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1000 tulosta hakusanalla Judith L. Grams

Der Einfluss Charles Bukowskis auf das Werk von Judith Hermann am Beispiel der Kurzgeschichte 'Hunter-Tompson-Musik' aus dem Erzahlband 'Sommerhaus, spater'

Der Einfluss Charles Bukowskis auf das Werk von Judith Hermann am Beispiel der Kurzgeschichte 'Hunter-Tompson-Musik' aus dem Erzahlband 'Sommerhaus, spater'

Christian Luther

Grin Publishing
2012
nidottu
Studienarbeit aus dem Jahr 2009 im Fachbereich Germanistik - Neuere Deutsche Literatur, Note: 1,3, Universit t Erfurt (Neuere Deutsche Literatur), Veranstaltung: Familienmodelle und Familiendesaster, Sprache: Deutsch, Abstract: In folgender Hausarbeit mit dem Titel "Der Einfluss Charles Bukowskis auf das Werk von Judith Hermann am Beispiel der Kurzgeschichte 'Hunter-Tompson-Musik' aus dem Erz hlband 'Sommerhaus, sp ter'," die im Wintersemester 2008/09 entstand, soll dargestellt werden, inwiefern Charles Bukowski, sowohl in Persona, als auch dessen Werk als Einfluss f r Judith Hermanns literarischen Output zu sehen ist. Schon die Paratexte deuten hnlichkeiten zwischen den Kurzgeschichten der beiden Autoren an und lassen auf diese schlie en. So hei t es auf dem Einband zu Bukowskis "Jeder zahlt drauf" "Sehnsucht nach W rme - mit Zoff, Sixpacks und sinnlichen Frauen." "Charles Bukowski hat Sch nheit gefunden, wo sie keiner vermutet hat und wo die meisten noch nicht einmal danach gesucht haben." (Michael Althen in der S ddeutschen Zeitung) Und bei Hermann: "Judith Hermanns Geschichten sind so wunderbar gelassen erz hlt ...] und was darin an allt glichen geschieht, kann schon einem Vierzigj hrigem als unbekannt und unerh rt erscheinen" (Burkhard Spinnen)
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Zaha Hadid, Judith Turner

Zaha Hadid, Judith Turner

Joseph Giovannini

Edition Axel Menges
2015
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The juxtapositions of Zaha Hadid's architectural models and drawings and Judith Turner's photographs of the architect's buildings in this volume reveal that Hadid and Turner are complicit. There is a clear agreement of sensibilities. Each understands the other. Hadid does not design with complete geometries in stable con-figurations, but designs instead with incomplete or distorted geometries that are dynamic and visually unstable. Turner does the same in her photographs, cropping before a form completes itself in a frame that leaves the rest of the form suggested outside the frame. Hadid's work is abstract a permutation of Modernism's trifecta of point, line and plane. Turner's photography, too, is abstract so that Turner's photographs of Hadid's buildings compound the abstraction, arguably intensifying the three-dimension-al abstraction by compressing it into two. Hadid's neutral palette of materials, especially concrete, takes on value in Turner's graphic compositions of black, white and gray, counterintuitively giving neutrality subtle intensity. Hadid structures her designs dynamically with diagonal lines and oblique planes playing with and against each other in three-dimensional fields. Likewise Turner works on the diagonal, always positioning herself obliquely to buildings, shooting glancingly rather than frontally: her diagonal position further dynamizes Hadid's already energized diagonals. Often Turner doubles down on the diagonality by cranking the camera's lens off its up-down axis to heighten the architectural dynamism. Turning her photographic angle lofts Hadid's already anti-gravitational architectural system off the ground. Judith Turner resides in New York where she began taking photographs in 1972. She has had solo exhibitions in various cities in the United States, Europe, South America, Israel, and Japan. Turner has been awarded several grants and fellowships. She received an Honor Award from The American Institute of Architects in 1994 and a Stars of Design Award in Photography from The Design Center of New York in 2007.
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Le Japon et la Chine dans les oeuvres de Judith Gautier 5 vols. + Poemes de la libellule

Le Japon et la Chine dans les oeuvres de Judith Gautier 5 vols. + Poemes de la libellule

Editon Synapse
2007
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This set provides the first facsimile collection of Judith Gautier’s Japonism or Orientalism writings (all in French), which have long been out of print since her death in 1917. Judith Gautier was the daughter of the famous French author, Theophile Gautier. She started studying Chinese after her visit to the Great Exposition in London in 1862 and published her first novel, Le dragon imperial, in 1869, which featured China as the main subject. Later, she transferred her interest to Japan and together with Pierre Loti she became a central figure in the boom of Japonism in Paris.Selected here are her important novels and plays as well as a translation of a Japanese children’s book, a musical piece she wrote for the performance of Sada Yacco on the occasion of the Paris Exposition in 1900, and histories of Japan and China. Full colour illustrations are also included within the volumes. Finally, the extremely rare and valuable Poeme de la libellule, which includes her translation of Kokin Waka Shu (a medieval Japanese poetry book), is reproduced in full colour together with illustrations by Hosui Yamamoto.
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