Edith Eris works in a water treatment facility where she is from, nothing glamorous but it provides an income. Then a disaster forces a change, for Edith and other survivors that meant escaping to the unknown, a place none of them had thought they would end up. But as time goes on things don't go well, something is different about Edith, and as governments learn this, they will kill to get her. Earth is not as welcoming as Edith thought it would be.
The Sheik is a 1919 novel by Edith Maude Hull, an English novelist of the early twentieth century. It was the first of a series of novels she wrote with desert settings that set off a major revival of the "desert romance" genre of romantic fiction. It was a huge best-seller and the most popular of her books, and it served as the basis for the film of the same name starring Rudolph Valentino in the title role.The novel opens in a hotel in the Algerian city of Biskra. A dance is being held, hosted by a young woman named Diana Mayo and her brother, Sir Aubrey Mayo. It transpires that Diana is planning to leave on a month-long trip into the desert, taking no one with her but an Arab guide. Nobody thinks this is a sensible idea, and Lady Conway-a real person who appears in the book as a minor character-disapprovingly attributes Diana's adventurous plan to her "scandalous" upbringing. Diana's mother had died giving birth to her and her father had killed himself from grief, with the result that Diana grew up tomboyish, with a freedom that at the time was normally only allowed to boys. Before Diana leaves on her journey, her independent character is further established when she refuses a proposal of marriage, explaining that she doesn't know what love is and doesn't want to know. Once she begins travelling in the desert, it is not long before she is kidnapped by the eponymous Sheik, Ahmed Ben Hassan. It turns out her guide had been bribed. Ahmed takes Diana to his tent and rapes her, an event that happens off stage, between the second and third chapters. Diana spends a few months as Ahmed's captive, being raped regularly and brooding on her hatred for him and her self-loathing. Eventually, she is allowed increasing liberty and starts going riding with Ahmed's valet, Gaston. One day, she manages to escape Gaston on one of these rides and gallops away. She is quickly recaptured by Ahmed, however, and as they are riding back to camp, she is overcome by the sudden realisation that she is in love with him. She knows she can say nothing of this, as Ahmed-who claims to find love dull-will send her away if he learns of her love.
Con esta obra aparece el primer volumen de la serie "Filosof a Realista Fenomenol gica: Investigaciones filos ficas del Instituto Dietrich von Hildebrand para Filosof a e Investigaci n Filos fica Realista en la Gustav Siewerth Akademie, Bierbronnen". El trabajo realizado por Miriam Ramos G mez, y editado por IAP-Press, ofrece la primera versi n biling e alem n-espa ol de las introducciones, res menes, comentarios, notas a pie de p gina y de la advertencia preliminar escritos por Edith Stein en el trascurso de su traducci n de las "Quaestiones disputatae de veritate" de Tom s de Aquino. La traducci n supuso para la autora un paso gigantesco de su inmersi n progresiva en el mundo filos fico de Tom s de Aquino y de su asimilaci n desde la fenomenolog a de E. Husserl. Para posibilitar al lector una mirada a ese paso gigante dado por Stein, Miriam Ramos aporta un estudio filos fico introductorio y una nota t cnica sobre la traducci n y la edici n.
Je dois vous dire que je suis surpris et tr s fi re de l' volution d'Edith. D'une femme g n e et timide une artiste qui s'ouvre corps et me, et qui nous partage son aventure d'adaptation en faisant des aller-retours entre la Transylvanie et l'Am rique. Le r cit d'une femme qui compose entre ses d sirs et ses r ves, et la r alit d'une nouvelle vie pour elle et sa famille.Nous sommes une terre d'accueil et de tol rance. Un pays o le droit civil reconna t une place et une chance tous et chacun. Qu'avons-nous fait pour contribuer? Prenons-nous m me le temps de le c l brer?C'est la raison de mon cheminement avec Edith. Cette visite l'exposition des ses oeuvres color es et des ses fresques humaines nous rappellent la grandeur et la beaut de notre sort."je n'ai pas le droit, je suis le produit d'une soci t et du r ve de ceux qui m'ont pr c d ."Dr. Bak NguyenEdith a commenc un parcours qu'elle peut colorer sa guise et modifier autant de fois qu'elle le souhaite. Enlevez votre masque et go tez vous aussi la nourriture des dieux, celle de l'extase de l' me Bienvenu dans le Jardin d'Edith.
Edith de Falsen, par M. Ernest LegouveDate de l'edition originale: 1840Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
The Custom of the Country by Edith Wharton's novel is a complicated work of fiction which exposes a crucial viewpoint on early twentieth century American society. A review of its primary themes, characters as well as narrative format: Here is the analysis: Social Critique and Class Dynamics: The novel looks at a tremendous topic: the critique of social class structures, particularly the difference between old money as well as brand new money. Undine Spragg is a character who Wharton depicts as societal climbing and materialism of the nouvelle riche. The novel examines the values as well as actions of the established elite and the newly landed, exposing the superficiality and moral bankruptcy that might lie behind the quest for social status.Undine Spragg: Character bio: Undine is a complicated character, generally viewed as an anti-heroine. She is driven by a need for wealth & status and is ardent, manipulative. Wharton utilizes her character as a means of examining themes of ambition and greed and also the social expectations placed on women. Wharton accomplishes a level of sympathy for Undine despite her usually unfavorable characteristics, displaying the limitations placed on women in her society.Marriage as a Social Tool: The novel discusses marriage not as hot union but as a tool of social advancement. Marriages within Undine are merely transactions, a means of ascending socially. The portrayal mirrors the mercantile nature of relationships within some social groups and criticises the commodityization of marriage.Contrast Between American as well as European Values: Wharton compared American and European societal values and normative. The novel indicates that European society is grounded in tradition and more stable, while American culture is fluid and centered on newness and wealth. Undine's marriages to both American and European males and her adaptation to various cultural expectations are a clear illustration of this contrast.Consumerism as well as Materialism: The book is an examination of American consumerism. Undine's constant pursuit of luxury and standing illustrates the larger societal aversion to appearance and material possessions. Wharton critiques this materialism, indicating it results in moral emptiness and personal dissatisfaction.Realism as well as Narrative Style: Wharton's story style brings together realism with thorough social observation. She meticulously captures the settings and social customs in the time, offering a vivid backdrop against which the story of her characters unfolds. Irony and subtle humor are used to deepen her social criticism.Gender Roles as well as Feminism: The novel isn't explicitly feminist but does examine the limited roles that women played in early 20th century society. Despite being morally questionable, Undine's actions may be viewed as a response - towards the limitations put on her as a woman. Her drive for independence contrasts with the established roles of women.The American Dream: The novel may be regarded as a look at the American Dream. Undine's continuous quest for upward mobility and happiness via money as well as power eventually does not gratify her, indicating the hollowness of this dream when based entirely on material accomplishment.
This book explores the lives and achievements of two Irish sisters, Edith and Florence Stoney, who pioneered the use of new electromedical technologies, especially X-rays but also ultraviolet radiation and diathermy. In addition, the narrative follows several intertwined themes as experienced by the sisters during their lifetimes. Their upbringing, influenced by their liberal-minded scientist father, set the tone for both their lives. Irish independence fractured their family heritage. Their professional experiences, fulfilling for Florence as a qualified doctor but often frustrating for Edith as a Cambridge-educated scientist, mirrored those of other aspiring women during this period, when the suffragist movement expanded and women’s lobby groups were formed. World War I created an environment in which their unusual specialist knowledge was widely needed, and the sisters’ war experiences are carefully examined in the book. But ultimately this is the extraordinary story of two independent but closely bonded sisters and their abiding love and support for one another.
This book explores the lives and achievements of two Irish sisters, Edith and Florence Stoney, who pioneered the use of new electromedical technologies, especially X-rays but also ultraviolet radiation and diathermy. In addition, the narrative follows several intertwined themes as experienced by the sisters during their lifetimes. Their upbringing, influenced by their liberal-minded scientist father, set the tone for both their lives. Irish independence fractured their family heritage. Their professional experiences, fulfilling for Florence as a qualified doctor but often frustrating for Edith as a Cambridge-educated scientist, mirrored those of other aspiring women during this period, when the suffragist movement expanded and women’s lobby groups were formed. World War I created an environment in which their unusual specialist knowledge was widely needed, and the sisters’ war experiences are carefully examined in the book. But ultimately this is the extraordinary story of two independent but closely bonded sisters and their abiding love and support for one another.
This book explores Edith Stein's phenomenology of the state. It features chapters on the application of Stein’s political philosophy to real issues and questions affecting nations today. The contributors also situate Stein’s political theory within her larger philosophical corpus. The collection examines An Investigation Concerning the State from various angles. Scholars first consider some of the direct claims Stein makes about social and political ontology. They mine her work for its implications for and applications to contemporary debates. Then, the contributors position her work in relation to other figures in phenomenology, including Edmund Husserl and Max Scheler. Finally, Stein’s views are brought to bear on other disciplines, including feminism, theology, and literature. The contributors also use her theory of the state to address various contemporary issues, including bioethics and rights, globalization, as well as social and political inequality. The view of the state that emerges has implications for how we do politics and make ethical decisions. Moreover, Stein's work has an impact on our views of sociality (as opposed to the sociality of contractarian views of the state), pedagogy, women, theories of justice and law, as well as social psychology and religion. This volume helps readers better understand this vital voice in political philosophy and appeals to students, professors, and researchers working in the field.
This book explores Edith Stein's phenomenology of the state. It features chapters on the application of Stein’s political philosophy to real issues and questions affecting nations today. The contributors also situate Stein’s political theory within her larger philosophical corpus. The collection examines An Investigation Concerning the State from various angles. Scholars first consider some of the direct claims Stein makes about social and political ontology. They mine her work for its implications for and applications to contemporary debates. Then, the contributors position her work in relation to other figures in phenomenology, including Edmund Husserl and Max Scheler. Finally, Stein’s views are brought to bear on other disciplines, including feminism, theology, and literature. The contributors also use her theory of the state to address various contemporary issues, including bioethics and rights, globalization, as well as social and political inequality. The view of the state that emerges has implications for how we do politics and make ethical decisions. Moreover, Stein's work has an impact on our views of sociality (as opposed to the sociality of contractarian views of the state), pedagogy, women, theories of justice and law, as well as social psychology and religion. This volume helps readers better understand this vital voice in political philosophy and appeals to students, professors, and researchers working in the field.
This volume explores the work and thought of Edith Stein (1891–1942). It discusses in detail, and from new perspectives, the traditional areas of her thinking, including her ideas about women/feminism, theology, and metaphysics. In addition, it introduces readers to new and/or understudied areas of her thought, including her views on history, and her social and political philosophy. The guiding thread that connects all the essays in this book is the emphasis on new approaches and novel applications of her philosophy. The contributions both extend the interdisciplinary implications of Stein’s thinking for our contemporary world and apply her insights to questions of theatre, public history and biographical representation, education, politics, autism, theological debates, feminism, sexuality studies and literature. The volume brings together for the first time leading scholars in five language-groups, including English, German, Italian, French and Spanish-speaking authors, thereby reflecting an international and cosmopolitan approach to Stein studies.
