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1000 tulosta hakusanalla Henry-Rider Haggard

Henry VI, Part I

Henry VI, Part I

William Shakespeare; Christopher Marlowe; Thomas Nashe

Oxford University Press
2026
nidottu
'No, no, I am but shadow of myself...' Henry VI, Part I paints a vivid picture of political ambition, civil unrest, and war. One of Shakespeare's most collaborative plays, it was a theatrical hit when it was first performed in 1592. Scenes alternate between conflict at home and on foreign soil: between the growing civil dissention that would lead to the Wars of the Roses and the battles of the Hundred Years' War over England's claim to the French throne. It is an action-packed play, but one that offers a profound meditation on individual sacrifice and heroism, corruption, and the costs of conflict. Amy Lidster's introduction examines the play's historical, political, and theatrical contexts, offering a compelling analysis of the affective potential of theatre, language, and narrative to effect political change and shape our understanding of the history that it dramatizes. The introduction explores the play's use of sources, its position within a trilogy of plays about the reign of Henry VI, and its prominent but conflicted representation of France's defender, Joan la Pucelle (Joan of Arc). The introduction offers a fresh analysis of the vibrant theatrical repertory into which the play emerged — one that was marked by politically invested drama that staged diverse, transnational histories. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Henry Purcell's Dido and Aeneas

Henry Purcell's Dido and Aeneas

Harris Ellen T.

Clarendon Press
1989
nidottu
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England. Ellen Harris's comprehensive study examines the work in its historical and cultural context, with detailed coverage of contemporary performance practice and of the work's performance history and critical reception. The author examines the various surviving sources - all of which postdate the first performance by at least 80 years - and discusses their inconsistencies with Nahum Tate's original libretto. A useful reference section includes a critical discography and appendices charting a historical survey of national premieres and of editions.
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Henry V - A Shakespeare Scenario

Henry V - A Shakespeare Scenario

Oxford University Press
2000
muu
for speaker, SATB choir, boys' choir, and orchestra Olivier's Henry V was one of Walton's most celebrated film scores. Christopher Palmer's imaginative reconstruction turned it into a dramatic scenario which has been scrupulously edited, and is presented here with a full set of textual notes, including introduction, synopsis, notes on the sources and text, and facsimiles. Orchestral material is available on hire.
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Henry Cowell

Henry Cowell

Sachs Joel

Oxford University Press Inc
2012
sidottu
Joel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life—his guilty plea on a morals charge, which even the prosecutor felt was trivial, but brought him a sentence of 15 years in San Quentin, of which he served four.
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Henry Ford

Henry Ford

Vincent Curcio

Oxford University Press Inc
2013
sidottu
Most great figures in American culture and history reveal great contradictions, but none more so than Henry Ford. Vincent Curcio's compact, lively biography offers new insight on the man who not only founded Ford Motor Company and Henry Ford Company (later Cadillac) but also institutionalized the assembly line production process and (some argue) created the middle class in America. Ford invented an entire physical, economic and social system through the assembly line production of the Ford Model T automobile. By constantly improving his product, sales rose, enabling Ford to lower its price until it became a universal commodity. Ford created a market for this commodity by paying his workers so well that, for the first time in history, the people who manufactured a complex industrial product could own one. This was "Fordism, " social engineering on a vast scale. But Ford's anti-Semitism would forever stain his reputation and shadow his legacy. Hitler admired him greatly, both for his anti-Semitism and his autocratic leadership, displaying Ford's picture in his bedroom and keeping a copy of Ford's My Life and Work by his bedside. Despite this, Ford's workers were loyal. Ford offered good pay, good benefits, English language classes, and employment for those who struggled to find jobs - handicapped, African-American and female workers. Ford was a man both invigorated by the possibilities of modernism and yet conflicted by its implications. This new Lives and Legacies volume explores the dimensions of Ford's indisputable greatness while acknowledging the deep flaws that complicate his legacy.
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Henry Sidgwick

Henry Sidgwick

Oxford University Press
2001
sidottu
These essays constitute a welcome addition to the current re-engagement with the ethical thought of a prominent late Victorian philosopher and reformer. Henry Sidgwick wrote the first professional work of modern moral philosophy, yet one century after his death his thought remains relevant to the present revival of interest in the question of how we should live. How does moral philosophy fit in with the more general use of practical reason? - a still puzzling and deeply contested problem. Which actions are appropriate for an intellectual? - i.e., how should the moral thought of the professional few in the universities be related to the thought and action of the many in the world outside? Sidgwick's solutions to these questions are discussed and criticised by a distinguished group of scholars, providing new insights into these recurring issues of moral philosophy.
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Henry of Harclay: Ordinary Questions, I–XIV

Henry of Harclay: Ordinary Questions, I–XIV

Oxford University Press
2008
sidottu
This is the first complete edition of the later work of the medieval philosopher and theologian Henry of Harclay. In colloboration with Raymond Edwards, an English translation is printed on facing pages, making this work available to a much wider audience. The twenty-nine Quaestiones Ordinariae cover a range of topics in metaphysics, theology, physical science, philosophical anthropology and ethics, which were among the most important of those debated in the early fourteenth century. The articles provide a window to this era, as Harclay discusses many of the main questions of his day: whether and why we choose what is evil, how God can know the future and we can still be free, what a virtue is, whether the human soul survives death, whether all things are made up of atoms. This edition enables us to evaluate Harclay, not only in relation to other notable thinkers of his time (such as John Duns Scotus and William of Ockham) but to appreciate the inner coherence of his own thought. An extensive introduction to Harclay's life, works and doctrine is provided. The volumes will also benefit scholars following the debates among lesser-studied thinkers such as William of Alnwick, Thomas of Sutton, Nicholas Trivet, and Robert Walsingham, whom this edition shows to have been in dialogue with Harclay during the years of the composition of his Quaestiones, 1310-1317. Because of the clarity of Harclay's thought and style, now mirrored in the English translation, the Quaestiones Ordinariae are an ideal way to introduce students to key problems in medieval philosophy, as well as to enable scholars to deepen their knowledge of the debates of this period. A further volume will publish Questions XV-XXIX.
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Henry of Harclay: Ordinary Questions, XV–XXIX

Henry of Harclay: Ordinary Questions, XV–XXIX

Oxford University Press
2008
sidottu
This volume completes the first full edition of the later work of the medieval philosopher and theologian Henry of Harclay. In colloboration with Raymond Edwards, an English translation is printed on facing pages, making this work available to a much wider audience. The twenty-nine Quaestiones Ordinariae cover a range of topics in metaphysics, theology, physical science, philosophical anthropology and ethics, which were among the most important of those debated in the early fourteenth century. The articles provide a window to this era, as Harclay discusses many of the main questions of his day: whether and why we choose what is evil, how God can know the future and we can still be free, what a virtue is, whether the human soul survives death, whether all things are made up of atoms. This edition enables us to evaluate Harclay, not only in relation to other notable thinkers of his time (such as John Duns Scotus and William of Ockham) but to appreciate the inner coherence of his own thought. An extensive introduction to Harclay's life, works and doctrine is provided. The volumes will also benefit scholars following the debates among lesser-studied thinkers such as William of Alnwick, Thomas of Sutton, Nicholas Trivet, and Robert Walsingham, whom this edition shows to have been in dialogue with Harclay during the years of the composition of his Quaestiones, 1310-1317. Because of the clarity of Harclay's thought and style, now mirrored in the English translation, the Quaestiones Ordinariae are an ideal way to introduce students to key problems in medieval philosophy, as well as to enable scholars to deepen their knowledge of the debates of this period. Questions 1-14, together with an extensive introduction, were published as volume XVII in the Auctores series.
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Henry David Thoreau

Henry David Thoreau

Lawrence Buell

OXFORD UNIVERSITY PRESS INC
2025
nidottu
"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..." Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-basics living, both rural and urban. Thoreau's great essay, "Civil Disobedience," is a classic of American political activism and a model for nonviolent reform movements around the world. Thoreau also stands as an icon of modern American environmentalism, the father of American nature writing, a forerunner of modern ecology, and a harbinger of freelance spirituality combining the wisdom of west and east. Thoreau is also a controversial figure. From his day to ours, he has provoked sharply opposite reactions ranging from reverence to dismissal. Scholars have regularly offered conflicting assessments of the significance of his work, the evolution of his thought, even the facts of his life. Some disagreements are in the eye of the beholder, but many follow from challenges posed by his own cross-grained idiosyncrasies. He was an advocate for individual self-sufficiency who never broke away from home, a self-professed mystic now also acclaimed as a pioneer natural and applied scientist, and a seminal theorist of nonviolent protest who defended the most notorious guerrilla fighter of his day. All told, he remains a rather enigmatic figure both despite and because we know so much about him, beginning with the two-million-word journal he kept throughout his adult life. The esteemed Thoreau scholar Lawrence Buell gives due consideration to all these aspects of Thoreau's art and thought, framing key issues and complexities in historical and literary context.
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Henry David Thoreau

Henry David Thoreau

Lawrence Buell

OXFORD UNIVERSITY PRESS INC
2024
sidottu
"When I wrote the following pages, or rather the bulk of them, I lived alone, in the woods, a mile from any neighbor, in a house which I had built myself, on the shore of Walden Pond..." Henry David Thoreau (1817-1862) was a leading figure in the American Transcendentalist movement and the era of U. S. literary emergence, an intellectual with worldwide influence as essayist, social thinker, naturalist-environmentalist, and sage. Thoreau's Walden, an autobiographical narrative of his two-year sojourn in a self-built lakeside cabin, is one of the most widely studied works of American literature. It has generated scores of literary imitations and thousands of neo-Walden experiments in back-to-basics living, both rural and urban. Thoreau's great essay, "Civil Disobedience," is a classic of American political activism and a model for nonviolent reform movements around the world. Thoreau also stands as an icon of modern American environmentalism, the father of American nature writing, a forerunner of modern ecology, and a harbinger of freelance spirituality combining the wisdom of west and east. Thoreau is also a controversial figure. From his day to ours, he has provoked sharply opposite reactions ranging from reverence to dismissal. Scholars have regularly offered conflicting assessments of the significance of his work, the evolution of his thought, even the facts of his life. Some disagreements are in the eye of the beholder, but many follow from challenges posed by his own cross-grained idiosyncrasies. He was an advocate for individual self-sufficiency who never broke away from home, a self-professed mystic now also acclaimed as a pioneer natural and applied scientist, and a seminal theorist of nonviolent protest who defended the most notorious guerrilla fighter of his day. All told, he remains a rather enigmatic figure both despite and because we know so much about him, beginning with the two-million-word journal he kept throughout his adult life. The esteemed Thoreau scholar Lawrence Buell gives due consideration to all these aspects of Thoreau's art and thought, framing key issues and complexities in historical and literary context.
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The Correspondence of Henry and Sarah Fielding

The Correspondence of Henry and Sarah Fielding

Henry and Sarah Fielding

Clarendon Press
1993
sidottu
Important discoveries in private and public archives have recently brought to light many new letters by Henry Fielding (1707-54) and by his sister, the novelist and classicist Sarah Fielding (1710-68). Published here for the first time is their entire extant correspondence, edited with an Introduction and explanatory annotations - 77 letters from and to Henry Fielding written over the years 1727 to 1754, and 33 letters from and to Sarah Fielding written from 1749 to 1767. The collection illuminates Henry Fielding's activities as author, lawyer, and magistrate; and it is valuable as well for the light it throws on his character and personal relationships. Fielding scholars are already acquainted with the important letters to his cousin Lady Mary Wortley Montagu, to his rival Samuel Richardson, to his friend George Lyttelton, and to his famous half-brother John Fielding, the latter written on the sad occasion of his final voyage to Lisbon. In this volume they will also find Fielding's correspondence with his great patron, the Duke of Bedford, and his agents - letters relating to Fielding's stewardship of the New Forest and to his appointments to the magistracy. The heart of this present collection, however - Fielding's correspondence with his closest friend, James `Hermes' Harris - is completely new. Never before published, the Harris letters comprise the finest extant examples of Fielding's epistolary correspondence, a kind of familiar writing he practised reluctantly, but well. The Harris papers are equally valuable for what they reveal of Sarah Fielding's literary and scholarly interests and her relationship with her brother. Other letters in the collection - several also published here for the first time - will serve to clarify her friendships with Richardson, Garrick, and Elizabeth Montagu. Included in the Appendix are a half-dozen letters from members of the family that will be of interest to biographers of Henry and Sarah.
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Henry James

Henry James

Roslyn Jolly

Clarendon Press
1993
sidottu
This is a study of Henry James's changing attitudes to history as a narrative model, tracing the development from his early interest in `scientific' historiography to the radically anti-historical character of his late works. James's use of the term `history' was influenced by developments in nineteenth-century historiography, but was also embedded in the complex of defensive manoeuvres through which Victorian culture sought to control its anxiety about the power of fiction. Reading James's novels in the light of contemporary debates about the morality and authorship and the politics of reading, Dr Jolly finds that fiction develops from being history's censored `other' in the early works to being a valued mode of problem-solving in the later fiction. This shift may be seen as the product of James's increasing engagement with the reading practices of groups marginalized by high Victorian culture: women, the working class, other cultures, and the avant-garde. The book ends with a consideration of the challenge posed to James's radical anti-historical epistemology by the unprecedented violence of twentieth-century history. Drawing on contemporary narrative theory, and providing illuminating readings of a large number of James's novels, Roslyn Jolly had written a sophisticated and persuasive analysis of James's shifting definitions of history and fiction.
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Henry VI, Part Three

Henry VI, Part Three

William Shakespeare

Oxford University Press
2001
sidottu
Shakespeare's early history plays have come into new prominence following their triumphant revival by the RSC under the title of This England. This new edition of the precursor to Richard III offers a fresh interpretation of the relationship between the two earliest texts - The True Tragedy of Richard Duke of York (octavo, 1595) and the First Folio Henry VI Part Three (1623) - arguing that the former is a memorially reported and original version of the play later revised for the Folio. The two therefore represent Shakespeare's early and revised conceptions of the play. Unlike all previous editions, the text here is based rigorously on the Folio, with a re-examination of the dates of composition, memorial reporting, and revision. The introduction provides a useful synopsis of the historical events dramatized by Shakespeare, and appendices present extracts from his two chronicle sources and a detailed analysis of his dramatization of particular passages. The play's stage history and critical interpretations are considered as cultural and artistic responses to its multiply-focused dramatic structure: they are thus integrated, instead of being treated in separated sections on characters and themes, critical fortunes, and stage performance. The commentary fully explains meanings of archaic words and phrases, identifies historical figures and events in relation to Shakespeare's sources, and illustrates characters and scenes by reference to a variety of modern stage performers and productions in England and the USA - the first edition of the play to do so.
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Henry James and Revision

Henry James and Revision

Philip Horne

Clarendon Press
1990
sidottu
At the height of his powers Henry James turned from the creation of new fiction to the `writing over' of his past works for the definitive New York Edition of his novels and tales. His anxious scrutiny of what he had written across his long career - up to thirty-six years before - led sometimes to rejection, but more often to a renewed imaginative intimacy with the creations of his old self through the intensive revision of his texts. In the first major study of the subject Philip Horne examines the revision of particular works, shedding new light on interpretative controversies (as with The Portrait of a Lady and Daisy Miller). He attends to questions of principle raised by the paradoxical processes of the reviser. Using much new material, this book tells the painful but impressive story of James's lifelong struggle for perfection, and illuminates his genius as a framer of sentences and a master of dramatic nuance. James's engagement with revision is connected with every other aspect of his achievement; it displays vividly and accurately his close experience of the life of writing.
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Henry Purcell's Operas

Henry Purcell's Operas

Clarendon Press
2000
sidottu
While understanding the concept of all-sung opera, seventeenth-century English impresarios and their audiences also understood opera to mean spoken plays with a large amount of added music. The works have been given a variety of descriptive titles including `semi-operas', `ambigues', `multi-media spectaculars', and, most appropriately, `dramatick operas'. As well as four big dramatick operas, Henry Purcell also wrote a small all-sung masque, Dido andAeneas, which is one of the few works of the century which fulfils a modern ideal of `opera'. The music of Purcell's operas has long been studied in detail, but it is only in recent years-and not by all scholars-that the operas have been taken seriously as dramatic entities. Consideration of the pieces havebeen hampered by the lack of availability of the texts of the operas, for while the music has long been edited and played, the sections of spoken dialogue have been almost entirely ignored. This volume, the first complete collection of the texts, redresses the balance. It presents to the reader the complete entertainment as prepared by the author on each occasion. Included are editions of both the 1689 libretto of Dido and Aeneas and its later incarnation as a series of masques in Shakespeare's Measure for Measure, together with the playtext, the original published texts of Dioclesian, King Arthur, and The Fairy-Queen, and atranscription of the manuscript of The Indian Queen. An appendix to the volume shows the song texts as actually set by Purcell.
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