Book one in a new fantasy series of super rich magical dynasties and warring heirs - from the author of the million-copy-selling Alex Verus series. For readers of contemporary fantasy who enjoy the methods and magicians of dark academia...
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Book one in a new fantasy series of super rich magical dynasties and warring heirs - from the author of the million-copy-selling Alex Verus series. For readers of contemporary fantasy who enjoy the methods and magicians of dark academia...
A new fantasy series of super rich magical dynasties and warring heirs - from the author of the million-copy-selling Alex Verus series. For readers of contemporary fantasy who enjoy the methods and magicians of dark academia...
The super-rich control everything-including magic-in this thrilling and brilliant, contemporary fantasy series from the author of the Alex Verus novels.
First published in 1930: This book represents the life of Sister Teresa Eletta of Florence from her beginning Holy Orders, serving God, as a Missionary to her death.
First published in 1930: This book represents the life of Sister Teresa Eletta of Florence from her beginning Holy Orders, serving God, as a Missionary to her death.
Cities are built over the remnants of their past buried beneath their present. We build on what has been built before, whether over foundations formalising previous permanency or over the temporal occupations of ground. But what happens when you shift a city - when you dislodge its occupation of ground towards a new ground, bury it and forget it?Focusing on Berlin’s destruction during World War II and its reconstruction after the end of the war, this book offers a rethinking of how the practices of destruction and burial combine to reform the city through geography and how burying a city is intricately tied to forgetting destruction, ruination and trauma. Created from 25 million cubic meters of rubble produced during World War II, Teufelsberg (Devil's Mountain) is the exemplar of the destroyed city. Its critical journey is chronicled in combination with Berlin’s seven other rubble hills, and their connections to constructing forgetting through burial. Furthermore, the book investigates Berlin’s sublime relation to Albert Speer’s urban vision to rival the ancient cities of Rome and Athens through their now shared geographies of seven hills. Finally, there is a central focus on the role of the citizens who cleared Berlin’s streets of rubble, and the subsequent human relationships between people and ruins.This book is valuable reading for those interested in Architectural Theory, Urban Geography, Modern History and Urban Design.
Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.
The City in Transgression explores the unacknowledged, neglected, and ill-defined spaces of the built environment and their transition into places of resistance and residence by refugees, asylum seekers, migrants, the homeless, and the disadvantaged. The book draws on urban and spatial theory, socio-economic factors, public space, and architecture to offer an intimate look at how urban sites and infrastructure are transformed into spaces for occupation. Anderson proposes that the varied innovations and adaptations of urban spaces enacted by such marginalized figures – for whom there are no other options – herald a radical new spatial programming of cities. The book explores cities and sites such as Mexico City and London, the Mexican/US border, the Calais Jungle, and Palestinian camps in Beirut and utilizes concepts associated with ‘mobility’ – such as anarchy, vagrancy, and transgression – alongside photography, 3D modelling, and 2D imagery. From this constellation of materials and analysis, a radical spatial picture of the city in transgression emerges.By focusing on the ‘underside of urbanism’, The City in Transgression reveals the potential for new spatial networks that can cultivate the potential for self-organization so as to counter the existing dominant urban models of capital and property and to confront some of the major issues facing cities amid an age of global human mobility.This book is valuable reading for those interested in architectural theory, modern history, human geography and mobility, climate change, urban design, and transformation.
Vietnam's Rural Transformation
Benedict J Tria Kerkvliet; Ford Foundation- Martha Uniack; Doug J Porter
Routledge
2019
sidottu
Since the mid-1980s, Vietnam has experienced remarkable economic, political, and social change. This is the first study in English to focus on rural Vietnam?where nearly 80 percent of Vietnam's people live, much of its economic production occurs, and political upheavals earlier this century changed the course of history.Analyzing the impact of econ
The City in Transgression explores the unacknowledged, neglected, and ill-defined spaces of the built environment and their transition into places of resistance and residence by refugees, asylum seekers, migrants, the homeless, and the disadvantaged. The book draws on urban and spatial theory, socio-economic factors, public space, and architecture to offer an intimate look at how urban sites and infrastructure are transformed into spaces for occupation. Anderson proposes that the varied innovations and adaptations of urban spaces enacted by such marginalized figures – for whom there are no other options – herald a radical new spatial programming of cities. The book explores cities and sites such as Mexico City and London, the Mexican/US border, the Calais Jungle, and Palestinian camps in Beirut and utilizes concepts associated with ‘mobility’ – such as anarchy, vagrancy, and transgression – alongside photography, 3D modelling, and 2D imagery. From this constellation of materials and analysis, a radical spatial picture of the city in transgression emerges.By focusing on the ‘underside of urbanism’, The City in Transgression reveals the potential for new spatial networks that can cultivate the potential for self-organization so as to counter the existing dominant urban models of capital and property and to confront some of the major issues facing cities amid an age of global human mobility.This book is valuable reading for those interested in architectural theory, modern history, human geography and mobility, climate change, urban design, and transformation.
Monumental in scale and epic in development, cities have become the most visible and significant symbol of human progress. The geography on and around which they are constructed, however, has come to be viewed merely in terms of its resources and is often laid to waste once its assets have been stripped. The City in Geography is an urban exploration through this phenomenon, from settlement to city through physical geography, which reveals an incremental progression of removing terrain, topography and geography from the built environment, ushering in and advancing global destruction and instability. This book explains how the fall of geography in relationship to human survival has come through the loss of contact between urban dwellers and physical terrain, and details the radical rethinking required to remedy the separations between the city, its inhabitants and the landscape upon which it was built.
The music of Edvard Grieg is justly celebrated for its harmonic richness, a feature especially apparent in the piano works written in the last decades of his life. Grieg was enchanted by what he styled the ’dreamworld’ of harmony, a magical realm whose principles the composer felt remained a mystery even to himself, and he was not alone, in that the complex nature of late-Romantic harmony around 1900 has proved a keen source of debate up to the present day. Grieg’s music forms a particularly profitable repertoire for focusing current debates about the nature of tonality and tonal harmony. Departing from earlier approaches, this study is not simply an inventory of Griegian harmonic traits but seeks rather to ascertain the deeper principles at work governing their meaningful conjunction, how elements of Grieg’s harmonic grammar are utilised in creating an extended tonal syntax. Building both on historical theories and more recent developments, Benedict Taylor develops new models for understanding the complexity of late-Romantic tonal practice as epitomised in Grieg’s music. Such an investigation casts further valuable light on the twin issues of nature and nationalism long connected with the composer: the question of tonality as something natural or culturally constructed and larger historiographical claims concerning Grieg’s apparent position on the periphery of the Austro-German tradition.
This book argues that although Johnson's impeachment did not succeed in ousting him, it was a justified step. It describes the critical issues and events leading up to the impeachment and then discusses the trial itself: what the grounds were, what the different sides' motivations were and why the attempt failed.
Carmincross, where nothing happens, is a small town in Ulster. Mervyn Kavanagh, one of its wandering sons (Catholic as opposed to Protestant) has been teaching in America's 'semi-Deep South', where he has acquired - and lost - a wife. Now, in 1973, he is on his way home to attend the wedding of a favourite niece. As he sets off from Shannon toward tranquil Carmincross in the company of a former girlfriend, warm memories come flooding back. But one cloud proves impossible to dispel, for Mervyn is haunted by dark thoughts of bombs, rubber bullets, political murder, political mutilation, terrorism and counterterrorism - not only in Ireland, but with the Troubles, naturally enough, uppermost in his mind. For some, he meets en route, the perpetrators are gallant freedom fighters; for others, terrorist fanatics. Yet as the arguments bubble, another outrage is being prepared; and when at last it strikes, with a terrible inevitability, in Carmincross itself, the consequences are horrifyingly unpredictable. Tense, ironic, humane, horrifying and brutally funny, "Nothing Happens in Carmincross" is a masterpiece by one of Northern Ireland's greatest writers.