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1000 tulosta hakusanalla Elliot S. Valenstein

The Poetry of T. S. Eliot

The Poetry of T. S. Eliot

D. E. S. Maxwell

Routledge
2017
nidottu
In this fascinating and revealing book, first published in 1952, Maxwell shows the development of Eliot’s poetry and poetic thought in the light of his political and religious attachments. This study traces Eliot’s style from the earliest poems to the Quartets, and examines the characteristics of Eliot’s earlier work adumbrate that of his maturity. The Poetry of T. S. Eliot is essential reading for students of literature.
Routledge Library Editions: T. S. Eliot
This set reissues 10 books on T. S. Eliot originally published between 1952 and 1991. The volumes examine many of Eliot’s most respected works, including his Four Quartets and The Waste Land. As well as exploring Eliot’s work, this collection also provides a comprehensive analysis of the man behind the poetry, particularly in Frederick Tomlin’s T. S. Eliot: A Friendship. This set will be of particular interest to students of literature.
The Gestic Symbolism of T. S. Eliot: Elh, a Journal of English Literary History, V22, No. 3, September, 1955
""The Gestic Symbolism Of T. S. Eliot"" is an academic article written by Paul Fussel Jr. and published in the September 1955 issue of ELH, a journal of English literary history. The article explores the use of gesture and body language in the poetry of T. S. Eliot, analyzing the symbolic significance of these physical expressions within the context of Eliot's larger literary themes and motifs. Fussel argues that Eliot's use of gestic symbolism is a key component of his poetic style and a reflection of his broader artistic vision. The article is intended for scholars and students of English literature, and provides a detailed analysis of Eliot's work from a critical perspective.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
The Edinburgh Companion to T. S. Eliot and the Arts
From his early "Curtain Raiser" to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot's prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.
Becoming T. S. Eliot

Becoming T. S. Eliot

Jayme Stayer

Johns Hopkins University Press
2021
sidottu
How did an ordinary, if intelligent, boy who wrote unremarkable poems become—with no help, and in record time—the author of one of the most significant and beloved poems of the twentieth century?T. S. Eliot's juvenilia show little inclination to question the social, cultural, religious, or domestic values he had inherited. How did a young man who wrote uninspired doggerel about wilting flowers transform himself—in a mere twenty months—into the author of "The Love Song of J. Alfred Prufrock"? In Becoming T. S. Eliot, Jayme Stayer—praised by Christopher Ricks as a scholar who is "scrupulous in acknowledging the contingencies that will always preclude perfection"—explains this staggering accomplishment by tracing Eliot's artistic and intellectual development. Relying on archival research and original analysis, this is the first book dedicated entirely to Inventions of the March Hare, Eliot's youthful notebook, which was once thought lost but was rediscovered after Eliot's death. Stayer places Eliot's verses in the chronological order of their composition, teasing out the narratives of their making. Focusing on the period from 1909 to 1915, this incisive portrait of Eliot as a budding writer is as much a study of Eliot himself as it is a study of how a writer hones his voice.
Becoming T. S. Eliot

Becoming T. S. Eliot

Jayme Stayer

Johns Hopkins University Press
2021
pokkari
How did an ordinary, if intelligent, boy who wrote unremarkable poems become—with no help, and in record time—the author of one of the most significant and beloved poems of the twentieth century?T. S. Eliot's juvenilia show little inclination to question the social, cultural, religious, or domestic values he had inherited. How did a young man who wrote uninspired doggerel about wilting flowers transform himself—in a mere twenty months—into the author of "The Love Song of J. Alfred Prufrock"? In Becoming T. S. Eliot, Jayme Stayer—praised by Christopher Ricks as a scholar who is "scrupulous in acknowledging the contingencies that will always preclude perfection"—explains this staggering accomplishment by tracing Eliot's artistic and intellectual development. Relying on archival research and original analysis, this is the first book dedicated entirely to Inventions of the March Hare, Eliot's youthful notebook, which was once thought lost but was rediscovered after Eliot's death. Stayer places Eliot's verses in the chronological order of their composition, teasing out the narratives of their making. Focusing on the period from 1909 to 1915, this incisive portrait of Eliot as a budding writer is as much a study of Eliot himself as it is a study of how a writer hones his voice.
The Edinburgh Companion to T. S. Eliot and the Arts
From his early "Curtain Raiser" to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot's prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.
The T. S. Eliot Studies Annual

The T. S. Eliot Studies Annual

LIVERPOOL UNIVERSITY PRESS
2022
sidottu
The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, or editor. This Waste Land centenary volume of the Annual appears at a crossroads in Eliot studies. In recent years, editions of his prose, annotated poems, and letters have vastly expanded what we know about Eliot, his life, oeuvre, composition practices, and circle of acquaintances. Further, in January 2020, over one thousand letters by the poet to his muse Emily Hale were opened at Princeton University Library, where they had been sealed when Hale donated them in 1956. Articles re-examine the Waste Land in light of these new insights, as well as looking at drama and performance, and Eliot and Europe. John D. Morgenstern, General Editor Editorial Advisory Board: Ronald Bush, University of Oxford David E. Chinitz, Loyola University Chicago Anthony Cuda, University of North Carolina–Greensboro Robert Crawford, University of St Andrews Frances Dickey, University of Missouri John Haffenden, University of Sheffield Benjamin G. Lockerd, Grand Valley State University Gail McDonald, Goldsmiths, University of London Gabrielle McIntire, Queen’s University Jahan Ramazani, University of Virginia Christopher Ricks, Boston University Ronald Schuchard, Emory University Vincent Sherry, Washington University at St. Louis
The T. S. Eliot Studies Annual

The T. S. Eliot Studies Annual

LIVERPOOL UNIVERSITY PRESS
2024
sidottu
The T. S. Eliot Studies Annual strives to be the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, editor, or foremost exemplar of literary modernism. Book Review Editor: Kevin Rulo Editorial Advisory Board: Ronald Bush David E. Chinitz Robert Crawford Anthony Cuda Julia Daniel Lyndall Gordon John Haffenden Benjamin Lockerd Gabrielle McIntire John Morgenstern Jahan Ramazani Christopher Ricks Ronald Schuchard Vincent Sherry Jewel Spears Brooker Jayme Stayer
The T. S. Eliot Studies Annual

The T. S. Eliot Studies Annual

LIVERPOOL UNIVERSITY PRESS
2025
sidottu
The T. S. Eliot Studies Annual strives to be the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, editor, or foremost exemplar of literary modernism. Book Review Editor: Kevin Rulo Editorial Advisory Board: Ronald Bush David E. Chinitz Robert Crawford Anthony Cuda Julia Daniel Lyndall Gordon John Haffenden Benjamin Lockerd Gabrielle McIntire John Morgenstern Jahan Ramazani Christopher Ricks Ronald Schuchard Vincent Sherry Jewel Spears Brooker Jayme Stayer
The T. S. Eliot Studies Annual

The T. S. Eliot Studies Annual

LIVERPOOL UNIVERSITY PRESS
2023
sidottu
The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, or editor. General Editors: Frances Dickey and Julia E. Daniel Editorial Advisory Board: Jewel Spears Brooker, Ronald Bush, David E. Chinitz, Robert Crawford, Anthony Cuda, John Haffenden, Benjamin Lockerd, Gabrielle McIntire, John D. Morgenstern, Jahan Ramazani, Christopher Ricks, Ronald Schuchard, Vincent Sherry, Jayme Stayer, John Whittier-Ferguson
Octavio Paz and T. S. Eliot
This study traces the history of Octavio Paz's engagement with T. S. Eliot in Latin American and Spanish periodicals of the 1930s and 1940s. It establishes the Mexican context, or horizon of expectations, in which the earliest translations of Eliot appeared.
The T. S. Eliot Studies Annual

The T. S. Eliot Studies Annual

John D. Morgenstern

Clemson University Digital Press
2017
sidottu
The T. S. Eliot Studies Annual strives to be the leading venue for the critical reassessment of Eliot's life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot's work as a poet, critic, playwright, editor, or foremost exemplar of literary modernism.