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1000 tulosta hakusanalla Robert Cottrell

Robert W. Tebbs, Photographer to Architects

Robert W. Tebbs, Photographer to Architects

Richard Anthony Lewis; Robert J. Cangelosi Jr

Louisiana State University Press
2011
sidottu
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here. Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views. A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery. Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew. Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, René Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.
Selected Letters of Robert Penn Warren

Selected Letters of Robert Penn Warren

Robert Penn Warren

Louisiana State University Press
2013
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In the last decade of his life, Robert Penn Warren remained a vibrant force in American literature, producing new works of poetry and nonfiction while also dealing courageously with the gradual decline of his health and the diminishment of his poetic powers. Toward Sunset, at a Great Height, 1980-1989, the sixth and final volume of the author's selected letters, provides crucial documentation of this period, containing Warren's correspondence with friends, family, fellow writers, editors, critics, and the scholars studying his works.Warren published several volumes of poetry, including Being Here (1980), Rumor Verified (1981), and Chief Joseph of the Nez Perce (1983), and returned to nonfiction prose with Jefferson Davis Gets His Citizenship Back (1980) and the memoir Portrait of a Father (1988).His letters reveal that he tried to begin writing a novel but was unable to make substantial progress on it, and that from 1985 on he became increasingly dissatisfied with his new poems. Until his death at age eighty-four, however, Warren maintained an active correspondence filled with news about his writings and travels, accounts of the lives of his wife and children, and a stoic attitude about his own physical decline as well as a solicitousness regarding the health of others, such as his brother, Thomas, and sister, Mary. He communicated with rising young scholars and encouraged younger poets he admired.Toward Sunset, at a Great Height offers rich insights into the closing chapter of Robert Penn Warren's professional and personal life, making it an essential resource for understanding the full scope of the author's contribution to American letters.
Robert Livingston and the Politics of Colonial New York, 1654-1728

Robert Livingston and the Politics of Colonial New York, 1654-1728

Leder Lawrence H.

The University of North Carolina Press
2012
nidottu
This is the biography of a wily Scots settler who arrived in New York in 1675 and became one of the colony's wealthiest and most powerful citizens. His career illustrates the growing breach between English and American approaches to political and administrative problems.Originally published in 1961.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Robert Cole's World

Robert Cole's World

Walsh Lorena S.

The University of North Carolina Press
1991
nidottu
In 1652 Robert Cole, an English Catholic, moved with his family and servants to St. Mary's County, Maryland. Using this family's story as a case study, the authors of Robert Cole's World provide an intimate portrait of the social and economic life of a middling planter in the seveneenth-century Chesapeake, including work routines and agricultural techniques, the upbringing of children, neighborhood relationships and community formation, and the role of religion. The Cole Plantation account, a record that details what the plantation produced, consumed, purchased, and sold over a twelve-year period, is the only known surviving document of its kind for seventeenth-century British America. Along with Cole's will, it serves as the framework around which the authors build their analysis. Drawing on these and other records, they present Cole as an exemplar of the ordinary planter whose success created the capital base for the slave-based plantation society of the eighteenth century.
Robert Lowell's Language of the Self

Robert Lowell's Language of the Self

Wallingford Katherine

The University of North Carolina Press
2012
nidottu
Katharine Wallingford's incisive study treats Robert Lowell's work as a poetry of self-examination and explores the ways in which he used methods common to psychoanalysis and other forms of psychotherapy in his poetry. Although he was never psychoanalyzed in a strictly Freudian sense, Lowell spent many years in psychotherapy. Wallingford stresses not the pathological aspects of Lowell's work, however, but rather his lifelong process of self-examination, a process with ethical as well as psychological dimensions. She links this process to the tradition of self-scrutiny that Lowell inherited from his New England Puritan ancestors.Through close readings of the poetry and of unpublished drafts of several poems as well as letters from Lowell to George Santayana, Allen Tate, and his cousin Harriet Winslow, Wallingford treats Lowell's use of specific psychoanalytic techniques: free association, repetition, concentration on the relation between the poet and the ""other"" to whom he addresses himself, and the use of memory to probe the past. The book considers as well the role the narrative plays in these psychoanalytic and poetic techniques.Lowell believed firmly in the identity of self and language -- ""one life, one writing"" -- and this study brings us closer to an understanding both of the poet and of his dense and moving poetry. It enriches our reading of Lowell's poetry by calling attention to the ways in which his poetic techniques are analogous to and to some extent derived from psychoanalytic techniques -- techniques that have in our time become integrated into our culture as a whole.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Robert Russa Moton of Hampton and Tuskegee

Robert Russa Moton of Hampton and Tuskegee

Patterson Frederick D.

The University of North Carolina Press
2012
nidottu
This is the inspiring biography of the one-time commandant of cadets at Hampton Institute and the successor to Booker T. Washington at Tuskegee Institute as related by his lifelong friends, colleagues, and students. The years he spent at Tuskegee in the shadow of the great and the vision and courage necessary to change that institution from a vocational school to a liberal arts college are vividly recounted.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Robert Coover

Robert Coover

Gordon Lois

SOUTHERN ILLINOIS UNIVERSITY PRESS
1991
sidottu
With works ranging thematically and stylistically from "The Universal Baseball Association "to "The Public Burning, "from "Pricksongs and Descants "to "Spanking the Maid, "Robert Coover emerges as one of the most vibrant writers from a remarkable avant-garde that in the mid-1960s mounted serious assault on traditional ideas of form and content in world literature.Lois Gordon here defines Coover s novels, short stories, and plays in terms of his contemporaries: among Americans, Donald Barthelme, William Gass, John Hawkes, and others; among Europeans, Julio Cortazar, Robert Pinget, and Italo Calvino, to name a few. These writers dismiss the conventions of traditional formlinear plot, character development, definable theme, Aristotle s unities of time and spaceas no longer appropriate in the modern world.Coover writes in a dazzling variety of forms and styles; in each he demonstrates a diversity of the style and manipulates the trappings of every conventional formfrom Old Comedy to theater of the absurd. He also translates or transposes techniques associated with other art forms, such as film montage or operatic interlude. In Coover s hands, any of these forms are fair game for parody. Gordon notes: Coover s method, more specifically is this: at the same time that he maintains a strong narrative line he counterpoints it (his musical term is descants ) with numerous mythic, legendary, or symbolic levels which serve to explode any final meaning or resting point. Nothing is staticpersonality, event, human values. Coover writes about a continual flux in which everything is constantly qualified and dramatically altered. He portrays the public and private rituals that man construes to barter inner and outer disorder. "
Robert Drew and the Development of Cinema Verite in America

Robert Drew and the Development of Cinema Verite in America

P.J. O'Connell

Southern Illinois University Press
2010
nidottu
Author P. J. O’Connell traces Robert Drew’s influence on cinema verite through extensive interviews with Drew and with some of the founding fathers of American cinema verite filmmaking—Donn Alan Pennebaker, Gregory Shuker, and Richard Leacock. Robert Drew’s contributions to documentary film have been both technical and conceptual. Realizing that his equipment was too heavy and intrusive, Drew persuaded Time-Life Broadcasting to sponsor the development of new, lightweight, portable synchronous sound equipment that freed documentary filmmakers from the bulky, tripod-mounted, AC-powered equipment of the past. His new technology allowed him to capture intense moments as they happened, and to make viewers feel personally involved in the events he presented. While making more than twenty documentaries in the early 1960s, Drew continued to initiate innovations that were not thought possible a generation before him. P. J. O’Connell is the executive producer of public affairs at Penn State Television and an affiliate assistant professor in the School of Communication at Penn State University.
Robert E. Howard's Weird Works Volume 1: Shadow Kingdoms
Shadow Kingdoms is the first volume of the Weird Works of Robert E. Howard, presenting all of Howard's work for the pulp magazine Weird Tales meticulously restored to its original magazine texts.This volume begins with "Spear and Fang," Howard's first professional fiction sale, and concludes with "Red Thunder," a gripping sword & sorcery tale. Series characters present in this volume include King Kull and Solomon Kane.Edited by Paul Herman. Introduction by Mark Finn. Cover by Stephen Fabian.
Robert E. Howard's Weird Works Volume 4: Wings In The Night
Wings in the Night collects Robert E. Howard's fiction and prose published in Weird Tales Magazine from July 1932 to May 1933. These works represent literary stepping-stones to Howard's infamous Cthulhu mythos stories and his most famous character of all — Conan the Cimmerian — and ably demonstrate that each of Howard's stories improved and added to his formidable skills as a master of fantasy and adventure.
Robert E. Howard's Weird Works Volume 3: People Of The Dark
The third volume of the Weird Works of Robert E. Howard continues reprinting Howard's fantasy from Weird Tales and Strange Tales in order of original publication. All texts have been meticulously restored to their original pulp appearances. Introduction by Joe R. Lansdale. This volume contains: "The Black Stone," "Children of the Night," "The Dark Man," "The Footfalls Within," "Gods of Gal-Sagoth," "Horror from the Mound," "Kings of the Night," "The Last Day," "People of the Dark," "The Song of the Mad Minstrel," and "The Thing on the Roof."
Robert E. Howard's Gates Of Empire

Robert E. Howard's Gates Of Empire

Robert E. Howard

Wildside Press
2006
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Gates of Empire presents eight of Robert E. Howard's classic adventure stories, all of which are set during the Crusades. Stories include "Red Blades of Black Cathay," "Hawks of Outremer," "Blood of Belshazzar," "The Sowers of the Thunder," "The Lion of Tiberias," "The Shadow of the Vulture" and "Gates of Empire"
Robert E. Howard's Weird Works Volume 1: Shadow Kingdoms
Shadow Kingdoms is the first volume of the Weird Works of Robert E. Howard, presenting all of Howard's work from the classic magazine Weird Tales, meticulously restored to its original texts. This volume begins with "Spear and Fang," Howard's first professional fiction sale, and concludes with "Red Thunder," a gripping sword & sorcery tale. Series characters present in this volume include King Kull and Solomon Kane.
Robert E. Howard's Hour Of The Dragon

Robert E. Howard's Hour Of The Dragon

Robert E. Howard

Wildside Press
2008
sidottu
Meticulously restored text by renowned Howard scholar Paul Herman, this is the eighth installment in a ten book definitive chronological collection of Robert E. Howard’s stories that appeared in pulp magazines like the revered Weird Tales. Robert E. Howard is considered the Godfather of Sword and Sorcery, and the creator of the international icon, Conan the Cimmerian.
Robert E. Howard's A Thunder Of Trumpets

Robert E. Howard's A Thunder Of Trumpets

Robert E. Howard

Wildside Press
2007
sidottu
Meticulously restored text by renowned Howard scholar Paul Herman, this is the last in a ten-book definitive chronological collection of Robert E. Howard's stories that appeared in pulp magazines like the revered Weird Tales. Howard is the creator of the international icon, Conan the Cimmerian and considered the Godfather of Sword and Sorcery.
Robert Walser

Robert Walser

Northwestern University Press
2018
nidottu
Interest in the Swiss modernist writer Robert Walser (1878-1956) has widened thanks to high praise from intellectuals such as Susan Sontag, W. G. Sebald, and J. M. Coetzee, and an increasing number of his books are now available in English translation. Robert Walser: A Companion offers the most comprehensive and authoritative guide to Walser’s work available in English to date.Examining Walser’s literary works, milieu, and idiosyncratic writing process, the twelve essays in Robert Walser: A Companion addresses aspects of his biography; discusses the various genres in which he wrote—the novel, short prose, drama, lyric poetry, and letters—and analyzes his best-known novels and short stories alongside lesser-known but no less fascinating poems, dramas, and prose pieces.A welcome addition to scholarship about this idiosyncratic, prolific, and influential writer’s work, Robert Walser: A Companion will be of interest both to established scholars and to those coming to the Walser literature for the first time.