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1000 tulosta hakusanalla Edith Breburda

Fire Arrow: The Second Song of Eirren

Fire Arrow: The Second Song of Eirren

Edith Pattou

Clarion Books
2005
nidottu
Breo-Saight, the young archer from Hero's Song, has abandoned her lifelong mission to avenge her father's murder. But just as she stops pursuing the murderers, they turn up again, leading Brie to her birthright--a fire arrow. The magical arrow leads Brie to a strange country, where she finds the family and happiness she's never known. But she also finds evil at work--the doings of a sinister, one-eyed sorcerer named Balor. Though Brie has given up on vengeance, she knows she must follow her mission through to its bitter end if she is to save the people she's grown to love.
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Hero's Song

Hero's Song

Edith Pattou

HOUGHTON MIFFLIN
2005
nidottu
Collun has always been happiest working in his garden. But his peaceful life is shattered when his sister, Nessa, mysteriously disappears. He sets off to find her and soon realizes that he has become involved in something much larger and more sinister than he had imagined. With his traveling companions--a wizard, an aspiring bard, a fairy prince, and a feisty young woman on a quest of her own--Collun must face dangers both natural and magical in order to complete his mission. "The author spins a dramatic tale, infused with Irish myth and folklore, that fantasy fans will relish." --Booklist
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"Raise Up a Child"

"Raise Up a Child"

Edith Hudley; Wendy Haight; Peggy Miller

Oxford University Press Inc
2003
nidottu
Edith Hudley is an African-American grandmother who was born poor in rural Texas in 1920. In this beguiling book she tells how, through many vicissitudes, she achieved a better life for herself, her children, and grandchildren. But she is no stereotype. Without sentimentality and with considerable humor, she tells of both the privations and pleasures of her long life so vividly that she draws the reader into her world. In this book she tells her stories to two white academics who know her well. At the end of each chapter, they provide an "interlude" suggesting what her narrative can teach about the process of human development. As each stage of her life unfolds, they make it clear how her character and convictions were formed. Edith Hudley's convictions are strong, particularly about child-raising which has been her abiding interest as mother, grandmother, and "other" mother. She has more than her own family's welfare at heart. She has definite views on education and parenting, and her attitude to physical discipline will spark controversy. Not that that will worry her. She has never been afraid to speak her mind ("You always were mouthie," one of her brothers tells her.) What she has to say is well worth hearing.
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Oxford Children's Classics: The Railway Children

Oxford Children's Classics: The Railway Children

Edith Nesbit

Oxford University Press
2023
nidottu
This Oxford Children's Classic features the complete unabridged text, an introduction by Onjali Q Raúf, and other bonus material including insights for readers, facts, activities, and more . . . When their father is taken away, Bobbie, Peter, and Phyllis are uprooted from their comfortable home in London. Though they miss their old life they soon find a newfound love of the railway, and it becomes a source of great adventure and hope.
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Sophocles

Sophocles

Edith Hall

Oxford University Press
2025
nidottu
Very Short Introductions: Brilliant, Sharp, Inspiring This Very Short Introduction introduces the life, work, and influence of one of the greatest dramatists of all time, Sophocles the Athenian. Placing his plays within their historical context, and explaining the conventions of ancient Greek tragic theatre, Edith Hall spotlights their distinctive features-tight plots, titanic personalities, lucid style, sympathetic women, exquisite poetry, and stagecraft. This analysis is followed by an account of how and why Sophoclean dramas have survived to be read and widely performed into the twenty-first century. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
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The Black Jews of Africa

The Black Jews of Africa

Edith Bruder

Oxford University Press Inc
2008
sidottu
Over the last several decades, an astonishing phenomenon has developed: a Jewish rebirth of sorts occurring throughout Africa. Different ethnic groups proclaim that they are returning to long forgotten Jewish roots and African clans trace their lineage to the Lost Tribes of Israel. The Black Jews of Africa addresses the elaboration and the development of Jewish identities by Africans. Africans have encountered Jewish myths and traditions in multiple forms and under a number of situations. The context and circumstances of these encounters produced a series of influences that gradually led, within some African societies, to the elaboration of a new Jewish identity connected with that of the Diaspora. The book presents one by one the different groups of Black Jews from western central, eastern and southern Africa and the ways in which they have used and imagined their oral history and traditional customs to construct a distinct Jewish identity. The purpose of the book is to review the processes and immensely complex interactions which shaped these new religious identities. It explores the way in which Africans have interacted with the ancient mythological sub-strata of both western and Africans idea of Jews in order to create a distinct Jewish identity. It particularly seeks to identify and to assess colonial influences and their internalization by African societies in the shaping of new African religious identities. Along with these notions the book examines how, in the absence of recorded African history, the eminently malleable accounts of Jewish lineage developed by African groups inspired by Judaism co-exist with the possible historical traces of a Jewish presence in Africa.
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Adventures with Iphigenia in Tauris

Adventures with Iphigenia in Tauris

Edith Hall

Oxford University Press Inc
2013
sidottu
Human sacrifice, a spirited heroine, a quest ending in a hairsbreadth escape, the touching reunion of long-lost siblings, and exquisite poetry--these features have historically made Euripides' Iphigenia in Tauris one of the most influential of Greek tragedies. Yet, despite its influence and popularity in the ancient world, the play remains curiously under-investigated in both mainstream cultural studies and more specialized scholarship. With Adventures with Iphigenia in Tauris, Edith Hall provides a much-needed cultural history of this play, giving as much weight to the impact of the play on subsequent Greek and Roman art and literature as on its manifestations since the discovery of the sole surviving medieval manuscript in the 1500s. The book argues that the reception of the play is bound up with its spectacular setting on the southern coast of the Crimean peninsula in what is now the Ukraine, a territory where world history has often been made. However, it also shows that the play's tragicomic tenor and escape plot have had a tangible influence on popular culture, from romantic fiction to Hollywood action films. The thirteen chapters illustrate how reactions to the play have evolved from the ancient admiration of Aristotle and Ovid, the Christian responses of Milton and Catherine the Great, the anthropological ritualists and theatrical Modernists including James Frazer and Isadora Duncan, to recent feminist and postcolonial dramatists from Mexico to Australia. Individual chapters are devoted to the most significant adaptations of the tragedy, Gluck's opera Iphigénie en Tauride and Goethe's verse drama Iphigenie auf Tauris. Richly illustrated and accessibly written, with all texts translated into English, Adventures with Iphigenia in Tauris argues elegantly for a reappraisal of this Euripidean masterpiece.
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Inventing the Barbarian

Inventing the Barbarian

Edith Hall

Clarendon Press
1991
nidottu
Incest, polygamy, murder, sacrilege, impalement, castration, female power, and despotism: these are some of the images by which the Greek tragedians defined the non-Greek, `barbarian' world. This book explains for the first time the reasons behind their singular fascination with barbarians. It sets the plays against the historical background of the Panhellenic wars against Persia and the establishment of an Athenian empire based on democracy and slavery. Contemporary anthropology and political philosophy is discussed, revealing how the poets conceptualized the barbarian as the negative embodiment of Athenian civic ideals. By comparing the treatment of foreigners in Homer and tragedy, it shows that the new dimension which the idea of the barbarian had brought to the tragic theatre radically affected the past, and enriched the tragedians' repertoire of aural and visual effects. The invented barbarian of the tragic stage was a powerful cultural expression of Greek xenophobia and chauvinism, but, paradoxically, produced an outburst of creative energy and literary innovation. The D.Phil. dissertation out of which this book developed won the Hellenic Foundation's prize for the best doctoral thesis in ancient Greek studies in the UK and Republic of Ireland (1988).
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Greek Tragedy and the British Theatre 1660-1914

Greek Tragedy and the British Theatre 1660-1914

Edith Hall; Fiona Macintosh

Oxford University Press
2005
sidottu
This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.
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Summer

Summer

Edith Wharton

Oxford University Press
2015
nidottu
'Can't you see that I don't care what anybody says?' Charity Royall lives in the small New England village of North Dormer. Born among outcasts from the Mountain beyond, she is rescued by lawyer Royall and lives with him as his ward. Never allowed to forget her disreputable origins Charity despises North Dormer and rebels against the stifling dullness of the tight-knit community surrounding her. Her boring job in the local library is interrupted one day by the arrival of a young visiting architect, Lucius Harney, whose good looks and sophistication arouse her passionate nature. As their relationship grows, so too does Charity's conflict with her guardian; darker undercurrents start to come to the surface. Summer is often compared to Wharton's other New England story, Ethan Frome, and it shares the same intensity of feeling and repression. Wharton regarded it as one of her best works, and its compelling story of burgeoning sexuality and illicit desire has a strikingly modern and troubling ambiguity. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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A Son at the Front

A Son at the Front

Edith Wharton

Oxford University Press
2023
nidottu
'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.
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Greek Tragedy

Greek Tragedy

Edith Hall

Oxford University Press
2010
sidottu
This is an invaluable introduction to ancient Greek tragedy which discusses every surviving play in detail and provides all the background information necessary for understanding the context and content of the plays. Edith Hall argues that the essential feature of the genre is that it always depicts terrible human suffering and death, but in a way that invites philosophical enquiry into their causes and effects, This enquiry was played out in the bright sunlight of open-air theatre, which became a key marker of the boundary between living and dead. The first half of the book is divided into four chapters which address the social and physical contexts in which the plays were performed, the contribution of the poets, actors, funders, and audiences, the poetic composition of the texts, their performance conventions, main themes, and focus on religion, politics, and the family. The second half consists of individual essays on each of the surviving thirty-three plays by the Greek tragedians, and an account of the recent performance of Greek tragic theatre and tragic fragments. An up-to-date 'Suggestions for further reading' is included.
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