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1000 tulosta hakusanalla Lisa Cardiff

Kot, petukh i lisa

Kot, petukh i lisa

Aleksandr Afanasev

Makhaon
2024
nidottu
Odna iz samykh ljubimykh narodnykh skazok iz sbornika A.N. Afanaseva "Russkie detskie skazki". Etot sbornik byl izdan bolee sta let nazad i s tekh por polzuetsja neizmennoj populjarnostju. Ego avtor, izvestnyj uchjonyj-folklorist XIX veka, pereskazyvaja skazki dlja detej, ne tolko berezhno sokhranil v nikh intonatsiju i jazyk narodnykh skazitelej, no i sumel peredat sam dukh russkogo naroda. V skazke o tom, kak lisa ukrala petukha, a kot spas ego i nakazal lisu, utverzhdaetsja vera ljudej v torzhestvo pravdy i spravedlivosti.
Kot, petukh i lisa

Kot, petukh i lisa

Aleksandr Afanasev

Azbooka
2022
nidottu
Dorogie roditeli! Vash malysh uzhe osvoil alfavit i mozhet skladyvat slogi v slova? Prishla pora nauchit ego chitat! V seriju "My chitaem po slogam" voshli ljubimye detmi skazki s korotkim i dinamichnym sjuzhetom. Slova v tekstakh skazok razbity na slogi, v slovakh prostavleny udarenija - po klassicheskoj metodike obuchenija chteniju. Zhelaem uspekhov!
Spokojnoj nochi, Lisa!
Tvorchestvo Katrin Sherer khorosho znakomo rossijskim tseniteljam kachestvennoj detskoj literatury. V izdatelstve "Nigma" vyshli takie knigi s ejo illjustratsijami, kak "Rigo i Roza", "Lis v biblioteke" i "Pukh i Perja". V novoj knige "Spokojnoj nochi, Lisa! " Katrin vystupaet kak avtor i khudozhnik. Jumor i ocharovanie etoj istorii ne ostavjat ravnodushnymi malyshej i ikh roditelej, a zadornye illjustratsii stanut prekrasnym dopolneniem. Dejstvie knigi razvorachivaetsja stremitelno. Na kholme sidit malenkij Zajchonok, k nemu podkradyvaetsja golodnaja Lisa. Ryzhaja khischnitsa sobiraetsja sest malysha, no ne tut-to bylo! Vmesto togo chtoby ubezhat, zaplakat ili khotja by ispugatsja, Zajchonok reshitelno i chut naglo zajavljaet: - Minutochku! Ne esh menja! Ty chto, razve ne znaesh? Eto zhe Kholm, gde Lisa i Zajats drug drugu Spokojnoj Nochi zhelajut! V nemetskojazychnykh skazkakh Lisa chasto olitsetvorjaet Noch, a Zajats - Den. Poetomu "Kholm, gde Lisa i Zajats drug drugu Spokojnoj Nochi zhelajut" - eto takoe sakralnoe mesto, gde vstrechajutsja Den i Noch. No skazka v tselom ne ob etom. A o tom, kak bednoj Lise prishlos popotet, chtoby vypolnit vse uslovija Zajchonka. Snachala ona pozhelala emu spokojnoj nochi, potom rasskazala skazku na noch, potom provodila domoj, ulozhila v krovatku i dazhe spela kolybelnuju! I v rezultate usnula sama... Tak Zajchonok perekhitril Lisu, potomu chto ni kapelki ejo ne bojalsja. Kharizmatichnomu Zajchonku khochetsja rukopleskat. A Lisu nemnogo pozhalet. Ona zhe tak staralas! Dlja detej doshkolnogo vozrasta.Perevodchik: Nalepina Darja AlekseevnaKhudozhnik: Sherer Katrin
Dzhejn, lisa i ja

Dzhejn, lisa i ja

Fanny Britt; Izabel Arseno

Belaja vorona / Albus korvus
2022
sidottu
Graficheskij roman kanadskogo dramaturga Fanni Britt i khudozhnitsy Izabel Arseno o shkolnom odinochestve i schastlivom izbavlenii. Odnoklassniki vybrali Elen mishenju dlja nasmeshek, a ona im poverila - poverila, chto nikomu ne nuzhna, chto ona tolstaja sardelka i chto druzej u nee byt ne mozhet. Elen suschestvuet v serom tumane davnej priglushennoj toski, i tsveta na etikh stranitsakh pojavljajutsja tolko togda, kogda rech zakhodit o romane "Dzhejn Ejr" - v etu knigu, kak v prekrasnyj sad, ubegaet Elen, chtoby ne slyshat oskorblenij. U nee ne khvataet sil protivostojat shkolnym obidchikam ili ne obraschat vnimanija na ikh melkie podlosti, no khvataet uma ironizirovat nad svoim polozheniem - stavja sebja na mesto vljublennoj Dzhejn Ejr, Elen voobrazhaet sardelku v kupalnike, kotoruju obnimaet bezuteshnyj mister Rochester, a iz okna bashni kazhet jazyk ego sumasshedshaja zhena (blestjaschaja stsena, otlichnaja rabota khudozhnika). Vtoroe javlenie tsveta v seroj dejstvitelnosti, znamenie blizkikh peremen - vykhod ognenno-ryzhej lisy iz lesa k Elen, kogda ta stradaet v palatochnom shkolnom lagere. V tretij raz tsveta pojavjatsja i zapolonjat ulitsy Monrealja, kogda Elen blagodarja svoej novoj podruge - smeshlivoj, otkrytoj i schedroj serdtsem Zheraldin - ostavit iskazhennyj odinochestvom mir pozadi.Dlja detej srednego i starshego shkolnogo vozrasta.Perevodchik: Khachaturov MikhailKhudozhnik: Arseno Izabel
Kot, petukh i lisa
V etoj knige - nikogda ne starejuschaja russkaja narodnaja skazka "Kot, petukh i lisa" v pereskaze M.Bulatova. Prevoskhodnoe khudozhestvennoe oformlenie i velikolepnye illjustratsii Ju.Vasnetsova sdelajut knigu ukrasheniem detskoj biblioteki. Na primere bratev nashikh menshikh eta skazka povedaet malenkim chitateljam o tom, kak vazhno byt dobrym drug k drugu, pomogat tovarischam v trudnuju minutu i dorozhit druzhboj. Takaja kniga budet zamechatelnym podarkom, kotoryj objazatelno stanet dlja rebenka ponjatnym i rodnym. Na etoj skazke vyrosli ne tolko my, no dazhe nashi babushki i dedushki. Prishlo vremja poznakomitsja s etim proizvedeniem i vashim malysham.
Flip & Flop 35: Da Flop skulle male Mona Lisa
Den geniale professor har sædvanligvis sit hyr med at holde orden på generaldirektøren, Frøken Sisse og de hemmelige agenter Flip og Flop. Da han en dag roder med at analysere et gammelt portrætmaleri, når han frem til at det nok er malet af alle tiders store mester, Leonardo da Vinci. Herefter trækker han et dna-spor ud af den gamle maling, og det præparat han når frem til, gemmer han i en gammel sodavandsflaske. Er han gal eller genial? Skal hele kunsthistorien nu skrives om? Bare fordi Flop slukkede tørsten med indholdet af flasken? Måske. Betyder det noget for verdenskunsten? Og hvad betyder det for Flops personlighed at blive inficeret med da Vincis dna? Og kan han male frøken Sisse som Mona Lisa? Og som vi ved, var Leonardo da Vinci desuden en opfinder af Guds nåde. Denne forrygende fortælling bygger bro mellem datidens og nutidens største genier, Leonardo da Vinci og Flop!
Du klarar det, Lisa!

Du klarar det, Lisa!

Helena Berglund

Hegas Förlag
2021
sidottu
Lisa stirrar på den glödande cigaretten. – Kom igen! Testa! säger Filippa. Även om Lisa helst velat slippa vill hon inte att tjejerna ska tycka att hon är feg. Allt snurrar i huvudet när hon drar ett bloss och snart kommer hela frukosten upp på köksmattan. I panik springer Lisa därifrån. Fan. Varför blir det alltid såhär med Filippa. Och varför kan hon inte säga nej? Hon önskar att hon var lite mer som den nya tjejen Vera. Hon verkar så självsäker men ändå snäll. Men varför skulle hon och hennes aktivistkompisar vilja vara med Lisa? Ibland är det svårt att veta vad man faktiskt vill och vad man brinner för. Det här är första delen i en ny serie om vänskap, identitet och klimataktivism. Det är en berättelse som att känna sig annorlunda och om hur svårt det kan vara att så upp för både det man tror på och sig själv. En bok som passar utmärkt att läsa och diskutera i klassen! Hegas böcker – lätta att läsa. Svåra att motstå.
Siri, Visa-Lisa och hemligheten
Siri är en ganska vanlign 9-åring som bor med sin mamma.Men allt är inte helt bra med mamma.Även om Siri älskar henne mest i hela världen händer det att hon blir rädd och skäms för sin mamma. Och så finns det en Hemlighet som Siri inte vågar berätta för någon.Hemligheten heter Alkohol och den kan finnas hemma hos vem som helst. Inget konstigt med det. Men när vuxna använder den för mycket, då blir det obehagligt.Jette Boberg och Anna Sjölin har tidigare gett ut boken ”Alkohol, vad är det och hur blir det?”
Move Over, Mona Lisa

Move Over, Mona Lisa

Peggy Levitt

STANFORD UNIVERSITY PRESS
2026
sidottu
Calls to include a wider range of art, literature, and ideas in the world's classrooms, libraries, and museums are loud and clear. If so many agree that reforms are needed, why is change so slow? The answer is the inequality pipeline – the multiple obstacles that ideas and art needs to overcome to circulate globally. Most strategies to disrupt the pipeline only increase inclusivity, without fundamentally challenging institutional hierarchies. In Move Over, Mona Lisa, Peggy Levitt reveals, through her conversations with creatives, thinkers, and professionals working in the cultural and academic worlds in Argentina, Lebanon, and South Korea, that another approach to combatting global cultural and intellectual inequality is underway. Like-minded actors outside of traditional cultural centers are creating new nodes of power, and new pathways which connect them, that allow art, books, and ideas to, "travel from Buenos Aires to Mexico City without having to pass through Madrid." They are circumventing traditional powerbrokers and boldly reconfiguring the cultural and intellectual order. Levitt's journey begins where art and literature are first created; then takes us to where they get discovered, circulated, exhibited, and acquired; and concludes where they are researched, published about, and taught. Along the way, we meet visionary artists, out-of-the box writers, committed activists, and teachers striving to define what it means to train truly global citizens. We also discover how the culture and history of the cities they work from influences what they do. By linking these ideas together, Levitt persuasively demonstrates that what happens in the museum or the library is integrally connected to what happens in institutions of higher learning. With deeply researched, novel insights, ambition, and hope, Move Over, Mona Lisa offers nothing short of a new theory of global cultural and intellectual change.
Move Over, Mona Lisa

Move Over, Mona Lisa

Peggy Levitt

STANFORD UNIVERSITY PRESS
2026
pokkari
Calls to include a wider range of art, literature, and ideas in the world's classrooms, libraries, and museums are loud and clear. If so many agree that reforms are needed, why is change so slow? The answer is the inequality pipeline – the multiple obstacles that ideas and art needs to overcome to circulate globally. Most strategies to disrupt the pipeline only increase inclusivity, without fundamentally challenging institutional hierarchies. In Move Over, Mona Lisa, Peggy Levitt reveals, through her conversations with creatives, thinkers, and professionals working in the cultural and academic worlds in Argentina, Lebanon, and South Korea, that another approach to combatting global cultural and intellectual inequality is underway. Like-minded actors outside of traditional cultural centers are creating new nodes of power, and new pathways which connect them, that allow art, books, and ideas to, "travel from Buenos Aires to Mexico City without having to pass through Madrid." They are circumventing traditional powerbrokers and boldly reconfiguring the cultural and intellectual order. Levitt's journey begins where art and literature are first created; then takes us to where they get discovered, circulated, exhibited, and acquired; and concludes where they are researched, published about, and taught. Along the way, we meet visionary artists, out-of-the box writers, committed activists, and teachers striving to define what it means to train truly global citizens. We also discover how the culture and history of the cities they work from influences what they do. By linking these ideas together, Levitt persuasively demonstrates that what happens in the museum or the library is integrally connected to what happens in institutions of higher learning. With deeply researched, novel insights, ambition, and hope, Move Over, Mona Lisa offers nothing short of a new theory of global cultural and intellectual change.
A Question of the Arts: What Made the Mona Lisa Smile (and other questions about fine arts)
Uncover the mysteries of fine art in this fun question-based book for kids What made the Mona Lisa smile? Why do artists love painting haystacks? And just how can you make art with elephant poo? Find out the answers to these questions and much more in this book! With an engaging question and answer format, this series draws young readers into the fascinating world of the arts. Each spread opens with a simple, quirky question, opening up an exploration of arts topics and busting some popular myths along the way! The lively lay-out is supported by annotated photos and cartoons, making the arts fun and accessible for every young reader. Titles in the series: A Question of the Arts: Architecture / Craft / Dance / Film / Fine Art / Literature / Music / Theatre