Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Kathi Linz
"Es ist ja der Tod, der sie f hrt." K the Kollwitz (1867-1945) war eine der bekanntesten deutschen K nstlerinnen des 20. Jahrhunderts. Ihre Werke umfassen unter anderem Radierungen, Kupferstiche, Lithografien und Holzschnitte. In der vorliegenden Ausgabe stellt Arthur Bonus Untersuchungen zu Kollwitz' Leben und Werk an. Darin geht er gezielt gegen die vorherrschende Annahme vor, dass Kollwitz' Werken religi se Motive zugrunde liegen. Die vor ihrem Tod ver ffentlichte Ausgabe wird von 186 Bildtafeln begleitet.
Käthe und Gusti. "Die raue Nazi-Wirklichkeit lehrte uns, keine richtigen Deutschen zu sein."
Detert Zylmann
Diplomica Verlag
2023
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Die letzte Folge meiner Familiengeschichte, angefangen mit den Feldpostbriefen meines Vaters, der Inhaftierung meines Gro vaters wegen angeblicher Vorbereitung zum Hochverrat und der Biographie unserer Familie und der meiner eigenen, m chte ich schlie en mit dem Versuch, den Lebensweg zweier mit meiner Familie befreundeten j dischen Menschen aufzuzeigen, die unter der Gewaltherrschaft der Nationalsozialisten gelitten haben und zu Opfern wurden. Es sind die Leidensgeschichten der K nstlerin K the Steinitz und der R ntgenschwester Auguste Friedburg, genannt Gusti. Ihre Schicksale gleichen denen vieler Millionen j discher Menschen w hrend der Nationalsozialistischen Diktatur. W hrend Frau Steinitz und ihre Familie in die USA emigrieren konnten, wurde Auguste Friedburg nach Theresienstadt deportiert, wo sie unter nicht gekl rten Umstanden verstarb.
Kathy Barnes
Equ Press
2012
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KATI ATIKLARIN ÇEVREYE ETK¿S¿ VE ALTERNAT¿F BERTARAF METODLARI
Ayhan ¿Amandar
Lap Lambert Academic Publishing
2020
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ALL THE 13 STORIES HAVE BEEN WRITTEN DURING MY STAY IN THE SERENE VICINITY OF GOMANTAK SINCE LAST FOUR YEARS. EACH WOMAN APPEARED TO SOLVE THE LIFE PUZZLE IN HER OWN UNIQUE WAY. THOUGH THE CHARACTERS ARE FICTITIOUS, THE QUESTIONS THAT THEY HAVE ARE TRUE TO THEIR FULLEST. A FEW OF THESE WOMEN HAVE FACED LIFE SENSIBLY AND IN SANE MANNER. INDEED, THEY WERE CONFRONTED WITH A VICIOUS TURN IN LIFE WHICH THEY CROSSED IN A POISED MANNER. I GUESS THIS WAS POSSIBLE BECAUSE OF THE EQUILIBRIUM WITH WHICH THEY LED THEIR LIVES AND ALSO BECAUSE THEY WERE BASICALLY MATURED IN ALL ASPECTS. 'LADY DIANA' AND 'JASWANDI' PORTRAY TYPICAL WOMEN FROM GOMANTAK HAVING COMPLETE FAITH UPON LOVE. THE OTHERS LIKE 'ASAWARI', 'POORVA', 'RESHMA', OR THOSE WHOM WE COME ACROSS IN STORIES LIKE 'MOKAL ZAAD', 'LEKURWALA' OR 'HARAVALELA CHANDRA' HAVE THE ABILITY TO ANSWER THE QUESTIONS THAT THEY HAVE COME ACROSS. THEY HAVE INDEED REACHED THEIR FINAL DESTINATION. THE CHARACTER IN 'KATHA SAWALICHI' IS THE ONE WHO HAS WILLINGLY ACCEPTED TO BE A SHADOW. TO BE A SHADOW OR TO HAVE A SEPARATE IDENTITY IS AFTER ALL INDIVIDUAL PERSPECTIVE. I HAVE TRIED MY BEST TO PORTRAY THESE CHARACTERS IN SHADES I UNDERSTOOD...गेली चार वर्षे, गोमंतकातल्या निसर्गरम्य गावी वास्तव्य झाले व याच कालखंडातील या कथांचा जन्म यामधल्या तेराही कथा स्त्री-जीवनकथा आहेत. कथेमधली प्रत्येक स्त्री ही मला पडलेल्या स्त्री-जीवनाचे कोडे सोडवणारी स्त्री बनली. सर्व पात्रे काल्पनिक आहेत पण त्यांचे जीवन व प्रश्न मात्र वास्तव आहेत. काही स्त्रिया विलक्षण समजूतदारपणाने जीवनाला सामऱ्या जातात. त्यांच्या जीवनाला आलेले वाईट वळण, समंजसपणाने त्यांनी ओलांडलेले असते, याचे कारण त्यांच्या विचाराची मूळ बैठकच प्रौढ, समंजस असावी, असे मला वाटते. 'लेडी डायना' आणि 'जास्वंदी' या खास गोमंतकीय स्त्रिया, प्रेमावर अतूट विश्वास बाळगणाNया, तर 'आसावरी', 'पूर्वा', 'रेशमा' या कथानायिका अगर 'मोकळं झाड' किंवा 'लेकुरवाळा', 'हरवलेला चंद्र'मधल्या कथानायिका यांनी स्वत समोरची प्रश्नचिन्हे... स्वत च सोडवून त्या पूर्णविरामाला पोहोचल्या आहेत. 'कथा सावलीची' ही एका सावलीची भूमिका स्वीकारणारी स्त्रीकथा आपण सावलीची भूमिका स्वीकारावी की स्वत ची स्वतंत्र सावली निर्माण करावी, हा पुन्हा जिचा तिचा स्वतंत्र प्रश्न आहे. माझ्या मगदुराप्रमाणे मी त्यांना व्यक्त करण्याचा प्रयत्न केला आहे.
STORY TELLING A NON-STOP PROCESS; ONE CANNOT TAKE A PAUSE IN BETWEEN. THE STORY-TELLER HAS TO KEEP THE SPECTATORS BUSY THROUGHOUT. HE HAS TO CREATE AN ATMOSPHERE FOR THEM, SO TRULY THAT THEY SHOULD FEEL THE EXISTENCE OF THE CHARACTERS AND INCIDENTS APPEARING OR HAPPENING IN FRONT OF THEM; AND WHILE DOING SO, THE STORY-TELLER HAS TO DIPLOMATICALLY ACT AS IF HE IS MEETING THE PEOPLE OR WITNESSING THE EXPERIENCES FOR THE FIRST TIME. HE SHOULD NEVER LOSE THE FRESHNESS IN IT. STORY-TELLING IS AN ART. IT HAS TO BE EFFECTIVE, NARRATIVE AND FLOWING. THIS ART HAS TO BE PRACTICED VERY WELL. THIS PRESENT BOOK REVEALS THE HISTORY OF THIS ART ALONG WITH EXPLANATIONS AND ANALYSIS BY THE AUTHOR HIMSELF.
Kashi Milel Icchapasun Mukti - Aantar Manache Programming (Marathi)
Wow Publishing Pvt
2017
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Stories of Wisdom for Dreamers and Thinkers Raja or Rishi? King or Kingmaker? Man or Mystic? Emperor Chadragupta's beloved teacher, Chanakya had a life that was as fraught with mystery as it was replete with wisdom. His words and actions were meticulously engineered and executed. Chanakya taught the important lessons in life by example and that is exactly what veteran author Radhakrishnan Pillai does through this wonderful book. Katha Chanakya narrates tales from the great Acharya's life, and puts into modern context the policies and practices of India's most strategic dreamer and thinker. Some of these stories are real and some fictional. But all are focused on the welfare of the people, be it the dilemma of choosing a new leader, rooting out corruption or defeating a great enemy. If you have a vision, if you have a dream, Katha Chanakya will help you make it a reality. Radhakrishnan Pillai is the bestselling author of Corporate Chanakya, Chanakya's 7 Secrets of Leadership and Chanakya in You. He has researched Kautilya's Arthashastra extensively and has a Master's degree in Sanskrit. With 20 years of experience as a management consultant and speaker, he heads the Leadership Center in University of Mumbai.
BORN ON 8TH AUGUST 1926, SHANKAR PATIL WAS THE MOST FAMOUS AMONGST THE CONTEMPORARY AUTHORS FOR HIS STORIES BASED MOSTLY ON THE RURAL LIFE. HIS LANGUAGE TYPICALLY REFLECTED THE BEAUTY OF VILLAGE LIFE. THOUGH HE WAS A PROMINENT STORY WRITER, HE SUCCESSFULLY TRIED HIS HANDS OVER THE OTHER FORMS OF LITERATURE INCLUDING THE DRAMA FORMAT. INITIALLY, HIS THEMES APPEAR TO BE SIMPLE BUT IF STUDIED AT DEPTH ONE IS TO SEE THE MANYFOLD DIMENSIONS INVOLVED IN HIS WRITING PROCESS. ENTERTAINMENT IS NOT HIS SOLITARY AIM. HIS WRITING REFLECTS HIS CONCERN AND COMMITMENT FOR THE SOCIETY. INSTEAD OF CLINGING TO THE RITUALS AND TRADITIONS HE AIMS AT FINDING OUT NEW MEANINGS FOR ACHIEVING BETTER LIVING STANDARDS. HIS WRITING HAS THE BASE OF A SENSITIVE MIND WHICH IS COMPLETELY HARMONIOUS WITH THE NATURE. HE UNDERSTANDS AND ACCEPTS CHANGE AS EASILY AS ONE BREATHES UNDER THE NORMAL CIRCUMSTANCES.
Katha Prize Stories: v. 1
Katha
2002
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Here are 14 award-winning stories whose accent is on the inherent heterogeneity of contemporary India, an India constantly negotiating contradictions and coming-togethers in fiction that both creates and breaks stereotypes.
Katha Prize Stories: v. 2
Katha
2002
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Katha Prize Stories: v. 3
Katha
2002
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Katha Prize Stories: v. 4
Katha
2002
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