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The story behind the classic and universally recognized rhyme This luminous picture book biography shines a light on the little-known poet and author of the beloved lullaby. Twinkle, twinkle, little star, how I wonder what you are. Did you ever wonder who wrote that famous verse? In the days when most girls were brought up to run a home, Jane Taylor had a different kind of education in the English countryside, where she was inspired by nature and the stars, and dreamed of becoming a writer. But in the late 1700s, it was not considered proper for women to be writers. Jane and other female poets were shunned, unable to use their own names when published.But Jane did write, and she never forgot her love for the beauty of nature and the glow of stars, or her desire to write for children. Her published poetry became universally known for generations to come: Twinkle, twinkle little star. This lyrical and luminous biography shines a light on the unsung poet who wrote the words of our most enduring lullaby, and features stunning artwork reflecting the world, the stars, and the story behind the poem that we all know so well.
Like It Was Yesterday: The story of a game that was never played... in a town that never forgot.
Dennis R. Bender
Createspace Independent Publishing Platform
2017
nidottu
Inquisitive and expansive, Like a Boy but Not a Boy explores author andrea bennett's experiences with gender expectations, being a non-binary parent, and the sometimes funny and sometimes difficult task of living in a body. The book's fourteen essays also delve incisively into the interconnected themes of mental illness, mortality, creative work, class, and bike mechanics (apparently you can learn a lot about yourself through truing a wheel). In "Tomboy," andrea articulates what it means to live in a gender in-between space, and why one might be necessary; "37 Jobs 21 Houses" interrogates the notion that the key to a better life is working hard and moving house. And interspersed throughout the book is "Everyone Is Sober and No One Can Drive," sixteen stories about queer millennials who grew up and came of age in small communities. With the same poignant spirit as Ivan Coyote's Tomboy Survival Guide, Like a Boy but Not a Boy addresses the struggle to find acceptance, and to accept oneself; and how one can find one's place while learning to make space for others. The book also wonders it means to be an atheist and search for faith that everything will be okay; what it means to learn how to love life even as you obsess over its brevity; and how to give birth, to bring new life, at what feels like the end of the world. With thoughtfulness and acute observation, andrea bennett reveal intimate truths about the human experience, whether one is outside the gender binary or not.
Like Underground Water
Copper Canyon Press
1995
pokkari
Paterson Poetry Prize Finalist, 2015Featured on NPR's The Writer's Almanac"Ellen Bass's new poetry collection, Like a Beggar, pulses with sex, humor and compassion."--The New York Times"Bass tries to convey everyday wonder on contemporary experiences of sex, work, aging, and war. Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed."--Publishers Weekly"In her fifth book of poetry, Bass addresses everything from Saturn's rings and Newton's law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection's end--following her musings on suicide and generosity, desire and repetition--it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller."--BooklistEllen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though bad things are going to happen, because the bad gets mined for all manner of goodness.From Another Story: After dinner, we're drinking scotch at the kitchen table.Janet and I just watched a NOVA specialand we're explaining to her motherthe age and size of the universe--the hundred billion stars in the hundred billion galaxies.Dotty lives at Dominican Oaks, making her way down the long hall.How about the sun? she asks, a little farmshit in the endlessness.I gather up a cantaloupe, a lime, a cherry, and start revolving this salad around the chicken carcass.This is the best scotch I ever tasted, Dotty says, even though we gave her the Maker's Markwhile we're drinking Glendronach...Ellen Bass's poetry includes Like A Beggar (Copper Canyon Press, 2014), The Human Line (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award. She co-edited (with Florence Howe) the groundbreaking No More Masks An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.
Many of us are fast approaching the "golden years" of retirement, wondering with fear — and hope — what the future holds for us. And you won't find a better companion for the journey of aging than Jane Sigloh. She's witty, perceptive, and wise. A retired Episcopal priest, she is possessed of both reverent awe and irreverent honesty about the facts and fantasies of growing old. She interweaves the insights of Scripture, poetry, fiction, and philosophy into her memories and reflections on the challenges and opportunities that maturity brings. Dip into any of these chapters and find a refreshing perspective, a humorous anecdote, or an intimate confession that will ring true to your own experience.
Two Native American authors describe the growth of the American Indian Movement and chronicle three key events between 1969 and 1973
The year 1964 produced a watershed in American race relations. In one of the civil rights movement's most dramatic initiatives, thousands of Northern white college students were recruited to come south that summer in an effort to "break" Mississippi and secure voting rights for its black citizens. Nicolaus Mills traces the history of this Summer Project, including its origins and aftermath, and shows in detail how its consequences involved not only great victories but also violence (the murders of Michael Schwerner, James Chaney, and Andrew Goodman, among other events) and disillusion. His persuasive argument is that the noble quest for racial solidarity turned bitter and divisive in practice, climaxed by the Democratic party's rejection of the Mississippi Freedom Democrats at the 1964 national convention. In the rush of black anger that followed, the gains of the summer were forgotten and Black Power was born—and blacks went their separate way in trying to achieve equality in America. Relations between whites and blacks took a crucial turning which continues powerfully to influence our politics and social well-being today.
Biwa was a fledgling screenwriter working at an American TV drama production company. Now, he's been named to a drama production team! But, before the team's first meeting, Biwa, distracted, slams into a man he doesn't know, who glares at him. It's Japan's top actor, Yamato Toyohira, the star of the drama! Biwa is supposed to be his assistant, but Yamato's arrogance is driving him crazy!
Originally published in 1878, this novel marked the emergence of a feminist critique of southern society. It follows the romance between a free-spirited, intellectual woman and a Union soldier, and broke new ground in its representation of a wife's ""duties"" and the inclusion of black characters.
Ten glorious months in Europe with one of the nineteenth century's greatest thinkers; ""I live the life of a long dried sponge thrown into water,"" enthused the celebrated intellectual Francis Lieber (1798-1872) in a letter from Paris to his friend, the future Massachusetts senator Charles Sumner. In that letter, Lieber, a scholar well known on both sides of the Atlantic, described his joyous return to Europe in 1844 after two decades teaching and working in the United States. During his ten-month sabbatical, Lieber gloried in Europe's people, places, art, theater, and diversity. He not only wrote letters to his friends but also chronicled his travels in a diary. Lieber's previously unpublished account of these months, including passages translated from their original German, offers a fast-paced and exciting picture of the European culture and political milieu of the 1840s. The United States's first political scientist, the German-born Lieber was the founder of the Encyclopedia Americana, wrote the Civil War-era code of military conduct that has become the basis for modern war crimes trials, and published works of significance in the fields of penology and political philosophy while on the faculties at South Carolina College (the University of South Carolina) and Columbia University. Before immigrating to America, he fought against Napoleon at Waterloo and was forced to flee Prussia for espousing liberal political ideals. When he returned to Europe in 1844, Lieber's fame preceded him. In his journal he records meetings with such important individuals as the Duke of Wellington, Alexis de Tocqueville, Alexander von Humboldt, and King Friedrich Wilhelm IV of Prussia. His entries also reveal his connoisseur's eye for fine art, interest in judicial penal reform, and belief in the concept of nationhood. Editors Charles R. Mack and Ilona Mack present Lieber's journal with extensive contextual commentary, appendices, and an introduction to Lieber's adventurous life and lasting contributions.
In these five surrealist collages, waking life continually gives way before the onslaught of dreams. Yuriy Tarnawsky has condensed the vastness of scope typical of novels into shorter fragments - mininovels - that require the reader's active participation. The tone is a balance of dead-pan comedy and solemn gothic, sometimes a near-parody of wide-eyed candor, sometimes recounting utterly mad or barely conceivable states of affairs. A candidate for major surgery struggles unsuccessfully to avoid it. Two strangers meet, and eventually marry, after participating in scream therapy. A pianist stops playing because he believes his hand is not there when he sits at the keyboard. A character sees the giant blue and white flowers he has craved his whole life only at the instance of his electrocution. Tyler Pavarotti, a tailor, voluntarily takes a role in a production in which he will be killed. Tarnawsky's language is elegant and careful, and his studied concentration of rhythm allows his work to transcend prose, nestling somewhere within the realm of musical composition. Both tragic and beautiful, in these stories life dissolves in time like blood in water.
In this volume, Tova Forti shows how investigation of the poetics of the animal kingdom can elucidate the effect metaphors exert on psalmodic theology. The focus herein on the faunal imagery in Psalms—the literary perception of the animals adduced and the structural and stylistic rhetorical features of the imagery—serves as a lens through which the reader can perceive the poetic dynamics and their impact upon and interaction with the psalm as a prayer.Forti pays particular attention to the contextual meaning and cultural environment of animal imagery to show how faunal images are used in the formulation and communication of didactic truths and principles regarding human behavior. These depictions can occasionally function as imitato animalis by imbuing animals with human characteristics of language, thought, and empathy, animal life in order to illustrate basic moral precepts.This volume focuses upon two principal poetical devices—refrains and secondary interpolations—in which animal imagery in the Psalms is often employed as a stage-setting device. A literary analysis of the structure of the psalms in which this faunal imagery is employed reveals the figurative and symbolic impact of this particular domain upon the poetic texture of each psalm. This methodology has diachronic consequences, demonstrating that both poetical devices may function as means of composition in the ongoing process of creating liturgy.
Middle graders will laugh and cry with thirteen-year-old Vanessa Martin as she tries to be like Vanessa Williams, the first black Miss America. In this semi-autobiographical debut novel set in 1983, Vanessa Martin's real-life reality of living with family in public housing in Newark, New Jersey is a far cry from the glamorous Miss America stage. She struggles with a mother she barely remembers, a grandfather dealing with addiction and her own battle with self-confidence. But when a new teacher at school coordinates a beauty pageant and convinces Vanessa to enter, Vanessa's view of her own world begins to change. Vanessa discovers that her own self-worth is more than the scores of her talent performance and her interview answers, and that she doesn't need a crown to be comfortable in her own skin and see her own true beauty. "It's such an honor to be the focal point of this wonderful book Without a doubt, it will be inspiring to a new generation of young, talented girls well on their way to promising careers." --Vanessa Williams, Multi-Platinum Recording Artist, New York Times Best-Selling Author, Fashion Designer and star of Television, Film and the Broadway Stage "Like Vanessa has it all and then some Gritty, poetic, emotionally true, Tami Charles wrings out every hope, every stumble and every triumph of a girl on an uneasy road to possessing her self, her strength and her own beauty. An unforgettable debut." --Rita Williams-Garcia, author of One Crazy Summer and P.S. Be Eleven ♦ "This debut is a treasure: a gift to every middle school girl who ever felt unpretty, unloved, and trapped by her circumstances."-- Kirkus Reviews STARRED REVIEW ♦ "Charles evades the clich s and imbues Vanessa with an inner life that's so real and personal it's hard to deny the charm, heartbreak, and triumph of her story. . . . Superb."-- Booklist STARRED REVIEW ♦ "Like Vanessa is an emotionally potent, engaging young adult story with a heroine whom it is impossible not to root for. The life lessons that Nessy learns are relevant and worthwhile for everyone."-- Foreword Reviews STARRED REVIEW
Middle graders will laugh and cry with thirteen-year-old Vanessa Martin as she tries to be like Vanessa Williams, the first black Miss America. In this semi-autobiographical debut novel set in 1983, Vanessa Martin's real-life reality of living with family in public housing in Newark, New Jersey is a far cry from the glamorous Miss America stage. She struggles with a mother she barely remembers, a grandfather dealing with addiction and her own battle with self-confidence. But when a new teacher at school coordinates a beauty pageant and convinces Vanessa to enter, Vanessa's view of her own world begins to change. Vanessa discovers that her own self-worth is more than the scores of her talent performance and her interview answers, and that she doesn't need a crown to be comfortable in her own skin and see her own true beauty. "It's such an honor to be the focal point of this wonderful book Without a doubt, it will be inspiring to a new generation of young, talented girls well on their way to promising careers." --Vanessa Williams, Multi-Platinum Recording Artist, New York Times Best-Selling Author, Fashion Designer and star of Television, Film and the Broadway Stage "Like Vanessa has it all and then some Gritty, poetic, emotionally true, Tami Charles wrings out every hope, every stumble and every triumph of a girl on an uneasy road to possessing her self, her strength and her own beauty. An unforgettable debut." --Rita Williams-Garcia, author of One Crazy Summer and P.S. Be Eleven ♦ "This debut is a treasure: a gift to every middle school girl who ever felt unpretty, unloved, and trapped by her circumstances."-- Kirkus Reviews STARRED REVIEW ♦ "Charles evades the clich s and imbues Vanessa with an inner life that's so real and personal it's hard to deny the charm, heartbreak, and triumph of her story. . . . Superb."-- Booklist STARRED REVIEW ♦ "Like Vanessa is an emotionally potent, engaging young adult story with a heroine whom it is impossible not to root for. The life lessons that Nessy learns are relevant and worthwhile for everyone."-- Foreword Reviews STARRED REVIEW
You think I'm overdressed? This is my slip No, I'm going to tell you the truth about what I'm wearing. I used to work as a lampshade in a whorehouse. I couldn't get one of the good jobs. From housewife to humorist, Phyllis Diller made millions laugh for over five decades with her groundbreaking comedy. Boasting unique material, a raucous laugh, wild hair, the trademark cigarette holder, and garish clothes, this pioneer blazed a trail for comediennes during the fifties and sixties, leading them out of small dives into the kinds of top venues that had previously played host only to their male counterparts. While her routine broke new ground and opened doors to subsequent generations of female standups, it also served as a form of self-therapy amid a life steeped in tragedy and turmoil. Like a Lampshade in a Whorehouse is Phyllis Diller's own story about the struggle and the pain behind the comedy and the success: her Depression-era adolescence; her marriage to the chronically unemployed husband who inspired her most famous comic character, Fang; her desperate attempts to stave off poverty as a professional comic while raising five children; the disastrous club engagements that coincided with homelessness and separation from her young family; and the problems that clouded her stage and screen success when a second marriage unraveled because of her new spouse's alcoholism and inner demons. Over fifty years after Diller's professional debut as a standup comic, Like a Lampshade in a Whorehouse describes her separate careers as an artist and as a piano soloist with symphony orchestras; her failed attempts to become a Playboy centerfold; and her outspoken attitude toward her extensive plastic surgery that earned her a special award from the American Academy of Cosmetic Surgery. It's quite a story.
This work offers a unique approach to humanity's fascination with flying. Rather than merely tracing the factual prehistory of flight up to the success of the Wright brothers, Singer considers the interaction and influence of our dreams, fantasies, culture and technology on the age-old quest to fly. The narrative begins with the deities and other denizens of the heavens that humanity has created in its religion, literature and art. At first a monopoly of the gods, flight came to interest humanity as a way to free itself from the physical and intellectual bonds of the earth. The mythology of flight eventually gives way to the pursuit of actual flight. Singer shows the many flying machines that have been created, including balloons, gliders and kites. The accomplishment of the Wright brothers and our successful trips into space are merely stops on a continuing journey, as our ancient dream of flying continues to push us to new and loftier places.
Greil Marcus saw Bob Dylan for the first time in a New Jersey field in 1963. He didn't know the name of the scruffy singer who had a bit part in a Joan Baez concert, but he knew his performance was unique. So began a dedicated and enduring relationship between America's finest critic of popular music, "simply peerless," in Nick Hornby's words, "not only as a rock writer but as a cultural historian", and Bob Dylan, who in 2016 won the Nobel Prize for Literature. In Like A Rolling Stone Marcus locates Dylan's six-minute masterwork in its richest, fullest context, capturing the heady atmosphere of the recording studio in 1965 as musicians and technicians clustered around the mercurial genius from Minnesota, the young Bob Dylan at the height of his powers. But Marcus shows how, far from being a song only of 1965, "Like a Rolling Stone" is rooted in faraway American places and times, drawing on timeless cultural impulses that make the song as challenging, disruptive, and restless today as it ever was, capable of reinvention by artists as disparate as the comedian Richard Belzer and the Italian hip-hop duo Articolo 31. "Like a Rolling Stone" never loses its essential quality, which is directly to challenge the listener: it remains a call to arms and a demand for a better world. Forty years later it is still revolutionary as will and idea, as an attack and an embrace. How Does it Feel? In this unique, burningly intense book, Marcus tells you, and much more besides.
Like Life – Sculpture, Color, and the Body
Syson Luke; Wagstaff Sheena; Bowyer Emerson; Brinda Kumar; Schwartz Hillel; Barti Kher
Metropolitan Museum of Art
2018
sidottu
Explores how artists from the European Renaissance to the global present have used sculpture and color to evoke the presence of the living body Since the earliest myths of the sculptor Pygmalion bringing a statue to life through desire, artists have explored the boundaries between sculpture and the physical materiality of the body. This groundbreaking volume examines key sculptural works from 13th-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Sculpture, which has historically taken the human figure as its subject, is presented here in myriad manifestations created by artists ranging from Donatello and Degas to Picasso, Kiki Smith, and Jeff Koons. Featuring works created in traditional media such as wood and marble as well as the unexpected such as wax, metal, and blood, Like Life presents sculpture both conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Containing texts by art and cultural historians as well as interviews with contemporary artists, this is a provocative exploration of three-dimensional representations of the human body.