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1000 tulosta hakusanalla Henry-Rider Haggard

Henry Lawes

Henry Lawes

Ian Spink

Oxford University Press
2000
sidottu
Henry Lawes (1596-1662) has long been acknowledged as the most important and prolific English songwriter between the death of John Dowland in 1626 and the birth of Henry Purcell in 1659. He is celebrated as Milton's collaborator in Comus (1634). Although he wrote some church music, Lawess significance as a composer lies in his settings of many of the choicest lyrics by Cavalier poets such as Carew, Herrick, Suckling, and Waller–who, like Lawes himself, belonged to the brilliant court of Charles I. This book combines an account of his life with a study of his development as a songwriter during this fascinating historic period. Following the execution of the King in 1649, Lawes played an important part in establishing concerts in London during the 1650s, and was one of the composers of the first English opera, Davenant's The Siege of Rhodes (1656). At the Restoration he set Zadok the Priest for the coronation of Charles II, but died the following year. The last book on Lawes appeared in 1940, since when the importance of his songs has been increasingly recognized–thanks in part to Ian Spink's own previous study, English Song: Dowland to Purcell (1986), and his edition of Cavalier Songs: 1625-1660 for Musica Britannica.
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Miscellanies by Henry Fielding, Esq: Volume Three

Miscellanies by Henry Fielding, Esq: Volume Three

Henry Fielding

Clarendon Press
1997
sidottu
Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The history of the Life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the `thief-taker' and gang-leader of that name who was hanged in 1725, but in Fielding's hands, the history of Wild is transformed into a mock-hostorical work of sustained irony aimed at all who would be `great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Weslyan Edition, this provides critical, unmodernized text, based on the Greg-Bowers `Rationale of Copy-text'. The version is that of the first edition, with an appendix giving all variants in wording and presentation in the 1754 revision. In his introduction the textual editor lays out the rationale for his choice of version. This volume also includes, for the first time in modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by the textual editor.
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Henry Fielding: Contributions to The Champion, and Related Writings

Henry Fielding: Contributions to The Champion, and Related Writings

Henry Fielding

Oxford University Press
2003
sidottu
This volume completes the edition's coverage of Henry Fielding's journalism, which occupied a far greater part of his time than has been traditionally acknowledged. His contributions to The Champion are not only among his most energetic and intriguing works in the genre; they also have a dense political background, of interest to historians studying the interface between journalism and politicians of the time, as well as the role of newspaper publishers. Walpole figures hugely, and the extent to which Fielding hints at the minister's life and activities is remarkable. Much of the volume's material has never been reprinted before. Explanatory annotations are full, as the characteristically allusive and topical nature of Fielding's writing requires. Appendices provide an analytical textual apparatus, and the editorial introductions emphasize matters such as genesis and composition, circumstances of publication, in addition to immediate biographical, literary, and historical backgrounds.
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Miscellanies by Henry Fielding, Esq: Volume Two

Miscellanies by Henry Fielding, Esq: Volume Two

Henry Fielding

Clarendon Press
1993
sidottu
This is the second volume of Fielding's Miscellanies, first published as a three-volume set in 1743. Its major work is the fantasy A Journey from This World to the Next, Fielding's richest and most extensive piece of prose fiction outside his three novels and Jonathan Wild. Its theme, described by Gibbon as `the history of human nature', is the excoriation of false greatness and over-weening ambition, one of the great moral ideas of the age. The annotation and commentary to this edition present new evidence about Fielding's manipulation of historical sources in the Journey, which is shown to be both artistically complete and thematically consistent with the other material in the Miscellanies. The remaining two works in this volume are both plays which Fielding included at a late stage of planning for the book: the farce Eurydice, a burlesque of mythological figures who function as vehicles for topical satire, and The Wedding Day, a revision of an intrigue comedy written early in his career but staged for the first time in 1743, only a few months before the Miscellanies appeared. The introduction reviews this period of Fielding's career and describes the circumstances leading up to the original publication of Miscellanies by subscription, and the historical and biographical contexts of the works included in Volume Two. The text follows the significant features of the 1743 presentation, as far as possible; the Greg-Bowers `Rationale' hitherto observed in the Wesleyan Edition is refined and augmented by more recent textual theorizing. The full,uncensored text of The Wedding Day, from Larpent MS 39 in the Huntington Library, is given as an appendix to the censored form published in Miscellanies.
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Henry Howard, the Poet Earl of Surrey

Henry Howard, the Poet Earl of Surrey

W. A. Sessions

Oxford University Press
2003
nidottu
The first comprehensive biography of Henry Howard, Poet Earl of Surrey, this influential book fills a major gap in the history of early modern British culture. Sessions's narrative combines historical scholarship with close readings of poetic texts and Tudor paintings to explore Surrey's unique life. The first cousin of Queens Anne Boleyn and Catherine Howard (and an influence on his young cousin the Princess Elizabeth), he was beheaded in 1547 on the orders of Henry VIII. Surrey embodied the contradictions of the courtier's role, through his standing both as a representative of the older nobility and heir to the greatest title outside the royal family, and as a poet who wrote innovative texts and created the most enduring poetic forms in England, the English sonnet and blank verse. More and more, critics and scholars have called for a more contemporary and wider assessment of his role in Tudor society. Sessions uses Surrey's redefinition of the role of Tudor courtier through his poems, his unique portraits, his military campaigns, and his political presence, to reveal how he created the first image in England of the Renaissance courtier. Surrey is also shown to embody the rather more modern image of the poet who writes and invents in the midst of radical violence.
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Henry Vaughan's Silex Scintillans

Henry Vaughan's Silex Scintillans

Philip West

Oxford University Press
2001
sidottu
It has been said that the poems of Vaughan's Silex Scintillans (1650; 1655) are the most biblical in English: this book revises our understanding of that claim, not by rejecting it, but by asking what it might have meant in the 1650s. Recovering the historical, literary, and scriptural context of Vaughan's poetry and his neglected prose works, particularly The Mount of Olives (1652), this study reveals the different ways in which Vaughan's work is shot through and fired by the Bible as it was read in the 'Godly nation' of the mid-seventeenth century. The uses, or scripture practices, singled out, relate both to his position as an 'Anglican survivalist' during the Commonwealth and to his acceptance of George Herbert's task of writing 'true hymns': his reading of the Genesis story of Jacob as an analogue for his own experiences as a Christian and as an image of the true Church in the 1650s; his framing of Silex Scintillans as an act of thanksgiving modelled on Hezekiah's song in Isaiah; his construction of a paraliturgical 'rule' of holy living; his exposure of the 'false prophets' of the Last Days prophesied by Christ; and his profoundly scriptural rejection of the fraud (as he saw it) of millenarian religion.
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Henry, Archdeacon of Huntingdon: Historia Anglorum

Henry, Archdeacon of Huntingdon: Historia Anglorum

Henry of Huntingdon

Clarendon Press
1996
sidottu
This is the first complete edition and translation of the Historia Anglorum ( History of the English People) by Henry, Archdeacon of Huntingdon (c. 1088-c.1157). The main narrative covers the history of England from the invasions of Julius Caesar down to the accession of King Henry II in 1154, and includes the only contemporary account of the entire reign of King Stephen (1135-54). In the influential circle of successive bishops of Lincoln, Henry was often at the centre of political life - a practical man whose consciousness of the world extended far beyond the limits of his archdeaconry, a visitor to France and Rome. His work is a major source for events in England and Normandy in his lifetime. Henry's pages are filled with good stories, including the first written record of Cnut and the waves, and of Henry's death from a surfeit of lampreys. The final two books consist of poems that show Henry to be one of the finest of Anglo-Latin poets. Henry's work has never before been published in its entirety. The 1879 edition in the Rolls series provided only a Latin text, omitted three books and other sections of the text, and failed to take account of several manuscripts. The critical edition in the present volume shows the author's successive revisions and continuations of his text. It is offered with parallel translation and historical notes. The introduction provides a fresh appraisal of Henry's career, incorporates new discoveries about his family origins and education, and assesses his importance as a poet and historian.
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Henry's Wars and Shakespeare's Laws

Henry's Wars and Shakespeare's Laws

Theodor Meron

Clarendon Press
1993
sidottu
Shakespeare's Henry V has traditionally been acclaimed for its impressive depiction of the psychological and political impact of warfare, and it remains one of the most widely-discussed plays in the canon. In this highly original, scholarly, and thought-provoking study Professor Meron uses rare medieval ordinances and other medieval and Renaissance historical and legal sources to provide challenging new contexts for Shakespeare's famous play. The result is a gripping account of how Henry V and other `Histories' dramatically articulated complex medieval and Renaissance attitudes to warfare and the conduct of nations and individuals in time of war. The author uses the play and the campaign itself as a frame for the examination of the medieval laws of war, and examines stability and change in attitudes towards the laws of war.
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Henry Oldenburg

Henry Oldenburg

Marie Boas Hall

Oxford University Press
2002
sidottu
Henry Oldenburg, born in 1619 in Bremen, Germany, first came to England as a diplomat on a mission to see Oliver Cromwell. He stayed on in England and in 1662 became the Secretary of the Royal Society, and its best known member to the entire learned world of his time. Through his extensive correspondence, now published, he disseminated the Society's ideals and methods at home and abroad. He fostered and encouraged the talents of many scientists later to be far more famous than he, including Newton, Flamsteed, Malpighi, and Leeuwenhoek with whom, as with many others, he developed real friendship. He founded and edited the Philosophical Transactions, the world's oldest scientific journal. His career sheds new light on the intellectual world of his time, especially its scientific aspects, and on the development of the Royal Society; his private life expands our knowledge of social mobility, the urban society, and the religious views of his time.
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Henry Green

Henry Green

Nick Shepley

Oxford University Press
2016
sidottu
Henry Green: Class, Style, and the Everyday offers a critical prism through which Green's fiction--from his earliest published short stories, as an Eton schoolboy, through to his last dialogic novels of the 1950s--can be seen as a coherent, subtle, and humorous critique of the tension between class, style, and realism in the first half of the twentieth century. The study extends on-going critical recognition that Green's work is central to the development of the novel from the twenties to the fifties, acting as a vital bridge between late modernist, inter-war, post-war, and postmodernist fiction. The overarching contention is that the shifting and destabilizing nature of Green's oeuvre sets up a predicament similar to that confronted by theorists of the everyday. Consequently, each chapter acknowledges the indeterminacy of the writing, whether it be: the non-singular functioning (or malfunctioning) of the name; the open-ended, purposefully ambiguous nature of its symbols; the shifting, cinematic nature of Green's prose style; the sensitive, but resolutely unsentimental depictions of the working-classes and the aristocracy in the inter-war period; the impact of war and its inconsistent irruptions into daily life; or the ways in which moments or events are rapidly subsumed back into the flux of the everyday, their impact left uncertain. Critics have, historically, offered up singular readings of Green's work, or focused on the poetic or recreative qualities of certain works, particularly those of the 1940s. Green's writing is, undoubtedly, poetic and extraordinary, but this book also pays attention to the clichéd, meta-textual, and uneventful aspects of his fiction.
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Henry James's Style of Retrospect

Henry James's Style of Retrospect

Oliver Herford

Oxford University Press
2016
sidottu
Henry James's Style of Retrospect traces James's engagement with the writing of the recent past across the last twenty-five years of his life and examines the thoroughgoing change his style underwent in this last phase of his career, as his focus turned from the observation of contemporary manners to biographical commemoration and autobiographical reminiscence, and the balance of his output gradually shifted from fiction to non-fiction. The 'late personal writings' of the book's subtitle are works of retrospective non-fiction. They are a varied group, representing a broad array of genres and occasions: commemorative essays and obituary tributes, textual revisions and accounts of revisiting familiar places, cultural and literary criticism, biography and autobiography, and family memoir. Oliver Herford proposes that we read the late personal writings as a coherent sequence, bound together by a close texture of cross-references and allusive echoes, and united by James's newly discovered sense for the literary possibilities of non-fiction. Closely analyzing the style of these writings, this study offers a boldly revisionist account of the way style itself challenges and preoccupies the very late James. A linked series of innovative close readings takes the major works of this period in sequence, addressing a key point of style in each: particular attention is paid to procedures of reference (to the historical past, to real persons and places and objects), a dimension of style often neglected and sometimes actively slighted in analyses of James's late work. Henry James's Style of Retrospect asks what it means for so distinguished a novelist to alter the foundations of his written manner so strikingly in late life, and shows how we may begin to reconfigure our understanding of late Jamesian aesthetics accordingly.
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Henry James and the Art of Impressions

Henry James and the Art of Impressions

John Scholar

Oxford University Press
2020
sidottu
Henry James criticized the impressionism that was revolutionizing French painting and fiction. He satirized the British aesthetic movement whose keystone was impressionist criticism. So why, time and again in important parts of his literary work, did James use the word 'impression'? Henry James and the Art of Impressions argues that James tried to wrest the impression from the impressionists and to recast it in his own art of the novel. Interdisciplinary in its range, philosophical and literary in its focus, the book shows the place of James's work within the wider cultural history of impressionism. It draws on painting, philosophy, psychology, literature, and critical theory to examine James's art criticism, early literary criticism, travel writing, reflections on his own fiction, and the three great novels of his major phase, The Ambassadors, The Wings of the Dove, and The Golden Bowl. It shows how the language of impressions enables James to represent the most intense moments of consciousness of his characters. It argues that the Jamesian impression is best understood as a family of related ideas bound together by James's attempt to reconcile the novel's value as a mimetic form with its value as a transformative creative activity.
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Henry VII's New Men and the Making of Tudor England

Henry VII's New Men and the Making of Tudor England

Steven Gunn

Oxford University Press
2023
nidottu
The reign of Henry VII is important but mysterious. He ended the Wars of the Roses and laid the foundations for the strong governments of Henry VIII and Elizabeth I. Yet his style of rule was unconventional and at times oppressive. At the heart of his regime stood his new men, low-born ministers with legal, financial, political, and military skills who enforced the king's will and in the process built their own careers and their families' fortunes. Some are well known, like Sir Edward Poynings, governor of Ireland, or Empson and Dudley, executed to buy popularity for the young Henry VIII. Others are less famous. Sir Robert Southwell was the king's chief auditor, Sir Andrew Windsor the keeper of the king's wardrobe, Sir Thomas Lovell, the Chancellor of the Exchequer so trusted by Henry that he was allowed to employ the former Yorkist pretender Lambert Simnel as his household falconer. Some paved the way to glory for their relatives. Sir Thomas Brandon, master of the horse, was the uncle of Henry VIII's favourite Charles Brandon, duke of Suffolk. Sir Henry Wyatt, keeper of the jewel house, was father to the poet Sir Thomas Wyatt. This volume, based on extensive archival research, presents a kaleidoscopic portrait of the new men. It analyses the offices and relationships through which they exercised power and the ways they gained their wealth and spent it to sustain their new-found status. It establishes their importance in the operation of Henry's government and, as their careers continued under his son, in the making of Tudor England.
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Henry VI, Part II

Henry VI, Part II

Christopher Marlowe; William Shakespeare

Oxford University Press
2026
nidottu
'The first thing we do, let's kill all the lawyers.' Henry VI, Part II opens with a wedding and ends with a civil war, cycling through witchcraft, adultery, multiple murders, pirates, and an entire popular rebellion across its five acts. Its characters are larger-than-life, wielding curses as easily as they do swords or daggers, conjuring demons to seek prophetic knowledge, and transforming a struggle for the English throne into a cosmic blood feud between the houses of York and Lancaster. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Henry Fielding - Plays

Henry Fielding - Plays

Henry Fielding

Oxford University Press
2004
sidottu
This is the first of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in edited form. Fielding came to the novel-writing for which he is best known after an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur in a cheerfully mocking form of drama journalistically devoted to contemporary experience, culture, and politics. This volume presents the first seven of these plays in a critical unmodernized edition based on the original texts, with explanatory notes and commentary on sources, stage history, and critical reception, as well as appendices accounting for textual variation, bibliography, and musical sources.
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Henry Fielding - Plays, Volume II, 1731 - 1734

Henry Fielding - Plays, Volume II, 1731 - 1734

Clarendon Press
2007
sidottu
This is the second of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a classic novelist and the author of Tom Jones, but like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off-stage. This volume presents nine plays from one of the most productive and successful periods of Fielding's theatre career. One of them, The Grub-Street Opera, is a ballad opera cheerfully mocking various public characters including the Prime Minister, Prince of Wales, and even King and Queen. Another, The Modern Husband, is a dark comedy attacking the cynical merchandising of sex, marriage, and influence among what passes for polite society in 1730s London. Most of the plays in this volume were major hits with long stage lives in repertory, including The Lottery, The Intriguing Chambermaid, and two of the great Molière adaptations of the century, The Mock Doctor and The Miser. Fielding wrote all four of those plays as star vehicles for the great Drury Lane musical actress Catherine Clive. The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
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Henry Fielding - Plays, Volume III 1734-1742

Henry Fielding - Plays, Volume III 1734-1742

Oxford University Press
2011
sidottu
This is the third and final volume of plays representing the only modern edition of Fielding's dramatic works. Most have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a novelist but, like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off stage. This volume presents nine plays from the final and most controversial years of his theatre career. The first, Don Quixote in England, is a ballad opera homage to Quixotic idealism played out against rustic English opportunism. Two other plays, including the long-running favourite The Virgin Unmask'd, were written as star vehicles for Fielding's brilliant colleague Catherine Clive. The Universal Gallant is another of Fielding's ventures in serious social comedy, but the heart of the volume, as of this concluding period of Fielding's dramatic career, is the group of audacious satirical plays he wrote when he was running his own makeshift company at the Little Haymarket Theatre, including Pasquin and The Historical Register. Audiences flocked to these productions to see the cultural and political life of the moment ridiculed in Aristophanic explicitness, notoriously in one case (Eurydice Hiss'd) including a mocking stage caricature of the prime minister himself. That unamused minister, Sir Robert Walpole, shortly after saw through the 1737 Licensing Act which put an end to unsanctioned playhouses and plays, and to Fielding's own career in theatre. The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
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Henry Fielding - The Journal of a Voyage to Lisbon, Shamela, and Occasional Writings

Henry Fielding - The Journal of a Voyage to Lisbon, Shamela, and Occasional Writings

Clarendon Press
2008
sidottu
This book completes the authoritative Wesleyan Edition of Fielding's nondramatic writings. It features two of Fielding's classic works: The Journal of a Voyage to Lisbon written as he sailed to Portugal hoping, in vain, to recover his health; and Shamela, the hilarious parody of Richardson's Pamela that led to Joseph Andrews and the beginning of his career as novelist. The volume also includes every other work of Fielding's not to be found in the twelve previous volumes of the nondramatic writings. Here the reader will find in section I, Occasional Verse: 'The Masquerade'; the unfinished 'Cantos'; a burlesque of Pope's 'Dunciad'; 'Plain Truth'; 'A Dialogue between a Beau's Head and his Heels'; 'An Epistle to Mr. Lyttleton'; as well as three epilogues and a prologue. In section II, Occasional Prose: 'A Full Vindication of the Dutchess Dowager of Marlborough'; the translation of Aristophanes' 'Plutus, the God of Riches'; Preface to Sarah Fielding's Adventures of David Simple; 'The Female Husband'; 'Ovid's Art of Love Paraphrased'; Preface and letters xl-xliv of Sarah Fielding's Familiar Letters between the Principal Characters in David Simple; and 'A Fragment of a Comment on L. Bolingbroke's Essays'. The appendicies include writings recently attributed to Fielding, supplementary material relating to the voyage to Lisbon, and the full textual apparatus.
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Henry IV, Part I: The Oxford Shakespeare

Henry IV, Part I: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
As Henry's throne is threatened by rebel forces, England is divided. The characters reflect these oppositions, with Hal and Hotspur vying for position, and Falstaff leading Hal away from his father and towards excess. During Shakespeare's lifetime Henry IV, Part I was his most reprinted play, and it remains enormously popular with theatregoers and readers. Falstaff still towers among Shakespeare's comic inventions as he did in the late 1590s. David Bevington's introduction discusses the play in both peformance and criticism from Shakespeare's time to our own, illustrating the variety of interpretations of which the text is capable. He analyses the play's richly textured language in a detailed commentary on individual words and phrases and clearly explains its historical background. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Henry V: The Oxford Shakespeare

Henry V: The Oxford Shakespeare

William Shakespeare

Oxford University Press
2008
nidottu
Henry V, the climax of Shakespeare's sequence of English history plays, is an inspiring, often comic celebration of a young warrior-king. But it is also a study of the costly exhilarations of war, and of the penalties as well as the glories of human greatness. Introducing this brilliantly innovative edition, Gary Taylor shows how Shakespeare shaped his historical material, examines controversial critical interpretations, discusses the play's fluctuating fortunes in performance, and analyses the range and variety of Shakespeare's characterization. The first Folio text is radically rethought, making original use of the First Quarto (1600). ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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