From award-winning author Daryl Gregory, whom "Library Journal" called " a] bright new voice of the twenty-first century,"""comes a new breed of zombie novel--a surprisingly funny, vividly frightening, and ultimately deeply moving story of self-discovery and family love."" In 1968, after the first zombie outbreak, Wanda Mayhall and her three young daughters discover the body of a teenage mother during a snowstorm. Wrapped in the woman's arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda--and he begins to move. The family hides the child--whom they name Stony--rather than turn him over to authorities that would destroy him. Against all scientific reason, the undead boy begins to grow. For years his adoptive mother and sisters manage to keep his existence a secret--until one terrifying night when Stony is forced to run and he learns that he is not the only living dead boy left in the world.
A practical comprehensive guide to rock, jazz and pop arranged by one of Britain's most gifted and versatile musicians. Written in lively, accessible and entertaining style, Rock, Jazz and Pop Arranging contains everything the professional arranger or aspiring amateur needs to know, from setting out a lead sheet to scoring a full arrangement. The problems and pitfalls of writing for every group of instrument are discussed, from keyboards, drums and bass to brass strings, woodwind, percussion, guitar and a 'cappella' vocal writing. Packed with vital tips and hints, and presented in easy-to-use reference format, Rock, Jazz and Pop Arranging also includes two valuable appendices - on time saving shortcuts and chord symbols - and indispensable glossary.
Throughout her long and illustrious career, Lillian Fuchs was lauded as one of the first great American violists. This penetrating study of Ms. Fuchs's professional life as a performer, teacher, composer, arranger, and chamber music coach offers a fascinating view of this remarkable personality. whose professional life influenced countless musicians. Based upon conversations with Ms. Fuchs and members of her family, interviews with former students and colleagues, and concert reviews, "Lillian Fuchs: First Lady of the Viola" draws together oral and written information to create a biographical portrait that also sheds light on the history of American music in the twentieth century--a time when talented women had to struggle fiercely to survive in the face of male domination of the music profession.
Calculating Credibility examines—and ultimately rejects—a fundamental belief held by laypeople and the makers of American foreign policy: the notion that backing down during a crisis reduces a country's future credibility. Fear of diminished credibility motivated America's costly participation in the Korean and Vietnam wars, and, since the end of the Cold War, this concern has continued to guide American policy decisions. Daryl G. Press uses historical evidence, including declassified documents, to answer two crucial questions: When a country backs down in a crisis, does its credibility suffer? How do leaders assess their adversaries' credibility? Press illuminates the decision-making processes behind events such as the crises in Europe that preceded World War II, the superpower showdowns over Berlin in the 1950s and 60s, and the Cuban Missile Crisis. When leaders face the prospect of high-stakes military conflicts, Press shows, they do not assess their adversaries' credibility by peering into their opponents' past and evaluating their history of keeping or breaking commitments. Power and interests in the current crisis—not past actions—determine the credibility of a threat. Press demonstrates that threats are credible only if backed by sufficient power and only if pursuing important interests. Press believes that Washington's obsession with the dangers of backing down has made U.S. foreign policy unnecessarily rigid. In every competitive environment—sports, gambling, warfare—competitors use feints and bluffs to tremendous advantage. Understanding the real sources of credibility, Press asserts, would permit a more flexible, and more effective, foreign policy.
For over a century, the idea that African Americans are psychologically damaged has played an important role in discussions of race. In this provocative work, Daryl Michael Scott argues that damage imagery has been the product of liberals and conservatives, of racists and antiracists. While racial conservatives, often playing on white contempt for blacks, have sought to use findings of black pathology to justify exclusionary policies, racial liberals have used damage imagery primarily to promote policies of inclusion and rehabilitation. In advancing his argument, Scott challenges some long-held beliefs about the history of damage imagery. He rediscovers the liberal impulses behind Stanley Elkins's Sambo hypothesis and Daniel Patrick Moynihan's Negro Family and exposes the damage imagery in the work of Ralph Ellison, the leading anti-pathologist. He also corrects the view that the Chicago School depicted blacks as pathological products of matriarchy. New Negro experts such as Charles Johnson and E. Franklin Frazier, he says, disdained sympathy-seeking and refrained from exploring individual pathology. Scott's reassessment of social science sheds new light on Brown v. Board of Education , revealing how experts reversed four decades of theory in order to represent segregation as inherently damaging to blacks. In this controversial work, Scott warns the Left of the dangers in their recent rediscovery of damage imagery in an age of conservative reform. |In reassessing the image of the damaged black psyche from 1880 to 1996, Scott argues that damage imagery has been the product of both liberals and conservatives, racists and antiracists. While racial conservatives, often playing on white contempt for blacks, have sought to use findings of black pathology to justify exclusionary policies, racial liberals have used damage imagery primarily to promote policies of inclusion and rehabilitation. Scott challenges long-held beliefs about the history of damage imagery, warning the Left of the dangers in their rediscovery of damage imagery in an age of conservative reform.
Most theology proceeds under the assumption that divine grace works on human beings at the points of our supposed uniqueness among earth's creatures—our freedom, our self-awareness, our language, or our rationality. Inner Animalities turns this assumption on its head. Arguing that much theological anthropology contains a deeply anti-ecological impulse, the book draws creatively on historical and scriptural texts to imagine an account of human life centered in our creaturely commonality. The tendency to deny our own human animality leaves our self-understanding riven with contradictions, disavowals, and repressions. How are human relationships transformed when God draws us into communion through our instincts, our desires, and our bodily needs? Meyer argues that humanity's exceptional status is not the result of divine endorsement, but a delusion of human sin. Where the work of God knits human beings back into creaturely connections, ecological degradation is no longer just a matter of bodily life and death, but a matter of ultimate significance. Bringing a theological perspective to the growing field of Critical Animal Studies, Inner Animalities puts Gregory of Nyssa and Karl Rahner in conversation with Jacques Derrida, Giorgio Agamben, Kelly Oliver, and Cary Wolfe. What results is not only a counterintuitive account of human life in relation with nonhuman neighbors, but also a new angle into ecological theology.
Most theology proceeds under the assumption that divine grace works on human beings at the points of our supposed uniqueness among earth's creatures—our freedom, our self-awareness, our language, or our rationality. Inner Animalities turns this assumption on its head. Arguing that much theological anthropology contains a deeply anti-ecological impulse, the book draws creatively on historical and scriptural texts to imagine an account of human life centered in our creaturely commonality. The tendency to deny our own human animality leaves our self-understanding riven with contradictions, disavowals, and repressions. How are human relationships transformed when God draws us into communion through our instincts, our desires, and our bodily needs? Meyer argues that humanity's exceptional status is not the result of divine endorsement, but a delusion of human sin. Where the work of God knits human beings back into creaturely connections, ecological degradation is no longer just a matter of bodily life and death, but a matter of ultimate significance. Bringing a theological perspective to the growing field of Critical Animal Studies, Inner Animalities puts Gregory of Nyssa and Karl Rahner in conversation with Jacques Derrida, Giorgio Agamben, Kelly Oliver, and Cary Wolfe. What results is not only a counterintuitive account of human life in relation with nonhuman neighbors, but also a new angle into ecological theology.
This international collection explores the role of ideology in the information age, challenging the dominant ideology of the information age through examinations of its philosophical and theoretical assumptions, its images of the future, and its international dimensions.
From mobile phones to surveillance cameras, from fracking to genetically modified food, we live in an age of intense debate about technology’s place in our culture. Culture and Technology is an essential guide to that debate and its fascinating history. It is a primer for beginners and an invaluable resource for those deeply committed to understanding the new digital culture. The award-winning first edition (2005) has been comprehensively updated to incorporate new technologies and contemporary theories about them. Slack and Wise untangle and expose cultural assumptions that underlie our thinking about technology, stories so deeply held we often don’t recognize their influence. The book considers the perceived inevitability of technological progress, the role of control and convenience, and the very sense of what technology is. It considers resistance to dominant stories by Luddites, the Unabomber, and the alternative technology movement. Most important, it builds an alternative, cultural studies approach for engaging technological culture, one that considers politics, economics, space, time, identity, and change. After all, what we think and what we do make a difference.
![With the Tide; Or, a Life's Voyage. a Story for Young People. [With Plates.]](/covers/9781241234584.jpg)
