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1000 tulosta hakusanalla Croft Stuart

Craft, Space and Interior Design, 1855–2005

Craft, Space and Interior Design, 1855–2005

Ashgate Publishing Limited
2008
sidottu
Constructed space is defined by its shape, by the materials with which it is enclosed and by the objects that are placed within or decorate its exterior or interior. The interaction of these crafted objects or decorated surfaces with space provides viewers or inhabitants with visual clues about the environment as well as visual cues about decorum: viewers can know what kind of behaviour is expected and what the space means. Furnishings and dress, textile panels and clay pots, stained glass and gesso panels, all defined as craft or decorative art, give architectural space, defined as high art, its character: without craft, architecture is empty and devoid of meaning. This engaging collection of essays presents the first sustained exploration of the relationship of craft to architectural spaces. The book unravels the complex ways in which craft controls, manipulates, organises and defines space, to highlight how the relationship between craft and space can be understood as a form of communication between related parts that combine to form a unified whole.
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Craft Objects, Aesthetic Contexts

Craft Objects, Aesthetic Contexts

Sandra Corse

University Press of America
2008
nidottu
Craft Objects, Aesthetic Contexts examines the place of contemporary craft in traditional aesthetics. Though philosophers have usually either ignored craft or denigrated it as mechanical and unimaginative, a careful examination of their comments often indicates that they nevertheless took a lively interest in several important issues facing craft artists today. Although Kant is famous for emphasizing that aesthetic judgments must be pure and therefore concern themselves with objects that have no useful purpose, he took this position simply to clarify his argument, and in fact many of his examples involve objects we would today consider craft, such as furniture and even decorative wallpaper. Similarly, Heidegger and Adorno have been valued largely for their interest in complex and influential art objects, but their comments on art also frequently address issues central to craft, especially the significance of history, functionality, techniques, and materials. This book examines these comments in order to begin a process of appreciating how philosophical aesthetics, as practiced by these important writers, can contribute to our analysis of contemporary craft.
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Craft Furniture

Craft Furniture

Dennis Blankemeyer

Schiffer Publishing Ltd
2003
sidottu
For many people contentment and fulfillment are found through the skill of their own hands. The 29 craftspeople featured in this book have given up weekly paychecks, pensions, and security for freedom to create their own dreams. The result is beautiful furniture, each piece the unique product of the furniture maker's creativity and skill. Heavily illustrated with beautiful color photographs, this new book explores the lives and work of some of the most distinguished American furniture makers of the twentieth and twenty-first centuries. Beginning with Wharton Esherick, James Krenov, Sam Maloof, and George Nakashima, who serve as the first generation of modern creators of craft furniture, it continues with 25 contemporary furniture makers who carry on the tradition today. A biography of each is given along with examples of their work. Today's hectic lifestyles and the increasing intrusion of technology are made bearable for many by the handcrafted furniture that provides balance and harmony in their homes. It offers meaning and comfort through the designs born out of the maker's heart, head, and hands. This book will delight and inspire designers, collectors, and anyone who loves handcrafted furniture.
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Craft Capital

Craft Capital

Schiffer Publishing Ltd
2019
sidottu
Explore one of America’s most creative cities in a new way with the trailblazer for city-based studies of contemporary craft. For craft and history enthusiasts alike, this collection of essays from writers and curators connects Philadelphia’s heritage to its current stature as a national craft capital. We discover how small workshops for fabric, wool, ceramics, and textile starting as early as 1751 grew into the still expanding craft world that Philadelphia has today. A useful example: the Liberty Bell cracked on the very first attempt to make it sound, and had to be recast twice and remolded with additional copper to improve its alloy. Today, it remains an unbeatable icon of Philadelphia craft. Contributions by Elisabeth Agro, Sarah Archer, Chad Curtis, Anthony Elms, Elizabeth Essner, Michelle Millar Fisher, Jessica Kourkounis, Don Miller, Jennifer-Navva Milliken, Heather Gibson Moqtaderi, Kelli Morgan, and Jennifer Zwilling.
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Craft Capitalism

Craft Capitalism

Robert B. Kristofferson

University of Toronto Press
2007
sidottu
Many studies have concluded that the effects of early industrialization on traditional craftsworkers were largely negative. Robert B. Kristofferson demonstrates, however, that in at least one area this was not the case. Craft Capitalism focuses on Hamilton, Ontario, and demonstrates how the preservation of traditional work arrangements, craft mobility networks, and other aspects of craft culture ensured that craftsworkers in that city enjoyed an essentially positive introduction to industrial capitalism. Kristofferson argues that, as former craftsworkers themselves, the majority of the city's industrial proprietors helped their younger counterparts achieve independence. Conflict rooted in capitalist class experience, while present, was not yet dominant. Furthermore, he argues, while craftsworkers' experience of the change was more informed by the residual cultures of craft than by the emergent logic of capitalism, craft culture in Hamilton was not retrogressive. Rather, this situation served as a centre of social creation in ways that built on the positive aspects of both systems. Based on extensive archival research, this controversial and engaging study offers unique insight to the process of industrialization and class formation in Canada.
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Craft Capitalism

Craft Capitalism

Robert B. Kristofferson

University of Toronto Press
2007
pokkari
Many studies have concluded that the effects of early industrialization on traditional craftsworkers were largely negative. Robert B. Kristofferson demonstrates, however, that in at least one area this was not the case. Craft Capitalism focuses on Hamilton, Ontario, and demonstrates how the preservation of traditional work arrangements, craft mobility networks, and other aspects of craft culture ensured that craftsworkers in that city enjoyed an essentially positive introduction to industrial capitalism. Kristofferson argues that, as former craftsworkers themselves, the majority of the city's industrial proprietors helped their younger counterparts achieve independence. Conflict rooted in capitalist class experience, while present, was not yet dominant. Furthermore, he argues, while craftsworkers' experience of the change was more informed by the residual cultures of craft than by the emergent logic of capitalism, craft culture in Hamilton was not retrogressive. Rather, this situation served as a centre of social creation in ways that built on the positive aspects of both systems. Based on extensive archival research, this controversial and engaging study offers unique insight to the process of industrialization and class formation in Canada.
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Craft and Conscience

Craft and Conscience

Kavita Das

BEACON PRESS
2022
nidottu
The first major book for writers to more effectively engage with complex socio-political issues--a critical first step in creating social change Writers are witnesses and scribes to society's conscience but writing about social issues in the twenty-first century requires a new, sharper toolkit. Craft and Conscience helps writers weave together their narrative craft, analytical and research skills, and their conscience to create prose which makes us feel the individual and collective impact of crucial issues of our time. Kavita Das guides writers to take on nuanced perspectives and embrace intentionality through a social justice lens. She challenges writers to unpack their motivations for writing about an issue and to understand that "writing, irrespective of genre or outlet, is an act of political writing," regardless of intention. The book includes essays from a fascinating mix of authors, including James Baldwin, Alexander Chee, Kaitlyn Greenidge, George Orwell, Roxanne Dunbar-Ortiz, Gaiutra Bahadur, Jaquira D az, and Imani Perry. By including Das's own perspective and those of the featured writers about motivations and approaches to writing about fraught social issues, this book both demystifies the process of engaging social issues on the page, and underscores the intentionality and sensitivity that must go into the work.
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Craft Obsession

Craft Obsession

Jeff Rice

Southern Illinois University Press
2016
nidottu
Denied access to traditional advertising platforms by lack of resources, craft breweries have proliferated despite these challenges by embracing social media platforms, and by creating an obsessed culture of fans. In Craft Obsession, Jeff Rice uses craft beer as a case study to demonstrate how social media platforms such as Facebook and Twitter function to shape stories about craft. Rice weaves together theories of writing, narrative, new media, and rhetoric with a personal story of his passion for craft beer. Both an objective scholarly study and an engaging personal narrative about craft beer, Craft Obsession provides valuable insights into digital writing, storytelling, and social media.
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Craft of Theology

Craft of Theology

Avery Dulles

Crossroad Publishing Co ,U.S.
1995
nidottu
Avery Dulles's theological career has spanned one of the most creative and confusing periods in the history of the church. With the goal of integrating new information from philosophy and the sciences into a deeper understanding of the world and society, the many theological schools pursued independent agendas, with the net effect of a loss of coherence. It is Fr. Dulles's contention that theological schools have drifted so far apart that what seems false and dangerous to one school seems almost self-evident to another. Theologians lack a common language, common goals, and common norms. Exploring the possibilities for greater consensus, The Craft of Theology illustrates how a ""post-critical"" theology can draw on the riches of Scripture and tradition as it reflects on the faith of the church in new contexts. Fr. Dulles discusses the freedom of theology within the university and sets forth principles for a fresh dialogue with philosophy, the sciences, and other Christian churches.
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Craft

Craft

Whitechapel Gallery
2018
pokkari
Part of the acclaimed series of anthologies which document major themes and ideas in contemporary art. A vital resource through which to understand the ways technologies, materials, techniques and tools are investigated through the lens of craft in contemporary art.
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Craft Your Year with Sara Davies

Craft Your Year with Sara Davies

Sara Davies

TRANSWORLD PUBLISHERS LTD
2023
sidottu
INSTANT SUNDAY TIMES BESTSELLER'Treat yourself with the crafting bible, Craft Your Year With Sara Davies.' Michael Ball, BBC Radio 2Step-by-step seasonal crafting guide with over 70 projects to make throughout the yearThis easy-to-follow crafting guide from the queen of crafting Sara Davies will help you and your family craft throughout the year, with projects for beginner, intermediate and advanced crafters.Packed full of ideas, tips and tricks to help you grow in confidence and creativity, as well as useful lists of tools, must-have items and a glossary explaining the key crafting terms and phrases you'll hear time and again as you craft.This practical book includes photographs and simple step-by-step instructions to help you make everything need throughout the year, from a Mother's Day card in spring to a macrame flower hanger in summer, from Halloween treat bags in autumn to a Christmas wreath in winter and everything in-between.
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Craft Production in Complex Societies

Craft Production in Complex Societies

University of Utah Press,U.S.
2007
nidottu
The study of craft production is a complex and challenging one that illuminates key aspects of the material, organizational, and ideological interests, values, and capacities of a given culture. Many crafts are treated as separate, but are actually practiced concurrently and in close proximity to each other, facilitating crucial interaction. There is a need for a balanced evaluation of the roles of producer and consumer in craft production, and the importance of properly contextualized workshop excavations and the definition of the entire sequence of operation in documenting craft production both as a social and material process.Craft Production in Complex Societies redresses the skewed conception and approach to craft production that have been shaped by studies focused on separate, single medium crafts, finished products, and the consumer. It presents case studies and regional syntheses from diverse geographical areas, time periods, and sociopolitical complexities that break important new ground in the anthropological study of the creative role and social identity of the producer and multi-craft production. It is expected to serve as a key reference in craft studies for many years to come.
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Craft of Psychotherapy

Craft of Psychotherapy

I. H. Paul

Jason Aronson Inc. Publishers
1989
sidottu
Aims to show therapists how to develop the technical facility to articulate therapeutic goals and translate them into specific interventions. Six sets of therapeutic issues include orientation of the patient, formulating intervention, timing interventions and dealing with resistance.
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Craft and Spirit

Craft and Spirit

Joseph D. Lichtenberg

Analytic Press,U.S.
2005
sidottu
In Craft and Spirit, Joseph Lichtenberg writes of the craft of exploratory psychotherapy, by which he means the creative skill — even artistry — that mobilizes the spirit of inquiry in therapist and patient and sustains it over the course of psychotherapy. He expatiates on this craft as it pertains to patients of our time — patients who typically bring to therapy backgrounds of insecure attachment and serious concerns about safety and retraumatization. In each of ten chapters, Lichtenberg formulates a different guideline for technique, keyed to the broad domain of exploratory psychotherapies and are accompanied by numerous clinical illustrations. These guidelines seek to foster greater therapist involvement without compromising an openness to psychological exploration. They seek to sensitize therapists to the two interlacing tracks of communication that unfold in treatment: those of verbal exchange and of enactive messages. And they help guide therapist attention among interpenetrating domains of the patient’s subjectivity, the therapist’s subjectivity, and the intersubjective realm that emerges from their collaborative experience. Fusing the humanist tradition of therapeutic inquiry with knowledge gained from recent infancy and child research, Lichtenberg develops guidelines suitable to exploratory therapy with patients who communicate not only verbally but also through diverse affect states and altered cognitions. Consistently illuminating on the parallels and disjunctions between caregiver–child and therapist–patient relationships, Lichtenberg is clear about the adult-to-adult dimension of exploratory work in which “provision” is necessarily subordinate to “inquiry.” Craft and Spirit is aimed equally at prospective patients, therapists, and analysts, all of whom will be edified by this masterful demonstration of the ways in which a spirit of inquiry imbues the craft of psychotherapy, in Lichtenberg’s words, “with its liveliness of sustained purpose.”
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Craft Specialization and Social Evolution – In Memory of V. Gordon Childe

Craft Specialization and Social Evolution – In Memory of V. Gordon Childe

Bernard Wailes

University of Pennsylvania Press
1996
sidottu
V. Gordon Childe was the first scholar to attempt a broad and sustained socioeconomic analysis of the archaeology of the ancient world in terms that, today, could be called explanatory. To most, he was remembered only as a diligent synthesizer whose whole interpretation collapsed when its chronology was demolished. There was little recognition of his insistence that the emergence of craft specialists, and their very variable roles in the relations of production, were crucial to an understanding of social evolution. The interrelationship between sociopolitical complexity and craft production is a critical one, so critical that one might ask, just how complex would any society have become without craft specialization. This volume derives from the papers presented at a symposium at the American Anthropological Association meetings on the centenary of Childe's birth. Contributors to the volume include David W. Anthony, Philip J. Arnold III, Bennet Bronson, Robert Chapman, John E. Clark, Cathy L. Costin, Pam J. Crabtree, Philip L. Kohl, D. Blair Gibson, Antonio Gilman, Vincent C. Piggott, Jeremy A. Sabloff, Gil J. Stein, Ruth Tringham, Anne P. Underhill, Bernard Wailes, Peter S. Wells, Joyce C. White, Rita P. Wright, and Richard L. Zettler.
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