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1000 tulosta hakusanalla Markus Heitz

I am Not a Brain

I am Not a Brain

Markus Gabriel

Polity Press
2019
nidottu
Many consider the nature of human consciousness to be one of the last great unsolved mysteries. Why should the light turn on, so to speak, in human beings at all? And how is the electrical storm of neurons under our skull connected with our consciousness? Is the self only our brain’s user interface, a kind of stage on which a show is performed that we cannot freely direct? In this book, philosopher Markus Gabriel challenges an increasing trend in the sciences towards neurocentrism, a notion which rests on the assumption that the self is identical to the brain. Gabriel raises serious doubts as to whether we can know ourselves in this way. In a sharp critique of this approach, he presents a new defense of the free will and provides a timely introduction to philosophical thought about the self – all with verve, humor, and surprising insights. Gabriel criticizes the scientific image of the world and takes us on an eclectic journey of self-reflection by way of such concepts as self, consciousness, and freedom, with the aid of Kant, Schopenhauer, and Nagel but also Dr. Who, The Walking Dead, and Fargo.
The Power of Art

The Power of Art

Markus Gabriel

Polity Press
2020
sidottu
We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist? According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy. In this short book, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding. In this book, a leading proponent of New Realism applies this philosophical perspective to art to create a new aesthetic realism.
The Power of Art

The Power of Art

Markus Gabriel

Polity Press
2020
nidottu
We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist? According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy. In this short book, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding. In this book, a leading proponent of New Realism applies this philosophical perspective to art to create a new aesthetic realism.
Fictions

Fictions

Markus Gabriel

JOHN WILEY AND SONS LTD
2024
sidottu
From ancient philosophy to contemporary theories of fiction, it is a common practice to relegate illusory appearances to the realm of the non-existent, like shadows on the wall of Plato’s cave. Contrary to this traditional mode of drawing a metaphysical distinction between reality and fiction, Markus Gabriel argues that the realm of the illusory, fictional, imaginary and conceptually indeterminate is as real as it gets. Being in touch with reality need not and cannot require that we overcome appearances in order to grasp a meaningless reality which exists ‘out there’, outside and maybe even beyond our minds. Human mindedness (Geist) exists in the mode of fictions through which we achieve self-consciousness. This novel approach provides a fresh perspective on our existence as subjects who lead their lives in the light of self-conceptions. Fictions also develops a social ontology according to which the social unfolds as a constant renegotiation of dissent, of different points of view onto the same reality. Thus we cannot ever hope to ground human society in a fiction-free realm of objective transactions. However, this does not mean that truth and reality are somehow outdated concepts. On the contrary, we need to enlarge our conception of reality so that it fully encompasses ourselves as specifically minded social animals. This major new work of philosophy will be of interest to students and scholars throughout the humanities and to anyone interested in contemporary philosophy and social thought.
Moral Progress in Dark Times

Moral Progress in Dark Times

Markus Gabriel

JOHN WILEY AND SONS LTD
2022
sidottu
The challenges we face today are unprecedented, from the existential crisis of climate change to the global security threats posed by aggression in Ukraine and elsewhere. Add to this the crisis of liberal democracy and we seem to be swirling in a state of moral disarray, unsure whether there are any principles to which we can appeal today that would be anything other than particularistic. In contrast to this view, Markus Gabriel puts forward the bold argument that there are guiding moral principles for human behaviour. These guiding principles extend across cultures; they are universally valid and form the source of universal values in the twenty-first century. In developing what he calls a ‘New Moral Realism’, Gabriel breathes fresh life into the idea that humanity’s task on our planet is to enable moral progress through cooperation. It is only by achieving moral progress in a way that incorporates universal values – and thus embraces all of humanity – that we can avoid the abyss into which we will otherwise slide. Written with verve, wit and imagination, Gabriel's call for a new enlightenment is a welcome antidote to the value relativism and nihilism of our times, and it lays out a moral framework within which we can work together – as surely we must – to deal with the great challenges we now face.
The Human Animal

The Human Animal

Markus Gabriel

JOHN WILEY AND SONS LTD
2024
sidottu
The climate crisis has forced us to recognize that we are not separate from nature but are part of the natural world on which we depend: human beings are animals and we must understand much better our place in nature and our impact on our environment if we are to avoid our own annihilation as a species. And yet we feel nevertheless that we do not entirely fit into nature, that we stand apart from other animals in some way – in what way, exactly?Markus Gabriel argues that what distinguishes humans from other animals is that humans are minded living beings who seek to understand the world and themselves and who possess ethical insight into moral contexts. Mind is the capacity to lead one’s life in the light of a conception of who or what one is. The undeniable difference between us and other animals defines the human condition and places a special responsibility on us to consider our actions in the context of other living beings and our shared habitat. It also calls on us to cultivate an ethics of not-knowing: to recognize that, however much we may seek to understand the world, we will never completely master it. Our grasp of reality, mediated by our animal minds, will always be limited: much is and will remain alien to us, lending itself only to speculation – and to remember this is to stand us in better stead for carving out an existence among the environmental crisis that looms before us all.
Drifting ... South 2

Drifting ... South 2

Markus Hansen

Createspace Independent Publishing Platform
2015
nidottu
Das Wiederentdecken des bereits bekannten. Das Einleben in der marokkanischen W ste. Die Tage ausf llen. Die Erinnerungen in den Griff bekommen. Was aus Langeweile begann, nimmt ernsthafte Ausma e an. Auf der Schwelle zu einer monstr sen Welt. Aus dem Z gern wird ein Zaudern. Nichts ist richtig und nichts ist falsch.
Vom Glück des Teilens: Gelebtes Mitgefühl mit Kopf & Herz

Vom Glück des Teilens: Gelebtes Mitgefühl mit Kopf & Herz

Markus Wehrstedt

Createspace Independent Publishing Platform
2015
nidottu
Es gibt Zeiten, da tut es gut, das eigene Leben einer gesunden Pr fung zu unterziehen. Oftmals leben wir als Bewohner der westlichen Welt in wohltuender materieller Sicherheit. Leider kommen viele Menschen in anderen Teilen der Welt nicht in diesen Genuss. Ihnen fehlt es nicht selten am Allern tigsten zum Leben. Gehen wir da als Weltgemeinschaft wirklich fair miteinander um? Teilen vor allem auch Christen weltweit fair miteinander? Praktizieren wir wirklich berzeugende N chstenliebe? Und wenn nicht: Warum nicht? Diesen wichtigen Fragen geht Markus Wehrstedt in diesem Buch nach. Er zeigt Wege auf, wie wir noch mitf hlender und solidarischer miteinander umgehen k nnen, wie sich einfacher leben und gl cklicher miteinander teilen l sst. Die Zeit ist reif, mehr loszulassen, mehr zu teilen und dabei immer mehr zu gewinnen. Es ist Zeit f r mehr gelebtes Mitgef hl. Dazu m chte Markus Wehrstedt in diesem Buch einladen.
Kann er schwimmen: Rakontoj

Kann er schwimmen: Rakontoj

Markus E. Ungerer

Createspace Independent Publishing Platform
2014
nidottu
Die Sommerferien auf einer vertrockneten Insel im S dchinesischen Meer verbringen zu m ssen, ist nicht gerade der Traum siebzehnj hriger M dchen. Umso mehr freut sich Simone, als pl tzlich ihr Freund Michele auftaucht. Die erste Begegnung mit Simones Mutter Eleonore verl uft f r den 25-J hrigen leider etwas zu steif. Der Vater Eleonores, R di R dikomombi, sieht darin jedoch die Chance, eine 350 Jahre alte Schuld einzul sen. Es steht viel auf dem Spiel: Die Zukunft der Insel, Simones erste Liebe und nicht zuletzt die Ehe von Eleonore und Hermann. Die Mission, geplant vor mehr als 300 Jahren, f hrt auf versteckten Pfaden, ber das Meer hinweg, zu einer vertrockneten Quelle. Dort erinnern sechs Pflaumenb ume an das Opfer der sieben Frauen von Qimei.
Die Geschichte vom bösen Hinz

Die Geschichte vom bösen Hinz

Markus Sigloch

Createspace Independent Publishing Platform
2015
nidottu
Dies ist die Geschichte von einem sehr b sen Wald- und Wiesengnom, dem b sen Hinz. Er will die Menschen beherrschen indem er das Wasser auf der Erde kontrolliert. Aber er hat die Rechnung ohne einen sehr mutigen Jungen gemacht, der sich ihm in den Weg stellt. Eine M rchengeschichte f r Kinder mit starken Nerven.
Luccas Herz

Luccas Herz

Markus Ungerer

Createspace Independent Publishing Platform
2015
nidottu
Simone opferte vor f nf Jahren die Firma seines Vaters dem Konkurrenten Mostros, damit seine Tochter ein Spenderherz bekommen konnte, bevor es zu sp t war. Sein Vater Carlos verstie Simone, der sich seitdem als Hafenarbeiter verdingt. Doch pl tzlich meldet sich Carlos bei seinem Sohn. Er h tte Beweise, dass Mostros nicht der Wohlt ter gewesen war, als der er sich gegeben hatte. Vielmehr h tte Mostros den Tod von Simones Tochter und weiterer Kinder in Kauf genommen, um die Giancomellis zu ruinieren. Doch bevor die beiden miteinander reden k nnen, wird Carlos vor den Augen Simones im Herzen seiner Heimatstadt Lucca ermordet. Simone gelangt zwar an die Dokumente, vernichtet sie jedoch. Kurz darauf wird seine Tochter entf hrt. Die Forderung: eben diese Dokumente. Ein Wettlauf gegen die Zeit beginnt. Ohne Medikamente wird das Spenderherz abgesto en werden. Wie soll Simone beweisen, dass es die Dokumente nicht mehr gibt? Wo befindet sich seine Tochter und welche Rolle spielt Alessandro, Mostros Neffe? Angeblich ist er nur ein Freund von Simones Frau, doch Simone ist misstrauisch. Und vor allem: Wird Simones Tochter berleben? Chancen hat sie keine und Simones Frau ist - nun, ein anderes Leben gewohnt als das, das ihr Mann Simone ihr noch bieten kann.
Marx and Democracy with Chinese Characteristics

Marx and Democracy with Chinese Characteristics

Markus Haunschmid

Createspace Independent Publishing Platform
2015
nidottu
With the start of the millennium, a new kind of selfconsciousness came about among Chinesepoliticians. Did these changes lead to a retreat from the free market towards a more democraticsociety, orientated around Marxist ideas? In how far does Marx's heritage still play a role in the modern construction of society?The book gives a short overview over the development of socialist democracy and analyzesarticles of the newspaper "People's Daily", the main daily publication of the party, concerningdemocracy in modern China. Furthermore, it compares the idea of democracy popularizedin society on the one side and as developed by the philosopher Karl Marx on the other; taking intoaccount the concept that problems in society repeat themselves and take place according to a historical pattern.
Sudokus lösen. Das wirklich simple System für Einsteiger.: Plus Rätselspaß mit 20 Sudokus
Auch Sie k nnen jedes Sudoku l sen.In diesem Buch erkl re ich, wie Sie mit einer einfachen Logik, Sudokus l sen k nnen. Wenn Sie diemeisten Sudokub chern viel zu komplex erleben, ist mein Buch das richtige f r Sie. Ein einfach zu verstehendes System, das unkompliziert zur L sung f hrt. Ausprobieren Es sind auch 20 Sudokus, in unterschiedlichen Schwierigkeitsgraden, in dem Buch enthalten und die L sungen sind auch mit drin. Aber die werden Sie wahrscheinlich gar nicht ben tigen: -)
Ein Mops für alle Fälle: Band 1 und 2

Ein Mops für alle Fälle: Band 1 und 2

Markus Zimmermeier

Createspace Independent Publishing Platform
2016
nidottu
Hallo Mein Name ist Rike und ich bin ein Mops. In den zwei Geschichten dieses Sammelbandes k mmere ich mich als Botschafterin der Liebe um mein Frauchen Lena. Doch nicht nur ihr Gef hlsleben h lt mich auf Trab, sondern auch die vielf ltigen Formen von Gewalt (Handgemenge, Diebstahl, Einbruch, Entf hrung usw.), die mir in der rauen Menschenwelt begegnen.