Kirjojen hintavertailu. Mukana 11 473 898 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Steven Scaffidi

Monet, Narcissus, and Self-Reflection

Monet, Narcissus, and Self-Reflection

Steven Z. Levine

University of Chicago Press
1995
nidottu
This text provides an understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own writings in the context of the story of Narcissus, popular in late 19th-century France. Through a balance of psychoanalytical theory and historical study, he identifies narcissism and obsession as driving forces in Monet's art and demonstrates how meaning is derived from the accumulated responses to the work.
The Reformation of Emotions in the Age of Shakespeare

The Reformation of Emotions in the Age of Shakespeare

Steven Mullaney

University of Chicago Press
2015
sidottu
The crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries-audiences as well as playwrights - reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare's first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge all the differences they shared with one another. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.
Rembrandt's Jews

Rembrandt's Jews

Steven Nadler

University of Chicago Press
2003
nidottu
There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries.Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance.Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.
Why the Wheel Is Round

Why the Wheel Is Round

Steven Vogel

University of Chicago Press
2018
pokkari
There is no part of our bodies that fully rotates—be it a wrist or ankle or arm in a shoulder socket, we are made to twist only so far. And yet there is no more fundamental human invention than the wheel—a rotational mechanism that accomplishes what our physical form cannot. Throughout history, humans have developed technologies powered by human strength, complementing the physical abilities we have while overcoming our weaknesses. Providing a unique history of the wheel and other rotational devices—like cranks, cranes, carts, and capstans—Why the Wheel Is Round examines the contraptions and tricks we have devised in order to more efficiently move—and move through—the physical world. Steven Vogel combines his engineering expertise with his remarkable curiosity about how things work to explore how wheels and other mechanisms were, until very recently, powered by the push and pull of the muscles and skeletal systems of humans and other animals. Why the Wheel Is Round explores all manner of treadwheels, hand-spikes, gears, and more, as well as how these technologies diversified into such things as hand-held drills and hurdy-gurdies. Surprisingly, a number of these devices can be built out of everyday components and materials, and Vogel’s accessible and expansive book includes instructions and models so that inspired readers can even attempt to make their own muscle-powered technologies, like trebuchets and ballista. Appealing to anyone fascinated by the history of mechanics and technology as well as to hobbyists with home workshops, Why the Wheel Is Round offers a captivating exploration of our common technological heritage based on the simple concept of rotation. From our leg muscles powering the gears of a bicycle to our hands manipulating a mouse on a roller ball, it will be impossible to overlook the amazing feats of innovation behind our daily devices.
The Fear of Child Sexuality

The Fear of Child Sexuality

Steven Angelides

University of Chicago Press
2019
sidottu
Continued public outcries over such issues as the presence of young models in sexually suggestive ads and occurrences of intimate relationships between teachers and students speak to one of the most controversial fears of our time: the entanglement of children and sexuality. In this book, Steven Angelides confronts that very fear, arguing that adult alarm over child sexualization often masks the sexuality of children. Angelides explores how emotional vocabularies of anxiety, shame, and even contempt not only dominate discussions of youth sexuality but also allow adults to avoid acknowledging the sexual agency of young people. Introducing case studies and trends from Australia, the United Kingdom, and North America, he challenges prevalent assumptions toward a variety of topics, among them sex education, age-of-consent laws, and technology-driven phenomena like sexting. Along the way, Angelides contends that an unwillingness to recognize the sexual agency that children possess results less in the protection of young people than in their marginalization.
The Fear of Child Sexuality

The Fear of Child Sexuality

Steven Angelides

University of Chicago Press
2019
pokkari
Continued public outcries over such issues as the presence of young models in sexually suggestive ads and occurrences of intimate relationships between teachers and students speak to one of the most controversial fears of our time: the entanglement of children and sexuality. In this book, Steven Angelides confronts that very fear, arguing that adult alarm over child sexualization often masks the sexuality of children. Angelides explores how emotional vocabularies of anxiety, shame, and even contempt not only dominate discussions of youth sexuality but also allow adults to avoid acknowledging the sexual agency of young people. Introducing case studies and trends from Australia, the United Kingdom, and North America, he challenges prevalent assumptions toward a variety of topics, among them sex education, age-of-consent laws, and technology-driven phenomena like sexting. Along the way, Angelides contends that an unwillingness to recognize the sexual agency that children possess results less in the protection of young people than in their marginalization.
The Portraitist

The Portraitist

Steven Nadler

THE UNIVERSITY OF CHICAGO PRESS
2022
sidottu
A biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age. Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter's animated presence captured with energy and immediacy. Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals's life, but also of the artistic, social, political, and religious worlds in which he lived and worked.
Urban Lowlands

Urban Lowlands

Steven T Moga

University of Chicago Press
2020
sidottu
In Urban Lowlands, Steven T. Moga looks closely at the Harlem Flats in New York City; Black Bottom in Nashville; Swede Hollow in St. Paul; and the Flats in Los Angeles to interrogate the connections between a city's physical landscape and the poverty and social problems that are often concentrated at its literal lowest points. Taking an interdisciplinary perspective on the history of US urban development that stretches from the nineteenth to the mid-twentieth century, Moga reveals patterns of inequitable land use, economic dispossession, and social discrimination against poor and working-class residents. In attending to the landscapes of neighborhoods typically considered slums, Moga shows how physical and policy-driven containment has shaped the lives of the urban poor, while wealth and access to resources have been historically concentrated in elevated areas--truly "the heights." Moga's innovative framework expands our understanding of how planning and economic segregation alike have molded the American city.
A Social History of Truth

A Social History of Truth

Steven Shapin

University of Chicago Press
1995
nidottu
How do we come to trust our knowledge of the world? What are the means by which we distinguish true from false accounts? Why do we credit one observational statement over another? This study engages these universal questions through a recreation of a crucial period in the history of early modern science: the social world of gentlemen-philosophers in 17th-century England. The author paints a picture of the relations between gentlemanly culture and scientific practice. He argues that problems of credibility in science were practically solved through the codes and conventions of genteel conduct: trust, civility, honour, and integrity. These codes formed, and arguably still form, an important basis for securing reliable knowledge about the natural world. Shapin uses detailed historical narrative to argue about the establishment of factual knowledge both in science and in everyday practice. Accounts of the mores and manners of gentlemen-philosophers are used to illustrate Shapin's broad claim that trust is imperative for constituting every kind of knowledge. Knowledge-making is always a collective enterprise: people have to know whom to trust in order to know something about the natural world.
The Scientific Life

The Scientific Life

Steven Shapin

University of Chicago Press
2008
sidottu
Who are scientists? What kind of people are they? What capacities and virtues are thought to stand behind their considerable authority? "The Scientific Life" is historian Steven Shapin's story about who scientists are, who we think they are, and why our sensibilities about such things matter. From the early twentieth-century origins of corporate research laboratories to the high-flying scientific entrepreneurship of the present, Shapin argues that the radical uncertainties of much contemporary science have made personal virtues more central to its practice than ever before, and he also reveals how radically novel aspects of late modern science have unexpectedly deep historical roots. His elegantly conceived history of the scientific career and character ultimately encourages us to reconsider the very nature of the technical and moral worlds in which we now live.
The Scientific Life

The Scientific Life

Steven Shapin

University of Chicago Press
2010
nidottu
Who are scientists? What kind of people are they? What capacities and virtues are thought to stand behind their considerable authority? "The Scientific Life" is historian Steven Shapin's story about who scientists are, who we think they are, and why our sensibilities about such things matter. From the early twentieth-century origins of corporate research laboratories to the high-flying scientific entrepreneurship of the present, Shapin argues that the radical uncertainties of much contemporary science have made personal virtues more central to its practice than ever before, and he also reveals how radically novel aspects of late modern science have unexpectedly deep historical roots. His elegantly conceived history of the scientific career and character ultimately encourages us to reconsider the very nature of the technical and moral worlds in which we now live.
Hegel's Critique of Liberalism

Hegel's Critique of Liberalism

Steven B. Smith

University of Chicago Press
1991
nidottu
In Hegel's Critique of Liberalism, Steven B. Smith examines Hegel's critique of rights-based liberalism and its relevance to contemporary political concerns. Smith argues that Hegel reformulated classic liberalism, preserving what was of value while rendering it more attentive to the dynamics of human history and the developmental structure of the moral personality. Hegel's goal, Smith suggests, was to find a way of incorporating both the ancient emphasis on the dignity and even architectonic character of political life with the modern concern for freedom, rights, and mutual recognition. Smith's insightful analysis reveals Hegel's relevance not only to contemporary political philosophers concerned with normative issues of liberal theory but also to political scientists who have urged a revival of the state as a central concept of political inquiry.
Reading Leo Strauss

Reading Leo Strauss

Steven B. Smith

University of Chicago Press
2007
nidottu
Interest in Leo Strauss is greater now than at any time since his death, mostly because of the purported link between his thought and the political movement known as neoconservatism. Steven B. Smith, though, surprisingly depicts Strauss not as the high priest of neoconservatism but as a friend of liberal democracy - perhaps the best defender democracy has ever had. Moreover, in "Reading Leo Strauss", Smith shows that Strauss' defense of liberal democracy was closely connected to his skepticism of both the extreme Left and extreme Right. It was as a skeptic, Smith argues, that Strauss considered the seemingly irreconcilable conflict between reason and revelation - a conflict Strauss dubbed the "theologico-political problem." Calling this problem "the theme of my investigations," Strauss asked the same fundamental question throughout his life: what is the relation of the political order to revelation in general and Judaism in particular? Smith bases his book on this question and assesses Strauss' attempt to direct the teaching of political science away from the examination of mass behavior and interest-group politics and toward the study of the philosophical principles on which politics are based. With his provocative, lucid study, Smith establishes a distinctive form of Straussian liberalism himself.
Reading Leo Strauss

Reading Leo Strauss

Steven B. Smith

University of Chicago Press
2006
sidottu
Interest in Leo Strauss is greater now than at any time since his death, mostly because of the purported link between his thought and the political movement known as neoconservatism. Steven B. Smith, though, surprisingly depicts Strauss not as the high priest of neoconservatism but as a friend of liberal democracy - perhaps the best defender democracy has ever had. Moreover, in "Reading Leo Strauss", Smith shows that Strauss's defense of liberal democracy was closely connected to his skepticism of both the extreme Left and the extreme Right. Smith asserts that this philosophical skepticism defined Strauss's thought. It was as a skeptic, Smith argues, that Strauss considered the seemingly irreconcilable conflict between reason and revelation - a conflict Strauss dubbed the "theologico-political problem". Calling this problem "the theme of my investigations," Strauss asked the same fundamental question throughout his life: what is the relation of the political order to revelation in general and Judaism in particular? Smith organizes his book with this question, first addressing Strauss's views on religion and then examining his thought on philosophical and political issues. In his investigation of these philosophical and political issues, Smith assesses Strauss's attempt to direct the teaching of political science away from the examination of mass behavior and interest group politics and toward the study of the philosophical principles on which politics are based. With his provocative, lucid essays, Smith goes a long way toward establishing a distinctive form of Straussian liberalism.
Vulgar Genres

Vulgar Genres

Steven Ruszczycky

University of Chicago Press
2022
sidottu
Vulgar Genres examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. Long fixated on visual forms, the field of porn studies is overdue for a book-length study of gay pornographic writing. Steven Ruszczycky delivers with an impressively researched work on the ways gay pornographic writing emerged as a distinct genre in the 1960s and went on to shape queer male subjectivity well into the new millennium. ?Ranging over four decades, Ruszczycky draws on a large archive of pulp novels and short fiction, lifestyle magazines and journals, reviews, editorial statements, and correspondence. He puts these materials in conversation with works by a number of contemporary writers, including William Carney, Dennis Cooper, Samuel Delany, John Rechy, and Matthew Stadler. While focused on the years 1966 to 2005, Vulgar Genres reveals that the history of gay pornographic writing during this period informs much of what has happened online over the past twenty years, from cruising to the production of digital pornographic texts. The result is a milestone in porn studies and an important contribution to the history of gay life.
Vulgar Genres

Vulgar Genres

Steven Ruszczycky

University of Chicago Press
2022
nidottu
Vulgar Genres examines gay pornographic writing, showing how literary fiction was both informed by pornography and amounts to a commentary on the genre’s relation to queer male erotic life. Long fixated on visual forms, the field of porn studies is overdue for a book-length study of gay pornographic writing. Steven Ruszczycky delivers with an impressively researched work on the ways gay pornographic writing emerged as a distinct genre in the 1960s and went on to shape queer male subjectivity well into the new millennium. ?Ranging over four decades, Ruszczycky draws on a large archive of pulp novels and short fiction, lifestyle magazines and journals, reviews, editorial statements, and correspondence. He puts these materials in conversation with works by a number of contemporary writers, including William Carney, Dennis Cooper, Samuel Delany, John Rechy, and Matthew Stadler. While focused on the years 1966 to 2005, Vulgar Genres reveals that the history of gay pornographic writing during this period informs much of what has happened online over the past twenty years, from cruising to the production of digital pornographic texts. The result is a milestone in porn studies and an important contribution to the history of gay life.
Not Here, Not Now, Not That!

Not Here, Not Now, Not That!

Steven J. Tepper

University of Chicago Press
2011
sidottu
In the late 1990s "Angels in America", Tony Kushner's epic play about homosexuality and AIDS in the Reagan era, toured the country, inspiring protests in a handful of cities while others received it warmly. Why do people fight over some works of art but not others? "Not Here, Not Now, Not That!" examines a wide range of controversies over films, books, paintings, sculptures, clothing, music, and television in dozens of cities across the country to find out what turns personal offense into public protest. What Steven J. Tepper discovers is that these protests are always deeply rooted in local concerns. Furthermore, they are essential to the process of working out our differences in a civil society. To explore the local nature of public protests in detail, Tepper analyzes cases in seventy-one cities, including an in-depth look at Atlanta in the late 1990s, finding that debates there over memorials, public artworks, books, and parades served as a way for Atlantans to develop a vision of the future at a time of rapid growth and change. Eschewing simplistic narratives that reduce public protests to political maneuvering, "Not Here, Not Now, Not That!" at last provides the social context necessary to fully understand this fascinating phenomenon.
Not Here, Not Now, Not That!

Not Here, Not Now, Not That!

Steven J. Tepper

University of Chicago Press
2011
nidottu
In the late 1990s "Angels in America", Tony Kushner's epic play about homosexuality and AIDS in the Reagan era, toured the country, inspiring protests in a handful of cities while others received it warmly. Why do people fight over some works of art but not others? "Not Here, Not Now, Not That!" examines a wide range of controversies over films, books, paintings, sculptures, clothing, music, and television in dozens of cities across the country to find out what turns personal offense into public protest. What Steven J. Tepper discovers is that these protests are always deeply rooted in local concerns. Furthermore, they are essential to the process of working out our differences in a civil society. To explore the local nature of public protests in detail, Tepper analyzes cases in seventy-one cities, including an in-depth look at Atlanta in the late 1990s, finding that debates there over memorials, public artworks, books, and parades served as a way for Atlantans to develop a vision of the future at a time of rapid growth and change. Eschewing simplistic narratives that reduce public protests to political maneuvering, "Not Here, Not Now, Not That!" at last provides the social context necessary to fully understand this fascinating phenomenon.
Public Pulpits

Public Pulpits

Steven M. Tipton

University of Chicago Press
2008
sidottu
Since the 2000 presidential election, debate over the role of religion in public life has followed a narrow course as pundits and politicians alike have focused on the influence wielded by conservative Christians. But what about more mainstream Christians? Here, Steven M. Tipton examines the political activities of Methodists and mainline churches in this groundbreaking investigation into a generation of denominational strife among church officials, lobbyists, and activists. The result is an unusually detailed and thoughtful account that upends common stereotypes while asking searching questions about the contested relationship between church and state. Documenting a wide range of reactions to two radically different events - the invasion of Iraq and the creation of the faith-based initiatives program - Tipton charts the new terrain of religious and moral argument under the Bush administration from Pat Robertson to Jim Wallis. He then turns to the case of the United Methodist Church, of which President Bush is a member, to uncover the twentieth-century history of their political advocacy, culminating in current threats to split the Church between liberal peace-and-justice activists and crusaders for evangelical renewal. "Public Pulpits" balances the firsthand drama of this internal account with a meditative exploration of the wider social impact that mainline churches have had in a time of diverging fortunes and diminished dreams of progress. An eminently fair-minded and ethically astute analysis of how churches keep moral issues alive in politics, "Public Pulpits" delves deep into mainline Protestant efforts to enlarge civic conscience and cast clearer light on the commonweal and offers a masterly overview of public religion in America.