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1000 tulosta hakusanalla Alexandra Porter

Relinquenda

Relinquenda

Alexandra Regalado

BEACON PRESS
2022
nidottu
A 4-part poetry collection that explores women's roles in familial dynamics, immigration, and El Salvador's civil war while reflecting on the death of the poet's father A National Poetry Series winner, selected by the celebrated poet Reginald Dwayne Betts When COVID-19 broke and the United States closed the border to travel, Alexandra Lytton Regalado was separated from family back in El Salvador. She wrote Relinquenda entirely during lockdown as a meditation on cancer, the passing of her father, and the renewed significance of community. The central part of the collection focuses on her father during his 6-year struggle with cancer and considers how his stoicism, alcoholism, and hermitage might serve as mirror and warning. In contrast, she dedicates other poems to what it means for daughters, mothers, and wives to care for another as reflected in her relationships with the men in her life. Situated in the tropical landscapes of Miami, Florida and El Salvador, the poems also negotiate the meaning of home, reflecting on immigration and the ties between United States and El Salvador 30 years after her birth country's decade-long civil war. In a lyrical and often bilingual voice, Regalado explores the impermanence and the body, communication and inarticulation, and the need to let go in order to heal regrets.
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Proud Boys and the White Ethnostate

Proud Boys and the White Ethnostate

Alexandra Minna Stern

Beacon Press
2020
nidottu
What is the alt-right? What do they believe, and how did they take center stage in the American social and political consciousness? From a loose movement that lurked in the shadows in the early 2000s, the alt-right has achieved a level of visibility that has allowed it to expand significantly throughout America's cultural, political, and digital landscapes. Racist, sexist, and homophobic beliefs that were previously unspeakable have become commonplace, normalized, and accepted--endangering American democracy and society as a whole. Yet in order to dismantle the destructive movement that has invaded our public consciousness, we must first understand the core beliefs that drive the alt-right. To help guide us through the contemporary moment, historian Alexandra Minna Stern excavates the alt-right memes and tropes that have erupted online and explores the alt-right's central texts, narratives, constructs, and insider language. She digs to the root of the alt-right's motivations: their deep-seated fear of an oncoming "white genocide" that can only be remedied through swift and aggressive action to reclaim white power. As the group makes concerted efforts to cast off the vestiges of neo-Nazism and normalize their appearance and their beliefs, the alt-right and their ideas can be hard to recognize. Through careful analysis, Stern brings awareness to the underlying concepts that guide the alt-right and animate its overlapping forms of racism, xenophobia, transphobia, and anti-egalitarianism. She explains the key ideas of "red-pilling," strategic trolling, gender essentialism, and the alt-right's ultimate fantasy: a future where minorities have been removed and "cleansed" from the body politic and a white ethnostate is established in the United States. By unearthing the hidden mechanisms that power white nationalism, Stern reveals just how pervasive this movement truly is.
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The Plague Files

The Plague Files

Alexandra Parma Cook; Noble David Cook

Louisiana State University Press
2009
sidottu
In the first half of the 1580s, Seville, Spain, confronted a series of potentially devastating crises. In three years, the city faced a brush with deadly contagion, including the plague; the billeting of troops in preparation for Philip II's invasion of Portugal; crop failure and famine following drought and locust infestation; an aborted uprising of the Moriscos (Christian converts from Islam); bankruptcy of the municipal government; the threat of pollution and contaminated water; and the disruption of commerce with the Indies. While each of these problems would be formidable on its own, when taken together, the crises threatened Seville's social and economic order. In The Plague Files, Alexandra Parma Cook and Noble David Cook reconstruct daily life during this period in sixteenth-century Seville, exposing the difficult lives of ordinary men, women, and children and shedding light on the challenges municipal officials faced as they attempted to find solutions to the public health emergencies that threatened the city's residents. Filling several gaps in the historiography of early modern Spain, this volume offers a history of not only Seville's city government but also the medical profession in Andalusia, from practitioner nurses and barber surgeons (who were often the first to encounter symptoms of plague) to well-trained university physicians. All levels of society enter the picture -- from slaves to the local aristocracy. Drawing on detailed records of city council deliberations, private and public correspondence, reports from physicians and apothecaries, and other primary sources, Cook and Cook recount Seville's story in the words of the people who lived it -- the city's governor, the female innkeepers charged with reporting who recently died in their establishments, the physicians who describe the plague victims' symptoms. As Cook and Cook's detailed history makes clear, in spite of numerous emergencies, Seville's bureaucracy functioned with relative normality, providing basic services necessary for the survival of its citizens. Their account of the travails of 1580s Seville provides an indispensable resource for those studying early modern Spain.
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The Plague Files

The Plague Files

Alexandra Parma Cook; Noble David Cook

Louisiana State University Press
2012
nidottu
In the first half of the 1580s, Seville, Spain, confronted a series of potentially devastating crises. In three years, the city faced a brush with deadly contagion, including the plague; the billeting of troops in preparation for Philip II's invasion of Portugal; crop failure and famine following drought and locust infestation; an aborted uprising of the Moriscos (Christian converts from Islam); bankruptcy of the municipal government; the threat of pollution and contaminated water; and the disruption of commerce with the Indies. While each of these problems would be formidable on its own, when taken together, the crises threatened Seville's social and economic order. In The Plague Files, Alexandra Parma Cook and Noble David Cook reconstruct daily life during this period in sixteenth-century Seville, exposing the difficult lives of ordinary men, women, and children and shedding light on the challenges municipal officials faced as they attempted to find solutions to the public health emergencies that threatened the city's residents. Filling several gaps in the historiography of early modern Spain, this volume offers a history of not only Seville's city government but also the medical profession in Andalusia, from practitioner nurses and barber surgeons (who were often the first to encounter symptoms of plague) to well-trained university physicians. All levels of society enter the picture -- from slaves to the local aristocracy. Drawing on detailed records of city council deliberations, private and public correspondence, reports from physicians and apothecaries, and other primary sources, Cook and Cook recount Seville's story in the words of the people who lived it -- the city's governor, the female innkeepers charged with reporting who recently died in their establishments, the physicians who describe the plague victims' symptoms. As Cook and Cook's detailed history makes clear, in spite of numerous emergencies, Seville's bureaucracy functioned with relative normality, providing basic services necessary for the survival of its citizens. Their account of the travails of 1580s Seville provides an indispensable resource for those studying early modern Spain.
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Before Fanfiction

Before Fanfiction

Alexandra Edwards

LOUISIANA STATE UNIVERSITY PRESS
2023
sidottu
Before Fanfiction investigates the overlapping cultures of fandom and American literature from the late 1800s to the mid-1940s, exploding the oft-repeated myth that fandom has its origins in the male-dominated letter columns of science fiction pulp magazines in the 1930s. By reexamining the work of popular American women writers and their fans, Alexandra Edwards recovers the literary history of American media fandom, drawing previously ignored fangirls into the spotlight.
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Luis Gerónimo de Oré

Luis Gerónimo de Oré

Alexandra Parma Cook; Noble David Cook

LOUISIANA STATE UNIVERSITY PRESS
2023
sidottu
Born in a provincial city in the Peruvian Andes, the Franciscan linguist and theologian Luis Gerónimo de Oré (1554–1630) lived during a critical period in the formation of the modern world, as the global empire of Spain engaged in a nearly continuous struggle over resources and religion.In the first full-length biography of Oré, Noble David Cook and Alexandra Parma Cook reconstruct the friar's life and the communities in which he circulated, tracing the career of this first-generation Creole from his roots in Huamanga to his work in Andean missions, his activities at the royal courts of Spain and throughout Spanish America, until his final years as bishop of Concepción, Chile. While serving in Peru's Colca Valley, Oré composed multilingual texts, translating doctrinal concepts into the indigenous languages Quechua and Aymara, alongside Latin and Spanish, which missionaries and secular clergy frequently used in their conversion efforts. As commissioner to Cuba and La Florida, he inspected the frontier missions along the coast of what became the southeastern United States and wrote an influential history of these outposts and their environment. After Philip III dispatched him to Concepción, Oré spent his last years working in the southernmost end of the Americas, where he continued his advocacy for indigenous justice and engaged in heated arguments with the governor over defensive war, royal patronage, and Indian enslavement.Drawn from research conducted in Spain and Latin America over several decades, this consequential biography recovers from obscurity a colonial friar whose legacy continues in the Andean world today.
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Before Fanfiction

Before Fanfiction

Alexandra Edwards

LOUISIANA STATE UNIVERSITY PRESS
2023
pokkari
Before Fanfiction investigates the overlapping cultures of fandom and American literature from the late 1800s to the mid-1940s, exploding the oft-repeated myth that fandom has its origins in the male-dominated letter columns of science fiction pulp magazines in the 1930s. By reexamining the work of popular American women writers and their fans, Alexandra Edwards recovers the literary history of American media fandom, drawing previously ignored fangirls into the spotlight.
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Lumber Jills: Unsung Heroines of WWII

Lumber Jills: Unsung Heroines of WWII

ALEXANDRA DAVIS

Albert Whitman Company
2019
sidottu
In World War II, Great Britain needed lumber to make planes, ships, and even newspapers--but there weren't enough men to cut down the trees. Enter the fearless Lumber Jills These young women may not have had much woodcutting experience, but they each had two hands willing to work and one stout heart, and they came together to do their part. Discover this lyrical story of home front heroism and female friendship.
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Teaching As Inquiry

Teaching As Inquiry

Alexandra Weinbaum; David Allen; Tina Blythe; Katherine Simon; Steve Seidel; Catherine Saldutti

Teachers' College Press
2004
nidottu
This book offers an engaging and effective approach to improving teacher and student learning. Based on the experiences of three leading educational organizations, the authors provide invaluable, research-based guidelines for incorporating inquiry into teacher's instructional practices and student work as part of the ongoing work of schools. In addition to discussing the lessons learned and questions raised by inquiry work, this volume includes specific considerations for determining who should be involved, what work should be under review, how it should be reviewed, and how such inquiry should be supported by the school.
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Lessons and Legacies XIII

Lessons and Legacies XIII

Alexandra Garbarini; Paul Jaskot; Brad Prager; Dana Smith; Marion Kaplan; Kaelber Lutz; Kubátová Hana; Martin Dean; Jan Grabowski; Simone Gigliotti; Pedro Correa Martín-Arroyo; Jonathan Druker; Gershon Greenberg; Lissa Skitolsky; Dorota Glowacka

Northwestern University Press
2018
nidottu
The social history of the genocide, its representation in postwar culture, and new theoretical approaches stand at the forefront of current research in a range of disciplines. Analyses at the most intimate scale—of the individual or of a particular locale— are juxtaposed with those that turn to broader studies of the war or postwar order. Complementing these different scales are theoretical investigations that address individual agency, moral judgment, and the construction of meaning and memory in the study of the victims of the Holocaust and in our understanding of society as a whole. Together they mark the contemporary scholarly landscape of Holocaust studies, which includes history as well as film and literary studies, philosophy, and religious studies (among other disciplines). Each of the volume's three sections contributes to understanding the Holocaust and postwar ramifications of the genocide by focusing on: 1) the history of specific communities of both victims and perpetrators; 2) postwar cultural representations; and 3) new theoretical understandings of each. The essays in this volume thus represent new interests in the field that contribute to building integrated histories of the Holocaust.
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Lessons and Legacies XIII

Lessons and Legacies XIII

Alexandra Garbarini; Paul Jaskot; Brad Prager; Dana Smith; Marion Kaplan; Kaelber Lutz; Kubátová Hana; Martin Dean; Jan Grabowski; Simone Gigliotti; Pedro Correa Martín-Arroyo; Jonathan Druker; Gershon Greenberg; Lissa Skitolsky; Dorota Glowacka

Northwestern University Press
2018
sidottu
The social history of the genocide, its representation in postwar culture, and new theoretical approaches stand at the forefront of current research in a range of disciplines. Analyses at the most intimate scale—of the individual or of a particular locale— are juxtaposed with those that turn to broader studies of the war or postwar order. Complementing these different scales are theoretical investigations that address individual agency, moral judgment, and the construction of meaning and memory in the study of the victims of the Holocaust and in our understanding of society as a whole. Together they mark the contemporary scholarly landscape of Holocaust studies, which includes history as well as film and literary studies, philosophy, and religious studies (among other disciplines). Each of the volume's three sections contributes to understanding the Holocaust and postwar ramifications of the genocide by focusing on: 1) the history of specific communities of both victims and perpetrators; 2) postwar cultural representations; and 3) new theoretical understandings of each. The essays in this volume thus represent new interests in the field that contribute to building integrated histories of the Holocaust.
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Henning Kronstam

Henning Kronstam

Alexandra Tomalonis

University Press of Florida
2002
sidottu
The story of Henning Kronstam, one of the greatest dancers of 20th-century ballet, is a testament of professional achievement and personal victory. Overcoming illness, family disapproval and his own private torments, Kronstam dominated one of the world's most renowned companies, the Royal Danish Ballet, for nearly 30 years - beginning in 1956 when he created the role of Romeo at the age of 20 in Frederick Ashton's ""Romeo and Juliet"", until a new generation, trained by him, took the stage. In 1979, Kronstam organized and directed the Bournonville Fesival, introducing the world to the rarely performed works of August Bournonville, the Danes' master choreographer. Alexandra Tomalonis has documented Kronstam's major roles as recounted in his own workds, revealing the man behind the dancer. Kronstam's range streched from classical ballet to modern dance; his greatest roles included Bournonville's James; Balanchine's Apollo; Petit's Cyrano; and the Old Clown in Murray Louis's ""Hoopla"". His refusal to substitute ""flash"" for style won him the admiration of his peers, and to many he remains a beacon of artistic integrity. In the writing of this book, the author conducted 200 hours of interviews with Kronstam and talked to over 100 dancers and choreographers, including many who worked with him. She observed classes and rehearsals at the Royal Danish Ballet over a ten-year period and, as such provides the story of the dance company in addition to a biography of the man. The photographs showcase Kronstam's refined classical technique and dramatic range and the theatrical traditions of the Royal Danish Ballet.
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Obesity

Obesity

Alexandra A. Brewis

Rutgers University Press
2010
sidottu
In a world now filled with more people who are overweight than underweight, public health and medical perspectives paint obesity as a catastrophic epidemic that threatens to overwhelm health systems and undermine life expectancies globally. In many societies, being obese also creates profound personal suffering because it is so culturally stigmatized. Yet despite loud messages about the health and social costs of being obese, weight gain is a seemingly universal aspect of the modern human condition.Grounded in a holistic anthropological approach and using a range of ethnographic and ecological case studies, Obesity shows that the human tendency to become and stay fat makes perfect sense in terms of evolved human inclinations and the physical and social realities of modern life. Drawing on her own fieldwork in the rural United States, Mexico, and the Pacific Islands over the last two decades, Alexandra A. Brewis addresses such critical questions as why obesity is defined as a problem and why some groups are so much more at risk than others. She suggests innovative ways that anthropology and other social sciences can use community-based research to address the serious public health and social justice concerns provoked by the global spread of obesity.
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Obesity

Obesity

Alexandra A. Brewis

Rutgers University Press
2010
nidottu
In a world now filled with more people who are overweight than underweight, public health and medical perspectives paint obesity as a catastrophic epidemic that threatens to overwhelm health systems and undermine life expectancies globally. In many societies, being obese also creates profound personal suffering because it is so culturally stigmatized. Yet despite loud messages about the health and social costs of being obese, weight gain is a seemingly universal aspect of the modern human condition.Grounded in a holistic anthropological approach and using a range of ethnographic and ecological case studies, Obesity shows that the human tendency to become and stay fat makes perfect sense in terms of evolved human inclinations and the physical and social realities of modern life. Drawing on her own fieldwork in the rural United States, Mexico, and the Pacific Islands over the last two decades, Alexandra A. Brewis addresses such critical questions as why obesity is defined as a problem and why some groups are so much more at risk than others. She suggests innovative ways that anthropology and other social sciences can use community-based research to address the serious public health and social justice concerns provoked by the global spread of obesity.
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Trapped in a Vice

Trapped in a Vice

Alexandra Cox

Rutgers University Press
2018
nidottu
Winner of the 2019 Outstanding Book Award - ASC DCCSJ?Trapped in a Vice explores the consequences of a juvenile justice system that is aimed at promoting change in the lives of young people, yet ultimately relies upon tools and strategies that enmesh them in a system that they struggle to move beyond. The system, rather than the crimes themselves, is the vice. Trapped in a Vice explores the lives of the young people and adults in the criminal justice system, revealing the ways that they struggle to manage the expectations of that system; these stories from the ground level of the justice system demonstrate the complex exchange of policy and practice.
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Trapped in a Vice

Trapped in a Vice

Alexandra Cox

Rutgers University Press
2018
sidottu
Winner of the 2019 Outstanding Book Award - ASC DCCSJ?Trapped in a Vice explores the consequences of a juvenile justice system that is aimed at promoting change in the lives of young people, yet ultimately relies upon tools and strategies that enmesh them in a system that they struggle to move beyond. The system, rather than the crimes themselves, is the vice. Trapped in a Vice explores the lives of the young people and adults in the criminal justice system, revealing the ways that they struggle to manage the expectations of that system; these stories from the ground level of the justice system demonstrate the complex exchange of policy and practice.
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Precarious Crossings

Precarious Crossings

Alexandra Perisic

Ohio State University Press
2019
sidottu
With global debt, labor, and environmental crises on the rise, the precarious position of people in the Global South has become a significant force moving people across countries, continents, and around the world. Through a comparative study of contemporary trans-Atlantic immigrant narratives in French, Spanish, and English, Alexandra Perisic offers an account of a multilingual Atlantic under neoliberalism. More specifically, Precarious Crossings: Immigration, Neoliberalism, and the Atlantic examines how contemporary authors from the Caribbean, Sub-Saharan Africa, and Latin America-including Roberto Bola o, Giannina Braschi, Maryse Cond , Fatou Diome, Marie Ndiaye, and Caryl Phillips, among others-have reconceptualized the Atlantic from a triangular space into a multipolar one, introducing new destinations for contemporary immigrants and establishing new Atlantic connections. Perisic argues that in traveling beyond the postcolonial route that connects former colonizer and former colonized, these authors also shift their focus from cultural difference and national belonging to precarity-a condition characterized by a lack of economic and social stability and protection-as a shared characteristic under global neoliberalization. She demonstrates how contemporary Atlantic narratives reveal the contradictions inherent in neoliberalism as an ideology-thereby showing how they further participate in Atlantic literary and cultural dialogues and push against literary conventions of various genre as they explore the complexities of a globalized Atlantic.
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Narrative Bonds

Narrative Bonds

Alexandra Valint

Ohio State University Press
2021
sidottu
While narrative fracturing, multiplicity, and experimentalism are commonly associated with modernist and postmodern texts, they have largely been understudied in Victorian literature. Narrative Bonds: Multiple Narrators in the Victorian Novel focuses on the centrality of these elements and address the proliferation of multiple narrators in Victorian novels. In Narrative Bonds, Alexandra Valint explores the ways in which the Victorian multi-narrator form moves toward the unity of vision across characters and provides inclusivity in an era of expanding democratic rights and a growing middle class. Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Bront , and Bram Stoker, this comprehensive and illuminating study illustrates the significance and impact of the multi-narrator structure in Victorian novels.
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Precarious Crossings

Precarious Crossings

Alexandra Perisic

Ohio State University Press
2019
pokkari
With global debt, labor, and environmental crises on the rise, the precarious position of people in the Global South has become a significant force moving people across countries, continents, and around the world. Through a comparative study of contemporary trans-Atlantic immigrant narratives in French, Spanish, and English, Alexandra Perisic offers an account of a multilingual Atlantic under neoliberalism. More specifically, Precarious Crossings: Immigration, Neoliberalism, and the Atlantic examines how contemporary authors from the Caribbean, Sub-Saharan Africa, and Latin America-including Roberto Bola o, Giannina Braschi, Maryse Cond , Fatou Diome, Marie Ndiaye, and Caryl Phillips, among others-have reconceptualized the Atlantic from a triangular space into a multipolar one, introducing new destinations for contemporary immigrants and establishing new Atlantic connections. Perisic argues that in traveling beyond the postcolonial route that connects former colonizer and former colonized, these authors also shift their focus from cultural difference and national belonging to precarity-a condition characterized by a lack of economic and social stability and protection-as a shared characteristic under global neoliberalization. She demonstrates how contemporary Atlantic narratives reveal the contradictions inherent in neoliberalism as an ideology-thereby showing how they further participate in Atlantic literary and cultural dialogues and push against literary conventions of various genre as they explore the complexities of a globalized Atlantic.
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Portraits of the Artist as a Young Woman

Portraits of the Artist as a Young Woman

Alexandra K Wettlaufer

Ohio State University Press
2020
pokkari
As women entered the field of cultural production in unprecedented numbers in nineteenth-century France and Britain, they gradually forged a place for themselves, however tenuous, in artistic movements and exhibitions, in academies and salons, and finally in the public imagination. Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800-1860 focuses on a decisive period in that process of professional self-invention and maps out the concrete and symbolic roles played by women painters, real and fictional, in the construction of female artistic identity in the aesthetic and the public spheres. Alexandra K. Wettlaufer examines the diverse and complex ways canonical and non-canonical women painters and novelists-including Anne Bront , Sydney Owenson, Margaret Gillies, Marceline Desbordes-Valmore, George Sand, and Hortense Haudebourt-Lescot-figured and brought forth the radical image of a female subject representing the world. Wettlaufer brings to light a rich and nearly forgotten culture of women's artistic production, allowing us to understand the nineteenth-century in more complex and nuanced ways across the borders of gender, genre, and nation. In her close readings of paintings by women and novels about women painting, she charts the political and cultural resonances of this artistic self-representation, tracing its evolution through themes of "The Studio" (Part I), "Cosmopolitan Visions" (Part II), and "The Portrait" (Part III). By pairing painting and literature in a single study that also considers works from two distinct but closely related cultures, Portraits of the Artist as a Young Woman locates the interpretation of these works in the dialogic context in which they were created and consumed, highlighting aesthetic and political intersections between nineteenth-century British and French art, literature, and feminism that are too often elided by the disciplinary boundaries of scholarship.
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