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Ghost Stories And Other Island Tales: A colonial officer in the Gilbert Islands

Ghost Stories And Other Island Tales: A colonial officer in the Gilbert Islands

I. E. Butler

Createspace Independent Publishing Platform
2014
nidottu
In the 1950s, Ian Butler abandoned a short-lived career in the chemical industry to serve as a colonial officer in the Gilbert and Ellice Islands, against the advice of his father who told him the British Empire was "going down the drain". This memoir is a collection of evocative and wittily told stories that provide an insider's view of the life of a colonial administrator in one of Her Majesty's most far flung colonies, and recall a period in British history that will soon fade from living memory. "a marvellously vivid depiction of the islands, their people, their setting and aspects of life of the expatriate officer" - David le Breton, Secretary, OSPA "Let us hope that there are other memoirs of Empire out there as good, and yet to be discovered" - Michael Walsh, Honorary UK Consul for Kiribati (1996-present)
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The Man Who Knew Too Much and other stories (1922), by Gilbert K. Chesterton: English: William Hatherell (1855-1928), British painter and illustrator

The Man Who Knew Too Much and other stories (1922), by Gilbert K. Chesterton: English: William Hatherell (1855-1928), British painter and illustrator

William Hatherell; Gilbert K. Chesterton

Createspace Independent Publishing Platform
2016
nidottu
The Man Who Knew Too Much and other stories (1922) is a book of detective stories by English writer G. K. Chesterton, published by Cassell and Company in 1922.The book contains twelve stories, the first eight of which are about The Man Who Knew Too Much, while the final four are individual stories featuring separate heroes/detectives.Horne Fisher, "The Man Who Knew Too Much", is the main protagonist of the first eight stories. In the final story, "The Vengeance of the Statue", Fisher notes: "The Prime Minister is my father's friend. The Foreign Minister married my sister. The Chancellor of the Exchequer is my first cousin." Because of these intimate relationships with the leading political figures in the land, Fisher knows too much about the private politics behind the public politics of the day. This knowledge is a burden to him in the eight stories, because he is able to uncover the injustices and corruptions of the murders in each story, but in most cases the real killer gets away with the killing because to bring him openly to justice would create a greater chaos: starting a war, reinciting Irish rebellions or removing public faith in the government. In the seventh story, "The Fad of the Fisherman", the Prime Minister himself is the murderer, who kills the financier whose country house he is visiting because the financier is trying to start a war with Sweden over "the Danish ports". By killing his host, the Prime Minister seeks to avoid a war in which many more people would die, and the financier would profit at the cost of thousands of lives. In "The Vanishing Prince", an Irish rebel, Michael, is cornered in a tower, but a junior policeman named Wilson kills two senior police officers to be promoted in the field to become officer in charge of the case. He then tries to blame the two murders on the rebel to ensure he is hung. The rebel, otherwise a gentleman, is enraged and shoots (but only wounds) Wilson. Fisher, however, is forced to arrest Michael: "Wilson recovered, and we managed to persuade him to retire. But we had to pension that damnable murderer more magnificently than any hero who ever fought for England. I managed to save Michael from the worst, but we had to send that perfectly innocent man to penal servitude for a crime we know he never committed; but it was only afterwards that we could connive in a sneakish way at his escape. And Sir Walter Carey is Prime Minister of this country, which he would probably never have been if the truth had been told of such a horrible scandal in his department. It might have done for us altogether in Ireland; it would certainly have done for him. And he is my father's oldest friend, and has always smothered me in kindness. I am too tangled up in the whole thing, you see, and I was certainly never born to set it right." Fisher is accompanied in the stories by a political journalist, Harold March, but rather than being his "Watson", the stories are all written in the third person. Less a clumsy foil to reflect Fisher's brilliance, March is more of a sounding board for Fisher to discuss Chesterton's paradoxes and philosophy. Apart from the first story, in which March meets Fisher, and the final story, the stories have no internal chronology, and so can be read in any order.
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The Defendant . By: Gilbert Keith Chesterton

The Defendant . By: Gilbert Keith Chesterton

G. K. Chesterton

Createspace Independent Publishing Platform
2016
nidottu
Gilbert Keith Chesterton, KC*SG (29 May 1874 - 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible G.K. Chesterton's collected essays on subjects ranging from detective stories and penny dreadfuls to heraldry and patriotism. The essays originally appeared in "The Speaker" but were edited and revised for republication.
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Manalive (1912). By Gilbert Keith Chesterton: Mystery novel

Manalive (1912). By Gilbert Keith Chesterton: Mystery novel

G. K. Chesterton

Createspace Independent Publishing Platform
2017
nidottu
Manalive (1912) is a book by G. K. Chesterton detailing a popular theme both in his own philosophy, and in Christianity, of the "holy fool", such as in Dostoevsky's The Idiot and Cervantes' Don Quixote.This is a book in two parts. The first, "The Enigma of Innocent Smith", concerns the arrival of a new tenant at Beacon House, a London boarding establishment. Like Mary Poppins, this man (who is tentatively identified by lodger Arthur Inglewood as an ex-schoolmate named Innocent Smith) is accompanied by a great wind, and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon; arranges to elope with Mary Gray, paid companion to heiress Rosamund Hunt; inspires Inglewood to declare his love for Diana Duke, the landlady's niece; and prompts a reconciliation between jaded journalist Michael Moon and Rosamund. However, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. The fact that Smith almost immediately fires several shots from a revolver at Inglewood's friend Dr. Herbert Warner seems to confirm the worst. Before Smith can be taken to a jail or an asylum, Michael Moon declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press. The second part, "The Explanations of Innocent Smith", follows the trial. The prosecution consists of Moses Gould, a merrily cynical Jew who lives at Beacon House and considers Smith at best a fool and at worst a scoundrel, and Dr. Cyrus Pym, an American criminal specialist called in by Dr. Warner; Michael Moon and Arthur Inglewood act for the defence. The evidence consists of correspondence from people who witnessed or participated in the exploits that led to the charges against Smith. In every case, the defendant is revealed to be, as his first name states, innocent. He fires bullets near people to make them value life; the house he breaks into is his own; he travels around the world only to return with renewed appreciation for his house and family; and the women he absconded with are actually his wife Mary, posing as a spinster under different aliases so they may repeatedly re-enact their courtship.Smith is, needless to say, acquitted on all charges.... Gilbert Keith Chesterton, KC*SG (29 May 1874 - 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected."Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius."Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin....
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Orthodoxy (1909). By: Gilbert Keith Chesterton: Christian Apologetics

Orthodoxy (1909). By: Gilbert Keith Chesterton: Christian Apologetics

G. K. Chesterton

Createspace Independent Publishing Platform
2017
nidottu
Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine". 1] In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience. The book was written when Chesterton was an Anglican. He converted to Catholicism 14 years later. Chesterton chose the title, Orthodoxy, to focus instead on the plainness of the Apostles' Creed, though he admitted the general sound of the title was "a thinnish sort of thing". Gilbert Keith Chesterton, KC*SG (29 May 1874 - 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected."Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius."Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.
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Irish Impressions (1919). By: Gilbert Keith Chesterton: Novel (Original Classics)

Irish Impressions (1919). By: Gilbert Keith Chesterton: Novel (Original Classics)

G. K. Chesterton

Createspace Independent Publishing Platform
2017
nidottu
Written at the defining moment when Ireland was heading toward complete national independence, Chesterton's study of the Irish question demonstrates that if both the English and the Irish had modified their attitudes slightly, subsequent Anglo-Irish relations could have been radically improved. Unlike most historians, he tackles the question from an ideological, philosophical, and religious standpoint. As a Roman Catholic and a lover of English nationalism, Chesterton shared many sentiments with the Irish. Written objectively and frankly, this is an important work for any student of English/Irish history as well as an excellent study of the effects of ideology and religion on society. Gilbert Keith Chesterton, KC*SG (29 May 1874 - 14 June 1936), better known as G. K. Chesterton, was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected."Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius."Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.
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