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The Writing of Orpheus

The Writing of Orpheus

Marcel Detienne

Johns Hopkins University Press
2003
sidottu
Son of a mortal king and an immortal Muse, Orpheus possessed a gift for music unmatched among humans; with his lyre he could turn the course of rivers, drown the fatal song of the Sirens, and charm the denizens of the underworld. The allure of his music speaks through the myths and stories of the Greeks and Romans, who tell of his mysterious compositions, with lyrics that only the initiated could understand after undergoing secret rites. Where readers of subsequent centuries have been content to understand these mysteries as the stuff of obfuscation or mere folderol, Marcel Detienne finds in the writing of Orpheus a key to the thinking of the ancient Greeks. A profound understanding of ancient Greek myth in its cultural contexts allows Detienne to recover a cultural system from fragments and ephemera-to reproduce, with sensitivity to variation and nuance, the full richness of the mythological repertoire flowing from the writing of Orpheus. His investigation moves from the Orphic writings to broader mysteries: how Greek gods became myths, how myths informed later religious thinking, and how myths have come into play in polemics between competing religions. An eloquent answer to some of the most vexing questions about the myth of Orpheus and its far-reaching ramifications through time and culture, Detienne's work ultimately offers a major rethinking of Greek mythology.
Crossword Italian!

Crossword Italian!

Marcel Danesi

University of Toronto Press
1999
pokkari
Designed to teach the basic elements of the Italian language, this book is a breakthrough in the field of language studies. Its easy, stimulating, and enjoyable approach to learning Italian will benefit beginners and more advanced speakers alike. An opening chapter on Italian spelling and pronunciation is followed by thirty lessons, each one introducing a conversational theme centred around a crossword puzzle. The lessons present new words and expressions, sample conversations, and language notes, each one building on the last and presenting puzzles that are progressively more challenging. A number of chapters designed as reviews include word-search puzzles and anagrams. Answers are at the back, along with verb conjugation charts and language glossaries. An ideal learning tool for anyone who has little time for serious study but can always find a minute to do a crossword puzzle, this book will also provide an excellent course supplement at both high-school and university levels.
Cool

Cool

Marcel Danesi

University of Toronto Press
1994
pokkari
The image of restless, apathetic, mopish, awkward teenagers who listen to loud, screeching music when they are not on the phone, and who insist on dressing, wearing their hair, and behaving exactly like the friends they cannot seem to live without, has become a fixture of the modern social landscape. The emergence of certain behaviours (facial expressions, linguistic styles, dress codes, musical preferences, etc.) on the developmental timetable of children is a sign that they have entered a transitional period. The dramatic changes in physical appearance that occur during adolescence, and the emotional changes that accompany them, are traumatic. Teenagers naturally become inordinately concerned about their appearance and behaviour, and they believe that everyone is constantly observing them. This is why they talk all the time about how others act, behave, and appear. Language, dress, musical tastes, and other symbolic systems become the concrete means for identifying with peers. Teenagerhood is a socially constructed time-frame that channels the physiological and emotional changes that occur at puberty into patterns of symbolic behavior. These patterns are then reinforced by the media. This book represents both a synthesis of Marcel Danesi's research on the semiotics of modern adolescence, and his own interpretation of the significance and implications of our teenage culture. It constitutes a semiotic portrait of the teenager and of the factors that have led to the construction of the teenage persona and culture. Danesi makes a distinction between adolescence as psychobiological period of human growth and development and teenagerhood as a socially induced mindset that accompanies it. He focuses on the central behavioral trait of teenagerhood -- coolness; he defines it and discusses its emergence at or around puberty, and draws up an 'anatomy' of the behaviors associated with it. He discusses the language of teenagers, which he calls 'pubilect,' and concludes with observations on the etiology, evolution, and future course of teenagerhood. Cool is intended not only for semioticians, as a documentation of a specific form of social semiosis, but also for parents and educators, and for teenagers themselves.
Forever Young

Forever Young

Marcel Danesi

University of Toronto Press
2003
pokkari
The excessive worship of adolescence and its social empowerment by adult institutions is the deeply rooted cause of a serious cultural malaise. So argues semiotician Marcel Danesi in Forever Young, an unforgiving and controversial look at modern culture's incessant drive to create a 'teen-aging' of adult life. Written for the general reader and based on five year's worth of interviews with over 200 adolescents and their parents, Danesi begins by asserting that one of the early causes of this crystallization of adolescence as an age category can be traced back to theories of psychology at the turn of the twentieth century. Since then, the psychological view of adolescence as a stressful period of adjustment has become a self-fulfilling prophecy. This, in tandem with the devaluation of the family by the media and society at large, has led to a maturity gap - a fissure in family dynamics that is eagerly and ably exploited by the mass media. Unlike many academic digressions into the malaise of modern culture, Forever Young provides concrete answers on how the 'forever young syndrome' can be addressed. One solution is to dispel the myth that experts and professionals are the people best equipped to give advice on raising children. The second is to recognize the value of family, in all its different combinations, as the primary institution of child-rearing. The third is to challenge the pervasive notion that teen culture is a sophisticated endeavour - that, for example, pop music can claim to have produced some of the best musical art in the world, surpassing Mozart or Bach. By laying bare the misguided tenets that have brought about, and continue to promote, a 'forever young' mentality, Marcel Danesi demonstrates that the 'teen-aging' of culture has come about because it is, simply put, good for business. Teen tastes have achieved cultural supremacy because the western economic system requires a conformist and easily manipulated market, and has thus joined forces with the media-entertainment oligarchy to promote a deterministic 'forever young' market.
Forever Young

Forever Young

Marcel Danesi

University of Toronto Press
2003
sidottu
The excessive worship of adolescence and its social empowerment by adult institutions is the deeply rooted cause of a serious cultural malaise. So argues semiotician Marcel Danesi in Forever Young, an unforgiving and controversial look at modern culture's incessant drive to create a 'teen-aging' of adult life. Written for the general reader and based on five year's worth of interviews with over 200 adolescents and their parents, Danesi begins by asserting that one of the early causes of this crystallization of adolescence as an age category can be traced back to theories of psychology at the turn of the twentieth century. Since then, the psychological view of adolescence as a stressful period of adjustment has become a self-fulfilling prophecy. This, in tandem with the devaluation of the family by the media and society at large, has led to a maturity gap - a fissure in family dynamics that is eagerly and ably exploited by the mass media. Unlike many academic digressions into the malaise of modern culture, Forever Young provides concrete answers on how the 'forever young syndrome' can be addressed. One solution is to dispel the myth that experts and professionals are the people best equipped to give advice on raising children. The second is to recognize the value of family, in all its different combinations, as the primary institution of child-rearing. The third is to challenge the pervasive notion that teen culture is a sophisticated endeavour - that, for example, pop music can claim to have produced some of the best musical art in the world, surpassing Mozart or Bach. By laying bare the misguided tenets that have brought about, and continue to promote, a 'forever young' mentality, Marcel Danesi demonstrates that the 'teen-aging' of culture has come about because it is, simply put, good for business. Teen tastes have achieved cultural supremacy because the western economic system requires a conformist and easily manipulated market, and has thus joined forces with the media-entertainment oligarchy to promote a deterministic 'forever young' market.
Not This Time

Not This Time

Marcel Martel

University of Toronto Press
2006
pokkari
Drugs are part of every society, consumed for ritual or religious purposes, for pleasure, to enhance athletic performance, or as a means to relieve pain. Throughout the twentieth century, however, an arbitrary and shifting distinction was made between legal drugs that were prescribed and administered by the medical profession, and illegal drugs that were subject to state control and suppression. Illegal in Canada since 1923, marijuana is the most controversial of illegal drugs. Because it lacks the same addictive and harmful qualities of other illegal substances, such as heroin and cocaine, marijuana's negative social impact is questionable. In the 1960s interest groups – including university student associations, certain physicians, and others – began demanding changes to the Narcotics Control Act, which governed the legal status of drugs, to decriminalize or legalize the possession of marijuana. In Not This Time, Marcel Martel explores recreational use of marijuana in the 1960s and its emergence as a topic of social debate. He demonstrates how the media, interest groups, state institutions, bureaucrats and politicians influenced the development and implementation of public policy on drugs. Martel illustrates how two loose coalitions both made up of interest groups, addiction research organizations and bureaucrats – one supporting the existing drug legislation, and the other favoring liberalization of the Narcotics Control Act – dominated the debate over the legalization of marijuana, and how those favoring liberalized drug laws, while influential, had difficulty presenting a unified front and problems justifying their cause while the health benefits of marijuana use were still in question. Exploring both sides of the debate, Martel presents the invigorating history of a question that continues to reverberate in the minds of Canadians.
E-Crit

E-Crit

Marcel O'Gorman

University of Toronto Press
2007
pokkari
In E-Crit, Marcel O'Gorman takes an ambitious and provocative look at how university scholarship, pedagogy, and curricula might be transformed to suit a digital culture. Arguing that universities were founded on the logic of print culture, O'Gorman sets out to reinvent the academic apparatus, constructing a hybrid methodology that draws on avant-garde art, deconstructive theory, cognitive science, and the work of painter and poet William Blake.O'Gorman explores the ways in which digital media might help to restore the critical, intellectual purpose of higher education, which has been repressed by the technocratic structures that dominate the modern university. He argues that the revolutionary, socio-critical impetus that spurred deconstructive theory and transformed the humanities was lost in the initial attempts to digitize the literary canon and demonstrate the convergence of critical theory and hypertext. Humanities disciplines, he argues, must reposition themselves through the invention of humanities-based interdisciplinary programs capable of adapting to the post-print vicissitudes of a digital culture. E-Crit is thus essential reading for anyone concerned with the practice - and future - of the humanities in higher education.
To Write on Tamara?

To Write on Tamara?

Marcel Benabou

University of Nebraska Press
2004
sidottu
As stubborn, as surprising, as artful as life in its refusal to conform to a particular literary genre, Marcel Benabou's book is at once a memoir and a novel, a confession and a reflection on the prerogatives and imperatives of writing one's story. At its center, forever alluring and elusive, is the beautiful and ethereal Tamara, the exact incarnation of our narrator's most enduring fantasy - a femme fatale for the lover of form.Who precisely our narrator is, is less certain: The young Manuel, who leaves his home in Morocco to study in Paris, only to encounter the enticing Tamara? Or the mature Manuel, looking back not only at Tamara but also at the younger man's reading of his experience through the pages of the literature of sentimental apprenticeship, from Stendhal's "The Red and the Black" through Flaubert's "Sentimental Education"?A heady, genre-defying high-wire act by a writer who delights in such undertakings and whose efforts consistently delight readers worldwide, "To Write on Tamara?" captures with graceful authority and assurance the now thrilling, now vexing complexities of living and writing life's stories, especially stories of love. Marcel Benabou lives in Paris and pursues his positions as professor of ancient history at the University of Paris and as the permanent provisional secretary of Oulipo. He is the author of "Dump This Book While You Still Can!" and "Why I Have Not Written Any of My Books", both published by the University of Nebraska Press. Steven Rendall, a professor emeritus of Romance languages at the University of Oregon, is the author of "Distinguo: Reading Montaigne Differently" and has translated numerous books.
The State, the Nation, and the Jews

The State, the Nation, and the Jews

Marcel Stoetzler

University of Nebraska Press
2009
sidottu
The State, the Nation, and the Jews is a study of Germany's late nineteenth-century antisemitism dispute and of the liberal tradition that engendered it. The Berlin Antisemitism Dispute began in 1879 when a leading German liberal, Heinrich von Treitschke, wrote an article supporting anti-Jewish activities that seemed at the time to gel into an antisemitic "movement." Treitschke's comments immediately provoked a debate within the German intellectual community. Responses from supporters and critics alike argued the relevance, meaning, and origins of this "new" antisemitism. Ultimately the Dispute was as much about Germans and how they could best consolidate their recently formed national state as about Jews and those who hated them. Treitschke's liberal antisemitism threw into sharp relief the antinomies inherent in the modern constellation of state, culture, and society.In a newly united Germany the Dispute forced the intellectual community to question the parameters of national identity. Born within the liberal tradition that, at the time, mostly championed Jewish emancipation, the Dispute's core question was how state, nation, race, ethnicity, and religion should relate to one another. From a close analysis of the crucial contributions to the debate, Marcel Stoetzler crafts a compelling critique of liberalism and liberal notions of national identity. The specifics of the Dispute raise uncomfortable questions about the role of race, religion, and ethnicity within modern liberalism. The Dispute provides an avenue for understanding the development of antisemitism within liberal society and, ultimately, is an indictment of liberalism itself.
Why I Have not Written Any of My Books

Why I Have not Written Any of My Books

Marcel Benabou

University of Nebraska Press
1998
pokkari
Marcel Bénabou is quick to acknowledge that his own difficulty in writing has plenty of company. Words stick and syntax is stubborn, meaning slips and synonyms cluster. A blank page taunts and a full one accuses. Bénabou knows the heroic joy of depriving critics of victims, the kindness of sparing publishers decisions, and the public charity of leaving more room in bookstore displays. Why I Have Not Written Any of My Books (Pourquoi je n'ai écrit aucun de mes livres) provides both a respectful litany of writers' fears and a dismissal of the alibis offered to excuse them.
Dump This Book While You Still Can!

Dump This Book While You Still Can!

Marcel Benabou

University of Nebraska Press
2001
pokkari
In one of the most thought-provoking and wry books by one of the most intriguing contemporary writers in French literature, readers become party to the dilemma of "challenging" literature in a singularly involving and amusing fashion. Opening a book that has mysteriously appeared amid the clutter of his desk, the narrator finds himself exhorted not to read further, to throw the book away! Instead (but of course) he tries different strategies for approaching the book, none of which work. The narrator's tempestuous, increasingly obsessive relationship with the book he is determined to read, interwoven with the story of a real (but no less enigmatic) love affair, is, in its own challenging way, a charmed and charming, deeply provocative meditation upon reading and writing, and their inevitable discontents. Dump This Book offers a new angle on the work of this original writer and an ironic perspective on the power of reading to produce meaning.
To Write on Tamara?

To Write on Tamara?

Marcel Benabou

University of Nebraska Press
2004
pokkari
As stubborn, as surprising, as artful as life in its refusal to conform to a particular literary genre, Marcel Bénabou's book is at once a memoir and a novel, a confession and a reflection on the prerogatives and imperatives of writing one's story. At its center, forever alluring and elusive, is the beautiful and ethereal Tamara, the exact incarnation of our narrator's most enduring fantasy—a femme fatale for the lover of form. Who precisely our narrator is, is less certain: The young Manuel, who leaves his home in Morocco to study in Paris, only to encounter the enticing Tamara? Or the mature Manuel, looking back not only at Tamara but also at the younger man's reading of his experience through the pages of the literature of sentimental apprenticeship, from Stendhal's The Red and the Black through Flaubert's Sentimental Education? A heady, genre-defying high-wire act by a writer who delights in such undertakings and whose efforts consistently delight readers worldwide, To Write on Tamara? captures with graceful authority and assurance the now thrilling, now vexing complexities of living and writing life's stories, especially stories of love.
Comparing the Incomparable

Comparing the Incomparable

Marcel Detienne

Stanford University Press
2008
sidottu
In Comparing the Incomparable, Marcel Detienne challenges the cordoning off of disciplines that prevent us from asking trans-cultural questions that would permit one society to shed light on another. Some years ago, he undertook the study of "construction sites" grouped around general questions to be put to historians and ethnologists about their particular areas of expertise. Four of these comparative experiments are presented in the chapters of this book. The first concerns myths and practices related to the founding of cities or sacred spaces from Africa to Japan to Ancient Greece. The second looks at "regimes of historicity" and asks why we speak of history and what we mean by it, which leads to a comparison of cultural philosophies and of the ways different cultures express themselves, be they oral, written, or visual. The third chapter, following in the footsteps of comparative philologist Georges Dumézil, turns to polytheistic pantheons, arguing that we should not only look at the gods in and of themselves but also at the relations between them. The final section of the book examines how, from Ancient Greek democracy to the Ochollo of Ethiopia to the French Revolution, peoples form a consciousness of themselves that translates into assembly practices. A deliberately post-deconstructionist manifesto against the dangers of incommensurability, Detienne argues for and engages in the constructive comparison of societies of a great temporal and spatial diversity. The result testifies to what new and illuminating insights his comparatist method can produce.
Comparing the Incomparable

Comparing the Incomparable

Marcel Detienne

Stanford University Press
2008
pokkari
In Comparing the Incomparable, Marcel Detienne challenges the cordoning off of disciplines that prevent us from asking trans-cultural questions that would permit one society to shed light on another. Some years ago, he undertook the study of "construction sites" grouped around general questions to be put to historians and ethnologists about their particular areas of expertise. Four of these comparative experiments are presented in the chapters of this book. The first concerns myths and practices related to the founding of cities or sacred spaces from Africa to Japan to Ancient Greece. The second looks at "regimes of historicity" and asks why we speak of history and what we mean by it, which leads to a comparison of cultural philosophies and of the ways different cultures express themselves, be they oral, written, or visual. The third chapter, following in the footsteps of comparative philologist Georges Dumézil, turns to polytheistic pantheons, arguing that we should not only look at the gods in and of themselves but also at the relations between them. The final section of the book examines how, from Ancient Greek democracy to the Ochollo of Ethiopia to the French Revolution, peoples form a consciousness of themselves that translates into assembly practices. A deliberately post-deconstructionist manifesto against the dangers of incommensurability, Detienne argues for and engages in the constructive comparison of societies of a great temporal and spatial diversity. The result testifies to what new and illuminating insights his comparatist method can produce.
The Price of Truth

The Price of Truth

Marcel Hénaff

Stanford University Press
2010
sidottu
Can exchange bring us together? Are there any physical or intangible goods that escape the logic of the marketplace? Is there a relationship between truth—the very purpose of philosophy—and money? Does truth have a price? Contrary to the Sophists, who demanded payment in return for their expertise, Socrates spoke for free. He had to do so, according to Aristotle, because knowledge cannot be measured—though he could accept gifts in return. Today, we expect artists and intellectuals to be compensated for their labors. But is giving merely a form of exchange that was replaced by commerce? Anthropological investigation shows that the issue lies elsewhere: to give is to recognize in order to be recognized. It is to seal an alliance, to give oneself in what is given. Gifting raises further questions regarding the nature of sacrifice and the extent to which this last involves debt or grace. In The Price of Truth, Hénaff addresses these topics in turn, arguing that the relationship established by the gift lies at the core of the social bond. What emerges is a theory of culture and community formation that accounts for the structural patterns of traditional, political, and market-dominated societies. Crucial here is the idea that gifting and marketplace exchange are incommensurable. The latter, which involves money and contracts, has its own economic, political, and ethical necessity. The gift, though, always raises the ethical question of reciprocal recognition, a radical imperative to respect and be respected. Money has the power to threaten this requirement and break the bond that unites us. Why? To answer is to understand how the—priceless—price of truth is inseparable from that of dignity.
The Price of Truth

The Price of Truth

Marcel Hénaff

Stanford University Press
2010
pokkari
Can exchange bring us together? Are there any physical or intangible goods that escape the logic of the marketplace? Is there a relationship between truth—the very purpose of philosophy—and money? Does truth have a price? Contrary to the Sophists, who demanded payment in return for their expertise, Socrates spoke for free. He had to do so, according to Aristotle, because knowledge cannot be measured—though he could accept gifts in return. Today, we expect artists and intellectuals to be compensated for their labors. But is giving merely a form of exchange that was replaced by commerce? Anthropological investigation shows that the issue lies elsewhere: to give is to recognize in order to be recognized. It is to seal an alliance, to give oneself in what is given. Gifting raises further questions regarding the nature of sacrifice and the extent to which this last involves debt or grace. In The Price of Truth, Hénaff addresses these topics in turn, arguing that the relationship established by the gift lies at the core of the social bond. What emerges is a theory of culture and community formation that accounts for the structural patterns of traditional, political, and market-dominated societies. Crucial here is the idea that gifting and marketplace exchange are incommensurable. The latter, which involves money and contracts, has its own economic, political, and ethical necessity. The gift, though, always raises the ethical question of reciprocal recognition, a radical imperative to respect and be respected. Money has the power to threaten this requirement and break the bond that unites us. Why? To answer is to understand how the—priceless—price of truth is inseparable from that of dignity.
A History of French Louisiana

A History of French Louisiana

Marcel Giraud

Louisiana State University Press
1974
sidottu
Marcel Giraud has long been acknowledged as the leading European scholar in the filed of the history and development of colonial French Louisiana. Now the long-awaited English translation of Volume One of his Histoire de la Louisiana Française makes the results of his meticulous research readily available. Professor Giraud explores all phases of the beginnings of colonization in the vast Louisiana territory from the first voyage of d'Iberville to the end of the reign of Louis XIV. He examines the attitude of he French regency, the interest of the Church, and the effects of wars and private monopoly on the struggling settlements along the coast of the Gulf of Mexico and on the Mississippi. The almost unbelievable poverty with which the emigrants contended, brought on the their lack of agricultural knowledge and by France's niggardly financial support, is portrayed vividly. Professor Giraud has assembled an immense store of information bolstered by documentation from all available sources. The book includes an excellent bibliography and a list of archival resources.
A History of French Louisiana

A History of French Louisiana

Marcel Giraud

Louisiana State University Press
1991
sidottu
The first four volumes of Marcel Giraud's A History of French Louisiana, published in France between 1951 and 1974, represent the most exhaustive and authoritative scholarly study of France's establishment in the lower Mississippi Valley. In this fifth and final volume of Giraud's magnum opus, published in the United States for the first time ain a translation by Brian Pearce, Giraud unravels the complex story of the Company of the Indies between 1723 and 1731 and traces the development of the Louisiana colony during those difficult years.When the Company of the Indies was reorganised after the defection of Scotsman John Law, its leaders faced economic and political conflicts in both France and America. Managerial abuses and power struggles within the new system often interfered with the administrative process and created divisions of loyalties among officials and settlers. Political leaders were not, however, the only ones struggling for control within the new territory. As Giraud relates, Jesuit and capuchin religious leaders were also at odds with one another over the division of territory in which they were to minister. Giraud explores the strained relationship between the two orders and the political motives an associations that influenced their leaders. Despite political and religious turmoil within the territory, the foundations of colonial society were being laid in New Orleans and Mobile. Attributing the growth of these areas to agricultural expansion and to the introduction of slavery, Giraud offers a lively, detailed description of the economic and social development of Louisiana's nascent urban centers. Giraud also traces the expansion of colonial control into the interior of the colony - the Illinois country, Nachitoches, and the Natchez country. It was the neglect of the defense of these outposts, blamed by Giraud of the Company's emphasis on economic development and its strict fund-sharing policy, that ultimately resulted in its downfall. On November 28, 1729, angry Indians attacked the small French garrison in Natchez, massacring numerous soldiers and civilians. This attack marked the beginning of war with the Natchez tribe and the withdrawal of the Company of the Indies from Louisiana.
A History of French Louisiana

A History of French Louisiana

Marcel Giraud

Louisiana State University Press
1993
sidottu
The death of Louis XIV in 1715 and the accession of his more progressive younger brother as Regent of France might have brought some hopeful changes to Louisiana, France's tiny, struggling outpost on the Gulf of Mexico. However, the continuation of the debilitating regime of the merchant Antoine Crozat and the extreme impoverishment of the French Treasury Following the disastrous wars of Louis XIV meant that no radical changes were possible. Instead, these few years at the beginning of the Regency represented a period of transition for the colony, when the need for a new administrative regime for Louisiana was met in France by a growing awareness of the strategic and economic potential of the Mississippi settlements. All of these conditions prepared the way for the appearance on the scene of the Company of the West in 1717. In his detailed survey of this brief but crucial period of Louisiana's history, Marcel Giraud assesses the new mood and conditions in France - the personnel and objectives of the Council of the Navy, which oversaw the colony's administration; the advances in scientific opinion and their impact on Louisiana; and the political, fiscal, and economic conditions that created a new appreciation of the colony of official circles - while describing actual conditions in the colony. Giraud portrays the Louisiana of 1715 as a few clusters of squalid buildings scattered along the Gulf Coast from Alabama to Natchitoches, inhabited by largely dispirited settlers and soldiers who for the most part lacked the barest necessities of life.Crozat's essentially self-serving regime made this a period of virtual stagnation. Rivalries among the colony's administrative personnel, especially between the governors and the Le Moyne family and their supporters, impeded development, as did the inadequacy of the priests sent to minister to the colony; the paucity of women, farmers, and skilled workers; and the infertile soil around the sties chosen for the forts and settlements. Relations with the indigenous populations were hindered by the lack of acceptable trade goods, as were efforts by the French colonists to establish commercial relations with the neighboring Spanish colonies. At the same time, Louisiana bore the encroachments of better-supplied British traders who were moving into Alabama and the Illinois country and developing regular trade with Indian tribes whom the French claimed as their own clients. With his customary thoroughness and scrupulous attention to documentary details, Marcel Giraud provides a vivid description of a struggling colony hovering between extinction and the spark of growth that would, in years to come, establish it as a viable French outpost in North America. Despite the obstacles facing Louisiana during these difficult years of transition, the colony survived to experience new expansion and development under the Company of the West.
Letters to His Neighbor

Letters to His Neighbor

Marcel Proust

NEW DIRECTIONS PUBLISHING CORPORATION
2017
sidottu
Marcel Proust's genius for illuminating pain is on spectacular display in this recently discovered trove of his correspondence, Letters to His Neighbor. Already suffering from noise within his cork-lined walls, his poor soul was not ready for the fresh hell when his neighbor Dr. Williams married a widow with small children.Chiefly to Mrs. Williams, these ever-polite letters (often accompanied by flowers, compliments, books, even pheasants) are frequently hilarious--Proust couches his fury in a gracious tone. In Lydia Davis's hands, the digressive brilliance of his sentences shines: "Don't speak of annoying neighbors, but of neighbors so charming (an association of words contradictory in principle since Montesquiou claims that most horrible of all are 1) neighbors 2) the smell of post offices) that they leave the constant tantalizing regret that one cannot take advantage of their neighborliness."Proust makes fine distinctions among his auditory torments: "The valet de chambre makes noise and that doesn't matter. But later he knocks with little tiny raps. And that is worse."Lydia Davis has written a generous translator's note, tracing much of what we can know about Proust's perpetually dark room; she details the furnishings as well as the life he lived there: burning his powders, talking with friends, hiring musicians, and, most of all, suffering. Letters to His Neighboris richly illustrated with facsimile letters and photographs--catnip for lovers of Proust.With an Introduction by Jean-Yves Tadi and a translator's note by Lydia Davis.