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CRAFT: v. 7

CRAFT: v. 7

Carla Sinclair

Make Community, LLC
2008
nidottu
To cobble is to craft! This issue celebrates the world of shoes. We'll show you how to make wooden sandals, baby moccasins, and shoes with interchangeable uppers and soles, just to name a few. And of course this issue will be jam-packed with other crafty projects that will keep you busy for weeks.
CRAFT

CRAFT

O'Reilly Media
2008
nidottu
"CRAFT" is the first project-based magazine dedicated to the renaissance happening within the world of crafts. Celebrating the DIY spirit, "CRAFT"'s goal is to unite, inspire, inform and entertain a growing community of highly imaginative people who are transforming traditional art and crafts with unconventional, unexpected, and even renegade techniques, materials, and tools. Recycled, repurposed, and reused materials are the focus of the projects in this issue, which will also feature a DIY holiday gift guide.
Craft

Craft

O'Reilly Media
2009
nidottu
"CRAFT" is the first project-based magazine dedicated to the renaissance happening within the world of crafts. Celebrating the DIY spirit, "CRAFT's" goal is to unite, inspire, inform and entertain a growing community of highly imaginative people who are transforming traditional art and crafts with unconventional, unexpected, and even renegade techniques, materials, and tools. "Craft Vol. 10" is all about celebrating the DIY way. We'll feature how-tos and articles about planning and executing all types of parties and events, from weddings and baby showers to birthdays and anniversaries. The issue will include instructions for making delicious cakes and party foods, DIY decor and invitations, setting up food and drink stations, coming up with theme ideas, and celebrating different cultural events from around the world.
CRAFT

CRAFT

Make Community, LLC
2006
nidottu
"CRAFT" is the first project-based magazine dedicated to the renaissance that is occurring within the world of crafts. Celebrating the DIY spirit, "CRAFT's" goal is to unite, inspire, inform and entertain a growing community of highly imaginative people who are transforming traditional art and crafts with unconventional, unexpected and even renegade techniques, materials and tools; resourceful spirits who undertake amazing crafting projects in their homes and communities. Volume 01, the premier issue, features 23 projects with a twist! Make a programmable LED shirt, turn dud shoes into great knitted boots, felt an iPod cocoon, embroider a skateboard, and much more.
Craft of Cooking

Craft of Cooking

Tom Colicchio

Crown Publications
2003
sidottu
From Tom Colicchio, chef/co-owner of New York's acclaimed Gramercy Tavern, comes a book that profiles the food and philosophy of Craft, his unique restaurant in the heart of New York's Flatiron district, and winner of the 2002 James Beard Award for Best New Restaurant in America. From its food to its architecture and menu design, Craft has been celebrated for its courageous movement away from culinary theatrics and over-the-top presentations, back to the simple magic of great food. Realizing that his own culinary style had grown increasingly unembellished, and gambling that New York diners were experiencing that same kind of culinary fatigue (brought on by too much "fancy food"), Colicchio set out to prove that the finest food didn't have to be the most complicated. From its opening in March 2001, Craft offered diners simple, soulful dishes centered around single ingredients that went on to shake up many people's ideas of what "restaurant food" should be like. Craft of Cooking leads you through Colicchio's thought process in choosing raw materials--like what to look for in fresh fish, or how to choose the perfect mushroom--to show that good food is available to anyone with access to a good supermarket, farm stand, or gourmet grocery. The book also features "Day-in-the-Life-of-Craft" portraits, which offer a fascinating, behind-the-scenes glimpse at areas of the restaurant beyond the dining room. These segments allow the reader to peer into the fast-paced prep kitchen, to witness the high drama of reservations, and to get a taste of the humor and empathy necessary to serve New York's colorful visitors and foodies. And then there are the recipes. Craft of Cooking presents 140 recipes that range from the simplest dish of spring peas to roasted fish; from lush but effortless braises to complex brining and curing of meat for homemade charcuterie, included to give the reader a "fly-on-the-wall" experience of visiting the Craft kitchen for themselves. Dishes are divided-like the Craft menu itself-into categories of meat, fish, vegetables, potatoes, grains, desserts, and pantry, and then further delineated by technique-roasting, braising, saut ing, etc.-with abundant suggestions and technical tips. Using Tom's straightforward and friendly voice, Craft of Cooking offers recipes suited to any purpose--from a quick family meal to a festive dinner party for twelve. As he did in his James Beard award-winning book, Think Like a Chef, Colicchio uses Craft of Cooking to teach, tell his story, and offer inspiration to cooks of any skill level. With more than 100 full-color and black-and-white photographs, Craft of Cooking is destined to become a staple of home cooks everywhere--the one "restaurant cookbook" they can't live without.
Craft

Craft

Pete Haydon

Clouds of Magellan
2024
sidottu
Poems that contain splinters, sanding, swearing and celebration; poems that circle around small craft and the sea, with occasional forays into the darker deeps.
Craft Burgers and Crazy Shakes from Black Tap
The debut cookbook from NYC's viral sensation Black Tap delivers unique recipes for innovative burgers and sensational, over-the-top milkshakes. Black Tap is no ordinary burgers-and-fries restaurant after opening in NYC's Soho in March 2015, their bold, gourmet-flavored burgers and sky-high milkshakes adorned with donuts, sparklers, and oversized cookies have created amassive cult following on social media and the streets of New York, with people waiting in line for hours just to score a seat at the restaurant's lunch counter. Though Black Tap is known for its assertive flavors and outrageous shakes, at the heart of the brand is the notion of an old-school luncheonette burger deluxe: an expertly prepared burger with all the trimmings, a side of fries, and a milkshake to cap off the meal. In his debut cookbook, Black Tap chef-owner Joe Isidori delivers 40 recipes for the restaurant's signature burgers, tasty condiments and toppings, and gravity-defying milkshakes. With "Craft Burgers and Crazy Shakes," readers will be able to prepare and enjoy all of Black Tap's classic and innovative creations, from their Old Fashioned Burger to the Sour Power Milkshake, in the comfort of their own kitchens, no standing in line required."
Craft of the Wild Witch: Green Spirituality & Natural Enchantment
Wild Witchcraft is a magical, free-spirited philosophy that embraces nature. It resonates with those who yearn to express their inherent spirituality in a joyous, meaningful manner; who sense their wild heart and soul nature; who know there is beauty, magic, and meaning in the world if only we want to find it. It is a magical path for those with poetry in their souls. Evocative and compelling, Craft of the Wild Witch reveals how to practice a form of Witchcraft that is both wild and free. Within these pages you will discover the wild Witch's way of seeing and knowing, how to discern one's suitability for the wild Witch's path, and the fundamental themes of green spirituality. Also covered in this guidebook: Rituals, chants, pathworkings, and seasonal prayers Tree meditations, spell-weaving, and trance work The Fey and other-worldly companions Herbs as helpers Other-life memories Sacred intent and safe practice
Craft Guilds in the Early Modern Low Countries

Craft Guilds in the Early Modern Low Countries

Catharina Lis; Hugo Soly

Ashgate Publishing Limited
2006
sidottu
In the half millennium of their existence, guilds in the Low Countries played a highly significant role in shaping the societies of which they were a part. One key aspect that has been identified in recent historical research to explain the survival of the guilds for such a long time is the guilds' continued adaptability to changing circumstances. This idea of flexibility is the point of departure for the essays in this volume, which sheds new light on the corporate system and identifies its various features and regional variances. The contributors explore the interrelations between economic organisations and political power in late medieval and early modern towns, and address issues of gender, religion and social welfare in the context of the guilds. This cohesive and focussed volume will provide a stimulus for renewed interest and further research in this area. It will appeal to scholars and students with an interest in early modern economic, social and cultural history in particular, but will also be valuable to those researching into political, religious and gender history.
Craft, Space and Interior Design, 1855–2005
Constructed space is defined by its shape, by the materials with which it is enclosed and by the objects that are placed within or decorate its exterior or interior. The interaction of these crafted objects or decorated surfaces with space provides viewers or inhabitants with visual clues about the environment as well as visual cues about decorum: viewers can know what kind of behaviour is expected and what the space means. Furnishings and dress, textile panels and clay pots, stained glass and gesso panels, all defined as craft or decorative art, give architectural space, defined as high art, its character: without craft, architecture is empty and devoid of meaning. This engaging collection of essays presents the first sustained exploration of the relationship of craft to architectural spaces. The book unravels the complex ways in which craft controls, manipulates, organises and defines space, to highlight how the relationship between craft and space can be understood as a form of communication between related parts that combine to form a unified whole.
Craft Objects, Aesthetic Contexts

Craft Objects, Aesthetic Contexts

Sandra Corse

University Press of America
2008
nidottu
Craft Objects, Aesthetic Contexts examines the place of contemporary craft in traditional aesthetics. Though philosophers have usually either ignored craft or denigrated it as mechanical and unimaginative, a careful examination of their comments often indicates that they nevertheless took a lively interest in several important issues facing craft artists today. Although Kant is famous for emphasizing that aesthetic judgments must be pure and therefore concern themselves with objects that have no useful purpose, he took this position simply to clarify his argument, and in fact many of his examples involve objects we would today consider craft, such as furniture and even decorative wallpaper. Similarly, Heidegger and Adorno have been valued largely for their interest in complex and influential art objects, but their comments on art also frequently address issues central to craft, especially the significance of history, functionality, techniques, and materials. This book examines these comments in order to begin a process of appreciating how philosophical aesthetics, as practiced by these important writers, can contribute to our analysis of contemporary craft.
Craft Furniture

Craft Furniture

Dennis Blankemeyer

Schiffer Publishing Ltd
2003
sidottu
For many people contentment and fulfillment are found through the skill of their own hands. The 29 craftspeople featured in this book have given up weekly paychecks, pensions, and security for freedom to create their own dreams. The result is beautiful furniture, each piece the unique product of the furniture maker's creativity and skill. Heavily illustrated with beautiful color photographs, this new book explores the lives and work of some of the most distinguished American furniture makers of the twentieth and twenty-first centuries. Beginning with Wharton Esherick, James Krenov, Sam Maloof, and George Nakashima, who serve as the first generation of modern creators of craft furniture, it continues with 25 contemporary furniture makers who carry on the tradition today. A biography of each is given along with examples of their work. Today's hectic lifestyles and the increasing intrusion of technology are made bearable for many by the handcrafted furniture that provides balance and harmony in their homes. It offers meaning and comfort through the designs born out of the maker's heart, head, and hands. This book will delight and inspire designers, collectors, and anyone who loves handcrafted furniture.
Craft Capital

Craft Capital

Schiffer Publishing Ltd
2019
sidottu
Explore one of America’s most creative cities in a new way with the trailblazer for city-based studies of contemporary craft. For craft and history enthusiasts alike, this collection of essays from writers and curators connects Philadelphia’s heritage to its current stature as a national craft capital. We discover how small workshops for fabric, wool, ceramics, and textile starting as early as 1751 grew into the still expanding craft world that Philadelphia has today. A useful example: the Liberty Bell cracked on the very first attempt to make it sound, and had to be recast twice and remolded with additional copper to improve its alloy. Today, it remains an unbeatable icon of Philadelphia craft. Contributions by Elisabeth Agro, Sarah Archer, Chad Curtis, Anthony Elms, Elizabeth Essner, Michelle Millar Fisher, Jessica Kourkounis, Don Miller, Jennifer-Navva Milliken, Heather Gibson Moqtaderi, Kelli Morgan, and Jennifer Zwilling.
Craft Capitalism

Craft Capitalism

Robert B. Kristofferson

University of Toronto Press
2007
sidottu
Many studies have concluded that the effects of early industrialization on traditional craftsworkers were largely negative. Robert B. Kristofferson demonstrates, however, that in at least one area this was not the case. Craft Capitalism focuses on Hamilton, Ontario, and demonstrates how the preservation of traditional work arrangements, craft mobility networks, and other aspects of craft culture ensured that craftsworkers in that city enjoyed an essentially positive introduction to industrial capitalism. Kristofferson argues that, as former craftsworkers themselves, the majority of the city's industrial proprietors helped their younger counterparts achieve independence. Conflict rooted in capitalist class experience, while present, was not yet dominant. Furthermore, he argues, while craftsworkers' experience of the change was more informed by the residual cultures of craft than by the emergent logic of capitalism, craft culture in Hamilton was not retrogressive. Rather, this situation served as a centre of social creation in ways that built on the positive aspects of both systems. Based on extensive archival research, this controversial and engaging study offers unique insight to the process of industrialization and class formation in Canada.