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1000 tulosta hakusanalla Mark Batterson

Mark Seliger Photographs

Mark Seliger Photographs

Mark Seliger

Abrams
2018
sidottu
Mark Seliger’s extraordinary portfolio is 30 years in the making. In 1987 Seliger began shooting small assignments for Rolling Stone; in 1992 he became their chief photographer, a position he kept for 15 years. During the course of his time at the magazine, he photographed more than 125 covers. He has captured some of the most iconic images of the most famous and influential faces of our time, including Kurt Cobain, Nelson Mandela, Leonardo DiCaprio, Barack Obama, Hillary Clinton, Emma Stone, Angelina Jolie, Bruce Springsteen, David Byrne, Matthew Barney, Jennifer Lawrence, Mick Jagger, Bob Dylan, Jerry Seinfeld, Jay-Z, Misty Copeland, Amy Schumer, and Paul McCartney. Mark Seliger Photographs showcases his best-known portraiture, as well as never before seen outtakes and select standouts from his landscape and personal work including portraits of Holocaust survivors and transgender men and women on Christopher Street, and documentary photography of Cuba. Accompanying the photographs is an interview between Mark Seliger and Judd Apatow, in which Seliger shares stories behind some of his most iconic work: Kurt Cobain showing up for a Rolling Stone shoot in a “Corporate Magazines Still Suck” T-shirt; taking a road trip with Brad Pitt; and navigating a room full of Tibetan monks while shooting His Holiness the Dalai Lama. In addition, the book also features an essay by Lyle Lovett. Mark Seliger Photographs is the ultimate celebration of one of the most in-demand portrait photographers.
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Mark Ryden Yakalina Secrets

Mark Ryden Yakalina Secrets

Mark Ryden; Takashi Murakami

ABRAMS
2024
sidottu
Mark Ryden’s Yakalina Secrets is the wondrous second installment in the artist’s incredible gallery of creatures.Foreword by Takashi Murakami In his Pacific Northwest studio during the isolation of COVID-19, Mark Ryden began a series of his iconic half-animal, half-plush creatures that further explored his reverence for these beings, who are guides through a landscape of the unknown. The figures in these paintings are neither human nor animal, they are spiritual entities that create a bridge between the human and animal worlds in which so much disharmony exists. This book features all of the original portraits of Ryden’s mysterious and mythical creatures. The resulting gallery of enchanted characters embodies the artist’s meticulously realized signature blend of archetype, kitsch, and narrative mysticism.Mark Ryden’sYakalina Secrets features works from two of the artist’s exhibitions, organized in collaboration with Emmanuel Perrotin and Kasmin Gallery: Animal Secrets in Paris and Yakalina 9 in Tokyo.
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Mark Hadjipateras, HOMEWARD

Mark Hadjipateras, HOMEWARD

Alexandra Koroxenidis; Barry Schwabsky; Christopher Hudson

ABRAMS
2025
nidottu
Mark Hadjipateras’s remarkable range of works, including monotypes, prints, drawings, paintings, sculpture, photosculpture, and numerous installations throughout the yearsMark Hadjipateras, Homeward presents the richly varied, fifty-year-long career of an international artist who has a deep understanding of our common roots in nature and the universal human need for belonging. His work explores nature as our shared “home” in a transhistorical exploration of prehistoric, modern, and futuristic habitats and their inhabitants. Mark Hadjipateras revisits major 20th -century movements such as surrealism, modernism, minimalism, and pop art, honoring them through his own distinct style to produce new, thought-provoking interpretations. Rendered in a remarkable range of media such as paintings, sculptures, assemblages, and site-specific installations, his forms harmoniously blend opposite qualities: movement with static form, weightlessness with volume, abstraction with figuration.
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The Complete Short Stories of Mark Twain

The Complete Short Stories of Mark Twain

Mark Twain

Digireads.com
2018
pokkari
This comprehensive collection of Twain's short stories showcases his immense talent, humor, and wit. Considered to be the greatest American humorist of all time, Mark Twain was born in 1835 and was raised in Hannibal, Missouri, where many of his most well-known stories take place. Twain led an adventurous life: working as a type setter for his brother's newspaper as a young man, then as a riverboat pilot on the Missouri river, followed by a stint as a miner in Nevada and California, and then finally as a journalist and writer, where he found success and fame. These experiences would form the basis of many of his most famous tales, such as "The Celebrated Jumping Frog from Calaveras County," the first story to bring him national attention and fame and was based on a tale he heard while mining in California. While Twain may be best known for his accomplishments as a novelist, this collection of short stories spanning his lengthy and prolific career showcases his brilliant ability to create fascinating characters, his expert plotting, and his unrivaled wit and humor. This edition is printed on premium acid-free paper.
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Mark Twain as Critic

Mark Twain as Critic

Sydney J. Krause

Johns Hopkins University Press
2020
pokkari
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
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