Kirjojen hintavertailu. Mukana 11 627 220 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Mark P Sebar

Mark Twain on the Move

Mark Twain on the Move

Mark Twain

The University of Alabama Press
2008
nidottu
Mark Twain on the Move gathers the very best passages from all five of Mark Twain's travel narratives: ""The Innocents Abroad"" (1869), ""Roughing It"" (1872), ""A Tramp Abroad"" (1880), ""Life on the Mississippi"" (1883), and ""Following the Equator"" (1897). Although Twain's travel narratives were his best sellers throughout his career, modern readers are largely unfamiliar with them. Thus, readers are not only missing some of Twain's most hilarious and insightful material, they are also missing a complete understanding of a beloved literary and cultural icon.""Mark Twain on the Move"" presents the best of these works - sometimes respectful, often irreverent and outlandish - at their most lively and captures his renowned experiences as an American tourist. And they demonstrate why Twain's greatest popularity in his lifetime derived from his travel writings rather than from his novels. Twain was always entertaining and provocative while on the move and this collection captures that fabled energy for modern readers.
Mark Twain and the Spiritual Crisis of His Age

Mark Twain and the Spiritual Crisis of His Age

Harold K. Bush

The University of Alabama Press
2008
nidottu
Mark Twain and the Spiritual Crisis of His Age recounts Twain's fascination with, and participation in, America's spiritual and religious evolution in the 19th century and demonstrates how his writing is better understood within it. Twain is often pictured as a severe critic of religious piety, shaking his fist at God and mocking the devout. Such a view, however, is only partly correct. It ignores the social realities of Twain's major period as a writer and his own spiritual interests: his participation in church activities, his socially progressive agenda, his reliance on religious themes in his major works, and his friendships with clergymen, especially his pastor and best friend, Joe Twichell. It also betrays a conception of religion that is more contemporary than that of the period in which he lived.Harold K. Bush Jr. highlights Twain's attractions to and engagements with the wide variety of religious phenomena of America in his lifetime, and how these matters affected his writings. Though Twain lived in an era of tremendous religious vigor, it was also a time of upheaval and crisis within the church. The rise of biological and psychological sciences, the criticism of biblical texts as literary documents, the influx of world religions and immigrant communities, and the trauma of the Civil War all had dramatic effects on America's religious life.At the same time mass urban revivalism, the ecumenical movement, Social Christianity, and occultic phenomena like spiritualism and mind sciences, all rushed in to fill the voids. The rapid growth of agnosticism in the 1870s and 1880s is also clearly reflected in Twain's life and writings. Thus Twain's career reflects in an unusually resonant way the vast changes in American belief during his lifetime. Bush's study offers a new and more complicated understanding of Twain and his literary output, and serves as the cultural biography of an era.
Mark Twain, the World, and Me

Mark Twain, the World, and Me

Susan K. Harris

The University of Alabama Press
2020
nidottu
Winner of the Elizabeth Agee Prize in American LiteratureA scholar accompanies Twain on his journey around the worldIn Mark Twain, the World, and Me: Following the Equator, Then and Now, Susan K. Harris follows Twain's last lecture tour as he wound his way through the British Empire in 1895-1896. Deftly blending history, biography, literary criticism, reportage, and travel memoir, Harris gives readers a unique take on one of America's most widely studied writers. Structured as a series of interlocking essays written in the first person, this book draws on Twain's insights into the histories and cultures of Australia, India, and South Africa and weaves them into timely reflections on the legacies of those countries today. Harris offers meditations on what Twain's travels mean for her as a scholar, a white woman, a Jewish American, a wife, and a mother. By treating topics as varied as colonial rule, the clash between indigenous and settler communities, racial and sexual 'inbetweenness,' and species decimation, Harris reveals how the world we know grew out of the colonial world Twain encountered. Her essays explore issues of identity that still trouble us today: respecting race and gender, preserving nature, honoring indigenous peoples, and respecting religious differences.
Mark Twain

Mark Twain

The University of Alabama Press
2020
nidottu
Mark Twain: The Complete Interviews is an annotated and indexed scholarly edition of every known interview with Mark Twain. In these interviews that span his entire career, Twain discusses matters as varied as his lecture style, his writings, and his bankruptcy, while holding forth on such timeless issues as human nature, politics, war and peace, government corruption, humour, race relations, imperialism, international copyright, the elite, and his impressions of other writers.These interviews are oral performances in their own right and a new basis for evaluating contemporary responses to Twain’s writings. The interviews are records of verbal conversations rather than texts written in Twain’s hand. Four interviews are new to scholarship; fewer than a fifth have ever been reprinted.
The Bible According to Mark Twain

The Bible According to Mark Twain

Mark Twain

University of Georgia Press
1995
sidottu
This volume collects the most important writings by Mark Twain in which he used biblical settings, themes, and figures. Featuring Twain's singular portrayals of God, Adam, Eve, Satan, Methuselah, Shem, St. Peter, and others, the writings stand among Twain's most imaginative expressions of his views on human nature and humankind's relation to the Creator and the universe.Composed over four decades (1871-1910), the writings range from farce to fantasy to satire, each one bearing the mark of Twain's unmistakable wit and insight. Among the many delights in store for readers are Adam and Eve's divergent accounts of their domestic troubles; Methuselah's discussion of an ancient version of baseball, complete with a parody of baseball jargon; Shem's hand-wringing account of how material shortages and labor troubles were hampering the progress of the ark his father, Noah, was building; a description of the disruptive actions of the fire-and-brimstone evangelist Sam Jones upon arriving in heaven; Captain Stormfield's revelations of what heaven is really like; Satan's musings on our puerile concepts of the afterlife; and Twain's advice on how to dress and tip properly in heaven.Twain's humor, however, is never gratuitous. As readers laugh their way through this volume, they will find ample evidence of Twain's concerns about scriptural fallacies and inconsistencies, the Bible's rather flat portrayal of important characters, and our limited notions about the nature and meaning of our own—and God's—existence. Many of the pieces in this collection, even the most lighthearted, might still be considered controversial; of some of the darker pieces, Twain himself acknowledged that they would be heretical in any age. Moreover, these writings are valuable cultural artifacts of a time when, across the Western world, fundamental religious beliefs were being called into question by the precepts of Darwinism and the rapid advances of science and technology.Several of this volume's selections are previously unpublished; others, like Letters from the Earth, are classics. Virtually all have been newly edited to reflect as closely as possible Twain's final intentions for their form and content. For serious Twain devotees, editors Howard G. Baetzhold and Joseph B. McCullough have supplied an abundance of background material on the writings, including details on the history of their composition, publication, and relevance to the Twain canon.
Mark Twain & Company

Mark Twain & Company

Leland Krauth

University of Georgia Press
2003
sidottu
In this comparison of Mark Twain with six of his literary contemporaries, Leland Krauth looks anew at the writer's multifaceted creativity. Twain, a highly lettered man immersed in the literary culture of his time, viewed himself as working within a community of writers. He likened himself to a guild member whose work was the crafted product of a common trade—and sometimes made with borrowed materials.Yet there have been few studies of Twain in relation to his fellow guild members. In Mark Twain & Company, Krauth examines some creative "sparks and smolderings" ignited by Twain's contact with certain writers, all of whom were published, read, and criticized on both sides of the Atlantic: the Americans Bret Harte, William Dean Howells, and Harriet Beecher Stowe and the British writers Matthew Arnold, Robert Louis Stevenson, and Rudyard Kipling.Each chapter explores the nature of Twain's personal relationship with a writer as well as the literary themes and modes they shared. Krauth looks at the sentimentality of Harte and Twain and its influence on their protest fiction; the humor and social criticism of Twain and Howells; the use of the Gothic by Twain and Stowe to explore racial issues; the role of Victorian Sage assumed by Arnold and Twain to critique civilization; the exploitation of adventure fiction by Twain and Stevenson to reveal conceptions of masculinity; and the use of the picaresque in Kipling and Twain to support or subvert imperialism.Mark Twain & Company casts new light on some of the most enduring writers in English. At the same time it refreshes the debate over the transatlantic nature of Victorianism with new insights about nineteenth-century morality, conventionality, race, corporeality, imperialism, manhood, and individual identity.
Mark Twain's Aquarium

Mark Twain's Aquarium

Samuel Clemens

University of Georgia Press
2009
pokkari
"What I lacked and what I needed," confessed Samuel Clemens in 1908, "was grandchildren." Near the end of his life, Clemens became the doting friend and correspondent of twelve schoolgirls ranging in age from ten to sixteen. For Clemens, "collecting" these surrogate granddaughters was a way of overcoming his loneliness, a respite from the pessimism, illness, and depression that dominated his later years.In Mark Twain's Aquarium, John Cooley brings together virtually every known communication exchanged between the writer and the girls he called his "angelfish." Cooley also includes a number of Clemens's notebook entries, autobiographical dictations, short manuscripts, and other relevant materials that further illuminate this fascinating story.Clemens relished the attention of these girls, orchestrating chaperoned visits to his homes and creating an elaborate set of rules and emblems for the Aquarium Club. He hung their portraits in his billiard room and invented games and plays for their amusement. For much of 1908, he was sending and receiving a letter a week from his angelfish. Cooley argues that Clemens saw cheerfulness and laughter as his only defenses against the despair of his late years. His enchantment with children, years before, had given birth to such characters as Tom Sawyer, Becky Thatcher, and Huck Finn. In the frivolities of the Aquarium Club, it found its final expression.Cooley finds no evidence of impropriety in Clemens behavior with the girls. Perhaps his greatest crime, the editor suggests, was in idealizing them, in regarding them as precious collectibles. "He tried to trap them in the amber of endless adolescence," Cooley writes. "By pleading that they stay young and innocent, he was perhaps attempting to deny that, as they and the world continued to change, so must he."
Mark Twain, Culture and Gender

Mark Twain, Culture and Gender

J. D. Stahl

University of Georgia Press
2012
pokkari
Often regarded as the quintessential American author, Mark Twain in fact mined his knowledge and experience of Europe as assiduously as he did his adventures on the Mississippi and in the American West. In this challenging and original study, J. D. Stall looks closely at various Twain works with European settings and traces the manner in which the great writer redefined European notions of class into American concepts of gender, identity, and society.Stahl not only examines such famous writings as The Innocents Abroad, The Prince and the Pauper, A Connecticut Yankee in King Arthur's Court, and the "Mysterious Stranger" manuscripts but also treats a number of neglected works, including 1601, "A Memorable Midnight Experience", and Personal Recollections of Joan of Arc. In these writings, Stahl shows, Twain utilized the terms and symbols of European society and history to express his deepest concerns involving father–son relationships, the legitimation of parentage, female political and sexual power, the victimization of "good" women, and, ultimately, the desire to bridge or even destroy the barriers between the sexes. The "exoticism" of foreign culture—with its kings and queens, priests, and aristocrats—furnished Twain with some especially potent images of power, authority, and tradition. These images, Stahl argues, were "plastic material in Mark Twain's hands", enabling the writer to explore the uncertainties and ambiguities of gender in America: what it meant to be a man in Victorian America; what Twain thought it meant to be a woman; how men and women did, could, and should relate to each other.Stahl's approach yields a wealth of fresh insights into Twain's work. In discussing The Innocents Abroad, for example, he analyzes the emergence of the "Mark Twain" persona as part of a quest for cultural authority that often took the form of sexual role-playing. He also demonstrates that The Prince and the Pauper, even more strikingly than Adventures of Huckleberry Finn, embodies the writer's central myth of orphaned sons searching for surrogate fathers. His reading of A Connecticut Yankee is a tour de force, uncovering the psychological contradictions in Twain's political aspirations toward democratic equality.Stahl's book is an important contribution to literary scholarship, informed by psychology, gender study, cultural theory, and traditional Twain criticism. It confirms Mark Twain's debt to European culture even as it illuminates his re-envisioning of that culture in his own uniquely American way.
Mark Twain's Aquarium

Mark Twain's Aquarium

Samuel Clemens

University of Georgia Press
2018
sidottu
"What I lacked and what I needed," confessed Samuel Clemens in 1908, "was grandchildren." Near the end of his life, Clemens became the doting friend and correspondent of twelve schoolgirls ranging in age from ten to sixteen. For Clemens, "collecting" these surrogate granddaughters was a way of overcoming his loneliness, a respite from the pessimism, illness, and depression that dominated his later years.In Mark Twain's Aquarium, John Cooley brings together virtually every known communication exchanged between the writer and the girls he called his "angelfish." Cooley also includes a number of Clemens's notebook entries, autobiographical dictations, short manuscripts, and other relevant materials that further illuminate this fascinating story.Clemens relished the attention of these girls, orchestrating chaperoned visits to his homes and creating an elaborate set of rules and emblems for the Aquarium Club. He hung their portraits in his billiard room and invented games and plays for their amusement. For much of 1908, he was sending and receiving a letter a week from his angelfish. Cooley argues that Clemens saw cheerfulness and laughter as his only defenses against the despair of his late years. His enchantment with children, years before, had given birth to such characters as Tom Sawyer, Becky Thatcher, and Huck Finn. In the frivolities of the Aquarium Club, it found its final expression.Cooley finds no evidence of impropriety in Clemens behavior with the girls. Perhaps his greatest crime, the editor suggests, was in idealizing them, in regarding them as precious collectibles. "He tried to trap them in the amber of endless adolescence," Cooley writes. "By pleading that they stay young and innocent, he was perhaps attempting to deny that, as they and the world continued to change, so must he."
Mark Twain and Religion

Mark Twain and Religion

John Q Hays

Peter Lang Publishing Inc
1989
sidottu
Literary scholars long have insisted that, because of familial and financial tragedy and a growing feeling of artistic failure, Samuel L. Clemens (Mark Twain) suffered the deterioration of his religious writing into inconsistency and bleak despair. Refuting that critical dogmatism, John Q. Hays's seminal "Mark Twain" "and Religion: A Mirror of American Eclecticism" rejects notions of personal causation and instead attributes the inconsistency and despair to the properties of the materials with which Twain worked. Having rejected religious orthodoxy, Twain successively examines 18th century Rationalism, early 19th century Romanticism, and late 19th and early 20th century Scientific Determinism (all with undercurrents of folkloric supernaturalism he had learned from black slaves of his youth) in a literary eclectic journey similar to that of the corporate national mind and soul and reflective of someone spiritually alive.
Mark Twain's Pudd'nhead Wilson

Mark Twain's Pudd'nhead Wilson

Duke University Press
1990
pokkari
This collection seeks to place Pudd’nhead Wilson-a neglected, textually fragmented work of Mark Twain’s-in the context of contemporary critical approaches to literary studies. The editors’ introduction argues the virtues of using Pudd’nhead Wilson as a teaching text, a case study in many of the issues presently occupying literary criticism: issues of history and the uses of history, of canon formation, of textual problematics, and finally of race, class, and gender. In a variety of ways the essays build arguments out of, not in spite of, the anomalies, inconsistencies, and dead ends in the text itself. Such wrinkles and gaps, the authors find, are the symptoms of an inconclusive, even evasive, but culturally illuminating struggle to confront and resolve difficult questions bearing on race and sex. Such fresh, intellectually enriching perspectives on the novel arise directly from the broad-based interdisciplinary foundations provided by the participating scholars. Drawing on a wide variety of critical methodologies, the essays place the novel in ways that illuminate the world in which it was produced and that further promise to stimulate further study.Contributors. Michael Cowan, James M. Cox, Susan Gillman, Myra Jehlen, Wilson Carey McWilliams, George E. Marcus, Carolyn Porter, Forrest Robinson, Michael Rogin, John Carlos Rowe, John Schaar, Eric Sundquist
Mark These Men

Mark These Men

Baxter J.Sidlow

KREGEL PUBLICATIONS,U.S.
1993
nidottu
A treasure-house of Bible biographies including Elisha, Elijah, King Saul, Daniel, Gideon, Balaam, the apostle Paul, Lazarus, the rich young ruler, Ananias, and Simon of Cyrene.
Mark Through Old Testament Eyes – A Background and Application Commentary
Mark Through Old Testament Eyes is the first in a new kind of commentary series, Through Old Testament Eyes, which opens the gospel in greater depth to anyone committed to understanding or teaching Scripture. In this volume, the richness of Old Testament allusions and background in Mark clarifies puzzling passages and explains others in fresh ways.The exodus motif structures Mark. Mark also presents Jesus as the true temple of God in contrast to the existing temple, which has been corrupted. These important themes are hidden to modern eyes without the insight of an Old Testament perspective, and this commentary builds on that insight to emphasize how the gospel applies to the daily lives of Christians today.
Mark Twain

Mark Twain

Louis J. Budd

University of Missouri Press
2001
nidottu
A comprehensive study of Mark Twain's social and political attitudes. The author traces the growth of Twain's political and social convictions and thus shows his relationship to the age in which he lived. The work is based on research in the newspapers of the day, personal letters, and other little-known material, as well as intensive analysis of the most relevant works by Twain. The material is presented in a forthright style that moves at a springy pace.
Mark Twain Himself

Mark Twain Himself

Milton Meltzer

University of Missouri Press
2002
nidottu
Mark Twain's life is portrayed here in this mosaic of words and over 600 pictures. The words are Twain's own, taken from his writings - not only the autobiography, but also his letters, notebooks, newspaper reporting, sketches, travel pieces and fiction - and the illustrations provide a counterpoint to the text. Presented in the hundreds of photos, prints, drawings, cartoons and paintings is Twain himself, from the apprentice in his printer's cap to the dying world-famous figure finishing his last voyage in a wheelchair.
Mark Twain and the American West

Mark Twain and the American West

Joseph L. Coulombe

University of Missouri Press
2003
sidottu
In Mark Twain and the American West, Joseph Coulombe maintains that for more than twenty-five years, Mark Twain deliberately manipulated contemporary conceptions of the American West to create and then modify a public image that won worldwide fame. He establishes the central role of the region in the development of a persona that not only helped redefine American manhood and literary celebrity in the late nineteenth century, but also produced some of the most complex and challenging writings in the American canon. Coulombe sheds new light on previously underappreciated components of Twain's distinctly western persona. Gathering new evidence from contemporary newspapers, letters, literature, and advice manuals, Coulombe shows how Twain's persona in the early 1860s as a hard-drinking, low-living straight-talker was an implicit response to western conventions of manhood. He then traces the author's movement toward a more sophisticated public image, arguing that Twain characterized language and authorship in the same manner that he described western men: direct, bold, physical, even violent. In this way, Twain capitalized upon common images of the West to create himself as a new sort of western outlaw - one who wrote. Coulombe outlines Twain's struggle to find the proper balance between changing cultural attitudes toward male respectability and rebellion and his own shifting perceptions of the East and the West. Focusing on his unpredictable treatment of American Indians, Coulombe links Twain's enigmatic use of racial stereotypes in the West to Huck's treatment of Jim in Adventures of Huckleberry Finn. He argues that the repeated pattern not only illuminates the great moments in Huck's journey, but also clarifies inconsistencies within one of America's most important novels. Mark Twain and the American West is sure to generate new interest and discussion about Mark Twain and his influence. By understanding how conventions of the region, conceptions of money and class, and constructions of manhood intersect with the creation of Twain's persona, Coulombe helps us better appreciate the writer's lasting influence on American thought and literature through the twentieth century and into the twenty-first.
Mark Twain in Japan

Mark Twain in Japan

Tsuyoshi Ishihara

University of Missouri Press
2005
sidottu
Best known for his sharp wit and his portrayals of life along the banks of the Mississippi River, Mark Twain is indeed an American icon, and many scholars have examined how he and his work are perceived in the United States. In Mark Twain in Japan, however, Tsuyoshi Ishihara explores how Twain's uniquely American work is viewed in a completely different culture. Mark Twain in Japan addresses three principal areas. First, the author considers Japanese translations of Twain's books, which have been overlooked by scholars but which have had a significant impact on the formation of the public image of Twain and his works in Japan. Second, he discusses the ways in which traditional and contemporary Japanese culture have transformed Twain's originals and shaped Japanese adaptations. Finally, he uses the example of Twain in Japan as a vehicle to delve into the complexity of American cultural influences on other countries, challenging the simplistic one-way model of ""cultural imperialism."" Ishihara builds on the recent work of other researchers who have examined such models of American cultural imperialism and found them wanting. The reality is that other countries sometimes show their autonomy by transforming, distorting, and rejecting aspects of American culture, and Ishihara explains how this is no less true in the case of Twain. Featuring a wealth of information on how the Japanese have regarded Twain over time, this book offers both a history lesson on Japanese-American relations and a thorough analysis of the ""Japanization"" of Mark Twain, as Ishihara adds his voice to the growing international chorus of scholars who emphasize the global localization of American culture. While the book will naturally be of interest to Twain scholars, it also will appeal to other groups, particularly those interested in popular culture, Japanese culture, juvenile literature, film, and animation.
Mark Twain and Human Nature

Mark Twain and Human Nature

Tom Quirk

University of Missouri Press
2007
sidottu
Mark Twain once claimed that he could read human character as well as he could read the Mississippi River, and he studied his fellow humans with the same devoted attention. In both his fiction and his nonfiction, he was disposed to dramatize how the human creature acts in a given environment - and to understand why. Now one of America's preeminent Twain scholars takes a closer look at this icon's abiding interest in his fellow creatures. In seeking to account for how Twain might have reasonably believed the things he said he believed, Tom Quirk has interwoven the author's inner life with his writings to produce a meditation on how Twain's understanding of human nature evolved and deepened and to show that this was one of the central preoccupations of his life. Quirk charts the ways in which this humorist and occasional philosopher contemplated the subject of human nature from early adulthood until the end of his life, revealing how his outlook changed over the years. His travels, his readings in history and science, his political and social commitments, and his own pragmatic testing of human nature in his writing contributed to Twain's mature view of his kind. Quirk establishes the social and scientific contexts that clarify Twain's thinking, and he considers not only Twain's stated intentions about his purposes in his published works but also his ad hoc remarks about the human condition. Viewing both major and minor works through the lens of Twain's shifting attitude, Quirk provides refreshing new perspectives on the master's oeuvre. He offers a detailed look at the travel writings, including ""The Innocents Abroad"" and ""Following the Equator"", the novels, including ""The Adventures of Tom Sawyer"", ""Adventures of Huckleberry Finn"", and ""Pudd'nhead Wilson""; and an important review of works from Twain's last decade, including fantasies centering on man's insignificance in ""Creation"", works preoccupied with isolation - notably ""No. 44, The Mysterious Stranger"" and ""Eve's Diary"" - and polemical writings such as ""What is Man?"" Comprising the well-seasoned reflections of a mature scholar, this persuasive and eminently readable study comes to terms with the life-shaping ideas and attitudes of one of America's best-loved writers. ""Mark Twain and Human Nature"" offers readers a better understanding of Twain's intellect as it enriches our understanding of his craft and his ineluctable humor.
Mark Twain and Metaphor

Mark Twain and Metaphor

John Bird

University of Missouri Press
2007
sidottu
Metaphor theory, observes John Bird, is like Mark Twain: both seem simple upon first introduction. Now, in the most complete study to date of Twain's use of figurative language, a veteran Twain scholar tackles the core of his writing and explores it with theoretical approaches that have rarely been applied to Twain, providing new insights into how he imagined his world - and the singular ways in which he expressed himself. From ""The Jumping Frog"" to the late dream narratives, Bird considers Twain's metaphoric construction over his complete career and especially sheds new light on his central texts: Roughing It; The Adventures of Tom Sawyer; Adventures of Huckleberry Finn; A Connecticut Yankee in King Arthur's Court; Pudd'nhead Wilson; and No. 44, The Mysterious Stranger. He reconsiders ""Old Times on the Mississippi"" as the most purely metaphorical of Twain's writings, goes on to look at how Twain used metaphor and talked about it in a variety of works and genres, and even argues that Clemens' pseudonym is not so much an alter ego as a metaphorized self. By offering insight into how Twain handled figurative language during the composing process, Bird reveals not only hidden facets of his artistry but also new aspects of works that we think we know well - including some entirely new ideas regarding Huck Finn that draw on the recent discovery of the first half of the manuscript. In addition to dealing with issues currently central to Twain studies, such as race and gender, he also links metaphor to humor and dream theory to further illuminate topics central to his work. More than a study of Twain's language, the book delves into the psychological aspects of metaphor to reveal the writer's attitudes and thoughts, showing how using metaphor as a guide to Twain reveals much about his composition process. Applying the insights of metaphor theorists such as Roman Jakobson and Colin M. Turbayne, Bird offers readers not only new insights into Twain but also an introduction to this interdisciplinary field. In lively prose, Mark Twain and Metaphor provides a vital way to read Twain's entire corpus, allowing readers to better appreciate his style, humor, and obsession with dreams. It opens new ground and makes old ground fresh again, offering ways to see and resee this essential American writer.
Mark Twain, Unsanctified Newspaper Reporter

Mark Twain, Unsanctified Newspaper Reporter

James E. Caron

University of Missouri Press
2008
sidottu
Before Mark Twain became a national celebrity with his best-selling ""The Innocents Abroad"", he was just another struggling writer perfecting his craft - but already ""playin' hell"" with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens' writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years - and to challenge many long-standing views of Mark Twain's place in the tradition of American humor.Tracing the arc of Clemens' career from self-described ""unsanctified newspaper reporter"" to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings - especially the travel letters from Hawaii and the letters chronicling Clemens' trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career - even the virtually forgotten pieces from the ""San Francisco Morning Call in 1864"" - to reveal how Mark Twain's humor was shaped by the sociocultural context and how it catered to his audience's sensibilities while unpredictably transgressing its standards.Caron reveals how Sam Clemens' contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain's cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens' early work to the role of ritual clowns in traditional societies.Brimming with fresh insights into such benchmarks as ""Our Fellow Savages of the Sandwich Islands"" and ""Jim Smiley and His Jumping Frog,"" this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. ""Mark Twain, Unsanctified Newspaper Reporter"" should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.