Kirjahaku
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1000 tulosta hakusanalla Maya Eisel
Biet Maya : Sök, hitta, fyll i, räkna och para ihop
Stevali
2026
nidottu
Gå i förskolan med biet Maya. Det fiffiga biet Maya och hennes vänner hjälper barn från 4 år att förbereda sig inför skolstarten. De roliga och kluriga uppgifterna, skrivövningarna och färgläggningsbilderna väcker fantasin och tränar barnens koncentrationsförmåga och logiska tänkande.
Rainforest Home Remedies The Maya Way To Heal Your Body And Replenish Yo ur Soul
Arvigo Rosita; N Epstein
HARPERCOLLINS PUBLISHERS INC
2001
pokkari
Rainforest Healing from Your Home and Garden Find alternatives to chemical anti-depressants and painkillers in your spice rack. Learn about natural anti-itch salves for insect bites. Soothe and relieve envy, grief, sadness, and fear the Maya way. Rid your house of negative energy with a Maya cleansing ritual. Try the easy-to-make bronchitis remedy.
INSPIRED BY A TRUE STORY FROM THE CHILDHOOD OF VICE PRESIDENT KAMALA HARRIS!A beautiful, empowering picture book about two sisters who work with their community to effect change, inspired by a true story from the childhood of the author’s aunt, Kamala Harris, and mother, lawyer and policy expert Maya Harris.“A must read for little girls around the world.” —Elizabeth Warren, U.S. Senator from Massachusetts“An inspiring tale.” —Stacey Abrams, Former Minority Leader, Georgia House of Representatives; Founder and Chair, Fair Fight Action“I love this book.” —Megan Rapinoe, Co-Captain, U.S. Women’s National Soccer TeamOne day, Kamala and Maya had an idea. A big idea: They would turn their empty apartment courtyard into a playground!This is the uplifting tale of how the author’s aunt and mother first learned to persevere in the face of disappointment and turned a dream into reality. This is a story of children’s ability to make a difference and of a community coming together to transform their neighborhood.A New York Times bestseller!
In this lyrical novel that will appeal to fans of Meg Medina, Maya turns to her trusty "wheel of fortunes" for guidance on the toughest questions—like why her best friend suddenly feels far away, or when her daddy will move back home. But can Maya find the courage to write her own fortune? Maya J. Jenkins is bursting with questions:Will she get the MVP award at this year’s soccer banquet?Who will win the big grill off between Daddy and Uncle J?When will she pass the swim test and get a green bracelet?For answers and a dose of good luck, twelve-year-old Maya turns to her Wheel of Fortunes, a cardboard circle covered with the small slips of wisdom she’s collected from fortune cookies.But can the fortunes answer her deep-down questions? The ones she’s too scared to ask out loud? Like, where did Mama’s smile go, the real one that lit up everything around her? When will Daddy move back home? And most of all, does she have enough courage to truly listen to the voice in her heart?
MEL Scripting for Maya Animators
Mark R. Wilkins; Chris Kazmier
Morgan Kaufmann Publishers In
2005
nidottu
Trying to learn Maya programming from the documentation can be daunting whether or not you are a programmer. The first edition of MEL Scripting for Maya Animators earned the reputation as the best introductory book on MEL, Maya’s scripting language. Now fully revised and updated, the second edition also includes new features, such as a discussion of global procedures, new chapters on fixing programming bottlenecks, advanced user interface techniques, and optimizing character rigs. New chapters on utility nodes and Maya's Web Panel feature provide new ideas on how to use MEL in applications. This new edition has kept the popular style of the first edition that offered very clear explanations of programming concepts to those without programming experience. A generous collection of code examples and Maya scene files is included on the companion Web site. This is a book for animators, artists, game developers, visual effects developers, and technical directors who want to learn the fundamentals of Maya, how to automate tasks, personalize user interfaces, build custom tools, and solve problems with MEL.
There are times when only a polar bear will do . . . Gran and me. The beach and the sea. This is my home now - with my new family at Lighthouse Cottages. It wasn't easy at first but Gran helped to make everything OK. She's getting a bit forgetful these days and everyone looks worried. I know better though and I think she's fine . . . But now an enormous polar bear has washed up on our beach and decided to make himself at home. How on earth am I supposed to keep him and Gran out of trouble? Meet Maya as she comes to terms with big changes in her family. And meet Mister P, the world's most helpful(ish) polar bear. Packed with gorgeous illustrations throughout, readers will love this fun and heartwarming story.
Provides step-by-step tutorials on using Maya to create video game, hyperreal, and photo-real characters.
All professional animators know a handful of secrets that give them an edge in a production environment. "How to Cheat in Maya" puts these secrets in your hands! Learn time and energy-saving techniques tested in real Hollywood productions in this book, jam-packed with screenshots and scene files designed to get you up to speed quickly. From menus to modeling, lipsync to lighting, How to Cheat in Maya 2013 covers all of the methods available in the latest version of Maya. Get up to speed quickly and produce stellar results with these insider workflows. With new, updated cheats for the latest version of Maya, "How to Cheat in Maya" is an essential guide for amateur and professional 3D animators alike. Fully updated with gold-mine coverage including: expanded sections on production workflow, all new chapters covering rigging cheats and Maya's referencing tools, and brand new project files demonstrating production-proven techniques.The companion website includes complete scene files for exercises and techniques, extra rigs, Quicktime movies of full projects, and video tutorials.
Take your animations to the next level with this essential guide to Maya 2010. Packed with character animation techniques and the secrets of professional animators, How to Cheat in Maya 2010 provides the tips and tools to help you create high quality animation in the most efficient way possible. This comprehensive guide to animating with Maya contains gold-mine coverage, including animation techniques, using Maya's tools with the 12 animation principles, working with constraints, and even foolproof lighting tricks to show off your work. With this essential handbook, learn which circumstances call for which techniques, and how to get quality results fast. You will not only learn how to be productive in Maya, but also be given access under the hood to the actual scene files of a professional animator. Covering such topics such as pose to pose blocking, layered animation, fixing gimbal lock, facial animation, and much more, How to Cheat in Maya 2010 is an invaluable resource for artists and animators alike.-- See "under the hood" of a professional animator's workflow with beginning and ending scene files for every technique and workflow example in the book. --Complete, step-by-step walkthroughs of essential techniques every animator needs to know such as walk cycles, pose-to-pose blocking, lip syncing to dialogue, and much, much more.-- Proven "How to Cheat" series - Learn to create impressive, appealing animations using the fastest techniques possible, containing everything you need to know about Maya as a character animator.--Includes rarely discussed topics, such as reading spline curves, avoiding gimbal lock, animation layers, creating appealing lighting for demo reels, and features interviews with some of the most experienced animation leads and TDs working in the industry -- Learn to apply these professional techniques to your own animations with the accompanying downloadable resources which include all scene files to follow along with, as well as final versions to study in the Graph Editor
The Maya guide for animators, How to Cheat in Maya 2012 presents everything you need to know about character animation in Maya. Fully updated for the latest revision of Maya, this book provides you with complete, step-by-step walkthroughs of essential animation techniques to increase your efficiency and speed. This is an animator's workflow in book form, written by professional animators-not a software book with a few animation pointers thrown in.In addition to all the gold-mine coverage and interviews with expert animators from the previous edition, How to Cheat in Maya 2012 also features a new in-depth chapter on the principles of animation, updated information on camera settings and animation using Maya's new Camera Sequencer tool, the ins and outs of the brand new Editable Motion Trails tool, new techniques for working with characters in multi-shot animation tests and short films, a new cycles chapter covering actions like flying and walks, time-saving scripts, and advanced tricks with the new Graph Editor. The proven "How to Cheat" series gets you up to speed quickly, and in a way that's fun.
"Oltre il Velo di Maya" raccoglie gli atti del seminario tenuto da Paolo Marchetti, Sergio Carabelli e Davide Frezzato presso l'UNITRE di Sesto Calende.
Maya architecture is often described as "massive" and "monumental," but experiments at Copan, Honduras, convinced Elliot Abrams that 300 people could have built one of the large palaces there in only 100 days.In this groundbreaking work, Abrams explicates his theory of architectural energetics, which involves translating structures into volumes of raw and manufactured materials that are then multiplied by the time required for their production and assembly to determine the labor costs of past construction efforts. Applying this method to residential structures of the Late Classic period (A.D. 700-900) at Copan leads Abrams to posit a six-tiered hierarchic social structure of political decision making, ranging from a stratified elite to low-ranking commoners. By comparing the labor costs of construction and other economic activities, he also prompts a reconsideration of the effects of royal construction demands on commoners.How the Maya Built Their World will interest a wide audience in New and Old World anthropology, archaeology, architecture, and engineering.
Each year in the Highland Guatemala town of Santiago Momostenango, Maya religious societies, dance teams, and cofradÍas perform the annual cycle of rituals and festivals prescribed by Costumbre (syncretized Maya Christian religion), which serves to renew the cosmic order. In this richly detailed ethnography, Garrett Cook explores how these festivals of Jesucristo and the saints derive from and reenact three major ancient Maya creation myths, thus revealing patterns of continuity between contemporary expressive culture and the myths, rituals, and iconography of the Classic and Postclassic Maya. Drawing on fieldwork conducted in the 1970s and renewed in the 1990s, Cook describes the expressive culture tradition performed in and by the cofradÍas and their dance teams. He listens as dancers and cofrades explain the meaning of service and of the major ritual symbols in the cults of the saints and Jesucristo. Comparing these symbols to iconographic evidence from Palenque and myths from the Popol Vuh, Cook persuasively argues that the expressive culture of Momostenango enacts major Maya creation myths-the transformative sunrise, the representation of the year as the life cycle of anthropomorphized nature, and the erection of an axis mundi. This research documents specific patterns of continuity and discontinuity in the communal expression of Maya religious and cosmogonic themes. Along with other recent research, it demonstrates the survival of a basic Maya pattern-the world-creating vegetative renewal cycle-in the highland Maya cults of the saints and Jesucristo.
The Selva Maya (Jungle of the Maya) is one of the world's most magical yet least appreciated places-an enormous tropical forest that encompasses much of Belize, Guatemala, and Mexico's Yucatan Peninsula. At 9,000,000 acres, it is the largest contiguous tropical forest north of the Amazon in the Western Hemisphere. Within its borders, the Selva Maya provides habitat for an astonishing diversity of plants and animals-more than 500 species of birds alone. The forest also contains the fascinating ruins of ancient Maya cities, which attract visitors and researchers from all over the globe. Jungle of the Maya presents a stunning photographic portrait of this irreplaceable natural treasure. Nature photographers Douglas Goodell and Jerry Barrack capture the living wonders of the jungle-jaguars and other cats; spider and howler monkeys; hummingbirds and butterflies; and snakes, amphibians, and insects-as well as the region's hallmark Maya sites, including Tikal, Chichen Itza, Uxmal, and Tulum. Environmental writer Jim Wright invitingly describes the Selva Maya's natural and human history, helping visitors and residents appreciate the riches to be found in the forest and the need to protect and preserve them for generations to come. Because human activities are encroaching more and more on the Mayan forest, Jungle of the Maya is a beautiful book with a timely message. As renowned naturalist Archie Carr III sums it up in his foreword, "Today, the Selva Maya is at risk again. As modern beings, can we manage the forest better than we believe the ancient Maya did? We should. We have the archaeological record to draw from. We have modern science. And we still have inspiration whispered to us by spirits in the great plazas of Tikal and beyond. Turn the pages, and witness."
Like their regal counterparts in societies around the globe, ancient Maya rulers departed this world with elaborate burial ceremonies and lavish grave goods, which often included ceramics, red pigments, earflares, stingray spines, jades, pearls, obsidian blades, and mosaics. Archaeological investigation of these burials, as well as the decipherment of inscriptions that record Maya rulers' funerary rites, have opened a fascinating window on how the ancient Maya envisaged the ruler's passage from the world of the living to the realm of the ancestors.Focusing on the Classic Period (AD 250-900), James Fitzsimmons examines and compares textual and archaeological evidence for rites of death and burial in the Maya lowlands, from which he creates models of royal Maya funerary behavior. Exploring ancient Maya attitudes toward death expressed at well-known sites such as Tikal, Guatemala, and Copan, Honduras, as well as less-explored archaeological locations, Fitzsimmons reconstructs royal mortuary rites and expands our understanding of key Maya concepts including the afterlife and ancestor veneration.