A light-hearted look at some truly weird sporting events from every part of the world.
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1000 tulosta hakusanalla Geoff Eley
Ever since Mrs Malaprop first took to the stage in 1775 and described a gentleman as 'the very pineapple of politeness', some famous figures have become better known for their slips of the tongue than for anything they said intentionally. In particular, the careers of a number of broadcasters, sporting figures and politicians have become defined by their verbal blunders. Former US Vice-President Dan Quayle is remembered solely for making unfortunate remarks such as 'Republicans understand the importance of bondage between a mother and child.' Welsh naturalist Iolo Williams sent Twitter into meltdown when, discussing diving sea birds on Springwatch 2016, he asked a female conservationist: 'Is that the deepest shag you've ever had?' Even respected sports broadcaster Harry Carpenter was probably haunted forever by his seemingly innocent comment at the end of the 1977 Boat Race: 'Ah, isn't that nice? The wife of the Cambridge President is kissing the cox of the Oxford crew.' I WISH I HADN'T SAID THAT is a collection of over 3,000 spoken and written blunders - including unintentional double entendres, spoonerisms, mixed metaphors, malapropisms, jaw-dropping remarks, misguided quiz show answers, embarrassing newspaper misprints, and foreign signs and notices that have sadly become lost in translation.
This timely follow-up to Conway’s highly successful Marine Art of Geoff Hunt (2004) presents the considerable artistic output of Britain’s leading marine painter since 2003. This new volume is heavily illustrated with images ranging from large paintings to sketchbook drawings with text written by the artist himself. The new book reflects Hunt's developing career during a time in which he served a five-year term as President of the Royal Society of Marine Artists, worked on large-scale paintings such as the definitive Mary Rose,and also completed numerous outdoor sketches and paintings. The book is divided into six sections: 1. The Sea Painter's World, an introduction to the artist's studio work at Merton Place, London and his plein air work on the River Thames; 2. Home Waters; 3. The Mediterranean; 4. In the Wake of Nelson; 5. North America and 6. The West Indies and Beyond. This concept sets Geoff's work in a broadly geographical context, showcasing the artist's freer plein air style alongside the exhaustively researched maritime history paintings to which he owes his standing as Britain’s leading marine artist.
After the Second World War, Britain’s railways were rundown and worn out, requiring massive investment and modernisation. The ‘Big Four’ railway companies were nationalised from 1948 and the newly formed British Railways embarked on a programme of building new ‘Standard’ steam locomotives to replace older types. These started to come on stream from 1951. This programme was superseded by the 1955 scheme to dieselise and electrify many lines and so the last loco of the ‘Standard’ types was built in 1960 – and the steam locomotives had been swept entirely from the BR network by 1968. This series of books, ‘The Geoff Plumb Collection’, is a photographic account of those last few years of the steam locomotives, their decline and replacement during the transition years. Each book covers one of the former ‘Big Four’, in the form of the BR Regions they became: the Southern Railway, London Midland & Scottish Railway, Great Western Railway and London & North Eastern Railway, including some pictures of the Scottish lines of the LMS and LNER. The books are not intended to convey a complete history of the railways but to illustrate how things were, to a certain extent, in the relatively recent past and impart some information through comprehensive captions, which give a sense of occasion – often a ‘last run’ of a locomotive type or over a stretch of line about to be closed down. The photos cover large parts of the country, though it was impossible to get everywhere given the overall timetable of just a few years – mainly when the author was still a schoolboy with limited time and disposable income to get around. Pictures are of the highest quality that could be produced with the equipment then available, but they do reflect real life and real times. In simple terms, a look at a period not so long ago but now gone forever.
Fred West. Ian Brady. Harold Shipman. These names haunt the national consciousness and yet none was as prolific as the little-known 'Underground Killer', Kieran Kelly. Operating without motive or rationale he pushed sixteen souls to their deaths on the tracks of the London Underground, before vanishing back into the crowd. Geoff Platt has painstakingly researched the 'career' of Kelly, whose name may be unfamiliar even to those who study the minds and misdeeds of the criminal underworld. In a time of greater governmental control of the media, the case was hushed up, lest the residents of London be gripped by mass hysteria at the thought of a faceless killer lurking on the platforms of the Central line. Kelly's first victim was his best friend and could have been called a crime passionnel, as it was committed in the heat of an argument after an evening of heavy drinking. However when Kelly realised his crime had gone undetected he felt a rush of power which he sought to recreate again and again.The killer took delight in his apparent cunning - he often passed himself off as a star witness, who had been talking to the 'poor, depressed man about his unfaithful wife, when the train arrived at the station and he jumped underneath it'. The implications of Kelly's actions spread wide, leaving families unable to claim life insurance once the death was ruled as suicide. The officers involved in the case were a small, select cadre of elite Flying Squad and Serious Crime Squad Officers from South London, the same ones who had also been dealing with the Krays and the Richardsons. Their story is equally compelling, involved as they were in extreme, unusual and certainly unorthodox tactics. These intricate strands of a murky underworld weave together to make a fascinating, if gruesome, story.
London Underground Serial Killer: The Life of Kieran Kelly
Geoff Platt
Pen Sword Books Ltd
2016
nidottu
The full story of the life and times of Kieran Patrick Kelly, the London Underground Serial Killer, who wandered up and down the Northern Line of the London Underground between 1960 and 1983, pushing innocent people that he had never met under trains, and who finished up killing over thirty people. The book provides a full biography of Kelly, discussing the details of his crimes, his victims and his ability to evade justice; he managed to secure mistrials or acquittals in twenty-five trials before being eventually convicted and sentenced to die to prison, which he did in Durham, in 2001. It could be argued that Kelly is the most investigated serial killer in the history of the world. His murders were investigated as they occurred between 1953 and 1983; they were re-investigated in 1983 and again in 2015. The author of this book played major roles in the two latter enquiries, conducting the entire enquiry in 1983 and acting as a consultant to the 2015 enquiry. More is known about Kelly than any other serial killer in history.He was arrested before he had finished killing, then murdered his cellmate in the police station and was interviewed by the author ten minutes after this final murder, before spending the next two years discussing his crimes and his motivations with the author. The end result is a truly unique insight into the mind of a serial killer!
A reissue of Geoff Brown's groundbreaking classic novel about a man who wants to be a woman. Published in 1966, I Want What I Want was one of the first novels to explore the life of a trans woman.
How did Hawaiian and Polynesian culture come to dramatically alter American music, fashion and decor, as well as ideas about race, in less than a century? It began with mainland hula and musical performances in the late 19th century, rose dramatically as millions shipped to Hawaii during the Pacific War, then made big leap with the advent of low-cost air travel. By the end of the 1950s, mainlanders were hosting tiki parties, listening to exotic music, lazing on rattan furniture in Hawaiian shirts and, of course, surfing. Increasingly, they were marrying people outside of their own racial groups as well. The author describes how this cultural conquest came about and the people and events that led to it.
Melodrama is the foundation of American cinema. It is, however, a poorly understood term. While it is a pervasive and persuasive dramatic mode, it is not tied to any specific moral or ideological system. It is not a singular genre; rather, it operates as a "genre generating machine" capable of determining the aesthetics and structure of the drama within many genres. Melodrama centers the conflict around the clash between good and evil and provides a sense of poetic justice--but the specific values embedded in notions of good and evil are determined by the culture, and they shift from nation to nation, region to region, and period to period. This book explores the "populist" westerns of the 1930s, the propaganda films that followed the Japanese attack on Pearl Harbor, and the popularity of Sax Rohmer's master villain Fu Manchu. "Melodramas of passion" and film noir also offer a challenge to melodrama with its seemingly alienated protagonists and downbeat endings. Yet, with few exceptions, Hollywood was able to assimilate these genres within its melodramatic imagination.
A hub of sex, crime, and drugs, Boston's Combat Zone, the nation's largest adult entertainment district during the last half of the 20th century, lured white- and blue-collar workers, lawyers, professors, judges and cops to watch and chat up its adult performers, many of whom earned more than white-collar professionals. By 1985, its multi-decade run was over. Why did it last so long, despite constant attempts to destroy it? What drew thousands of women to perform there, despite the potential for danger? And what became of them, after the lights dimmed and the music stopped? This first comprehensive history of the Combat Zone authored by an active participant, is told through the gritty perspective of a Boston cab driver married to a star dancer. It introduces the district's strippers, club owners, transgender performers, prostitutes and cops, depicting them as neither saints nor sinners as they fought for survival and success in a time of sexual revolution and political upheaval. This is their story, much of it told in their own words.
Short Stories and Questions for All Teenagers and Young Adults to Read and Enjoy
Geoff Daniel
Xlibris
2012
pokkari
Garry Winogrand—along with Diane Arbus and Lee Friedlander—was one of the most important photographers of the 1960s and 1970s, as well as one of the world’s foremost street photographers. Award-winning writer Geoff Dyer has admired Winogrand’s work for many years. Modeled on John Szarkowski’s classic book Atget, The Street Philosophy of Garry Winogrand is a masterfully curated selection of one hundred photographs from the Winogrand archive at the Center for Creative Photography, with each image accompanied by an original essay. Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
