Bored with just hopping and jumping, a frog discovers dancing
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1000 tulosta hakusanalla Ellen Devlin
Perfect for fans of Lois Ehlert and Press Here, this charming picture book gently explores the world of color and celebrates the joy of creativity. One day three white mice discover three jars of paint--red, blue, and yellow. But what happens when they splash in the colors, mixing the red and blue? Or dance in the blue and yellow? This playful introduction to colors will appeal to any budding artist or curious preschooler.
Three white mice who live on a piece of white paper so that the cat will not see them discover three jars of paint and nearly blow their camoflage
Set in Virginia, this novel evokes the irony of change in the rural South. Dorinda Oakley is a passionate, intelligent, and independent young woman struggling to define herself.
The moving tale of two small-town Virginia families and the crumbling of their shelters--religion, convention, and social prejudice--by a Pulitzer Prize-winning author. A Helen and Kurt Wolff Book.
A love story told against the background of a Scotish-Irish family through three generations in a Virginia village.
An Uneasy Guest in the Schoolhouse recounts how art education has been conceptualized, taught, and advocated for in the United States in the face of its persistent marginalization in the education system. Tracing various rationales offered from the 19th century onward, Winner argues that art education has failed to be justified as a good in and of itself--and this failure has affected both the status of visual art education in our schools and the quality of its teaching. Winner's comprehensive book maps recurrent pendulum swings between "traditional" and "progressive" approaches to art education in the United States, supplemented by her firsthand experiences observing art teaching in schools in China and Italy. Despite this problematic and uncertain past, 21st century art education in the United States and abroad has exploded with a wealth of new ideas aligned with the progressivism of the early 20th century and informed by the practices of contemporary art. As Winner details, an understanding of the history of art education, along with a focus on current challenges and opportunities, is essential for arts researchers, educators, and advocates, as well as anyone in the general public who cares about quality education in the 21st century.
Elements and Principles of 4D Art and Design is a core text for 4D foundational studies, offering students an accessible and hands-on introduction to the new elements and principles of time-based art. Suitable for both majors and non-majors, the book begins by reviewing basic aesthetic concepts and the principles and elements of 2- and 3D design to help students make connections between more familiar art forms and the new world of 4D design. Through a range of exercises and activities, students will hone improvisation, brainstorming, and critical thinking skills while gaining experience in a range of technologies related to 4D design such as simple video and audio recording and editing. Visit www.oup.com/us/mueller for additional material, including: - Interviews, videos, and audio files for a selection of examples cited throughout the text- Links and suggestions for online technical resources related to DSLR camera use, video editing, audio recording and editing, and stop-motion animation - Links to additional resources on artists and art for more in-depth learning
The Contracts of Fiction reconnects our fictional worlds to the rest of our lives. Countering the contemporary tendency to dismiss works of imagination as enjoyable but epistemologically inert, the book considers how various kinds of fictions construct, guide, and challenge institutional relationships within social groups. The contracts of fiction, like the contracts of language, law, kinship, and money, describe the rules by which members of a group toggle between tokens and types, between their material surroundings - the stuff of daily life - and the abstractions that give it value. Rethinking some familiar literary concepts such as genre and style from the perspective of recent work in the biological, cognitive, and brain sciences, the book displays how fictions engage bodies and minds in ways that help societies balance continuity and adaptability. Being part of a community means sharing the ways its members use stories, pictures, plays and movies, poems and songs, icons and relics, to generate usable knowledge about the people, objects, beliefs and values in their environment. Exposing the underlying structural and processing homologies among works of imagination and life processes such as metabolism and memory, Ellen Spolsky demonstrates the seamless connection of life to art by revealing the surprising dependence of both on disorder, imbalance, and uncertainty. In early modern London, for example, reformed religion, expanding trade, and changed demographics made the obsolescent courts a source of serious inequities. Just at that time, however, a flood of wildly popular revenge tragedies, such as Hamlet, by their very form, by their outrageous theatrical grotesques, were shouting the need for change in the justice system. A sustained discussion of the genre illustrates how biological homeostasis underpins the social balance that we maintain with difficulty, and how disorder itself incubates new understanding.
An explosion of research on bullying has raised our collective awareness of the serious impacts it can have on children. No longer do we accept it as an innocuous rite of passage, just a part of growing up that we grin and bear and grow out of later. But do we grow out of it, or are there lingering effects that last well beyond the school playgrounds and lunchrooms? Is bullying traumatic and, if so, does it last into adult life? Are there life-long consequences or are the effects pretty much shed as people grow? Are some of us more resilient than others? Are there any positive or unexpected outcomes as a result of being bullied (or having been a bully) as a child? In an effort to answer these questions, Bullying Scars describes childhood bullying from the vantage point of those victims, bullies, and bystanders who are now adults; the book discusses how lives have been changed, and explores the range of reactions adults exhibit.The research gathered for this book, through interviews with over 800 people, points out that even adult decision-making is often altered by the victimization they experience as children at the hands of peers, siblings, parents, or educators. Written in an engaging and accessible style that draws heavily from the rich interview data that deLara has collected, this book will be of interest to anyone struggling with the lingering effects of being bullied. Additionally, it is highly relevant to mental health professionals -- counselors, therapists, social workers, clinical psychologists -- working with clients who are dealing with these issues.
Opening Israel's Scriptures is a collection of thirty-six essays on the Hebrew Bible, from Genesis to Chronicles, which gives powerful insight into the complexity and inexhaustibility of the Hebrew Scriptures as a theological resource. Based on more than two decades of lectures on Old Testament interpretation, Ellen F. Davis offers a selective yet comprehensive guide to the core concepts, literary patterns, storylines, and theological perspectives that are central to Israel's Scriptures. Underlying the whole study is the primary assumption that each book of the canon has literary and theological coherence, though not uniformity. In both her close readings of individual texts and in her broad demonstrations of the coherence of whole books, Davis models the best practices of contemporary exegesis, integrating the insights of contemporary scholars with those of classical theological resources in Jewish and Christian traditions. Throughout, she keeps an eye to the experiences and concerns of contemporary readers, showing through multiple examples that the critical interpretation of texts is provisional, open-ended work--a collaboration across generations and cultures. Ultimately what she offers is an invitation into the more spacious world that the Bible discloses, which challenges ordinary conceptions of how things "really" are.
The Oxford Handbook of Byzantine Art and Architecture
Ellen C. Schwartz
Oxford University Press Inc
2022
sidottu
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
Late antiquity saw a proliferation of Christian texts dwelling on the emotions and physical sensations of dying, not as a heroic martyr in a public square or a judge's court, but as an individual, at home in a bed or in a private room. In sermons, letters, and ascetic traditions, late ancient Christians imagined the last minutes of life and the events that followed death in elaborate detail. The majority of these imagined scenarios linked the quality of the experience to the moral state of the person who died. Death was no longer the "happy ending," in Judith Perkins's words, it had been to Christians of the first three centuries, an escape from the difficult and painful world. Instead, death was most often imagined as a terrifying, desperate experience. This book is the first to trace how, in late ancient Christianity, death came to be thought of as a moment of reckoning: a physical ordeal whose pain is followed by an immediate judgment of one's actions by angels and demons and, after that, fitting punishment. Because late ancient Christian culture valued the use of the imagination as a religious tool and because Christian teachers encouraged Christians to revisit the prospect of their deaths often, this novel description of death was more than an abstract idea. Rather, its appearance ushered in a new ethical sensibility among Christians, in which one's death was to be imagined frequently and anticipated in detail. This was, at first glance, meant as a tool for individuals: preachers counted on the fact that becoming aware of a judgment arriving at the end of one's life tends to sharpen one's scruples. But, as this book argues, the change in Christian sensibility toward death did not just affect individuals. Once established, it shifted the ethics of Christianity as a tradition. This is because death repeatedly and frequently imagined as the moment of reckoning created a fund of images and ideas about what constituted a human being and how variances in human morality should be treated. This had significant effects on the Christian assumption of power in late antiquity, especially in the case of the capacity to authorize violence against others. The thinking about death traced here thus contributed to the seemingly paradoxical situation in which Christians proclaimed their identity with a crucified person, yet were willing to use force against their ideological opponents.
The thirteenth-century Jewish mystical classic Sefer ha-Zohar (The Book of Splendor), commonly known as the Zohar, took shape against a backdrop of rising anti-Judaism in Spain. Mystical Resistance reveals that in addition to the Zohar's role as a theological masterpiece, its kabbalistic teachings offer passionate and knowledgeable critiques of Christian majority culture. During the Zohar's development, Christian friars implemented new missionizing strategies, forced Jewish attendance at religious disputations, and seized and censored Jewish books. In response, the kabbalists who composed the Zohar crafted strategically subversive narratives aimed at diminishing Christian authority. Hidden between the lines of its fascinating stories, the Zohar makes daring assertions that challenge themes important to medieval Christianity, including Christ's Passion and ascension, the mendicant friars' new missionizing strategies, and Gothic art's claims of Christian dominion. These assertions rely on an intimate and complex knowledge of Christianity gleaned from rabbinic sources, polemic literature, public Church art, and encounters between Christians and Jews. Much of the kabbalists' subversive discourse reflects language employed by writers under oppressive political regimes, treading a delicate line between public and private, power and powerlessness, subservience and defiance. By placing the Zohar in its thirteenth-century context, Haskell opens this text as a rich and fruitful source of Jewish cultural testimony produced at the epicenter of sweeping changes in the relationship between medieval Western Europe's Christian majority and its Jewish minority.
Ethics in End-of-Life Decisions in Social Work Practice
Ellen L. Csikai; Elizabeth Chaitin
Oxford University Press Inc
2006
nidottu
Modern medical technologies have given patients and their families new options at the end of life. These options are often accompanied by difficult medical and ethical questions. Ellen L. Csikai and Elizabeth Chaitin give social workers an expanded ethical base on which to ground their understandings and explanations of the end-of-life options available to patients and workers in healthcare environments. The authors connect long-standing philosophical theories to contemporary concerns in the field of bioethics. In addition to theoretical issues, the authors include case studies to show the complex end-of-life decisions faced by patients, families, and health care workers. In order to help make these decisions, Csikai and Chaitin discuss how to assess knowledge; create treatment and intervention plans; and cultivate empowerment, teamwork, and cultural sensitivity. The authors, experienced social workers, offer approaches for resolving debates about informed consent, privacy and confidentiality, and the refusal or denial of medical treatment. The authors offer both ethical and practical methods for dealing with the potentially charged decisions and negotiations between patients, families, and healthcare workers. Unlike other books that focus entirely on the moral consequences and concerns at the end of life, Ethics in End-of-Life Decisions in Social Work Practice combines moral understanding and analysis with a practical and active approach.
How will the future leaders of Russia regard the world scene? How will they regard the United States, democracy, free speech, and immigration? What do they think of their current leaders? And what sorts of tactics will they bring to international negotiating tables, political and otherwise? Featuring a new introduction to the paperback that critiques the emerging theory of media weaponization, No Illusions: The Voices of Russia's Future Leaders provides an engaging, intimate, and unprecedented window into the mindsets of the next generation of leaders in Russian politics, business, and economics. In this book, one hundred and eight students in Russia's three most elite universities, the training grounds for the nation's leadership, reveal their thoughts on international relations, neighboring countries, domestic and international media, democratic movements, and their government in focus groups; they speak candidly, passionately, and sometimes sardonically about the United States. As well, Ellen Mickiewicz, one of the world's foremost experts on Russian media, politics, and culture, shows how their total immersion in the world of the internet -- an immersion that sets them apart from the current generation of Russian leadership and much of the rest of the country -- frames the way that they think and affects their trust in their leaders, the media, and their colleagues. Their worldviews are complex and often contradictory, reflecting complicated personalities that are adaptable yet also subject to much internal strife and "splintering." For example, while many of them are planning to go into politics, they express ambivalence about voting; they have favorable views of democracy, but not of the American model; they are shrewd critics of government propaganda and yet have clearly absorbed residue of Cold War defensiveness. Mickiewicz also looks at the nation's massive protests and nascent political movements to show how they came about and to consider what promise they might hold even in times of narrowing opportunities. She profiles several of Russia's up-and-coming leaders, including charismatic and controversial activist and politician Aleksei Navalny, who, even during his legal trials and house arrest, remains the face of the opposition to the Putin regime. As this book shows, the next generation of Russian leadership promises to hold a rather different worldview from that of the current one, yet it is not a worldview that readily embraces American democracy. No Illusions is a thought-provoking and often surprising glimpse into the future of Russia's foreign relations.
Our grasp of numbers and uncertainty is one of humankind's most distinctive and important traits. It is pivotal to our exceptional ability to control the world around us as we make short-term choices and forecast far into the future. But very smart people can struggle with numbers in ways that pose negative consequences for their decision making. Numeric ability equips individuals with vital tools that allow them to take charge of various aspects of their life. The more numerate enjoy superior health, wealth, and employment outcomes, while the innumerate remain more vulnerable. This book presents the logic, rules, and habits that highly numerate people use in decision making. Innumeracy in the Wild also introduces two additional ways of knowing numbers that complement and compensate for lower numeric ability and explores how numeric abilities develop and where mistakes are made. It offers a state-of-the-art review of the now sizeable body of psychological and applied findings that demonstrate the critical importance of numeracy in our world. With more than two decades of experience in the decision sciences, Ellen Peters demonstrates how intervention can foster adult numeric capacity, propel people to use numeric facts in decision making, and empower those with lower numeracy to reason better.
There is no end of talk and of wondering about 'art' and 'the arts.' This book examines a number of questions about the arts (broadly defined to include all of the arts). Some of these questions come from philosophy. Examples include: · What makes something art? · Can anything be art? · Do we experience "real" emotions from the arts? · Why do we seek out and even cherish sorrow and fear from art when we go out of our way to avoid these very emotions in real life? · How do we decide what is good art? Do aesthetic judgments have any objective truth value? · Why do we devalue fakes even if we -- indeed, even the experts--- can't tell them apart from originals? · Does fiction enhance our empathy and understanding of others? Is art-making therapeutic? Others are "common sense" questions that laypersons wonder about. Examples include: · Does learning to play music raise a child's IQ? · Is modern art something my kid could do? · Is talent a matter of nature or nurture? This book examines puzzles about the arts wherever their provenance - as long as there is empirical research using the methods of social science (interviews, experimentation, data collection, statistical analysis) that can shed light on these questions. The examined research reveals how ordinary people think about these questions, and why they think the way they do - an inquiry referred to as intuitive aesthetics. The book shows how psychological research on the arts has shed light on and often offered surprising answers to such questions.
Rida Johnson Young (ca. 1869-1926) was one of the most prolific female playwrights of her time, as well as a lyricist and librettist in the musical theater. She wrote more than thirty full-length plays, operettas, and musical comedies, 500 songs, and four novels, including Naughty Marietta, Lady Luxury, The Red Petticoat, and When Love is Young . Despite her extensive output, no significant study of her work has been produced. This book looks at her musical theater works with in-depth analyses of her librettos and lyrics, as well as her working relationships with other writers, performers, and producers, particularly Lee and J. J. Shubert. Using archival materials such as original typescripts, correspondence, and reviews, the book contextualizes her work in the early twentieth century professional theater and provides a window into the standard practices of writing and production of the era.
The ability of beavers to create an abundant habitat for a diverse array of plants and animals has been analyzed time and again. The disappearance of beavers across the northern hemisphere, and what this effects, has yet to be comprehensively studied. Saving the Dammed analyzes the beneficial role of beavers and their dams in the ecosystem of a river, focusing on one beaver meadow in Colorado. In her latest book, Ellen Wohl contextualizes North St. Vrain Creek by discussing the implications of the loss of beavers across much larger areas. Saving the Dammed raises awareness of rivers as ecosystems and the role beavers play in sustaining the ecosystem surrounding rivers by exploring the macrocosm of global river alteration, wetland loss, and the reduction in ecosystem services. The resulting reduction in ecosystem services span things such as flood control, habitat abundance and biodiversity, and nitrate reduction. Allowing readers to follow her as she crawls through seemingly impenetrable spaces with slow and arduous movements, Wohl provides a detailed narrative of beaver meadows. Saving the Dammed takes readers through twelve months at a beaver meadow in Colorado's Rocky Mountain National Park, exploring how beavers change river valleys and how the decline in beaver populations has altered river ecosystems. As Wohl analyzes and discusses the role beavers play in the ecosystem of a river, readers get to follow her through tight, seemingly impenetrable, crawl spaces as she uncovers the benefit of dams.