestyle practices, they navigate tensions around what is possible and what is appropriate--that is, what is dharmic--as middle-class Hindu women. Ortegren shows how these women strategically align emerging middle-class desires with more traditional religious obligations in ways that enable them to generate new dharmic boundaries and religious selfhoods in the middle classes. Such transitions can be as joyful as they are difficult and disorienting. Middle-Class Dharma explores how contemporary Hindu women's everyday practices reimagine and reshape Hindu traditions. By developing dharma as an analytical category and class as a dharmic category, Ortegren pushes for expanding definitions of religion in academia, both within and beyond the study of Hinduism in South Asia.
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Song, Landscape, and Identity in Medieval Northern France

Song, Landscape, and Identity in Medieval Northern France

Jennifer Saltzstein

OXFORD UNIVERSITY PRESS INC
2023
sidottu
Song, Landscape, and Identity in Medieval Northern France offers a new perspective on how medieval song expressed relationships between people and their environments. Informed by environmental history and harnessing musicological and ecocritical approaches, author Jennifer Saltzstein draws connections between the nature imagery that pervades songs written by the trouvères of northern France to the physical terrain and climate of the lands on which their authors lived. In doing so, she analyzes the different ways in which composers' lived environments related to their songs and categorizes their use of nature imagery as realistic, aspirational, or nostalgic. Demonstrating a cycle of mutual impact between nature and culture, Saltzstein argues that trouvère songs influenced the ways particular groups of medieval people defined their identities, encouraging them to view themselves as belonging to specific landscapes. The book offers close readings of love songs, pastourelles, motets, and rondets from the likes of Gace Brulé, Adam de la Halle, Guillaume de Machaut, and many others. Saltzstein shows how their music-text relationships illuminate the ways in which song helped to foster identities tied to specific landscapes among the knightly classes, the clergy, aristocratic women, and peasants. By connecting social types to topographies, trouvère songs and the manuscripts in which they were preserved presented models of identity for later generations of songwriters, performers, listeners, patrons, and readers to emulate, thereby projecting into the future specific ways of being on the land. Written in the long thirteenth century during the last major era of climate change, trouvère songs, as Saltzstein demonstrates, shape our understanding of how identity formation has rested on relationships between nature, culture, and change.
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Song, Landscape, and Identity in Medieval Northern France

Song, Landscape, and Identity in Medieval Northern France

Jennifer Saltzstein

OXFORD UNIVERSITY PRESS INC
2023
nidottu
Song, Landscape, and Identity in Medieval Northern France offers a new perspective on how medieval song expressed relationships between people and their environments. Informed by environmental history and harnessing musicological and ecocritical approaches, author Jennifer Saltzstein draws connections between the nature imagery that pervades songs written by the trouvères of northern France to the physical terrain and climate of the lands on which their authors lived. In doing so, she analyzes the different ways in which composers' lived environments related to their songs and categorizes their use of nature imagery as realistic, aspirational, or nostalgic. Demonstrating a cycle of mutual impact between nature and culture, Saltzstein argues that trouvère songs influenced the ways particular groups of medieval people defined their identities, encouraging them to view themselves as belonging to specific landscapes. The book offers close readings of love songs, pastourelles, motets, and rondets from the likes of Gace Brulé, Adam de la Halle, Guillaume de Machaut, and many others. Saltzstein shows how their music-text relationships illuminate the ways in which song helped to foster identities tied to specific landscapes among the knightly classes, the clergy, aristocratic women, and peasants. By connecting social types to topographies, trouvère songs and the manuscripts in which they were preserved presented models of identity for later generations of songwriters, performers, listeners, patrons, and readers to emulate, thereby projecting into the future specific ways of being on the land. Written in the long thirteenth century during the last major era of climate change, trouvère songs, as Saltzstein demonstrates, shape our understanding of how identity formation has rested on relationships between nature, culture, and change.
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Genomic Politics

Genomic Politics

Jennifer Hochschild

Oxford University Press Inc
2021
sidottu
A groundbreaking analysis of how the genomic revolution is transforming American society and creating new social divisions-some along racial lines-that promise to fundamentally shape American politics for years to come. The emergence of genomic science in the last quarter century has revolutionized medicine, the justice system, and our understanding of who we are. We use genomics to determine guilt and exonerate the falsely convicted; devise new medicines; test embryos; and discover our ethnic and national roots. One might think that, given these advances, most would favor the availability of genomic tools. Yet as Jennifer Hochschild explains in Genomic Politics, the uses of genomic science are both politically charged and hotly contested. After all, genomics might result in bioterrorism, a demand for "designer babies," or a revival of racial biology. Political divisions around genomics do not follow the usual left-right ideological divides that dominate most of American politics. Through four controversial innovations resulting from genomic science—medicines for heart disease approved for use by only African-Americans, on the grounds of genetic distinctiveness; use of DNA evidence in the criminal justice system; the search for one's roots through genetic ancestry; and the use of genetic tests in prenatal exams—Hochschild reveals how the phenomenon is polarizing America in novel ways. Advocates of genomic science argue that these applications will make life better, while opponents point out the potential for misuse—from racial profiling to "selecting out" fetuses that gene tests show to have conditions like Down syndrome. Hochschild's central message is that the divide hinges on answers to two questions: How significant are genetic factors in explaining human traits and behaviors? And what is the right balance between risk acceptance and risk avoidance for a society grappling with innovations arising from genomic science? Experts differ among themselves about who should make decisions about governing genomics' uses, and Americans as a whole trust almost no one to do so. A deeply researched and original analysis of the politics surrounding one of the signal issues of our times, this is essential reading for anyone interested in how the genetics revolution is shaping society.
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Carmen in Diaspora

Carmen in Diaspora

Jennifer M. Wilks

OXFORD UNIVERSITY PRESS INC
2025
sidottu
Carmen in Diaspora is a cultural history of Carmen adaptations set in African diasporic contexts. It explores the phenomenon of the connection between the story of Carmen, which originally appeared in Prosper Mérimée's eponymous 1845 novella and came to prominence through Georges Bizet's 1875 opera, with prolific popular recreations in African diasporic settings. The source texts for Carmen not only suggest nineteenth-century French negotiations of Blackness via the Romani community, but also provide provocative frameworks through which to examine conceptions of Black womanhood and self-determination in the twentieth and twenty-first centuries. Through analyses of Mérimée and Bizet, the Harlem Renaissance novels The Blacker the Berry (1929), Banjo (1929), and Romance in Marseille (2020); the U.S. movie musicals Carmen Jones (1954) and Carmen: A Hip Hopera (2001); the Senegalese and South African feature films Karmen Geï (2001) and U-Carmen eKhayelitsha (2005), respectively; and the Cuban-set stage musical Carmen la Cubana (2016), Carmen in Diaspora examines how these works illuminate the cultural currents of the nineteenth-century European context in which the character was born. The book also interrogates social categories, particularly gender, race, and sexuality, in contemporary Europe, North America, Africa, and the Caribbean. Carmen is Diaspora is an adaptation study that emphasizes connections formed through the transposition rather than imposition of European culture as it considers how artists have brought - and continue to bring - new energy, vision, and life to the story of opera's most famous character.
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Designing for Democracy

Designing for Democracy

Jennifer Forestal

OXFORD UNIVERSITY PRESS INC
2021
sidottu
How should we "fix" digital technologies to support democracy instead of undermining it? In Designing for Democracy, Jennifer Forestal argues that accurately evaluating the democratic potential of digital spaces means studying how the built environment--a primary component of our "modern public square"--structures our activity, shapes our attitudes, and supports the kinds of relationships and behaviors democracy requires. While many scholars and practitioners are attentive to the role of design in shaping behavior, they have yet to fully engage with the question of what structures are required to support democratic communities--and how to build them. Forestal closes this gap by providing a new theory of democratic space. Drawing from a wide range of disciplines, including architecture, psychology, and the history of political thought, she argues that "democratic spaces" must be designed with three environmental characteristics--boundaries, durability, and flexibility--that, taken together, afford users the ability to engage in fundamental civic practices. Through extended analyses of Facebook, Twitter, and Reddit, Forestal shows precisely how well these digital platforms meet the criteria for democratic spaces, or whether they do so at all. The result is a more nuanced analysis of the democratic communities that form--or fail to emerge--in these spaces, as well as more concrete suggestions for how to improve them. In connecting the built environment, digital technologies, and democratic theory, Designing for Democracy provides blueprints for democracy in a digital age.
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Designing for Democracy

Designing for Democracy

Jennifer Forestal

OXFORD UNIVERSITY PRESS INC
2022
nidottu
How should we "fix" digital technologies to support democracy instead of undermining it? In Designing for Democracy, Jennifer Forestal argues that accurately evaluating the democratic potential of digital spaces means studying how the built environment--a primary component of our "modern public square"--structures our activity, shapes our attitudes, and supports the kinds of relationships and behaviors democracy requires. While many scholars and practitioners are attentive to the role of design in shaping behavior, they have yet to fully engage with the question of what structures are required to support democratic communities--and how to build them. Forestal closes this gap by providing a new theory of democratic space. Drawing from a wide range of disciplines, including architecture, psychology, and the history of political thought, she argues that "democratic spaces" must be designed with three environmental characteristics--boundaries, durability, and flexibility--that, taken together, afford users the ability to engage in fundamental civic practices. Through extended analyses of Facebook, Twitter, and Reddit, Forestal shows precisely how well these digital platforms meet the criteria for democratic spaces, or whether they do so at all. The result is a more nuanced analysis of the democratic communities that form--or fail to emerge--in these spaces, as well as more concrete suggestions for how to improve them. In connecting the built environment, digital technologies, and democratic theory, Designing for Democracy provides blueprints for democracy in a digital age.
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Teaching Public Health Writing

Teaching Public Health Writing

Jennifer Beard

OXFORD UNIVERSITY PRESS INC
2022
nidottu
Clear, concise, engaging writing is critically important to public health practice. The Covid-19 pandemic has repeatedly thrown this fact into stark relief. No matter how hard we try, with the best intentions and evidence, public health professionals and researchers have struggled to communicate clear messages to the many audiences looking for information. The result has often been resistance, miscommunication, and deepening political division. Teaching Public Health Writing is a call to action for schools and programs of public health. Jennifer Beard, drawing on her interdisciplinary background in population health and the humanities, argues that writing practice and mentoring need to be central components of the graduate and undergraduate public health curriculum. Public health students are learning to translate complex technical content from a wide array of disciplines into engaging documents for vastly different audiences. This learning experience can be time-consuming and anxiety-inducing. Teaching Public Health Writing--the first book in the new Teaching Public Health instructor series--prompts educators at every level to rethink the place of writing in public health education. Using composition and public health theory, narrative examples, and detailed instructions from writing assignments used in public health classrooms across many disciplines and genres, Teaching Public Health Writing offers instructors a helpful guide to refresh or redesign in-course writing instruction and assignments. It ensures the next generation of public health professionals have the tools they need to communicate confidently and effectively.
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Sacred Sounds, Secular Spaces

Sacred Sounds, Secular Spaces

Jennifer Walker

Oxford University Press Inc
2021
sidottu
Military defeat, political and civil turmoil, and a growing unrest between Catholic traditionalists and increasingly secular Republicans formed the basis of a deep-seated identity crisis in Third Republic France. Beginning in the early 1880s, Republican politicians introduced increasingly secularizing legislation to the parliamentary floor that included, but was not limited to, the secularization of the French educational system. As the divide between Church and State widened on the political stage, more and more composers began writing religious—even liturgical—music for performance in decidedly secular venues, including popular cabaret theaters, prestigious opera houses, and international exhibitions. This trend coincided with Pope Leo XIII's Ralliement politics that encouraged conservative Catholics to "rally" with the Republican government. But the idea of a musical Ralliement has largely gone unquestioned by historians and musicologists alike. Sacred Sounds, Secular Spaces provides the first fundamental reconsideration of music's role in the relationship between the French state and the Catholic Church in the Third Republic. In doing so, the book dismantles the somewhat simplistic epistemological position that emphasizes a sharp division between the Church and the "secular" Republic during this period. Drawing on extensive archival research, critical reception studies, and musical analysis, author Jennifer Walker reveals how composers and critics from often opposing ideological factions undermined the secular/sacred binary through composition and musical performance in an effort to craft a brand of Frenchness that was built on the dual foundations of secular Republicanism and the heritage of the French Catholic Church.
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We're Still Here

We're Still Here

Jennifer M. Silva

OXFORD UNIVERSITY PRESS INC
2021
nidottu
A deep, multi-generational story of pain, place, and politics. The economy has been brutal to American workers for several decades. The chance to give one's children a better life than one's own -- the promise at the heart of the American Dream -- is withering away. While onlookers assume those suffering in marginalized working-class communities will instinctively rise up, the 2016 election threw into sharp relief how little we know about how the working-class translate their grievances into politics. In We're Still Here, Jennifer M. Silva tells a deep, multi-generational story of pain, place, and politics that will endure long after the Trump administration. Drawing on over 100 interviews with black, white, and Latino working-class residents of a declining coal town in Pennsylvania, Silva reveals how the decline of the American Dream is lived and felt. The routines and rhythms of traditional working-class life such as manual labor, unions, marriage, church, and social clubs have diminished. In their place, she argues, individualized strategies for coping with pain, and finding personal redemption, have themselves become sources of political stimulus and reaction among the working class. Understanding how generations of Democratic voters come to reject the social safety net and often politics altogether requires moving beyond simple partisanship into a maze of addiction, joblessness, family disruption, violence, and trauma. Instead, Silva argues that we need to uncover the relationships, loyalties, longings, and moral visions that underlie and generate the civic and political disengagement of working-class people. We're Still Here provides powerful, on the ground evidence of the remaking of working-class identity and politics that will spark new tensions but also open up the possibility for shifting alliances and new possibilities.
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Mission, Race, and Empire

Mission, Race, and Empire

Jennifer C. Snow

OXFORD UNIVERSITY PRESS INC
2023
sidottu
The history of the Episcopal Church is intimately bound up with the history of empire. The two grew in tandem in the modern era, and as they grew they developed particular ideologies and practices around race. As slavery was carried over into the new political formations of the United States, so too were racially based exclusions carried over in the Episcopal Church. Mission, Race, and Empire presents a new history of the Episcopal Church from its origins in the early British Empire up to the present, told through the lenses of empire and race. The book demonstrates the dramatic shifts within the Episcopal Church, from initial colonial violence to reflective self-critique. Jennifer Snow centers the stories of groups and individuals that have often been sidelined, including Native Americans, Black Americans, Asian Americans, women, and LGBTQ people, as well as the institutional leaders who sought to create, or fought against, a church that desired to be a house of prayer for all people.
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The Gods of Indian Country

The Gods of Indian Country

Jennifer Graber

OXFORD UNIVERSITY PRESS INC
2022
nidottu
During the nineteenth century, white Americans sought the cultural transformation and physical displacement of Native people. Though this process was certainly a clash of rival economic systems and racial ideologies, it was also a profound spiritual struggle. The fight over Indian Country sparked religious crises among both Natives and Americans. In The Gods of Indian Country, Jennifer Graber tells the story of the Kiowa Indians during Anglo-Americans' hundred-year effort to seize their homeland. Like Native people across the American West, Kiowas had known struggle and dislocation before. But the forces bearing down on them-soldiers, missionaries, and government officials-were unrelenting. With pressure mounting, Kiowas adapted their ritual practices in the hope that they could use sacred power to save their lands and community. Against the Kiowas stood Protestant and Catholic leaders, missionaries, and reformers who hoped to remake Indian Country. These activists saw themselves as the Indians' friends, teachers, and protectors. They also asserted the primacy of white Christian civilization and the need to transform the spiritual and material lives of Native people. When Kiowas and other Native people resisted their designs, these Christians supported policies that broke treaties and appropriated Indian lands. They argued that the gifts bestowed by Christianity and civilization outweighed the pains that accompanied the denial of freedoms, the destruction of communities, and the theft of resources. In order to secure Indian Country and control indigenous populations, Christian activists sanctified the economic and racial hierarchies of their day. The Gods of Indian Country tells a complex, fascinating-and ultimately heartbreaking-tale of the struggle for the American West.
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Slow Media

Slow Media

Jennifer Rauch

OXFORD UNIVERSITY PRESS INC
2022
nidottu
Today we recognize that we have a different relationship to media technology--and to information more broadly--than we had even five years ago. We are connected to the news media, to our jobs, and to each other, 24 hours a day. But many people have found their mediated lives to be too fast, too digital, too disposable, and too distracted. This group--which includes many technologists and young people--believes that current practices of digital media production and consumption are unsustainable, and works to promote alternate ways of living. Until recently, sustainable media practices have been mostly overlooked, or thought of as a counterculture. But, as Jennifer Rauch argues in this book, the concept of sustainable media has taken hold and continues to gain momentum. Slow media is not merely a lifestyle choice, she argues, but has potentially great implications for our communities and for the natural world. In eight chapters, Rauch offers a model of sustainable media that is slow, green, and mindful. She examines the principles of the Slow Food movement--humanism, localism, simplicity, self-reliance, and fairness--and applies them to the use and production of media. Challenging the perception that digital media is necessarily eco-friendly, she examines green media, which offers an alternative to a current commodities system that produces electronic waste and promotes consumption of nonrenewable resources. Lastly, she draws attention to mindfulness in media practice--"mindful emailing" or "contemplative computing," for example--arguing that media has significant impacts on human health and psychological wellbeing. Slow Media will ultimately help readers understand the complex and surprising relationships between everyday media choices, human well-being, and the natural world. It has the potential to transform the way we produce and use media by nurturing a media ecosystem that is more satisfying for people, and more sustainable for the planet.
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Dreaming the New Woman

Dreaming the New Woman

Jennifer Bond

OXFORD UNIVERSITY PRESS INC
2024
sidottu
Based on extensive oral history interviews, Dreaming the New Woman uncovers the experiences of girls who attended missionary middle schools in Republican China in the first half of the twentieth century. Chinese missionary schoolgirls were often labelled "foreign puppets" or seen as passive recipients of a western-style education. By focusing on the pupils' own perspectives and drawing on seventy-five oral history interviews conducted with missionary school alumnae, alongside student writings, missionary reports, and newspaper sources, this fascinating book provides fresh insights into what it meant to be Chinese, female, and Christian during the first half of China's turbulent twentieth century. The oral history interviews show how missionary schoolgirls weathered periods of anti-Christian hostility, experimented with new gender roles at school, experienced the Second Sino-Japanese War in Shanghai, and applied Christianity to the Communist cause after 1949. Jennifer Bond reveals how pupils used their schools as a laboratory, blending different ideas from Christianity, nationalism, Communism, and feminism to forge new notions of Chinese womanhood. Girls skillfully combined Christian aspects of missionary education such as the rhetoric of "service" with discussion of women's roles in nation building to widen their sphere of operation in society. The daily practices and lifestyles within the hybrid cultural environment of missionary schools fostered new identities that influenced the girls' aspirations and later careers. A fluency in English, western social graces, and membership in Christian churches admitted them as members of a new western-educated Chinese elite that emerged in the Republican era.
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Making Christianity Manly Again

Making Christianity Manly Again

Jennifer McKinney

OXFORD UNIVERSITY PRESS INC
2023
sidottu
A look inside one of America's most politically consequential churches Mark Driscoll, the founding pastor of Seattle's Mars Hill Church, indelibly impacted American evangelicalism. Driscoll's brash, authoritarian, and profanity-laden leadership grew Mars Hill Church into one of the fastest growing, most innovative, and most influential churches in the country--not an easy task in one of America's most secular cities. Driscoll's gender theology put men at the forefront of American Christianity, rebranding Jesus from a "gay hippie in a dress" to a sword-carrying, "robe-dipped-in-blood" warrior. This type of rhetoric paved the way for evangelicals' embrace of hypermasculine Christianity, priming the pump for their unprecedented support of Donald Trump in the 2016 and 2020 Presidential elections. Making Christianity Manly Again places Driscoll's gender theology in its social and historical contexts and analyzes the contemporary social patterns that explain how a hypermasculine theology helped create a megachurch empire. By addressing the rhetoric of Driscoll's movement through his sermons, along with narratives from former Mars Hill Church members, sociologist Jennifer McKinney leads us to a better understanding of the dynamics of the evangelical impulse to reclaim and glorify men's power. These dynamics, as McKinney shows, have fueled a growing Christian nationalist movement, with enormous implications for religion and politics in America.
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Body and Soul

Body and Soul

Jennifer Whiting

OXFORD UNIVERSITY PRESS INC
2023
sidottu
Body and Soul: Essays on Aristotle's Hylomorphism is one of three volumes collecting previously published essays by Jennifer Whiting. This volume contains two sets of essays, one centered on Aristotle's account of an animal's body as standing to its soul as matter (hulê) to form (morphê), the other exploring Aristotle's conception of practical reason as the proper form of human desire. In the first set Whiting presents Aristotle's conception of the soul as the form and essence of an organic (and so living) body as part of his solution to Presocratic puzzles about whether there is a real (and not simply conventional) distinction between the coming-to-be (or passing-away) of an individual substance and what is merely the alteration or rearrangement of pre-existing stuffs. The solution also involves taking each individual animal within a species to have its own numerically distinct “individual” form, which (unlike species forms traditionally conceived) exists when and only when it does. The remaining essays account for various deficiencies in the lives of rational animals by appeal to the explanatory asymmetries afforded by Aristotle's teleology, where formal and final causes dominate when things go as they should (teleologically speaking) go, and material-efficient causes dominate when things go wrong. Just as Aristotle traces the birth of females to the failure of menstrual fluid to be fully “mastered” by the formal movements in the father's semen, so too he traces akratic and other defective forms of action to the failure of desires to be fully “mastered” by the activities of reason. Whiting argues that phronêsis is on this account the proper form of the desiring part of the soul, which (when things go well) is one with the practically reasoning part.
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Berlioz's Requiem

Berlioz's Requiem

Jennifer Walker

OXFORD UNIVERSITY PRESS INC
2025
sidottu
Hector Berlioz's Requiem (Grande Messe des Morts, 1837) remains a fixture in the repertoire of choirs and orchestras today. Since 2003, it has been performed in its entirety over one hundred times and has appeared on concert programs spanning the globe: from Russia to the United Kingdom, Finland to the United States, and many locations in between. These performances have, for the most part, been received positively but critics have not always been this kind to Berlioz and his Requiem. Romantic grandiosity, empty dramatic effect, religious insincerity: such are the descriptors that undergird many modern understandings of Berlioz's now-canonic work. Nineteenth-century critics and audiences, however, heard the Requiem in different and compelling ways. This book presenting a broad new musical and social context for understanding the Requiem as Berlioz conceived it and his contemporaries heard it. It asks what, if anything, did nineteenth-century listeners find to be notable about the work, and why? The answers to these questions lie in detailed explorations of Berlioz's relationship to the aesthetics of French sacred music, the theological sublime, and aural architecture. Theatrical as they may have appeared, Berlioz's innovative orchestrations and colossal choral configurations in the Requiem may now be heard as an embrace of the aural possibilities offered by the sounding of the sacred sublime, the physical architecture of French churches, and the interplay between the sacred and the secular.
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Berlioz's Requiem

Berlioz's Requiem

Jennifer Walker

OXFORD UNIVERSITY PRESS INC
2025
nidottu
Hector Berlioz's Requiem (Grande Messe des Morts, 1837) remains a fixture in the repertoire of choirs and orchestras today. Since 2003, it has been performed in its entirety over one hundred times and has appeared on concert programs spanning the globe: from Russia to the United Kingdom, Finland to the United States, and many locations in between. These performances have, for the most part, been received positively but critics have not always been this kind to Berlioz and his Requiem. Romantic grandiosity, empty dramatic effect, religious insincerity: such are the descriptors that undergird many modern understandings of Berlioz's now-canonic work. Nineteenth-century critics and audiences, however, heard the Requiem in different and compelling ways. This book presenting a broad new musical and social context for understanding the Requiem as Berlioz conceived it and his contemporaries heard it. It asks what, if anything, did nineteenth-century listeners find to be notable about the work, and why? The answers to these questions lie in detailed explorations of Berlioz's relationship to the aesthetics of French sacred music, the theological sublime, and aural architecture. Theatrical as they may have appeared, Berlioz's innovative orchestrations and colossal choral configurations in the Requiem may now be heard as an embrace of the aural possibilities offered by the sounding of the sacred sublime, the physical architecture of French churches, and the interplay between the sacred and the secular.
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Genomic Politics

Genomic Politics

Jennifer Hochschild

OXFORD UNIVERSITY PRESS INC
2025
nidottu
A groundbreaking analysis of how the genomic revolution is transforming American society and creating new social divisions-some along racial lines-that promise to fundamentally shape American politics for years to come. The emergence of genomic science in the last quarter century has revolutionized medicine, the justice system, and our understanding of who we are. We use genomics to determine guilt and exonerate the falsely convicted; devise new medicines; test embryos; and discover our ethnic and national roots. One might think that, given these advances, most would favor the availability of genomic tools. Yet as Jennifer Hochschild explains in Genomic Politics, the uses of genomic science are both politically charged and hotly contested. After all, genomics might result in bioterrorism, a demand for "designer babies," or a revival of racial biology. Political divisions around genomics do not follow the usual left-right ideological divides that dominate most of American politics. Through four controversial innovations resulting from genomic science—medicines for heart disease approved for use by only African-Americans, on the grounds of genetic distinctiveness; use of DNA evidence in the criminal justice system; the search for one's roots through genetic ancestry; and the use of genetic tests in prenatal exams—Hochschild reveals how the phenomenon is polarizing America in novel ways. Advocates of genomic science argue that these applications will make life better, while opponents point out the potential for misuse—from racial profiling to "selecting out" fetuses that gene tests show to have conditions like Down syndrome. Hochschild's central message is that the divide hinges on answers to two questions: How significant are genetic factors in explaining human traits and behaviors? And what is the right balance between risk acceptance and risk avoidance for a society grappling with innovations arising from genomic science? Experts differ among themselves about who should make decisions about governing genomics' uses, and Americans as a whole trust almost no one to do so. A deeply researched and original analysis of the politics surrounding one of the signal issues of our times, this is essential reading for anyone interested in how the genetics revolution is shaping society.
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Toxic Demography

Toxic Demography

Jennifer D. Sciubba; Michael S. Teitelbaum; Jay Winter

OXFORD UNIVERSITY PRESS INC
2025
sidottu
Population politics has taken many forms throughout history. Political leaders from both democracies and non-democracies commonly place population issues at the center of their political programs, manufacturing alarm over changing demographic distributions. From fears of existential decline to debates over migration and fertility, demographic issues are often distorted by political ideologies that obscure understanding and fuel divisive narratives. In Toxic Demography, Jennifer D. Sciubba, Michael S. Teitelbaum, and Jay Winter explore the deep entanglement of population dynamics with identity, modernization, nationalism, and populism. They unravel how concepts like "family" and "nation"--often seen as straightforward--carry diverse and politicized meanings that shape demographic debates. Focusing on the United States, Europe, and Asia, the authors examine the demographic dimensions of political conflict and the societal changes driven by aging populations and low fertility rates. These regions, at the forefront of unprecedented demographic transitions, reveal how population trends have been co-opted to serve political agendas that transform population debates into battlegrounds for broader ideological struggles. Drawing on historical and contemporary examples, Toxic Demography offers a critical lens to understand the persistent politicization of reproduction, fertility, and migration, showing how these distortions shape the futures of nations and societies.
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