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1000 tulosta hakusanalla Olga Pattern

Rave

Rave

Olga Broumas

Copper Canyon Press
1999
pokkari
The ChoirI walk and I rest while the eyes of my dead look through my own, inaudible hosannas greet the panorama charged serene and almost ultraviolet with so much witness. Holy the sea, the palpitating membrane divided into dazzling fields and whaledark by the sun. Holy the dark, pierced by late revelers and dawnbirds, the garbage truck suspended in shy light, the oystershell and crushed clam of the driveway, the dahlia pressed like lotus on its open palm. Holy the handmade and created side by side, the sapphire of their marriage, green flies and shit in condums in the crabshell rinsed by the buzzing tide. Holy the light-- the poison ivy livid in its glare, the gypsy moths festooning the pine barrens, the mating monarch butterflies between the chic boutiques. The mermaids handprint on the artificial reef. Holy the we, cast in the mermaid's image, smooth crotch of mystery and scale, inscrutable until divulged by god and sex into its gender, every touch a secret intercourse with angels as we walk proffered and taken. Their great wings batter the air, our retinas bloom silver spots like beacons. Better than silicone or graphite flesh absorbs the shock of the divine crash-landing. I roll my eyes back, skylights brushed by plumage of detail, the unrehearsed and minuscule, the anecdotal midnight themes of the carbon sea where we are joined: zinnia, tomato, garlic wreaths crowning the compost heap.ElegySomebody left the world last night, I felt it so, last minute, last half-breath before the storm that hit all night last night drew back. Midmorning windows streaked with mud like sides of ears. How longthe journey? Sails, the windowpanes the black thick tarp that kept the woodpile. Dry Southern wind, in minutes clothes bone-hard, clamped to the line. Clouds heaving in. The sky, the sky, who did arriveto kiss the eye behind the windswept sheet? Who was it, solo no longer, shy and desirous to be clean? What song arose, what crust between the lids spat and forgot? I woke, my fingers in my eyes
Puerto Rico's Revolt for Independence

Puerto Rico's Revolt for Independence

Olga Jimenez de Wagenheim

Markus Wiener Publishing Inc
1994
nidottu
This text interprets Puerto Rico's attempt to end its colonial dependence on Spain. It examines the policies within Puerto Rico that led to the 1868 rebellion known as El Grito de Lares, and explores why the movement began decades after Spain's other colonies in the region had revolted.
Puerto Rico

Puerto Rico

Olga Jimenez de Wagenheim

Markus Wiener Publishing Inc
2006
sidottu
A detailed analysis of Puerto Rican society during the Spanish colonial period, highlighting the roles and responsibilities of women and workers. Rather than celebrating the victors, the author has composed the book from the viewpoint of the colonized, suppressed and exploited.
Puerto Rico

Puerto Rico

Olga Jimenez de Wagenheim

Markus Wiener Publishing Inc
2006
nidottu
A detailed analysis of Puerto Rican society during the Spanish colonial period, highlighting the roles and responsibilities of women and workers. Rather than celebrating the victors, the author has composed the book from the viewpoint of the colonized, suppressed and exploited.
Nationalist Heroines

Nationalist Heroines

Olga Jiménez de Wagenheim

Markus Wiener Publishing Inc
2016
sidottu
From the moment the United States seized Puerto Rico, in 1898, to the 1950s, the islanders employed various forms of resistance against American colonial rule. Starting in the 1930s a group of Nationalists was determined to free Puerto Rico, by armed struggle if necessary.A Nationalist revolution took full force in 1950. A commando of men and women attacked the governor’s residence and assaulted police stations throughout the island. Others attempted to assassinate President Truman In Washington. In 1954, Dolores Lebrón led three male companions in an attack on the U.S. House of Representatives in which five congressmen were shot for keeping Puerto Rico in bondage.Massive arrests followed and forty-one women were detained, two of whom were sentenced to life in prison.While the male Nationalists have been celebrated as heroes in Puerto Rico, the women have gone unmentioned This book seeks to rescue the stories of the women who gave up their freedom in the quest to liberate their homeland.
Nationalist Heroines

Nationalist Heroines

Olga Jiménez de Wagenheim

Markus Wiener Publishing Inc
2016
nidottu
From the moment the United States seized Puerto Rico, in 1898, to the 1950s, the islanders employed various forms of resistance against American colonial rule. Starting in the 1930s a group of Nationalists was determined to free Puerto Rico, by armed struggle if necessary.A Nationalist revolution took full force in 1950. A commando of men and women attacked the governor’s residence and assaulted police stations throughout the island. Others attempted to assassinate President Truman In Washington. In 1954, Dolores Lebrón led three male companions in an attack on the U.S. House of Representatives in which five congressmen were shot for keeping Puerto Rico in bondage.Massive arrests followed and forty-one women were detained, two of whom were sentenced to life in prison.While the male Nationalists have been celebrated as heroes in Puerto Rico, the women have gone unmentioned This book seeks to rescue the stories of the women who gave up their freedom in the quest to liberate their homeland.
The Sum of My Parts

The Sum of My Parts

Olga Trujillo

New Harbinger Publications
2012
pokkari
Olga Trujillo's childhood was marked by such extensive violence and sexual abuse that she developed the ability to observe scenes from her life as though they were happening to someone else. Blocking herself from the terrors of her real life, Olga began to "go away in her head" and create alternate senses of herself, or "parts"-distinct personalities that allowed her to compartmentalize and temporarily forget her father's attacks so that she could make friends and attend school like any other child. Dissociative identity disorder (DID) had taken hold. Formerly known as multiple personality disorder, DID helped Olga to function, but this disorder is associated with horrifying flashbacks, suicidal thoughts, mood swings, memory loss, panic attacks, and the confusion of not knowing one's true identity.The Sum of My Parts is the story of Trujillo's courageous struggle to understand and overcome the psychological aftereffects of her abusive childhood and an inspiring look into the remarkable power of the human brain to protect itself at all costs. After years of relying on a complex network of fragmented memories in order to function and survive, Olga learns to integrate her parts through psychotherapy and begins to see the whole picture of her life for the first time. Today, Olga Trujillo is an attorney, speaker, and advocate for victims of domestic violence and child abuse. This memoir of triumph over the most devastating conditions will enlighten and inspire anyone whose life has been affected by violence, abuse, or trauma.
Cinema for Russian Conversation, Volume 1

Cinema for Russian Conversation, Volume 1

Olga Kagan; Mara Kashper; Yuliya Morozova

Focus Publishing/r Pullins C
2005
pokkari
Cinema for Russian Conversation covers fourteen Russian language films in two volumes that are used as the basis for discussion and language acquisition, teaching vocabulary, strengthening oral and written skills, and as well as an introduction to Russian culture. The films (arranged in historical order) are selected to provide interesting viewing, key cultural information, and accessible language levels. Each chapter of the book is devoted to a single movie and includes aids for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. Also included: vocabulary helpful to understanding and discussing the film; structured exercises in understanding the film once it has been viewed, especially for discussion in class; an accompanying reading for each film designed to provide perspective on the film itself.
All Russians Love Birch Trees

All Russians Love Birch Trees

Olga Grjasnova

Other Press LLC
2014
nidottu
An award-winning debut novel about a quirky immigrant's journey through a multicultural, post-nationalist landscape Set in Frankfurt, All Russians Love Birch Trees follows a young immigrant named Masha. Fluent in five languages and able to get by in several others, Masha lives with her boyfriend, Elias. Her best friends are Muslims struggling to obtain residence permits, and her parents rarely leave the house except to compare gas prices. Masha has nearly completed her studies to become an interpreter, when suddenly Elias is hospitalized after a serious soccer injury and dies, forcing her to question a past that has haunted her for years. Olga Grjasnowa has a unique gift for seeing the funny side of even the most tragic situations. With cool irony, her debut novel tells the story of a headstrong young woman for whom the issue of origin and nationality is immaterial--her Jewish background has taught her she can survive anywhere. Yet Masha isn't equipped to deal with grief, and this all-too-normal shortcoming gives a particularly bittersweet quality to her adventures.
Getting Beyond "Interesting"

Getting Beyond "Interesting"

Olga M. Nesi

Libraries Unlimited Inc
2012
muu
Make use of a detailed plan and ready-to-use lessons for teaching appeal terms and Book Hook writing to students. Getting Beyond "Interesting": Teaching Students the Vocabulary of Appeal to Discuss Their Reading is a practical application book that gives librarians all the tools they need to implement the teaching of both appeal terms and Book Hook writing and sharing. When students know how to write Book Hooks and have access to an easy-to-use system for allowing students to share Book Hooks, the result is greatly increased reading through the power of peer recommendations. This book not only supplies a detailed plan for teaching appeal terms and Book Hook writing, but it also provides two extensive appendices containing all the black line masters and forms needed to implement these lessons. As a result, practitioners will be able to enhance their students' reading culture through increased sharing of reading—and most importantly, by empowering students with the ability to clearly define their reading preferences.
Split Ends

Split Ends

Olga Thompson

BRIDGE-LOGOS PUBLISHING
2025
pokkari
“Mullets, tragedies and knowing the right plates to smash.” Actor, writer and comedienne Olga Thompson shares her story of growing up in the 80s, in her vibrant family hair salon, El Greco Of Hornsey. A quirky, yet candid account of ‘growing up Greek’, in a post immigrant Britain. Join Olga as she sweeps up the Split Ends of her life, reflecting on her childhood, navigating the ups and the downs of motherhood and getting real about menopause (with every hairdressing pun intended). From hilarious anecdotes to both heartbreaking and heartwarming moments, she takes the reader on a journey through her upbringing with nostalgia, humour and authenticity. So come on, step through the door of El Greco, and enjoy the highlights and lowlights so far, finished off with a generous spray of big, fat, Greek encouragement.
The Gaze on the Past

The Gaze on the Past

Olga López-Valero Colbert

Bucknell University Press
2007
sidottu
This book explores Antonio Muñoz Molina's creation of compelling narratives about Spain's immediate past by engaging in a dynamic dialogue with popular culture subgenres and the media. The author asserts that popular culture functions in Muñoz Molina's novels as provider of a series of strategies that represent in the text aspects of Francoism and the Transition that, because of their relevance, are part of the structure of feeling of those periods. The study focuses on the role of popular music, film, photography, the thriller, the romance novel as well as the radio and other gadgets of modern technology in Muñoz Molina's Novels. The Gaze on the Past argues that through the incorporation of popular culture in texts, Muñoz Molina undertakes a deliberate and intense reflection on memory and on the creation of historical moments, highlighting their desire to be heard.
Freedom to Believe

Freedom to Believe

Olga Sedakova

Bucknell University Press
2010
sidottu
Freedom to Believe is a powerful collection of philosophical and religious essays by a modern poet of distinction. It introduces a highly original and controversial thinker to the Western reader. Olga Sedakova's central philosophical thought lies in the notion of existential freedom in its association with the liberating power of the arts, especially poetry. These convictions place her firmly in the Russian and European classical cultural traditions, which, in turn, have deep roots in Christianity. Devoutly Orthodox yet fiercely independent in her thinking, Sedakova's ecumenical humanism places her in opposition to both the "new left" and modern fundamentalism. Indeed, Sedakova's "conservatism" is more genuinely new than the so-called radicalism of the postmodernists, as she castigates "old totalitarianism" and new commercialism alike, in the name of a new cultural poetics and politics.
Literature of Crisis

Literature of Crisis

Olga Bezhanova

Bucknell University Press
2017
sidottu
The book explores novels, essays and poetry published by Spanish writers in response to the global economic crisis that began in 2008. Spain has been experiencing the crisis in a particularly painful way, and the artistic response to these traumatic events has been powerful and abundant. The literature of the crisis is pointing to the probability that the crisis is not a temporary problem that will be resolved once and for all if correct economic measures are taken. To the contrary, there is every reason to believe that the losses in long-term employment, the growing precariousness of work, the increased economic insecurity, the citizens' disillusionment with the capacity of democratic governments to withstand the pressures of global capital, the erosion of the welfare state, and the explosive growth in inequality that we associate with the crisis are not likely to be reversed. Spanish artists are exploring the reasons behind Spain's particularly painful experience of the crisis and, at the same time, are placing the suffering that the crisis is causing in Spain within the context of global developments that are ensuring its durability. Essays by Antonio Muñoz Molina and Lucía Etxebarria, novels by Rafael Chirbes, Luis García Montero, Benjamín Prado, and Belén Gopegui, and poetry by the artists who contributed to the collections titled En legítima defensa. Poetas en tiempos de crisis and Marca(da) España. Retrato poético de una sociedad en crisis point to the necessity of expanding our vision of the crisis from the purely financial to a broader definition that will include the changes the crisis augurs for the areas of human existence that lie outside the strictly economic realm.