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1000 tulosta hakusanalla James Howe
The rules are simple for James. He see's Dr. Whitehouse. He does what the Doctor says. He receives his father's inheritance and keeps his West Coast-playboy-burnout lifestyle in tact. One day when his visiting the strange Doctor Henry Whitehouse, Mary Ann Lewis, a seductive and flawed muse, tells him that he needs to run. Run from this place. What ensures is a portrait of American madness, beauty, and suffering that can only be described as a hilarious fit of Bad Dharma.
This literary biography interweaves the life and writings of James Kitchener Davies, a Welsh writer whose talents encompassed poetry, drama and the essay.
James Kitchener Davies
Gwasg Prifysgol Cymru
2002
nidottu
This work aims at presenting Kitchener Davies as a pioneering, versatile author whose literary output continues to be of value. The selection also contains two introductory essays - the first introduces the man and his work and the second is a semi-personal view of Davis by his daughter Manon Rhys.
James Hanley (1901-1985) was brought up in Liverpool and worked as a merchant seaman before becoming a professional writer. The first of his twenty-four novels, Drift, was published in 1930. In this wide-ranging study of Hanley's life and writings, John Fordham argues that, although Hanley's work is most commonly identified with 'proletarian' realism, it should instead be thought of as a sustained engagement with modernism. Fordham discusses Hanley's relationship to London and the institutional culture of high modernism, as well as his association with his adopted country, Wales, where he lived for more than thirty years and which figures so importantly in his imagination. Through a close analysis of Hanley's writing and the social and cultural contexts of his work, Fordham demonstrates the importance of the category of class for understanding the literary history of modernism and shows how Hanley's work reveals the conflicting and contradictory aspects of modernist culture. James Hanley: Modernism and the Working Class is a ground-breaking analysis of this significant but neglected writer whose work opens the way to a new understanding of twentieth-century working-class writing.
A complete monograph on the work of the influential British-born, Milan-based furniture and product designer James Irvine (1958-2013).James Irvine is an intimate look into the work and life of a design legend. Previously unpublished drawings, sketches, models and images from Irvine's archives and personal anecdotes and texts from the designers who worked directly with him, including Jasper Morrison, Marc Newson, Konstantin Grcic and Naoto Fukasawa, reveal Irvine's passions, interests and idiosyncracies like never before.
James Kelman is Scotland’s most influential contemporary prose artist. This is the first book-length study of his groundbreaking novels, and it analyses and contextualises each in detail. It argues that while Kelman offers a coherent and consistent vision of the world, each novel should be read as a distinct literary response to particular aspects of contemporary working-class language and culture. Richly historicised through diverse contexts such as Scottish socialism, public transport, emigration, ‘Booker Prize’ culture and Glasgow’s controversial ‘City of Culture’ status in 1990, Simon Kovesi offers readings of Kelman’s style, characterisation and linguistic innovations.This study resists the prevalent condemnations of Kelman as a miserable realist, and produces evidence that he is acutely aware of an unorthodox, politicised literary tradition which transgresses definitions of what literature can or should do. Kelman is cautious about the power relationship between the working-class worlds he represents in his fiction, and the latent preconceptions embedded in the language of academic and critical commentary. In response, this study is boldly self-critical, and questions the validity and values of its own methods. Kelman is shown to be deftly humorous, assiduously ethical, philosophically alert and politically necessary.
James Kelman is Scotland’s most influential contemporary prose artist. This is the first book-length study of his groundbreaking novels, and it analyses and contextualises each in detail. It argues that while Kelman offers a coherent and consistent vision of the world, each novel should be read as a distinct literary response to particular aspects of contemporary working-class language and culture. Richly historicised through diverse contexts such as Scottish socialism, public transport, emigration, ‘Booker Prize’ culture and Glasgow’s controversial ‘City of Culture’ status in 1990, Simon Kovesi offers readings of Kelman’s style, characterisation and linguistic innovations.This study resists the prevalent condemnations of Kelman as a miserable realist, and produces evidence that he is acutely aware of an unorthodox, politicised literary tradition which transgresses definitions of what literature can or should do. Kelman is cautious about the power relationship between the working-class worlds he represents in his fiction, and the latent preconceptions embedded in the language of academic and critical commentary. In response, this study is boldly self-critical, and questions the validity and values of its own methods. Kelman is shown to be deftly humorous, assiduously ethical, philosophically alert and politically necessary.
James Lees-Milne (1908-97) - known to friends as Jim - is remembered for his work for the National Trust, rescuing some of England's greatest architectural treasures, and for the vivid and entertaining diaries which have earned him a reputation as 'the twentieth-century Pepys'. In this long-awaited biography, Michael Bloch portrays a life rich in contradictions, in which an unassuming youth overtook more dazzling contemporaries to emerge as a leading figure in the fields of conservation and letters. It describes Jim's bisexual love life, his tempestuous marriage to the exotic Alvilde, and his friendship with other fascinating literary figures including John Betjeman, Robert Byron, Rosamond Lehmann, and the Mitford sisters (whose brother Tom had been Jim's great love at Eton). It depicts a man who was romantically attached to the England of his childhood and felt out of tune with his own times, but who left an enduring legacy through the preservation of country houses and his eloquent chronicling of a dying world.
James Madison, the South, and the Trans-Appalachian West, 1783–1803
Jeffrey Allen Zemler
Lexington Books
2013
sidottu
The strong relationship that historians have described between the South and the trans-Appalachian West in the early nineteenth century had its origins in the twenty-year period after the American Revolution when a group of far-sighted southerners, with James Madison in the forefront, worked to form a political bond between the two regions. While many historians have taken this close relationship for granted or have dismissed it as a natural product of cultural similarities, strong family bonds and slavery being just two, it was built deliberately by a handful of forward-looking southerners with hard work and dedication. Jeffrey A. Zemler carefully analyzes the development of this bond and the history of these two regions during this twenty-year period, which is far more complicated than historians have imagined or described.
James Madison Rules America examines congressional party legislative and electoral strategy in the context of our constitutional separation of powers. In a departure from recent books that have described Congress as “the broken branch” or the “Second Civil War,” William Connelly argues that partisanship, polarization and the permanent campaign are an inevitable part of congressional politics. The strategic conundrum confronting both parties in the House of Representatives – whether to be part of the “government” or part of the “opposition” – provides evidence of how concretely James Madison’s Constitution governs the behavior of politicians to this day. Drawing on a two-hundred year debate within American political thought among the Federalists, Anti-Federalists, Alexis de Tocqueville and Woodrow Wilson, James Madison Rules America is as topical as current debates over partisan polarization and the permanent campaign, while being grounded in two enduring and important schools of thought within political science: pluralism and party government.
James Madison Rules America examines congressional party legislative and electoral strategy in the context of our constitutional separation of powers. In a departure from recent books that have described Congress as 'the broken branch' or the 'Second Civil War,' William Connelly argues that partisanship, polarization and the permanent campaign are an inevitable part of congressional politics. The strategic conundrum confronting both parties in the House of Representatives whether to be part of the government or part of the opposition provides evidence of how concretely James Madison's Constitution governs the behavior of politicians to this day. Drawing on a two-hundred year debate within American political thought among the Federalists, Anti-Federalists, Alexis de Tocqueville and Woodrow Wilson, James Madison Rules America is as topical as current debates over partisan polarization and the permanent campaign, while being grounded in two enduring and important schools of thought within political science: pluralism and party government.
The famed medium and author of Talking to Heaven presents an inspirational collection of structured meditations and reflections designed to help readers follow their own personal journeys of self-awareness and psychic discovery. Original. 17,500 first printing.
'A scrupulous biography' Publishers Weekly 'Fresh, incisive, and uplifting' Kirkus 'If you want to know the real Baldwin, this is the book to read' Robin D.G. Kelley, author of Thelonious Monk James Baldwin is an icon of liberation who created some of the most important literary works of his time, including the novels Go Tell It on the Mountain and If Beale Street Could Talk. Here, Bill V. Mullen celebrates the life of the great African-American writer and activist. As a lifelong anti-imperialist, black queer advocate, and feminist, James Baldwin was a passionate chronicler of the rise of the Civil Rights Movement, the US war against Vietnam, the Palestinian liberation struggle, and the rise of LGBTQ+ rights. Mullen pays homage to Baldwin's truly radical approach to his life, writing and activism. Constantly in struggle for an anti-racist, emancipated world, Baldwin's philosophy and politics were ahead of their time, predicting many of today's movements such as Black Lives Matter.
'A scrupulous biography' Publishers Weekly 'Fresh, incisive, and uplifting' Kirkus 'If you want to know the real Baldwin, this is the book to read' Robin D.G. Kelley, author of Thelonious Monk James Baldwin is an icon of liberation who created some of the most important literary works of his time, including the novels Go Tell It on the Mountain and If Beale Street Could Talk. Here, Bill V. Mullen celebrates the life of the great African-American writer and activist. As a lifelong anti-imperialist, black queer advocate, and feminist, James Baldwin was a passionate chronicler of the rise of the Civil Rights Movement, the US war against Vietnam, the Palestinian liberation struggle, and the rise of LGBTQ+ rights. Mullen pays homage to Baldwin's truly radical approach to his life, writing and activism. Constantly in struggle for an anti-racist, emancipated world, Baldwin's philosophy and politics were ahead of their time, predicting many of today's movements such as Black Lives Matter.
One of the most powerful and provocative writers to have emerged in Britain in recent years, James Kelman has engendered a good deal of controversy over his widely reported, but often misconceived use of ‘bad’ language words. This introduction to the whole range of his works, from the early short stories through the plays and essays to the Booker Prize winning novel How Late it Was, How Late and the latest experimental fiction, examines the embattled Kelman’s literary politics. H. Gustav Klaus pays close attention to the Scottish culture in which Kelman’s writing was nurtured, to the uncompromising treatment of the ‘underclass’, the intricacies of the narrative voice and the existentialist anguish behind it. A writer of international reputation now, Kelman’s principled anti-authoritarianism raises uncomfortable questions about the continuing reality of class, dominant social and literary values and the role of writers in our time.