The book examines the relationship between translation and original creation in the works of the American poet Elizabeth Bishop, suggesting that translation can be seen as a poetic principle which can be related to the poet’s original works, too. The book offers a detailed discussion of all the translation projects Bishop undertook throughout her life (from Ancient Greek, French, Portuguese and Spanish), both published and unpublished. They are seen in the context of her life and work, and analyzed with particular regard for the features which are relevant in relationship to Bishop’s own works. Bishop’s work as a translator has not been explored thoroughly yet, despite the huge critical interest in Bishop in the last decades, and one of the aim of the book is to offer such exploration. The second part of the book focuses on the ways Bishop’s interest in translation and her experience of a translator is manifested in her original works. Bishop’s poems are read with particular attention paid to the features which relate them to translation, particularly the complex interaction between the foreign and the familiar, which is examined not only in her poems dealing with exotic places (namely Brazil), but also in texts dealing with more familiar topics and locations. The final chapter argues that a crucial role in Bishop’s works is played by the unknown – that which is impossible to understand and translate fully. The book also suggests that, on a more general level, a type of poetics which shares certain key features with translation could be defined.
The book examines the relationship between translation and original creation in the works of the American poet Elizabeth Bishop, suggesting that translation can be seen as a poetic principle which can be related to the poet’s original works, too. The book offers a detailed discussion of all the translation projects Bishop undertook throughout her life (from Ancient Greek, French, Portuguese and Spanish), both published and unpublished. They are seen in the context of her life and work, and analyzed with particular regard for the features which are relevant in relationship to Bishop’s own works. Bishop’s work as a translator has not been explored thoroughly yet, despite the huge critical interest in Bishop in the last decades, and one of the aim of the book is to offer such exploration. The second part of the book focuses on the ways Bishop’s interest in translation and her experience of a translator is manifested in her original works. Bishop’s poems are read with particular attention paid to the features which relate them to translation, particularly the complex interaction between the foreign and the familiar, which is examined not only in her poems dealing with exotic places (namely Brazil), but also in texts dealing with more familiar topics and locations. The final chapter argues that a crucial role in Bishop’s works is played by the unknown – that which is impossible to understand and translate fully. The book also suggests that, on a more general level, a type of poetics which shares certain key features with translation could be defined.
*Includes pictures. *Includes their own quotes about their lives and careers. *Includes a bibliography for further reading. Hollywood is full of cautionary tales for child actors like Judy Garland, Jackie Coogan, and Macaulay Culkin, who all soared to fame in their youth only to suffer family feuds, drug addiction, or other ill effects of becoming famous so early in life. Even those child actors for whom stardom was not traumatic, such as Shirley Temple, had great difficulty succeeding in Hollywood as an adult, with their careers effectively over by the time they reached adulthood. On the other hand, the life of Elizabeth Taylor bears little in common with the paradigm of the troubled child star. After arriving in the United States at the age of 9, Taylor was indoctrinated into the life of the Hollywood studio system shortly after child stars Judy Garland and Mickey Rooney, but while Garland suffered great trauma at the hands of the studio system, Taylor's early experience in Hollywood represented the flip side of the coin. Groomed for a life in Hollywood by her zealous mother, Taylor enjoyed her life in the motion picture industry and reveled in the privileged lifestyle and opportunities she enjoyed by virtue of her profession. Acting supplied her with a lavish lifestyle and, more importantly for her, constant attention. From an early age, Taylor displayed a vociferous love for living in the public eye. In many ways, Taylor enjoyed being in the public spotlight and living the lifestyle of the rich and famous, and her personal life very much resembled a performance suitable for Hollywood. Taylor faced great adversity throughout her life, including being married on eight different occasions to seven different spouses and fighting battles with weight and drug addiction. Still, while many actors grow resentful of public attention, even during her moments of personal struggle Taylor thrived on public attention and enjoyed a mutually adoring relationship with the American public. In the 1960s, the most popular actor in the world was Richard Burton, a hard-drinking Welshman who was nevertheless so professional that he was one of the preeminent stage performers of his day. In fact, he performed Shakespeare so magnificently that he was compared to British legend Laurence Olivier, and that success ultimately led to a film career that earned him 7 Academy Award nominations, as well as BAFTA and Golden Globe awards for Best Actor. Given his accomplishments on the stage and in Hollywood, Burton became one of the world's most recognizable leading men, so it seemed fitting that he engaged in one of Hollywood's most legendary romances with Elizabeth Taylor while on the set of Cleopatra, one of the era's most notorious movies. In fact, his tumultuous relationship with Taylor, which included two marriages, dominated tabloids and remains the one thing most people associate with Burton today, despite the rest of his accomplishments. Burton's high-profile marriage to Taylor helped bring attention, but it also led to more self-destructive behavior, and in a sense it represented the peak of Burton's career. Over the last decade of his life, Burton began appearing in mediocre films, and due to his declining health and constant drunkenness, his performances were mediocre as well, often involving incoherent slurring. The fast life ultimately caught up with him in 1984, when a cerebral hemorrhage killed him at the age of 58. Fittingly, it was the same cause of death that befell his alcoholic father in 1957, just as Burton was at the precipice of Hollywood stardom. This book examines the lives and careers of the famous lovers. Along with pictures and a bibliography, you will learn about Taylor and Burton like never before.
Elizabeth Cleghorn Gaskell, n e Stevenson (29 September 1810 - 12 November 1865), often referred to simply as Mrs Gaskell, was a British novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and are of interest to social historians as well as lovers of literature. Gaskell was also the first to write a biography of Charlotte Bronte, The Life of Charlotte Bronte, which was published in 1857. Mrs Gaskell's first novel, Mary Barton, was published anonymously in 1848. The best-known of her remaining novels are North and South (1854), and Wives and Daughters (1865). In this book: Ruth Sylvia's Lovers -- Complete Cousin Phillis My Lady Ludlow Curious, if True, Strange Tales
On the occasion of the inauguration of Cornell's thirteenth president, Elizabeth Garrett, Cornell University Press is pleased to publish the official commemorative edition of her inauguration speech. This handsome volume also includes several other sections of interest to Cornellians, including a foreword by President Emeritus Frank H. T. Rhodes, remarks from Board of Trustees Chair Robert S. Harrison, poetry by Alice Fulton, selected texts by Ezra Cornell and A. D. White, a feature on Cornell's Sesquicentennial, brief biographies of past presidents of Cornell, and a historical account of women at Cornell by Gretchen Ritter, the Harold Tanner Dean of Arts and Sciences. President Garrett's speech will be remembered for years to come, and this book is a wonderful keepsake of a historic occasion.
From socialite to saint, it was an extraordinary journey for Seton, one gracefully chronicled in Catherine O'Donnell's richly textured new biography.... A remarkable biography of a remarkable woman.- Wall Street Journal In 1975, two centuries after her birth, Pope Paul VI canonized Elizabeth Ann Seton, making her the first saint to be a native-born citizen of the United States in the Roman Catholic Church. Seton came of age in Manhattan as the city and her family struggled to rebuild themselves after the Revolution, explored both contemporary philosophy and Christianity, converted to Catholicism from her native Episcopalian faith, and built the St. Joseph’s Academy and Free School in Emmitsburg, Maryland. Hers was an exemplary early American life of struggle, ambition, questioning, and faith, and in this flowing biography, Catherine O’Donnell has given Seton her due. O’Donnell places Seton squarely in the context of the dynamic and risky years of the American and French Revolutions and their aftermath. Just as Seton’s dramatic life was studded with hardship, achievement, and grief so were the social, economic, political, and religious scenes of the Early American Republic in which she lived. O’Donnell provides the reader with a strong sense of this remarkable woman’s intelligence and compassion as she withstood her husband’s financial failures and untimely death, undertook a slow conversion to Catholicism, and struggled to reconcile her single-minded faith with her respect for others’ different choices. The fruit of her labors were the creation of a spirituality that embraced human connections as well as divine love and the American Sisters of Charity, part of an enduring global community with a specific apostolate for teaching. The trove of correspondence, journals, reflections, and community records that O’Donnell weaves together throughout Elizabeth Seton provides deep insight into her life and her world. Each source enriches our understanding of women’s friendships and choices, illuminates the relationships within the often-opaque world of early religious communities, and upends conventional wisdom about the ways Americans of different faiths competed and collaborated during the nation’s earliest years. Through her close and sympathetic reading of Seton’s letters and journals, O’Donnell reveals Seton the person and shows us how, with both pride and humility, she came to understand her own importance as Mother Seton in the years before her death in 1821.
