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The Crooked Stovepipe

The Crooked Stovepipe

Craig Mishler

University of Illinois Press
1993
sidottu
Named for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapskan Indians and other tribal groups in northeast Alaska, the Yukon, and the Northwest Territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, dances, and a distinctively stratified tune repertoire.
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Air Castle of the South

Air Castle of the South

Craig Havighurst

University of Illinois Press
2007
sidottu
Started by the National Life and Accident Insurance Company in 1925, WSM became one of the most influential and exceptional radio stations in the history of broadcasting and country music. WSM gave Nashville the moniker "Music City USA" as well as a rich tradition of music, news, and broad-based entertainment. With the rise of country music broadcasting and recording between the 1920s and '50s, WSM, Nashville, and country music became inseparable, stemming from WSM's launch of the Grand Ole Opry, popular daily shows like Noontime Neighbors, and early morning artist-driven shows such as Hank Williams on Mother's Best Flour. Sparked by public outcry following a proposal to pull country music and the Opry from WSM-AM in 2002, Craig Havighurst scoured new and existing sources to document the station's profound effect on the character and self-image of Nashville. Introducing the reader to colorful artists and businessmen from the station's history, including Owen Bradley, Minnie Pearl, Jim Denny, Edwin Craig, and Dinah Shore, the volume invites the reader to reflect on the status of Nashville, radio, and country music in American culture.
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The Village Enlightenment in America

The Village Enlightenment in America

Craig Hazen

University of Illinois Press
2000
nidottu
The Village Enlightenment in America focuses on three nineteenth-century spiritual activists who epitomized the marriage of science and religion fostered in antebellum, pre-Darwinian America by the American Enlightenment. A theologian, writer, and apologist for the nascent Mormon movement, as well as an amateur scientist, Orson Pratt wrote Key to the Universe, or a New Theory of Its Mechanism, to establish a scientific base for the Church of Jesus Christ of Latter-day Saints. Robert Hare, an inventor and ardent convert to spiritualism, used his scientific expertise to lend credence to the spiritualist movement. Phineas Parkhurst Quimby, generally considered the initiator of the American mind-cure movement, developed an overtly religious concept of science and used it to justify his system of theology. Pratt, Hare, and Quimby all employed a potent combination of popular science and Baconianism to legitimate their new religious ideas. Using the same terms--matter, ether, magnetic force--to account for the behavior of particles, planetary rotation, and the influence of the Holy Ghost, these agents of the Enlightenment constructed complex systems intended to demonstrate a fundamental harmony between the physical and the metaphysical. Through the lives and work of these three influential men, The Village Enlightenment in America opens a window to a time when science and religion, instead of seeming fundamentally at odds with each other, appeared entirely reconcilable.
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Air Castle of the South

Air Castle of the South

Craig Havighurst

University of Illinois Press
2013
nidottu
Started by the National Life and Accident Insurance Company in 1925, WSM became one of the most influential and exceptional radio stations in the history of broadcasting and country music. WSM gave Nashville the moniker “Music City USA” as well as a rich tradition of music, news, and broad-based entertainment. With the rise of country music broadcasting and recording between the 1920s and ‘50s, WSM, Nashville, and country music became inseparable, stemming from WSM’s launch of the Grand Ole Opry, popular daily shows like Noontime Neighbors, and early morning artist-driven shows such as Hank Williams on Mother’s Best Flour. Sparked by public outcry following a proposal to pull country music and the Opry from WSM-AM in 2002, Craig Havighurst scoured new and existing sources to document the station’s profound effect on the character and self-image of Nashville. Introducing the reader to colorful artists and businessmen from the station’s history, including Owen Bradley, Minnie Pearl, Jim Denny, Edwin Craig, and Dinah Shore, the volume invites the reader to reflect on the status of Nashville, radio, and country music in American culture.
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Ebony Rising

Ebony Rising

Craig Gable

Indiana University Press
2004
pokkari
Ebony Rising is the first comprehensive, gender-balanced collection of short fiction from the greater Harlem Renaissance era (1912–1940). This was a time marked by writing of extraordinary breadth and depth by some of the most famous authors in African American literary history. Among them were Langston Hughes, Zora Neale Hurston, Jean Toomer, Dorothy West, and Claude McKay. Not surprisingly, these authors have received an unprecedented amount of critical attention, and their work remains popular to this day. For this anthology, Craig Gable has selected 52 short stories by 37 writers (20 women and 17 men) representing a wide range of style, form, subject matter, and social awareness. To underscore the movement's growth and change, the stories are arranged chronologically by year of publication. Some will be familiar to readers; many more will not, for this is not the "greatest hits" of the Harlem Renaissance. Instead, readers will find a remarkable collection of fiction by authors famous and obscure—some who lived in New York City and others who never resided there. There are stories set in Harlem, but they are just as likely to take place elsewhere in the United States. Alongside traditional stories, there are examples of detective fiction, political satire, even science fiction, with a few experiments in narrative structure and form for good measure. The stories take up issues of race, marriage, parenthood, crime, politics, religion, work, abuse, old age, and death—in short, the stuff of life, and of compelling and lasting fiction. A selected bibliography documents some 300 books and articles on the Harlem Renaissance. There is a separate list of sources for other short stories by the authors appearing in this anthology; a list of award-winning short fiction from two black literary contests of the day; timelines of important historical, literary, and cultural events; and other aids for teachers, students, and reading groups.
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Limiteds, Locals, and Expresses in Indiana, 1838-1971

Limiteds, Locals, and Expresses in Indiana, 1838-1971

Craig Sanders

Indiana University Press
2003
sidottu
The passenger train has long held a special place in the imagination of Americans, and Indiana was once a bustling passenger train crossroads. Limiteds, Locals, and Expresses in Indiana, 1838–1971 brings to life the countless locals, accommodation trains, and secondary expresses that Hoosiers patronized during the Golden Age of the passenger train. Craig Sanders gives us a comprehensive history of intercity passenger service in Indiana, from the time railroads began to develop in the state in the mid-19th century through May 1, 1971, when Amtrak began operations. Each chapter summarizes the history and development of one railroad, discusses the factors that shaped that railroad's passenger service—such as prolonged financial difficulties, competition, and the influence of a strong leader—and concludes with a detailed account of its passenger operations in Indiana. Sixteen maps, 87 photographs, and other evocative illustrations supplement Sanders's text.
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Amtrak in the Heartland

Amtrak in the Heartland

Craig Sanders

Indiana University Press
2006
sidottu
A detailed overview of Amtrak operations in the American heartland traces the sometimes troubled history of the railroad from 1970 to the present day, discussing the factors that have affected the passenger train line since its inception, in a study highlighted by more than 140 black-and-white photographs and maps.
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Built to Move Millions

Built to Move Millions

Craig R. Semsel

Indiana University Press
2008
sidottu
At the beginning of the 20th century, the street railway industry was one of the largest in the nation. Once ubiquitously visible on the city streets, by mid-century the streetcar was nothing more than a distant memory. Ohio was home to several large streetcar systems, especially in Cleveland and Cincinnati, and had more interurban tracks than any other state in the union. Thus, Ohio served as one of the street railway industry's greatest centers of manufacturing. Built to Move Millions examines the manufacture of streetcars and interurbans within the state of Ohio between 1900 and 1940. In addition to discussing the five major car builders that were active in Ohio during this period, the book addresses Ohio companies that manufactured the various components that went into these vehicles.
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Kentucke's Frontiers

Kentucke's Frontiers

Craig Thompson Friend

Indiana University Press
2010
sidottu
American culture has long celebrated the heroism framed by Kentucky's frontier wars. Spanning the period from the 1720s when Ohio River valley Indians returned to their homeland to the American defeat of the British and their Indian allies in the War of 1812, Kentucke's Frontiers examines the political, military, religious, and public memory narratives of early Kentucky. Craig Thompson Friend explains how frontier terror framed that heroism, undermining the egalitarian promise of Kentucke and transforming a trans-Appalachian region into an Old South state. From county courts and the state legislature to church tribunals and village stores, patriarchy triumphed over racial and gendered equality, creating political and economic opportunity for white men by denying it for all others. Even in remembering their frontier past, Kentuckians abandoned the egalitarianism of frontier life and elevated white males to privileged places in Kentucky history and memory.
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The Reputation Society

The Reputation Society

Craig Newmark

MIT Press
2015
pokkari
Experts discuss the benefits and risks of online reputation systems.In making decisions, we often seek advice. Online, we check Amazon recommendations, eBay vendors' histories, TripAdvisor ratings, and even our elected representatives' voting records. These online reputation systems serve as filters for information overload. In this book, experts discuss the benefits and risks of such online tools.The contributors offer expert perspectives that range from philanthropy and open access to science and law, addressing reputation systems in theory and practice. Properly designed reputation systems, they argue, have the potential to create a "reputation society," reshaping society for the better by promoting accountability through the mediated judgments of billions of people. Effective design can also steer systems away from the pitfalls of online opinion sharing by motivating truth-telling, protecting personal privacy, and discouraging digital vigilantism.ContributorsMadeline Ashby, Jamais Cascio, John Henry Clippinger, Chrysanthos Dellarocas, Cory Doctorow, Randy Farmer, Eric Goldman, Victor Henning, Anthony Hoffmann, Jason Hoyt, Luca Iandoli, Josh Introne, Mark Klein, Mari Kuraishi, Cliff Lampe, Paolo Massa, Hassan Masum, Marc Maxson, Craig Newmark, Michael Nielsen, Lucio Picci, Jan Reichelt, Alex Steffen, Lior Strahilevitz, Mark Tovey, John Whitfield, John Willinsky, Yi-Cheng Zhang, Michael Zimmer
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No Medium

No Medium

Craig Dworkin

MIT Press
2015
pokkari
Close readings of ostensibly "blank" works-from unprinted pages to silent music-that point to a new understanding of media.In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object.Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphee to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33", Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a "guide to further listening" that surveys more than 100 scores and recordings of "silent" music.Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.
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Getting Up

Getting Up

Craig Castleman

MIT Press
1984
pokkari
"Getting Up" is the term used by graffiti "artists" to describe their success in making their mark on the New York subway system. Through candid interviews, New Yorker Craig Castleman documents the inside story of the lives and activities of these young graffitists.
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Uncommon Sense

Uncommon Sense

Craig Leonard; Nathifa Greene

MIT PRESS LTD
2022
nidottu
An examination of Herbert Marcuse's political claim for the aesthetic dimension, focusing on defamiliarization as a means of developing radical sensibility. In Uncommon Sense, Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse--an original member of the Frankfurt School and icon of the New Left--while also acknowledging his philosophical limits. His account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with antiracist and anti-capitalist activism. Leonard emphasizes several key terms not previously analyzed within Marcuse's aesthetics, including defamiliarization, anti-art, and habit. In particular, he focuses on the centrality of defamiliarization--a subversion of common sense that can be a means to the development of what Marcuse refers to as "radical sensibility." Leonard brings forward Marcuse's claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism. For Marcuse, defamiliarization is at the center of the aesthetic dimension, offering the direct means of stimulating its political potential. Leonard expands upon Marcuse's aesthetics by drawing on the work of Sylvia Wynter, going beyond Marcuse's predominantly European and patrilineal intellectual framework--while still retaining his aesthetic theory's fundamental characteristics--toward a human dimension requiring decolonial, feminist, antiracist, and counterpoetic perspectives.
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Camus on Justice

Camus on Justice

Craig DeLancey

UNIVERSITY OF NOTRE DAME PRESS
2026
sidottu
Just Revolt investigates Albert Camus's rich and overlooked theory about the relationship between the absurd, politics, and revolution. What is the purpose of our lives? Just Revolt grapples with this complex question through a unique look at the work of Albert Camus. Craig DeLancey argues that Camus sees the question of purpose as essentially related to questions of justice: our need for purpose is a revolt against a purposeless universe, and our need to foster a just society where all can pursue purpose is a revolt against human injustice. DeLancey deepens the conversation by juxtaposing Camus's arguments with Sartre's and de Beauvoir's, two contemporaries who profoundly disagreed with Camus. Ultimately, DeLancey offers a new reading of Camus's understanding of the absurd which in turn develops a more full understanding of his political and social theories. This book applies rigorous analytic philosophy to Camus's work and includes a unique interpretation of The Fall, showing how Camus predicted much of the turmoil of our current day and age. Just Revolt reveals how Albert Camus's philosophy offers wisdom not only for his time but also our own.
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Camus on Justice

Camus on Justice

Craig DeLancey

UNIVERSITY OF NOTRE DAME PRESS
2026
nidottu
Just Revolt investigates Albert Camus's rich and overlooked theory about the relationship between the absurd, politics, and revolution. What is the purpose of our lives? Just Revolt grapples with this complex question through a unique look at the work of Albert Camus. Craig DeLancey argues that Camus sees the question of purpose as essentially related to questions of justice: our need for purpose is a revolt against a purposeless universe, and our need to foster a just society where all can pursue purpose is a revolt against human injustice. DeLancey deepens the conversation by juxtaposing Camus's arguments with Sartre's and de Beauvoir's, two contemporaries who profoundly disagreed with Camus. Ultimately, DeLancey offers a new reading of Camus's understanding of the absurd which in turn develops a more full understanding of his political and social theories. This book applies rigorous analytic philosophy to Camus's work and includes a unique interpretation of The Fall, showing how Camus predicted much of the turmoil of our current day and age. Just Revolt reveals how Albert Camus's philosophy offers wisdom not only for his time but also our own.
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Bounded Missions

Bounded Missions

Craig L. Arceneaux

Pennsylvania State University Press
2002
pokkari
Scholars of Latin American politics have been challenged to account for the varied outcomes of the transitions from authoritarian to democratic government that have occurred in many countries south of the border during the past two decades. What explains why some transitions were relatively smooth, with the military firmly in control of the process, while others witnessed substantial concessions by the military to civilian leaders, or even total military collapse? Rather than focus on causes external to the military, such as the previous legacy of democratic rule, severe economic crisis, or social protest, as other scholars have done, Craig Arceneaux draws attention to the important variables internal to the military, such as its unity or ability to coordinate strategy. Using this "historical-institutionalist" approach, he compares five different transitions in Brazil and three countries of the Southern Cone—Argentina, Chile, and Uruguay—to show what similarities and differences existed and how the differences may be attributed to variations in the internal institutional structure and operation of the military.
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Community of the Cross

Community of the Cross

Craig D. Atwood

Pennsylvania State University Press
2004
sidottu
Bethlehem, Pennsylvania, was a unique colonial town. It was the first permanent outpost of the Moravians in North America and served as the headquarters for their extensive missionary efforts. It was also one of the most successful communal societies in American history. Bethlehem was founded as a "congregation of the cross" where all aspects of personal and social life were subordinated to the religious ideal of the community. In Community of the Cross, Craig D. Atwood offers a convincing portrait of Bethlehem and its religion. Visitors to Bethlehem, such as Benjamin Franklin, remarked on the orderly and peaceful nature of life in the community, its impressive architecture, and its "high" culture. However, many non-Moravians were embarrassed or even offended by the social and devotional life of the Moravians. The adoration of the crucified Jesus, especially his wounds, was the focus of intense devotion for adults and children alike. Moravians worshiped the Holy Spirit as "Mother," and they made the mystical marriage to Christ central to their marital intimacy. Everything, even family life, was to be a form of worship. Atwood reveals the deep connection between life in Bethlehem and the religious symbolism of controversial German theologian Nicholas von Zinzendorf, whose provocative and erotic adoration of the wounds of Jesus was an essential part of private and communal life. Using the theories of René Girard, Mary Douglas, and Victor Turner, Atwood shows that it was the Moravians’ liturgy and devotion that united the community and inspired both its unique social structure and its missionary efforts.
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Debating God's Economy

Debating God's Economy

Craig Prentiss

Pennsylvania State University Press
2008
sidottu
What would a divinely ordained social order look like? Pre–Vatican II Catholics, from archbishops and theologians to Catholic union workers and laborers on U.S. farms, argued repeatedly about this in the late nineteenth and early twentieth centuries. Debating God’s Economy is a history of American Catholic economic debates taking place during the generation preceding Vatican II. At that time, American society was rife with sociopolitical debates over the relative merits and dangers of Marxism, capitalism, and socialism; labor unions, class consciousness, and economic power were the watchwords of the day. This was a time of immense social change, and, especially in the light of the monumental social and economic upheavals in Russia and Europe in the early twentieth century, Catholics found themselves taking sides. Catholic subcultures across America sought to legitimize—or, in theological parlance, “sanctify”—diverse economic systems that were, at times, mutually exclusive. While until now the faithful—both scholars and nonscholars—have typically spoken of “the Catholic Social Tradition” as if it were an established prescription for curing social ills, Prentiss maintains that the tradition is better understood as a debate grounded in a common mythology that provides Catholics with a distinctive vocabulary and touchstone of authority.
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