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1000 tulosta hakusanalla Neil T. Sinclair

The North American Trajectory

The North American Trajectory

Neil Nevitte

AldineTransaction
1996
sidottu
North America is steering a new course, with the United States, Canada, and Mexico moving toward continental economic, integration. This book examines basic value changes that are' transforming economic, social, and political life in these three countries, demonstrating that they are gradually adopting an increasingly compatible cultural perspective. A narrow nationalism, dominant since the 19th century, has slowly been giving way to a more cosmopolitan sense of identity. As old economic boundaries become outmoded, a North American perspective makes greater sense. To what extent, then, do the three North American publics - I each with its own heterogeneities and tensions - share a common culture? That question can only be answered if we have some yardstick by which to measure their cultural similarity. These societies are far from identical. But data from the 1990- 1991 World Values survey, drawn from 43 societies around the world, show that on crucial topics, the core values of the American public are significantly closer to those of the Canadians and (to a somewhat lesser extent) to those of the Mexicans, than they are to those of most other peoples in the world. Furthermore, time series evidence indicates that the values of the three North American publics have been converging. This book draws on a unique body of directly comparable cross-national and cross-temporal survey evidence to show that what Americans, Canadians, and Mexicans want out of life is changing in analogous ways. These changes, coupled with sociostructural transformations, are reshaping peoples' feelings about national identity, about trusting each other, and about the balance between economic and non-economic goals. North American economic integration is being reinforced by the gradual emergence of increasingly similar cultural values.
The North American Trajectory

The North American Trajectory

Neil Nevitte

AldineTransaction
1996
nidottu
North America is steering a new course, with the United States, Canada, and Mexico moving toward continental economic, integration. This book examines basic value changes that are' transforming economic, social, and political life in these three countries, demonstrating that they are gradually adopting an increasingly compatible cultural perspective. A narrow nationalism, dominant since the 19th century, has slowly been giving way to a more cosmopolitan sense of identity. As old economic boundaries become outmoded, a North American perspective makes greater sense. To what extent, then, do the three North American publics - I each with its own heterogeneities and tensions - share a common culture? That question can only be answered if we have some yardstick by which to measure their cultural similarity. These societies are far from identical. But data from the 1990- 1991 World Values survey, drawn from 43 societies around the world, show that on crucial topics, the core values of the American public are significantly closer to those of the Canadians and (to a somewhat lesser extent) to those of the Mexicans, than they are to those of most other peoples in the world. Furthermore, time series evidence indicates that the values of the three North American publics have been converging. This book draws on a unique body of directly comparable cross-national and cross-temporal survey evidence to show that what Americans, Canadians, and Mexicans want out of life is changing in analogous ways. These changes, coupled with sociostructural transformations, are reshaping peoples' feelings about national identity, about trusting each other, and about the balance between economic and non-economic goals. North American economic integration is being reinforced by the gradual emergence of increasingly similar cultural values.
Spanish Fly

Spanish Fly

Neil Rollinson

Jonathan Cape Ltd
2001
nidottu
Continuing where he left off with A Spillage of Mercury, Neil Rollinson's eagerly awaited new collection delves again into the dark, moist, unexpected bag of human experience. Taking the themes of love, sex, and life's unpredictable mysteries and excitements, he scrapes away at the veneer of normality to reveal a world that is instantly stranger and more compelling than before.Rollinson revisits the erotic with his usual wit and bravado, in poems that are sometimes playful and sensitive, sometimes visceral and shocking. He explores scientific subjects through bedroom eyes, introducing the idea of entropy to the lovers' lexicon; he makes sport a backdrop for loneliness - his characters playing golf on the moon, taking the final penalty in the shoot-out, or wandering aimlessly and forever through the high grass of the village-cricket boundary. Diverse and provocative, vibrant and accessible, Spanish Fly is an unusually happy combination: a successful stimulant and a wholly satisfying performance.
Demolition

Demolition

Neil Rollinson

Jonathan Cape Ltd
2007
nidottu
With the frank, subversive, and very funny poems in his first two books, Neil Rollinson established himself as a deft cartographer of the sensual world. While a rich and tactile eroticism still courses through Demolition, there is a new seriousness here, as mortality starts to throw its long shadow. These poems occupy a more rueful, reflective space - provisional, mercurial and fragile - a darker place where disintegration and loss are the only certainties, and memory is the only solid ground. Central to this is the death of the father - whether the poet's own, or the lost fathers of Borges or Vallejo - and the theme is broadened through a number of moving examinations of the erosion of time and youth. Against this gathering darkness, Rollinson sets a spirited defence, blending the lyric and vernacular voice in a muscular celebration of food, sex, sport and the natural world that is unusually refreshing, and sophisticated enough to allow both humour and profundity.The poems in Demolition never give up hope; they exhibit a tenacious optimism - or at least a steely pragmatism - that says: we have what we are given, there is no alternative, and we all must find what joy we can in life, and in its living.
Talking Dead

Talking Dead

Neil Rollinson

Vintage Publishing
2015
nidottu
Shortlisted for the 2015 Costa Poetry PrizeLike Neil Rollinson’s earlier books, Talking Dead is a refreshment of the senses: lifting the lid on the human condition in a heartfelt celebration of the act of being, whether in moments of love or mortality, sex or feasting.In the central sequence of the book – a meditation on the space between life and death – the dead speak of their final earthly moments with a liberating sense of fascination, and a luminous awe. Elsewhere we enjoy al fresco sex, astronomy via many pints in the Cat and Fiddle, and the deliverance of an Indian monsoon after weeks of thirst and drought. In ‘Christmas in Andalucia’ two lovers Skype each other achingly across hundreds of miles – ‘I am full of loss and longing,’ the poet says, ‘the heart is hewn from elm and oak and mistletoe.’As provocative, sensual and subversive as ever, these poems seek and find the numinous in the everyday: some element of ritual or wonder that transforms experience. Although the spectre of darkness is never far away, it is the spirit of pleasure that endures, and we discover to our delight, as D. H. Lawrence did, that the Dionysian finally prevails over the Apollonian.
Edison

Edison

Neil Baldwin

University of Chicago Press
2001
nidottu
The genius of Thomas Edison is widely acknowledged, and Edison himself has become an almost mythical figure. But how much do we really know about the man who considered deriving rubber from a goldenrod plant as opposed to the genius who gave us electric light? In this text, Neil Baldwin gives a complex portrait of the inventor - both myth and man - and an account of the intellectual climate of the country he worked in and irrevocably changed.
Capital Culture

Capital Culture

Neil Harris

University of Chicago Press
2013
sidottu
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of that time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown's achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American history and culture with extensive archival research, interviewing dozens of key players to reveal how Brown's showmanship transformed the National Gallery. At the time of the Cold War, Washington itself was growing into a global destination, with Brown as its devoted booster. Harris describes Brown's major role in the birth of blockbuster exhibitions, such as the King Tut show of the late 1970s and the National Gallery's immensely successful Treasure Houses of Britain, which helped inspire similarly popular exhibitions around the country. He recounts Brown's role in the creation of the award-winning East Building by architect I. M. Pei and the subsequent renovation of the West Building. Harris also explores the politics of exhibition planning, describing Brown's courtship of corporate leaders, politicians, and international dignitaries. In this monumental book, Harris brings to life a dynamic era and exposes the creation of Brown's impressive but costly legacy, one that changed the face of American museums forever.
You Were Never in Chicago

You Were Never in Chicago

Neil Steinberg

University of Chicago Press
2013
nidottu
In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the "Second City." From garbage collection to the skyline, nothing escaped Liebling's withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, "You were never in Chicago." Neil Steinberg has lived in and around Chicago for more than three decades-ever since he left his hometown of Berea, Ohio, to attend Northwestern - yet he remains fascinated by the dynamics captured in Liebling's anecdote. In You Were Never in Chicago, Steinberg weaves the story of his own coming-of-age as a young outsider who made his way into the inner circles and upper levels of Chicago journalism with a nuanced portrait of the city that would surprise even lifelong residents. Throughout, Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong. Intimate and layered, You Were Never in Chicago will be a welcome addition to the bookshelves of all Chicagoans - be they born in the city or forever transplanted.
The Commerce of War

The Commerce of War

Neil Coffee

University of Chicago Press
2009
sidottu
Latin epics such as Virgil's "Aeneid", Lucan's "Civil War", and Statius' "Thebaid" addressed Roman aristocrats whose dealings in gifts, favors, and payments defined their conceptions of social order. In "The Commerce of War", Neil Coffee argues that these exchanges play a central yet overlooked role in epic depictions of Roman society. Tracing the collapse of an aristocratic worldview across all three poems, Coffee highlights the distinction they draw between reciprocal gift giving among elites and the more problematic behaviors of buying and selling. In the "Aeneid", customary gift and favor exchanges are undermined by characters who view human interaction as short-term and commodity-driven. "Civil War" takes the next logical step, illuminating how Romans cope once commercial greed has supplanted traditional values. Concluding with the "Thebaid", which focuses on the problems of excessive consumption rather than exchange, Coffee closes his powerful case that these poems constitute far-reaching critiques of Roman society during its transition from republic to empire.
Freedom as Marronage

Freedom as Marronage

Neil Roberts

University of Chicago Press
2015
sidottu
What is the opposite of freedom? In Freedom as Marronage, Neil Roberts answers this question with definitive force: slavery. From there he unveils powerful new insights on the human condition as it has been understood between these poles. Crucial to his investigation is the concept of marronage - a form of slave escape that was an important aspect of Caribbean and Latin American slave systems. Examining this overlooked phenomenon - one of action from slavery and toward freedom - he deepens our understanding of freedom itself and the origin of our political ideals. Roberts examines the liminal and transitional space of slave escape in order to develop a theory of freedom as marronage, which contends that freedom is fundamentally located within this space-that it is a form of perpetual flight. He engages a stunning variety of writers, including Hannah Arendt, W. E. B. Du Bois, Angela Davis, Frederick Douglass, Samuel Taylor Coleridge, and the Rastafari, among others, to develop a compelling lens through which to interpret the quandaries of slavery, freedom, and politics that still confront us today. The result is a sophisticated, interdisciplinary work that unsettles the ways we think about freedom by always casting it in the light of its critical opposite.
Out of the Wreck I Rise: A Literary Companion to Recovery

Out of the Wreck I Rise: A Literary Companion to Recovery

Neil Steinberg; Sara Bader

University of Chicago Press
2016
sidottu
"There's still time to change things."--Siri Hustvedt, The Blazing World Addiction is easy to fall into and hard to escape. It destroys the lives of individuals, and has a devastating cost to society. The National Institute of Health estimates seventeen million adults in the United States are alcoholics or have a serious problem with alcohol. At the same time, the country is seeing entire communities brought to their knees because of opioid additions. These scourges affect not only those who drink or use drugs but also their families and friends, who witness the horror of addiction. With Out of the Wreck I Rise, Neil Steinberg and Sara Bader have created a resource like no other--one that harnesses the power of literature, poetry, and creativity to illuminate what alcoholism and addiction are all about, while forging change, deepening understanding, and even saving lives. Structured to follow the arduous steps to sobriety, the book marshals the wisdom of centuries and explores essential topics, including the importance of time, navigating family and friends, relapse, and what Raymond Carver calls "gravy," the reward that is recovery. Each chapter begins with advice and commentary followed by a wealth of quotes to inspire and heal. The result is a mosaic of observations and encouragement that draws on writers and artists spanning thousands of years--from Seneca to David Foster Wallace, William Shakespeare to Patti Smith. The ruminations of notorious drinkers like John Cheever, Charles Bukowski, and Ernest Hemingway shed light on the difficult process of becoming sober and remind the reader that while the literary alcoholic is often romanticized, recovery is the true path of the hero. Along with traditional routes to recovery--Alcoholics Anonymous, out-patient therapy, and intensive rehabilitation programs--this literary companion offers valuable support and inspiration to anyone seeking to fight their addiction or to a struggling loved one. Featuring Charles Bukowski, John Cheever, Dante, Ricky Gervais, Ernest Hemingway, Billie Holiday, Anne Lamott, John Lennon, Haruki Murakami, Ana s Nin, Mary Oliver, Samuel Pepys, Rainer Maria Rilke, J. K. Rowling, Patti Smith, Kurt Vonnegut, and many more.
Freedom as Marronage

Freedom as Marronage

Neil Roberts

University of Chicago Press
2015
nidottu
What is the opposite of freedom? In Freedom as Marronage, Neil Roberts answers this question with definitive force: slavery. From there he unveils powerful new insights on the human condition as it has been understood between these poles. Crucial to his investigation is the concept of marronage - a form of slave escape that was an important aspect of Caribbean and Latin American slave systems. Examining this overlooked phenomenon - one of action from slavery and toward freedom-he deepens our understanding of freedom itself and the origin of our political ideals. Roberts examines the liminal and transitional space of slave escape in order to develop a theory of freedom as marronage, which contends that freedom is fundamentally located within this space - that it is a form of perpetual flight. He engages a stunning variety of writers, including Hannah Arendt, W. E. B. Du Bois, Angela Davis, Frederick Douglass, Samuel Taylor Coleridge, and the Rastafari, among others, to develop a compelling lens through which to interpret the quandaries of slavery, freedom, and politics that still confront us today. The result is a sophisticated, interdisciplinary work that unsettles the ways we think about freedom by always casting it in the light of its critical opposite.
The Artist in American Society

The Artist in American Society

Neil Harris

University of Chicago Press
1982
nidottu
What was the place of the artist in a new society? How would he thrive where monarchy, aristocracy, and an established church—those traditional patrons of painting, sculpture, and architecture—were repudiated so vigorously? Neil Harris examines the relationships between American cultural values and American society during the formative years of American art and explores how conceptions of the artist's social role changed during those years.
Cultural Excursions

Cultural Excursions

Neil Harris

University of Chicago Press
1990
nidottu
Neil Harris's scholarship of the past twenty-five years has helped to open up the study of American cultural history. This long-awaited collection gathers some of his rich and varied writings. Harris takes us from John Philip Sousa to Superman, with stops along the way to explore art museums and world fairs, shopping malls and hotel lobbies, urban design and utopian novels, among other artifacts of American cultures. The essays fall into three general sections: the first treats the history of cultural institutions, highlighting the role of museums; the second section focuses on some literary, artistic, and entrepreneurial responses to the new mass culture; and the final group of essays explores the social history of art and architecture. Throughout Harris's diverse writings certain themes recur—the redefining of boundaries between high art and popular culture, the relationship between public taste and technological change, and the very notion of what constitutes a shared social experience. Harris's pioneering work has broadened the field of cultural history and encouraged whole new areas of inquiry. Cultural Excursions will be useful for those in American and culture studies, as well as for the general reader trying to make sense of the culture in which we live.
The Chicagoan

The Chicagoan

Neil Harris

University of Chicago Press
2008
sidottu
While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name "The Chicagoan". Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles. He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory.Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the "Chicagoan" claimed to represent 'a cultural, civilized, and vibrant' city 'which needs make no obeisance to Park Avenue, Mayfair, or the Champs-Elysees.' Urbane in aspiration and first published just sixteen months after the 1925 appearance of the "New Yorker", it sought passionately to redeem the Windy City's unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest. Harris' substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and '30s. The author then lets the "Chicagoan" speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features, and even one issue reprinted in its entirety.Recalling a vivid moment in the life of the Second City, the "Chicagoan" is a forgotten treasure, offered here for a whole new age to enjoy.
Capital Culture

Capital Culture

Neil Harris

University of Chicago Press
2016
nidottu
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown's achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American history and culture with extensive archival research, and he has interviewed dozens of key players to reveal how Brown's showmanship transformed the National Gallery. At the time of the Cold War, Washington itself was growing into a global destination, with Brown as its devoted booster. Harris describes Brown's major role in the birth of blockbuster exhibitions, such as the King Tut show of the late 1970s and the National Gallery's immensely successful Treasure Houses of Britain, which helped inspire similarly popular exhibitions around the country. He recounts Brown's role in creating the award-winning East Building by architect I. M. Pei and the subsequent renovation of the West building. Harris also explores the politics of exhibition planning, describing Brown's courtship of corporate leaders, politicians, and international dignitaries. In this monumental book Harris brings to life this dynamic era and exposes the creation of Brown's impressive but costly legacy, one that changed the face of American museums forever.
Imperfect Alternatives – Choosing Institutions in Law, Economics, and Public Policy
In this text Neil Komesar argues that the emphasis on goal choice in public policy and law ignores an essential element - institutional choice. Indeed, as important as determining our social goals is deciding which institution is best equipped to implement them - the market, the political process, or the adjucative process. Pointing out that all three institutions are massive, complex, and imperfect, Komesar develops a strategy for comparative institutional analysis that assesses variations in institutional ability. He then demonstrates the value of this analytical framework by using it to examine important contemporary issues ranging from tort reform to constitution-making.
Out of the Wreck I Rise: A Literary Companion to Recovery

Out of the Wreck I Rise: A Literary Companion to Recovery

Neil Steinberg; Sara Bader

University of Chicago Press
2018
nidottu
"There's still time to change things."--Siri Hustvedt, The Blazing World Addiction is easy to fall into and hard to escape. It destroys the lives of individuals, and has a devastating cost to society. The National Institute of Health estimates seventeen million adults in the United States are alcoholics or have a serious problem with alcohol. At the same time, the country is seeing entire communities brought to their knees because of opioid additions. These scourges affect not only those who drink or use drugs but also their families and friends, who witness the horror of addiction. With Out of the Wreck I Rise, Neil Steinberg and Sara Bader have created a resource like no other--one that harnesses the power of literature, poetry, and creativity to illuminate what alcoholism and addiction are all about, while forging change, deepening understanding, and even saving lives. Structured to follow the arduous steps to sobriety, the book marshals the wisdom of centuries and explores essential topics, including the importance of time, navigating family and friends, relapse, and what Raymond Carver calls "gravy," the reward that is recovery. Each chapter begins with advice and commentary followed by a wealth of quotes to inspire and heal. The result is a mosaic of observations and encouragement that draws on writers and artists spanning thousands of years--from Seneca to David Foster Wallace, William Shakespeare to Patti Smith. The ruminations of notorious drinkers like John Cheever, Charles Bukowski, and Ernest Hemingway shed light on the difficult process of becoming sober and remind the reader that while the literary alcoholic is often romanticized, recovery is the true path of the hero. Along with traditional routes to recovery--Alcoholics Anonymous, out-patient therapy, and intensive rehabilitation programs--this literary companion offers valuable support and inspiration to anyone seeking to fight their addiction or to a struggling loved one. Featuring Charles Bukowski, John Cheever, Dante, Ricky Gervais, Ernest Hemingway, Billie Holiday, Anne Lamott, John Lennon, Haruki Murakami, Ana s Nin, Mary Oliver, Samuel Pepys, Rainer Maria Rilke, J. K. Rowling, Patti Smith, Kurt Vonnegut, and many more.
Sons, Daughters, and Sidewalk Psychotics

Sons, Daughters, and Sidewalk Psychotics

Neil Gong

THE UNIVERSITY OF CHICAGO PRESS
2024
sidottu
Sociologist Neil Gong explains why mental health treatment in Los Angeles rarely succeeds, for the rich, the poor, and everyone in between. In 2022, Los Angeles became the US county with the largest population of unhoused people, drawing a stark contrast with the wealth on display in its opulent neighborhoods. In Sons, Daughters, and Sidewalk Psychotics, sociologist Neil Gong traces the divide between the haves and have-nots in the psychiatric treatment systems that shape the life trajectories of people living with serious mental illness. In the decades since the United States closed its mental hospitals in favor of non-institutional treatment, two drastically different forms of community psychiatric services have developed: public safety-net clinics focused on keeping patients housed and out of jail, and elite private care trying to push clients toward respectable futures. In Downtown Los Angeles, many people in psychiatric crisis only receive help after experiencing homelessness or arrests. Public providers engage in guerrilla social work to secure them housing and safety, but these programs are rarely able to deliver true rehabilitation for psychological distress and addiction. Patients are free to refuse treatment or use illegal drugs—so long as they do so away from public view. Across town in West LA or Malibu, wealthy people diagnosed with serious mental illness attend luxurious treatment centers. Programs may offer yoga and organic meals alongside personalized therapeutic treatments, but patients can feel trapped, as their families pay exorbitantly to surveil and “fix” them. Meanwhile, middle-class families—stymied by private insurers, unable to afford elite providers, and yet not poor enough to qualify for social services—struggle to find care at all. Gong’s findings raise uncomfortable questions about urban policy, family dynamics, and what it means to respect individual freedom. His comparative approach reminds us that every “sidewalk psychotic” is also a beloved relative and that the kinds of policies we support likely depend on whether we see those with mental illness as a public social problem or as somebody’s kin. At a time when many voters merely want streets cleared of “problem people,” Gong’s book helps us imagine a fundamentally different psychiatric system—one that will meet the needs of patients, families, and society at large.