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1000 tulosta hakusanalla Daniela Simic

Normal 2-Coverings of the Finite Simple Groups and their Generalizations

Normal 2-Coverings of the Finite Simple Groups and their Generalizations

Daniela Bubboloni; Pablo Spiga; Thomas Stefan Weigel

Springer International Publishing AG
2024
nidottu
This book provides a complete and comprehensive classification of normal 2-coverings of non-abelian simple groups and their generalizations. While offering readers a thorough understanding of these structures, and of the groups admitting them, it delves into the properties of weak normal coverings. The focal point is the weak normal covering number of a group G, the minimum number of proper subgroups required for every element of G to have a conjugate within one of these subgroups, via an element of Aut(G). This number is shown to be at least 2 for every non-abelian simple group and the non-abelian simple groups for which this minimum value is attained are classified. The discussion then moves to almost simple groups, with some insights into their weak normal covering numbers. Applications span algebraic number theory, combinatorics, Galois theory, and beyond. Compiling existing material and synthesizing it into a cohesive framework, the book gives a complete overview of this fundamental aspect of finite group theory. It will serve as a valuable resource for researchers and graduate students working on non-abelian simple groups,
The Thought Awaits Us All

The Thought Awaits Us All

Daniela Calabrò

Springer International Publishing AG
2024
sidottu
This volume shows how Nancy was able ‘to deconstruct’ the founding sign of all metaphysics and all transcendence by redefining the concepts of existence, corporeality, and community, opening them up to the ‘disclosure’ of the outside, to the ‘exception’ of the world. It draws on the work of the Italian philosopher, Roberto Esposito and includes a dialogue between Nancy and Esposito. The overcoming of the modern perspective is covered by Descartes and Hegel, who are analyzed in light of Nancy. This text proposes a deconstruction of the Western tradition in its philosophical, aesthetic, and political registers and conveys a new ontology that breaks with the categories of the One and the Multiple, the Universal and the Particular, in order to identify the relationship between the plural and the singular and understand what it means to be together, to be in common, to be in the world. It is suitable for scholars, researchers, and students of philosophy and comparative literature.
Domesticating the Public

Domesticating the Public

Daniela Richter

Peter Lang AG, Internationaler Verlag der Wissenschaften
2011
nidottu
The domestic sphere, the ideological as well as physical context of female life during the nineteenth century, featured prominently in German women’s writing of the period. Women writers, such as Fanny Lewald, Ida von Hahn-Hahn and E. Marlitt, who had begun to dominate Germany’s book market, addressed domestic life and female gender roles through a variety of genres. At the same time, activists such as Helene Lange and Henriette Schrader-Breymann let their vision of female gender roles shape the kindergartens and girls’ secondary schools they founded. This book discusses issues of female gender role formation and examines the ways in which women’s writing and activism contributed to the process. As a result, a rich tapestry of female social discourse is uncovered, exhibiting women’s strong commitment to shaping their destinies within a largely misogynistic political and legal national framework.
Jorge Semprún

Jorge Semprún

Daniela Omlor

Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
nidottu
Jorge Semprún is a leading writer from the first generation of Spanish Civil War exiles, yet studies of his work have often focused solely on his literary testimony to the concentration camps and his political activities. Although Semprún’s work derives from his incarceration in Buchenwald and his expulsion from the Spanish Communist Party in 1964, limiting the discussion of his works to the autobiographical details or to the realm of Holocaust studies is reductive. The responses by many influential writers to his recent death highlight that the significance of Semprún’s work goes beyond the testimony of historical events. His self-identification as a Spanish exile has often been neglected and there is no comprehensive study of his works available in English. This book provides a global view of his œuvre and extends literary analysis to texts that have received little critical attention. The author investigates the role played by memory in some of Semprún’s works, drawing on current debates in the field of memory studies. A detailed analysis of these works allows related concepts, such as exile and nostalgia, the Holocaust, the interplay between memory and writing, politics and collective memory, and postmemory and identity, to be examined and discussed.
Denken im Gegensatz

Denken im Gegensatz

Daniela Paola Padularosa

Peter Lang AG, Internationaler Verlag der Wissenschaften
2016
nidottu
Das Buch fokussiert die tiefe und dennoch problematische und gegensatzliche Beziehung der Ikonen-Lehre zur Kultur des fruhen 20. Jahrhunderts. Das Auftreten von modernen Ikonen wird zum bedeutenden Ausdruck der Renaissance der Mystik in der Kunst, der Wissenschaft und Philosophie der Zeit, die sich oft als Debatte uber die Sichtbarwerdung des Unsichtbaren artikuliert. Vor diesem Hintergrund analysiert die Autorin das Werk von Hugo Ball, einem der aussergewoehnlichsten und raffiniertesten Interpreten der literarischen und kunstlerischen Szene der Zeit. Ausgehend von Balls dadaistischen Lautwerken bis hin zu seinen zum Teil unveroeffentlichten Artikeln zur Psychoanalyse und Religion vertritt das Buch die These, dass die Ikone Christi und die Figur des Heiligen der rote Faden in seinem OEuvre sind: Erinnert Balls kubistisches Kostum an eine byzantinische Ikone, erscheinen in den Schizophrenen Sonetten andereheilige Gestalten in der Form "umgedrehter Ikonen". Sein faszinierendstes Buch, Das byzantinische Christentum, versucht schliesslich durch das wiederkehrende Bild der Himmelsleiter ein neues Verhaltnis zur Heiligkeit herzustellen und den Heiligen zum neuen Held der Moderne zu erheben.
Stolperstein

Stolperstein

Daniela Stumpf

BoD - Books on Demand
2003
sidottu
Stolpersteine lassen uns inne halten, zwingen uns die Augen zu öffnen. Sie sind eine Chance, das Leben neu zu begreifen. Daniela Stumpfs Gedichte über Natur, Liebe und das Leben sind solche Stolpersteine. Sie machen den Augenblick in seiner Einzigartigkeit erfahrbar.
Haus Tugendhat. Ludwig Mies Van Der Rohe

Haus Tugendhat. Ludwig Mies Van Der Rohe

Daniela Hammer-Tugendhat; Ivo Hammer; Wolf Tegethoff

Birkhauser
2020
sidottu
Built and designed by Ludwig Mies van der Rohe 928– 93 , the Tugendhat House in Brno / Czech Republic is one of the most significant buildings of European modernism. In 2 , UNESCO added the house to the List of World Cultural Heritage Sites. In this third, updated edition, the authors give personal and historic insights relating to the house also documenting aspects pertaining to art history and conservation-science studies. The comprehensive description and in-depth discussion of the materials used is a special feature in this field of research. The appeal of this monograph lies in the publication of photographs from the family archive which, for the first time, show the house in its lived-in condition. The experimental artistic color photographs by Fritz Tugendhat are among the pioneering achievements of amateur photography.
Tugendhat House. Ludwig Mies van der Rohe

Tugendhat House. Ludwig Mies van der Rohe

Daniela Hammer-Tugendhat; Ivo Hammer; Wolf Tegethoff

Birkhauser
2020
sidottu
Built and designed by Ludwig Mies van der Rohe 1928–1930, the Tugendhat House in Brno / Czech Republic is one of the most significant buildings of European modernism. In 2001, UNESCO added the house to the List of World Cultural Heritage Sites. In this third, updated edition, the authors give personal and historic insights relating to the house; also documenting aspects pertaining to art history and conservation-science studies. The comprehensive description and in-depth discussion of the materials used is a special feature in this field of research. The appeal of this monograph lies in the publication of photographs from the family archive which, for the first time, show the house in its lived-in condition. The experimental artistic color photographs by Fritz Tugendhat are among the pioneering achievements of amateur photography.
Il mito cristianizzato

Il mito cristianizzato

Daniela Dalla Valle

Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
2006
nidottu
Il volume, diviso in due parti, analizza in che modo due miti classici impostati sull'incesto - quello di Fedra e quello di Edipo - vengono ripresi, rielaborati e trasformati nella letteratura teatrale francese del Seicento. Accanto a problemi letterari e teatrali che emergono da questo insieme di analisi, l'elemento ideologicamente dominante l'inserimento del discorso religioso cristiano sulla tematica mitica: la cristianizzazione del mito, dunque, che serve a modernizzarlo. proprio in questo senso che anche i due testi centrali, la Ph dre di Racine e l'OEdipe di Corneille, vengono riletti e riproposti ai lettori di oggi.
«Lieber Gott, Bitte Hilf Mir. Ich Sterbe Dir Sonst Weg.»

«Lieber Gott, Bitte Hilf Mir. Ich Sterbe Dir Sonst Weg.»

Daniela Berger-Künzli

Verlag Peter Lang
2006
nidottu
Im Zentrum der Untersuchung steht die Religiositat von Menschen, die der katholischen Kirche heute mehr oder weniger nahe stehen. Dazu analysiert die Autorin Eintragungen von frei formulierten Furbitten und Gebetsanliegen aus Buchern katholischer Pfarrkirchen der Nordwestschweiz sowie aus einer virtuellen Gebetskapelle im Internet. Die Autorin uberpruft, ob Gebetsanliegen- und Furbittbucher die rucklaufige Praxis der Beichte und fehlende Gesprache mit Seelsorgern ersetzen und wie sie mit der historischen Wallfahrtspraxis zusammenhangen. Analysiert werden die Furbitten und Anliegen nicht nur nach ihrem Inhalt, sondern auch nach den Adressaten und den Bezugsgruppen. Anhand von Zitaten illustriert die Autorin den in diesen Eintragungen zu Tage tretenden Pluralismus in Glaubensfragen, vor allem die Bricolage von kirchlich-institutionellen und persoenlichen Glaubenssatzen. Ergebnisse zu Aspekten wie Glaube und Biographie, Alltag und Transzendenz, Gender und religioese Kommunikation sowie Communio und Tabus sind in gesonderten Kapiteln zusammengefasst.
Memories and Silences Haunted by Fascism

Memories and Silences Haunted by Fascism

Daniela Baratieri

Verlag Peter Lang
2010
nidottu
Fascist and colonial legacies have been determinant in shaping how Italian colonialism has been narrated in Italy till the late 1960s. This book deals with the complex problem of public memory and discursive amnesia. The detailed research that underpins this book makes it no longer possible to claim that after 1945 there was an absolute and traumatic silence concerning Italy’s colonial occupation of North and East Africa. However, the abiding public use of this history confirms the existence of an extremely selective and codified memory of that past. The author shows that colonial discourse persisted in historiography, newspapers, newsreels and film. Popular culture appears intertwined with political and economic interests and the power inscribed in elite and scientific knowledge. While readdressing the often mistaken historical time line that ignores that actual Italian colonial ties did not end with the fall of Fascism, but in 1960 with Somalia becoming independent, this book suggests that a new post Fascist Italian identity was the crucial issue in reappraisals of a national colonial past.
Kunstgeschichte ALS Physiognomische Wissenschaft: Kritik Einer Denkfigur Der 1920er Bis 1940er Jahre
Physiognomik gilt als eine obsolete esoterische Disziplin, deren Bedeutung sich f r die Kunstgeschichte darauf beschr nkt, Portr ts und Ausdrucksstudien in ihrem historischen Kontext zu verstehen. Sie muss jedoch als ein grundlegendes methodisches Vorbild der kunsthistorischen Forschung verstanden werden. Nicht nur in der Entstehungsphase des Faches um 1800, vor allem im fr hen 20. Jahrhundert durchziehen physiognomische Denkfiguren nahezu alle relevanten methodischen Ans tze. Namhafte Kunsthistoriker wie Heinrich W lfflin, Wilhelm Pinder, Hans Sedlmayr oder Wilhelm Fraenger bezogen sich auf die Methode der Physiognomik, um aus der u eren Form auf das verborgene Innere des Kunstwerks zu schlie en. So wurde der Charakter des Werks, des K nstlers oder auch von Volk, Nation und Rasse bestimmt. Diese 'physiognomische' F higkeit der Kunstgeschichte, das Sichtbare zu deuten, machte sie zu einer Leitwissenschaft f r viele andere Disziplinen wie die Psychologie und die Rassenforschung, die h ufig selbst auf der Physiognomik beruhten. Zugleich dienten diese dazu, der Kunstgeschichte ein anthropologisches Fundament zu verleihen. Physiognomik erweist sich so als eine Bildwissenschaft, die nicht nur f r die Entwicklung der kunsthistorischen Methodik von gr ter Bedeutung war, sondern auch bei den aktuellen Bem hungen um eine Aufwertung des Bildes eine Rolle spielt.