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Künstlerische Praktiken und Fernsehen im digitalen Zeitalter

Künstlerische Praktiken und Fernsehen im digitalen Zeitalter

Ernest Ndjock Soume

Verlag Unser Wissen
2023
pokkari
Die vorliegende Arbeit mit dem Titel Kunstpraxis und Fernsehen in Kamerun im digitalen Zeitalter geht also von der Feststellung aus, dass das Angebot an Sendungen ber Kunstpraxis quantitativ und qualitativ sehr gering ist. Dabei sollten k nstlerische Talente angesichts der Vorteile, die das digitale Zeitalter bietet, kaum unter mangelnder Sichtbarkeit leiden. Diese Situation macht es unm glich, das Potenzial der k nstlerischen Meisterwerke, die wir besitzen, optimal auszuloten, um sie auf der internationalen B hne zu verkaufen. Dies ist eine Gefahr, zumal eine Gesellschaft, die t glich von Bildern berflutet wird, die ihrem kollektiven Ged chtnis fremd sind, nach und nach ihre Orientierungspunkte und ihr eigenes Schicksal verliert. Die Arbeit, die sich in drei Bereiche gliedert, soll zun chst zeigen, dass nur wenige Fernsehsender den darstellenden und bildenden K nsten sowie der Fotografie spezielle Sendungen widmen, wie sie es bei Politik und Sport tun, weil sie einerseits das inhaltliche Potenzial k nstlerischer Praktiken ignorieren und andererseits das, was wir als "tendenzielles Mitl ufertum" bezeichnet haben, nicht kennen. In der zweiten Phase konnten wir 28 Synopsen f r Sendungen erstellen.
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Artistic Practices and Television in the Digital Age

Artistic Practices and Television in the Digital Age

Ernest Ndjock Soume

Our Knowledge Publishing
2023
pokkari
The present work entitled artistic practices and television in Cameroon in the digital era thus starts from the observation that the offer of programs on artistic practices is very weak in quantity and quality. However, with the advantages offered by digital technology, artistic talents should not suffer from a lack of visibility. This situation does not allow us to explore at best the potentialities of the artistic masterpieces we possess in order to sell them on the international scene. This is a danger, especially since a society daily invaded by images foreign to its collective memory loses little by little its reference points, its own destiny. The work, distributed on three axes, aims in the first part to demonstrate that few television channels devote specific programs to the living arts, plastic and photography as they do with politics and sport, because of the ignorance of the potentialities that would abound in artistic practices in terms of content on the one hand, and to what we called the "tendency following" on the other hand. In the second part, we were able to create 28 program synopses.
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Pratiche artistiche e televisione nell'era digitale

Pratiche artistiche e televisione nell'era digitale

Ernest Ndjock Soume

Edizioni Sapienza
2023
pokkari
Il presente lavoro, intitolato Pratiche artistiche e televisione in Camerun nell'era digitale, parte quindi dalla constatazione che l'offerta di programmi sulle pratiche artistiche molto scarsa in termini di quantit e qualit . Tuttavia, con i vantaggi offerti dalla tecnologia digitale, i talenti artistici non dovrebbero soffrire della mancanza di visibilit . Questa situazione non ci permette di esplorare il potenziale dei capolavori artistici che abbiamo per venderli sulla scena internazionale. un pericolo, tanto pi che una societ invasa quotidianamente da immagini estranee alla sua memoria collettiva sta gradualmente perdendo l'orientamento, il proprio destino. Il lavoro, diviso in tre parti, mira nella prima a dimostrare che pochi canali televisivi dedicano programmi specifici alle arti viventi, alle arti plastiche e alla fotografia, cos come fanno con la politica e lo sport, a causa dell'ignoranza del potenziale delle pratiche artistiche in termini di contenuti da un lato, e di quello che abbiamo chiamato "seguito di tendenza" dall'altro. Nella seconda parte, siamo riusciti a creare 28 sinossi di programmi.
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Práticas Artísticas e Televisão na Era Digital

Práticas Artísticas e Televisão na Era Digital

Ernest Ndjock Soume

Edicoes Nosso Conhecimento
2023
pokkari
O presente trabalho intitulado Pr ticas Art sticas e Televis o nos Camar es na Era Digital parte assim da constata o de que a oferta de programas sobre pr ticas art sticas muito baixa em quantidade e qualidade. No entanto, com as vantagens oferecidas pela tecnologia digital, os talentos art sticos dificilmente dever o sofrer com a falta de visibilidade. Esta situa o n o nos permite explorar o potencial das obras-primas art sticas de que dispomos para as vender na cena internacional. Isto um perigo, tanto mais que uma sociedade invadida diariamente por imagens alheias sua mem ria colectiva est gradualmente a perder o seu rumo, o seu pr prio destino. O trabalho, dividido em tr s partes, visa na primeira demonstrar que poucos canais de televis o dedicam programas espec ficos s artes vivas, artes pl sticas e fotografia, como fazem com a pol tica e o desporto, devido ao desconhecimento do potencial das pr ticas art sticas em termos de conte do, por um lado, e aquilo a que cham mos "seguimento da moda", por outro. Na segunda parte, fomos capazes de criar 28 sinopses de programas.
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Migration and Society in Early Modern England

Migration and Society in Early Modern England

Peter Clark; Souden David

Barnes Noble Books-Imports, Div of Rowman Littlefield Pubs., Inc
1988
sidottu
Contents: Introduction, Peter Clark and David Souden; Vagrants and vagrancy in England, 1598-1664, Paul A. Slack; Patterns of migration and movement of labour to three pre-industrial East Anglian towns, John Patten; Neighbourhood migration in early modern London, Jeremy Boulton; 'Rogues, whores and vagabonds'?; Indentured servant emigration to North America and the case of mid seventeenth-century Bristol, David Souden; Moving on in the New World: migration and out-migration in the seventeenth-century Chesapeake, J.P. Horn; Migration in England during the late seventeenth and early eighteenth centuries, Peter Clark; Age-specific mobility in an eighteenth-century rural English parish, R.S. Schofield; Migrants in the city: the process of social adaptation in English towns, 1500-1800, Peter Clark; 'East, westóhome's best'? Regional patterns in migration in early modern England, David Souden; Bibliography; Index
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Sacred Scripture

Sacred Scripture

Richard N. Soulen

Westminster/John Knox Press,U.S.
2010
nidottu
How did the Bible's sixty-six books become sacred Scripture? How have they been understood and interpreted over the last two thousand years? What was it that led to our acceptance of the Bible as the true word of God? For two millennia, Christians have accepted the importance of the Bible as sacred Scripture, and for as many years they have struggled to comprehend its meaning. Over the centuries the church has expressed the centrality of Scripture in numerous ways, and Christians have studied and interpreted the Bible in a wide variety of faithful approaches. Understanding that process is critical to our ability--and our willingness--to accept the Bible as sacred and true. To that end, Richard Soulen leads us through the history of how Christian understandings of the Bible have changed and developed throughout history.
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The Divine Name(s) and the Holy Trinity, Volume One

The Divine Name(s) and the Holy Trinity, Volume One

R. Kendall Soulen

Westminster/John Knox Press,U.S.
2011
pokkari
Few things are so vital to Christian life yet so mired in controversy as the language we use to name the mystery of the Trinity. This project offers a fresh map of Trinitarian language that is simple, yet profound in its implications for theology and practice. Soulen proposes that sacred scripture gifts us with three patterns of naming the persons of the Trinity: a theo-logical pattern characterized by oblique reference to the Tetragrammaton (the divine name); a christo-logical pattern characterized by the kinship vocabulary of Father, Son, and Spirit; and a pneumato-logical pattern, characterized by the open-ended multiplicity of divine names. These patterns relate in a Trinitarian way: they are distinct, interconnected, and, above all, equally important. The significance of this thesis resides in its power to map the terrain of Trinitarian discourse in a way that is faithful to scripture, critically respectful of tradition, and fruitfully relevant to a broad range of contemporary concerns.
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Handbook of Biblical Criticism, Fourth Edition

Handbook of Biblical Criticism, Fourth Edition

Richard N. Soulen; R. Kendall Soulen

Westminster/John Knox Press,U.S.
2011
nidottu
The fourth edition of this best-selling textbook continues to be a valuable resource for the beginning student in the critical study of the Bible. Thoroughly revised to include the newest methods, recent discoveries, and developments in the field of biblical criticism over the past decade, the Handbook of Biblical Criticism is designed to be a starting point for understanding the vast array of methods, approaches and technical terms employed in this field. Updates in this edition also include an expanded dictionary of terms, phrases, names, and frequently used abbreviations, as well as a bibliography that includes the most up-to-date date publications.The Handbook of Biblical Criticism is a valuable introductory textbook and a reliable guide for pastors, laypersons, and scholars whose expertise lies in other fields.
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Acta Geographica; v. 6

Acta Geographica; v. 6

Helsinki Societas; Suomen Maantieteellinen Seura

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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