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1000 tulosta hakusanalla C W Webber

A Texas Scrap-Book. Made up of the history, biography, and miscellany of Texas and its people. Compiled by D. W. C. Baker. [With plates, including portraits.]

A Texas Scrap-Book. Made up of the history, biography, and miscellany of Texas and its people. Compiled by D. W. C. Baker. [With plates, including portraits.]

D W C Baker

British Library, Historical Print Editions
2011
pokkari
Title: A Texas Scrap-Book. Made up of the history, biography, and miscellany of Texas and its people. Compiled by D. W. C. Baker. With plates, including portraits.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Baker, D W. C.; 1875 xii. 657 p.; 8 . 10412.ee.8.
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Who Killed Cockatoo. [A Nursery Rhyme.] by W. A. C. [I.E. W. A. Cawthorne.]

Who Killed Cockatoo. [A Nursery Rhyme.] by W. A. C. [I.E. W. A. Cawthorne.]

W C; William Cawthorne

British Library, Historical Print Editions
2011
pokkari
Title: Who Killed Cockatoo. A nursery rhyme.] By W. A. C. i.e. W. A. Cawthorne.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library C., W; Cawthorne, William; 1860?]. 19 p.; 8 . 11643.bbb.14.(8.)
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W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen

W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen

Arthur Frank Wertheim

Palgrave Macmillan
2017
sidottu
This book reveals how Fields became a character comedian while performing in Broadway’s most illustrious revue, the Ziegfeld Follies.As the first biography to use the recently opened Fields Papers at the Motion Picture Academy, the book explores how Fields years as a Follies entertainer portraying a beleaguered husband and a captivating conman became a landmark turning point in his career, leading to his fame as a masterful film comedian. The book also untangles a web of mysteries about Fields’s turbulent private life, from the heartrending stories about the tragic relationship with his calculating wife who refused to divorce him, to his estranged son controlled by his mother, to the seven-year extra-marital affair with a chorus girl that led to the birth of an unwanted child.This electrifying saga illuminates a complex dual personality, whirling from tenderness to brusqueness, who endured so much anguish in order to bring the gift of laughter to millions. Although vilified by Ziegfeld and assailed by demons, Fields survived the cutthroat rigors of Broadway show biz to become a legendary American iconoclast and cultural icon.
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W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen

W.C. Fields from the Ziegfeld Follies and Broadway Stage to the Screen

Arthur Frank Wertheim

Palgrave Macmillan
2018
nidottu
This book reveals how Fields became a character comedian while performing in Broadway’s most illustrious revue, the Ziegfeld Follies.As the first biography to use the recently opened Fields Papers at the Motion Picture Academy, the book explores how Fields years as a Follies entertainer portraying a beleaguered husband and a captivating conman became a landmark turning point in his career, leading to his fame as a masterful film comedian. The book also untangles a web of mysteries about Fields’s turbulent private life, from the heartrending stories about the tragic relationship with his calculating wife who refused to divorce him, to his estranged son controlled by his mother, to the seven-year extra-marital affair with a chorus girl that led to the birth of an unwanted child.This electrifying saga illuminates a complex dual personality, whirling from tenderness to brusqueness, who endured so much anguish in order to bring the gift of laughter to millions. Although vilified by Ziegfeld and assailed by demons, Fields survived the cutthroat rigors of Broadway show biz to become a legendary American iconoclast and cultural icon.
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The W.C. Fields Films

The W.C. Fields Films

James L. Neibaur

McFarland Co Inc
2017
pokkari
W.C. Fields was at the top among comedians during Hollywood's Golden Era of the 1930s and 1940s and has since remained a comic icon. Despite his character's misanthropic, child-hating, alcoholic tendencies, his performances were enduringly popular and Fields became personally defined by them. This critical study of his work provides commentary and background on each of his films, from the early silents through the cameos near the end of his life, with fresh appraisals of his well known classics. Pictures once believed to be lost that have been discovered and restored are discussed, and new information is given on some that remain lost.
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W.C. Fields by Himself

W.C. Fields by Himself

W.C. Fields; Conan O'Brien

Taylor Trade Publishing
2016
pokkari
Fields never got around to writing his autobiography, but at his death in 1946, he left behind a vast assortment of notes, outlines, scrapbooks, letters, scripts, scenarios, and photographs. Now his grandson, Ronald J. Fields, has edited and woven this wealth of previously unpublished material into a unique new portrait of the Great One--in his own words. This book establishes the true facts about W.C. Fields's early years: how, around 1895, he really got started juggling; how met his future wife Hattie; and how he felt about his incessant tours, triumphs, and film career.
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W C L D N

W C L D N

Glen Wilson

Cambria Publishing
2020
nidottu
London, England. The long hot World Cup summer of 2018. Endless sun, fractious politics, Boxpark beer showers, and a growing belief that football might just be coming home.From Lewisham's local pubs to the Colombian cafes of Elephant & Castle, and Belgian bars of Covent Garden - W C L D N is a look at how one of the world's most global cities consumes sport's most global event.But this is an observation glimpsed through a clouded lens; its author simultaneously lost in the fog of a depression he's desperate to navigate away from.How do you connect with the most unifying event of the sport you love, when you are at your loneliest? Is football merely a diversion from the everyday - a means of escape from the heavier pressures that continue to weigh down on you? Or, can it offer a crucial lifeline to reconnect with yourself and your surroundings?
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My W.C. Fields

My W.C. Fields

Albert Don Henderson

Createspace Independent Publishing Platform
2018
pokkari
My Walnut Creek Fields consists of a series of short stories about the shenanigans of our Southside Gang in and around Walnut Creek near Malakoff, Texas. We were a Gang more like "Spanky and Our Gang" and we never were destructive, only to ourselves. Our leader and organizer of our games we played was always Royce. We played games with Rubber Guns, Corn Cobs, Sling Shots, BB Guns, Mud Balls, Footballs, Baseballs, Shot Guns and many others.
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Y.W.C.A. Hioe Tjo Yoeng College

Y.W.C.A. Hioe Tjo Yoeng College

VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
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Something to Say: W.C. Williams on Younger Poets

Something to Say: W.C. Williams on Younger Poets

William Carlos Williams

New Directions Publishing Corporation
1986
sidottu
Something to Say: William Carlos Williams on Younger Poets collects all of Williams’ known writings—reviews, essays, introductions, and letters to the editor—on the two generations of poets that followed him, from Kenneth Rexroth and Louis Zukofsky to Robert Lowell and Allen Ginsberg. What might have been a random collection of occasional pieces achieves remarkable coherence from the singleness of Williams’ poetic vision: his belief that the secret spirit of ritual, of poetry, was trapped in restrictive molds, and, if these could be broken, the spirit would be able to live again in a new, contemporary form. Only a revived clarity and accuracy in sight and expression would enable the modern world to reform social order which Williams saw in complete disarray. To resuscitate American Poetry, Williams concentrated his efforts on the purification of poetic speech—his American idiom—and on remaking the poetic line in a new measure—his variable foot. And while his battles with his contemporaries on these issues could be heated, he was always a nurturing father to the young, “a useful presence,” “a model and a liberator.” He told Ginsberg to pare down and economize, Roethke to open up, and encouraged Lowell and Levertov to shake off poetic conventions. But in all his emphasis on the poem as a made object of concrete physicality or as a field of action, he would return again and again to this basic advice to young writers: “The only thing necessary is to have something to say when at last the opportunity comes to say it.”
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