Title: Laura Arbuthnot. A novel.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Meredith, John; 1894. 240 p.; 8 . 012630.h.36.
Charlotte’s mom has just moved the family across the country to live in Walnut Grove, “childhood home of pioneer author Laura Ingalls Wilder.” Mum’s idea is that the spirit of Laura Ingalls will help her write a bestselling book. But Charlotte knows better: Walnut Grove is just another town where Mom can avoid responsibility. And this place is worse than everywhere else the family has lived - it’s freezing in the winter, it’s small with nothing to do, and the people talk about Laura Ingalls all the time. Charlotte’s convinced her family will not be able to make a life on the prairie - until the spirit of Laura Ingalls starts getting to her, too.
Laura Kinney - once known as X-23, now inheritor of the mantle of Wolverine - takes the fight to those who stand as enemies to mutantkind Laura was bred to be the ultimate assassin as X-23. She's long left that life behind -- but as she encounters mutants being forced to use their powers against their will, Wolverine takes it upon herself to right these wrongs no matter who stands in her way And that includes Daredevil, the Woman Without Fear With antimutant hatred at an all-time high, Laura must sniff out a terrorist plot before it leads to human deaths -- and mutants taking the blame If Wolverine and Daredevil can't quell the unrest in the city, an even more explosive result may derail mutant-human relations forever Plus: When Bucky Barnes needs to track down a renegade scientist, who better to help than Wolverine? COLLECTING: Laura Kinney: Wolverine (2024) 1-5
An anthology of memories from a whole life. This old man's memory remains a source of enrichment for those who know how to read between the lines, an invigorating experience. Feeling that the programmed obsolescence of his life, which had already destroyed the motor faculties of his body, was beginning to ravage his mind and the memories of his existence, the narrator endeavored to revisit his distant past, to dust off the already infected storehouses of his life, to unearth some of the more salient memories.
The second collection of work by Olivier award-winning British playwright Laura Wade, bursting with her trademark satirical humour and her sharp, witty insight into gender and privilege. Posh (2010): the cult sensation which propelled Laura Wade onto the national stage and inspired the film The Riot Club (2014). Based on Oxford's real-life Bullingdon Club, the play unfolds during an evening of debauchery in an all-male elite student dining society. Kreutzer vs. Kreutzer (2010): a "play for voices" to be performed with an orchestra, re-imagining Tolstoy's The Kreutzer Sonata as an intimate two-hander. Home, I'm Darling (2018): a dark comedy about marriage and relationships, following one woman in the quest to be the perfect 1950s housewife. Winner of the 2019 Olivier Award for Best New Comedy. The Watsons (2018): a sparkingly funny new take on the unfinished Jane Austen novel, catapulting the characters into a contemporary context whilst dealing with questions of authorship and writer's block.