William Dean Howells ( March 1, 1837 - May 11, 1920) was an American realist novelist, literary critic, and playwright. Nicknamed "The Dean of American Letters", he was particularly known for his tenure as editor of The Atlantic Monthly as well as his own prolific writings, including the Christmas story "Christmas Every Day", and the novels The Rise of Silas Lapham and A Traveler from Altruria. Early life and family William Dean Howells was born on March 1, 1837, in Martinsville, Ohio (now known as Martins Ferry, Ohio), to William Cooper, and Mary Dean, Howells.He was the second of eight children. His father was a newspaper editor and printer, who moved frequently around Ohio. In 1840, the family settled in Hamilton, Ohio, where William Cooper Howells oversaw a Whig newspaper and followed Swedenborgianism;their nine years there marked the longest they would stay in one place.Though the family had to live frugally, the young Howells was encouraged by his parents in his literary interests.Howells began to help his father with typesetting and printing work at an early age, a job known at the time as a printer's devil. In 1852, his father arranged to have one of Howells' poems published in the Ohio State Journal without telling him. Early career In 1856, Howells was elected as a clerk in the State House of Representatives. In 1858 he began to work at the Ohio State Journal where he wrote poetry, short stories, and also translated pieces from French, Spanish, and German. He avidly studied German and other languages and was greatly interested in Heinrich Heine. In 1860 he visited Boston and met with other American writers James Thomas Fields, James Russell Lowell, Oliver Wendell Holmes, Sr., Nathaniel Hawthorne, Henry David Thoreau, and Ralph Waldo Emerson, and became a personal friend to many, including Henry Adams, William James, Henry James and Oliver Wendell Holmes, Jr.Said to have been rewarded for an official biographyof Abraham Lincoln used during the election of 1860, he gained a consulship in Venice. On Christmas Eve 1862, at the American embassy in Paris, he married Elinor Mead, a sister of the sculptor Larkin Goldsmith Mead and the architect William Rutherford Mead, the Mead of McKim, Mead, and White. Among their children was the future architect John Mead Howells.. Edmund Henry Garrett (1853-1929) was an American illustrator, bookplate-maker, and author-as well as a highly respected painter-renowned for his illustrations of the legends of King Arthur.Garrett was born in Albany, New York on October 19, 1853. While little is known of his initial art education, Garrett rose through the ranks to become a distinguished member of the Boston Art Club and the Copley Society of Art, and was an acquaintance and colleague of renowned impressionist artist Childe Hassam. He studied at the Acad mie Julian in Paris under Gustave Boulanger, Jules Lefebvre, John Paul Laurens, and Hector Leroux. After residing in Paris for approximately five years, he returned to America to establish a successful studio in Boston.His first original wood engraving was created in 1879 under the tutelage of Robert Swain Gifford. His first original prints specialized in both architectural views and landscapes, with his later etchings mostly featuring areas around Boston.......
A Philosophical Inquiry into the Origin of our Ideas of The Sublime and Beautiful - with an introductory discourse concerning Taste, and several other additions - Edmund Burke. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful is a 1757 treatise on aesthetics written by Edmund Burke. It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories. It attracted the attention of prominent thinkers such as Denis Diderot and Immanuel Kant. In short, the Beautiful, according to Burke, is what is well-formed and aesthetically pleasing, whereas the Sublime is what has the power to compel and destroy us. The preference for the Sublime over the Beautiful was to mark the transition from the Neoclassical to the Romantic era. Edmund Burke, 12 January 1729
Edmund Hodgson Yates (3 July 1831 - 20 May 1894) was a British journalist, novelist and dramatist. He was born in Edinburgh to the actor and theatre manager Frederick Henry Yates and was educated at Highgate School in London from 1840-1846. His first career was a clerk in the General Post Office, before entering journalism, working on the Court Journal and then Daily News. In 1854 he published his first book My Haunts and their Frequenters, after which followed a succession of novels, and plays. As a contributor to All The Year Round and Household Words, he gained the high opinion of Charles Dickens. Yates was perhaps best known as proprietor and editor of The World society newspaper, which he established with Glenville Murray, which he edited under the pen name of "Atlas", and which for a time was edited by Alexander Meyrick Broadley. The World, which was perceived as a newspaper chronicling upper class London Society, was a pioneer in 'personal journalism', such as the interview, which was later adopted by newspapers generally
Edmund Husserl (1859-1938) has secured a place in the history of Western thought as one of the most influential philosophers of the twentieth century. As the principal architect of phenomenology, he inaugurated a method and conceptual framework that advances inquiries in the fields of logic, epistemology, ontology, ethics, and the philosophy of history. In Edmund Husserl's Phenomenology, Joseph J. Kockelmans provides the reader with a biographical sketch and an overview of the salient features of Husserl's thought. Kockelmans focuses on the essay for the Encyclopedia Britannica of 1928, Husserl's most important effort to articulate the aims of phenomenology for a more general audience. Included are Husserl's text – in the original German and in English translation on facing pages – a synopsis, and an extensive commentary that relates Husserl's work as a whole to the essay for the Encyclopedia. Edmund Husserl's Phenomenology is recommended for graduate courses inphilosophy and psychology and for scholars of other disciplines interested inthe roots of phenomenology and contemporary continental philosophy.
Homesteader in Iowa, a 49er in the California Gold Rush, and editor of his town-s local paper, Edmund Booth epitomized the classic 19th-century pioneer, except for one difference - he was deaf.
Dan Bavly takes a fresh look at how business is supervised and how that system can be improved. He begins by assessing the performance of the government regulator and suggests reasons for the failure to prevent many of the debacles of the recent past. New fiascoes often engender a spate of legislation, but the regulator remains the one who gets away—he is simply not accountable and does not shoulder the blame. Clearly, a new definition of regulator responsibility is required. Drawing on his years of company board and auditing experience, Bavly analyzes why the average director cannot do his job, and he shows how a complete, but feasible, overhaul of the way company boards function can help solve this problem. Bavly then goes on to explore, as an insider, the profession of accounting and to show why the CPA should be considered an endangered species. Along the way, Bavly examines many of the difficult issues of contemporary ac counting: Where is the trend of mammoth accounting organizations leading? Is the addiction to mergers suicidal? How is the accounting profession coping with technology? What is the relationship between the outside CPA and the corporate internal audit division? For each specific flaw in the system, Bavly provides a practical remedy. The general message is the need for constant reassessment and, perhaps, a plea to cut all the agencies of corporate governance back to human proportions.
Evelyn Waugh presented his biography of St. Edmund Campion, the Elizabethan poet, scholar and gentleman who became the haunted, trapped and murdered priest as a simple, perfectly true story of heroism and holiness.But it is written with a novelist's eye for the telling incident and with all the elegance and feeling of a master of English prose. From the years of success as an Oxford scholar, to entry into the newly founded Society of Jesus and a professorship in Prague, Campion's life was an inexorable progress towards the doomed mission to England. There followed pursuit, betrayal, a spirited defense of loyalty to the Queen, and a horrifying martyr's death at Tyburn.
A landmark American novel, hailed by the New York Times as J.D. Salinger crossed with Oscar Wilde, is masterfully reimagined as a timeless graphic novel. A Boy's Own Story is a now-classic coming-of-age story, but with a twist: the young protagonist is growing up gay during one of the most oppressive periods in American history. Set in the time and place of author Edmund White's adolescence, the Midwest of the 1950s, the novel became an immediate bestseller and, for many readers, was not merely about gay identity but the pain of being a child in a fractured family while looking for love in an anything-but-stable world. And yet the book quickly contributed to the literature of empowerment that grew out of the Stonewall riots and subsequent gay rights era. Readers are still swept up in the main character's thoughts and dry humor, and many today remain shocked by the sexually confessional, and bold, nature of his revelations, his humorous observations, the comic situations and scenes the strangely erudite youthful narrator describes, the tenderness of his loneliness, and the vivid aching of his imagination. A Boy's Own Story is lyrical, witty, unabashed, and authentic. Now, to bring this landmark novel to new life for today's readers, White is joined by co-writers Brian Alessandro and Michael Carroll and artist Igor Karash for a stunning graphic novel interpretation. The poetic nuances of White's language float across sumptuously painted panels that evoke 1950s Cincinnati, 1980s Paris, and every dreamlike moment in between. The result is a creative adaptation, in collaboration with Closure Creative, of the original 1982 A Boy's Own Story with additional personal and historical elements from the authors' lives.
