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Heidegger's Path to Language

Heidegger's Path to Language

Wanda Torres Gregory

Lexington Books
2016
sidottu
With the recent publication of works from Heidegger’s Collected Edition, it has become evident that language occupied a central place in his thought “from early on,” as he claimed in his later years. Heidegger’s Path to Language takes on the timely task of guiding us through the development of his reflections on language from his younger years as a doctoral student to the later period of being-historical thinking. Wanda Torres Gregory argues that Heidegger continually pursued the question concerning the essence of language in what he later called his “background” discussions. She proposes that the clue lies in his often implicit use of Aristotle’s definition of logos—in terms of apophansis, synthesis, and phone—as the guideword for his thoughts on language. Torres Gregory uncovers three different stages of this buried path of logos that she correlates with his key philosophical principles at each step: the ideal of a pure logic, the existential analytic in the project of fundamental ontology, and the meditations on the appropriating-event. Her analysis of the constants and changes in Heidegger’s way to language via logos continues with a systematic comparison of his different answers to age-old philosophical problems concerning how language relates to reality, thought, meaning, and truth. Torres Gregory concludes with a critique that unveils the later Heidegger’s dogmas and inconsistencies and challenges his concept of the mysterious language of Er-eignis with an alternative (bio-linguistic) model of its appropriating force. Heidegger’s Path to Language contributes to the scholarship in Heidegger, continental philosophy, philosophy of language, comparative literature, German studies, and linguistics. It is intended primarily for specialists in those fields and will thus be of interest mainly to college professors and graduate students.
Heidegger's Path to Language

Heidegger's Path to Language

Wanda Torres Gregory

Lexington Books
2018
nidottu
With the recent publication of works from Heidegger’s Collected Edition, it has become evident that language occupied a central place in his thought “from early on,” as he claimed in his later years. Heidegger’s Path to Language takes on the timely task of guiding us through the development of his reflections on language from his younger years as a doctoral student to the later period of being-historical thinking. Wanda Torres Gregory argues that Heidegger continually pursued the question concerning the essence of language in what he later called his “background” discussions. She proposes that the clue lies in his often-implicit use of Aristotle’s definition of logos in terms of apophansis, synthesis, and phone as the guideword for his thoughts on language. Torres Gregory uncovers three different stages of this buried path of logos that she correlates with his key philosophical principles at each step: the ideal of a pure logic, the existential analytic in the project of fundamental ontology, and the meditations on the appropriating-event. Her analysis of the constants and changes in Heidegger’s way to language via logos continues with a systematic comparison of his different answers to age-old philosophical problems concerning how language relates to reality, thought, meaning, and truth. Torres Gregory concludes with a critique that unveils the later Heidegger’s dogmas and inconsistencies and challenges his concept of the mysterious language of Er-eignis with an alternative (bio-linguistic) model of its appropriating force. Heidegger’s Path to Language contributes to the scholarship in Heidegger, continental philosophy, philosophy of language, comparative literature, German studies, and linguistics. It is intended primarily for specialists in those fields and will thus be of interest mainly to college professors and graduate students.
A Moment in Time

A Moment in Time

Wanda MacAvoy

Createspace Independent Publishing Platform
2014
pokkari
JESUS IS COMING She had heard it all her life, she just didn't believe that He would come during her lifetime...but He did.Carrie Spangler had made a profession of faith in elementary school; but even at the time, she knew it was not genuine and Satan uses every opportunity to continue the deception, including Matthew Hanks Todd Jenson has always longed to know God but has never had the opportunity to do so. When he meets Carrie at SUNY's New Paltz campus, he is drawn to her; and when "fate" literally drops her into his lap, he couldn't be happier. She is a mystery to him as she keeps any information about her background from him; and when he finally takes her home to ask for her hand in marriage, her parents are gone As they begin their marriage at the start of the Tribulation, will they be able to survive; and will their marriage breach the differences that steadily grows between them?
For Hanna's Sake

For Hanna's Sake

Wanda Day

Createspace Independent Publishing Platform
2014
nidottu
Cheyenne's ex (he who shall not be named) shows up on her door step demanding to see his daughter. She denies him and he does his best to make Cheyenne and Tor's lives miserable.Cheyenne is also helping her best friend and sister-in-law, Claire, plan her wedding to her longtime boyfriend, Doug. The two have a lot of work ahead of them since Claire's wedding planning consists of "playing it by ear."
The Season for Miracles

The Season for Miracles

Wanda Luttrell

Createspace Independent Publishing Platform
2014
nidottu
Lydia Steinberg knew her husband, Yaacov, was dead. She had held shiva for him almost two years ago. So why was his voice speaking to her now from the silence of their empty shop? She had spent every Christmas season for the past fifty years here on this small-town mall offering unique Old World antiques to the customers of Steinberg's, but this was the first season she had heard voices when only she and Samson, the cat, were there. She would know Yaacov's voice anywhere, but that other voice--was it the voice of the Mayeem Khayeem, the Living Water Yaacov had discovered just before he died? Then there were the miracles, one nes gadol right after the other. Some came in answer to her needs; some met the needs of others. The evicted mother and child who came into the shop to get warm, the little boy with $1.87 seeking an expensive gift for his Grandma, the homeless man eating from the trash barrel, the suicidal caf owner down the street, the alcoholic ringing the bell over the Salvation Army kettle, the would-be robbers, the man with dementia insisting on buying a gift for his dead wife, the pregnant girl who almost had her baby in the shop--all were desperate, and she was allowed to participate in a miracle for every one of them. Never before had she even seen a true nes gadol. Yaacov's voice suggested that was because she had not believed in miracles--not until this wonderful miraculous season.
Old Mill Cafe: A Play in Two Acts

Old Mill Cafe: A Play in Two Acts

Wanda Hamilton

Createspace Independent Publishing Platform
2014
nidottu
Old Mill Caf is a play about the struggles of ordinary people in ordinary small towns across America as they face economic hardships and attempt to adapt to changing times. The characters represent a cross-section of people in one such town, Riverview. There is Amy, a widow left alone to try to save the once-upscale restaurant her she and her husband began. There is Jenny, who drains herself trying to be the perfect wife and mother. There is Frank, whose once-successful plumbing business is failing. There is Mattie, the motherly waitress, whose religious beliefs lend her strength and hope. There is Grace, the sophisticate, who is one of the few left of the town's upper class. And there is Chantal, the owner of the local beauty shop, who is a Dolly Parton-like force of nature. Despite the initially grave circumstances at the play's opening, it ends triumphantly. Change has come to Riverview, and with it, a new and better tomorrow. Old Mill is a play for general audiences. With music, memorable characters, laughter and wisdom, it is sure to entertain and leave the audience tapping their feet and singing along at the finale'. Old Mill Caf was written with community theater and other amateur productions in mind. It involves only one simple set (the Old Mill Caf ), a minimum of set dressing (3 or 4 mismatched, small tables and chairs and a cashier's stand). The time is the present day in a rural setting, so no costumes other than the actors' everyday casual clothes are required. While it is a play, it does incorporate four musical acts using the device of an open mike night at the caf . All the music used will be original songs by the musical acts or will be songs in the public domain, so copyright problems are avoided. Generally speaking, any songs published or in common use prior to 1923 are in the public domain, and long lists of these songs are available on the internet. No special lighting or sound effects are necessary, though the musical acts may require a microphone and speakers, depending on the size of the theater. The action takes place on a single early evening, more or less in real time, to avoid set and costume changes. There are 6 female and 3 male speaking parts plus at least 3 musical acts.