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Throwing Gestures: Protest, Economy and the Imperceptible

Throwing Gestures: Protest, Economy and the Imperceptible

Verlag Fur Moderne Kunst
2022
nidottu
On the protest gesture as viral signifierFourteen contributors from the visual and performing arts, cultural studies, media theory and political science tackle the subject of the gesture, especially as it is used in protest movements and in political discourse, discussing, for example, how it can pass from person to person within a protest or across the internet thousands of miles away.
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Basic knowledge protest movements

Basic knowledge protest movements

Günther Dichatschek

Our Knowledge Publishing
2023
pokkari
Protest and activism want to shape the world with their ideas and influence political and social rules. Engagement in questions of a transformation of a form of government/ liberalization, in education/ learning and teaching, social movements in the working and professional world/ economy, women's issues/ gender - equality, media/ diversity of opinion, environment/ ecology, peacekeeping/ peace movement and migration/ interculturality are pedagogical challenges of a political education and require reflection. Due to Corona19 and worldwide insecure conditions, the topics and their broad impact have become of great importance. The study is based on civic education, a rich literature and increasing topicality.
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Dictatorship gay protest literature

Dictatorship gay protest literature

Francisco Araya Parada; Rosa Díaz Chavarría

Our Knowledge Publishing
2023
pokkari
The dictatorship in Chile, which lasted from September 11, 1973 to March 11, 1990, gave rise to one of the crudest and most important social contexts in the country's history. The novel Tengo miedo torero by Chilean author Pedro Lemebel, published in Chile in 2001 by Seix Barral's "Biblioteca breve" collection, has been one of the few novels capable of comprehensively reflecting the events of sexual minorities in times of repression. This book is made up of three research axes: the first is based on the analysis of the social and political context of the work, the second is related to the homosexual protest discourse addressed in the novel and the third presents the study of gender theories in the author's aesthetic proposal. The analysis should help, through the contested discourse, to build a society based on inclusive education and should be useful for professionals in the field of Literature.
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Written in Protest

Written in Protest

Anjali Sethi

Inkfeathers Publishing
2021
nidottu
The pages of this anthology echo with the voices of warriors. Their stories, poems, experiences and articles take you on a journey of sacrifices, bloodshed and victory. This fight is for the brave hearts and those that stand for the coming revolution. Those that suffered in silence and those that shouted in protest. Dipped in inks of courage and strength, their words take you beyond these pages and into the world of martyrs and soldiers.Co-Authored ByAlexis M. Romo, Aparna Goswami, Ann Chaiti Sarkar, Alison Hawes, Arti Chopra, Annika Hauer, Aeryn Perez, Arunanshu Deep, Bethany Rose Castle, Charlene Rosario, Divya Bora, Deepika Bhardwaj, Debjani Saha, Emily Alexander, Eileen Salisbury, Uniliar, Harshita Garrepalli, Heer Dayani, Jagruthi Kommuri, Jacqueline Olivia, Jennifer Meyers, Jesika Gaston, Kristina Kerber, Kriti, Mythili M. U, Madhurya Kommuri, Marissa Kovalenko, Noela Paraschiv, Nagasri MN, Noelle Nams, Neha Mazumder, Omaira Mahan, Padmini Peteri, Robert Ormsby, Rhea Choudhury, Sybil Samuel, Shama Mahajan, s.h., Shakira Washington, Skyler Saunders, Shaymi Shah, Swati Thapa, Sharron Green, Snehal Agarwal, Sameem Hassain Mohammad, Tanisha Thalnerkar, Tolulope Ibiyode, Tiffany Lindfield, Usama Bin Tanveer, Urmi Chakraborty, Yashika Tomar
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Russlands rebeller : protest og reaksjon i Putins Russland (2011-2020)

Russlands rebeller : protest og reaksjon i Putins Russland (2011-2020)

Geir Flikke

Cappelen Damm
2020
nidottu
Russlands rebeller skildrer den russiske protestbevegelsen, som først så dagens lys i 2011, og viser hvordan myndighetene har reagert på de russiske aktivistenes protester og krav om reformer. Bokens første del gir en kronologisk gjennomgang av protestbevegelsens fremvekst, og de nye politiske aktivistenes forsøk på å bygge en ny politisk allianse på restene av det som utgjorde 1990-tallets liberale og demokratiske partier. Forfatteren gir inngående beskrivelser av de viktigste aktørene i protestbevegelsen, først og fremst bloggeren og opposisjonslederen Aleksej Navalnyj, og viser hvordan ulike politiske grupperinger har benyttet sosiale medier og ulike protestaksjoner som plattformer for å lansere større politiske ambisjoner. I bokens andre belyser forfatteren hvordan og hvorfor protestbevegelsen gradvis gikk i oppløsning. Han skildrer blant annet hvordan regimet stadig har justert lovgivningen og innført nye tiltak for å avskrekke og stagge opposisjonen, nærmest som et kappløp mellom opposisjon og regime. Selv om den organiserte opposisjonen i Russland i stor grad ble nøytralisert i løpet av 2019, har det vokst frem et omfattende protestpotensial i det russiske samfunnet, særlig blant unge. Avslutningsvis trekker forfatteren opp noen av de utfordringene og dilemmaene som vil prege Russlands politiske utvikling fremover.
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Bodies in Protest

Bodies in Protest

Johanna Siméant; Christophe Traïni; James Jasper

Amsterdam University Press
2016
sidottu
Research on social movements has historically focused on the traditional weapons of the working class, especially labour strikes and street demonstrations-but everyday actions, such as eating or singing, which can also be turned into a means of protest, have yet to be fully explored. An interdisciplinary and comparative history of these modes of action, Bodies in Protest reveals how hunger strikes and music ranging from gospel songs to rock anthems can efficiently convey political messages and mobilize the masses. Common to both approaches, the contributions show, is a direct appeal to the emotions and a reliance on the physical, concrete language of the human body. This book was originally published as La musique en colère by Christophe Traini (2008), and La grève de la faim by Johanna Siméant (2009)
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Passion och protest : den svarte danskonstnären Claude Marchants liv och verk

Passion och protest : den svarte danskonstnären Claude Marchants liv och verk

Astrid von Rosen; Bo Westerholm

Makadam förlag
2024
nidottu
Det här är historien om dansstjärnan Claude Marchants liv, från uppväxten i ett fattigt och rasistiskt USA, via Broadway-succéer och turnédramatik, tills han från slutet av 1960-talet blir en viktig del av svenskt dansliv. Claude Marchant var under många år huvudlärare vid Balettakademien i Göteborg och blev en ikon för danshungriga elever - från hemmafruar till coola ungdomar - som kom att dyrka hans passionerade stil och uttryck. Lika viktig som han var då, lika bortglömd kom han sedan att bli. Den här boken är en passionerad protest mot hans osynlighet i historieskrivningen. Astrid von Rosen, professor i konst- och bildvetenskap och föreståndare för Centrum för kritiska kulturarvsstudier vid Göteborgs universitet, har varit dansare och är utbildad vid Kungliga svenska balettskolan. Bo Westerholm, med ett långt och varierat yrkesliv inom scenkonsten som dansare, koreograf, musikalartist samt lärare och rektor vid Balettakademien i Göteborg, levde ihop med Claude Marchant i 34 år.
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Sorti eller protest : en fråga om lojaliteter

Sorti eller protest : en fråga om lojaliteter

Albert O. Hirschman

Arkiv förlag/A-Z förlag
2009
nidottu
Albert O. Hirschman visar i sitt klassiska arbete, Sorti eller protest. En fråga om lojaliteter (1970), hur fruktbart det är att kontrastera sortin, protesten och lojaliteten som olika sätt att handla inom den ekonomiska, politiska och civila sfären. I företag, politiska partier, organisationer eller nationer, i bagatellartade situationer eller livsavgörande ögonblick ställs individen ibland inför valet att lojalt acceptera, att säga ifrån och försöka påverka eller att ta konsekvenserna av en oacceptabel och ohållbar situation och dra sig ur spelet. Hirschmans eleganta teori och uppslagsrika begrepp erbjuder skarpa vetenskapliga verktyg för analyser av många av samtidens frågor. Hans begrepp är lika användbara på historiens stora skeenden, dess vändpunkter - Berlinmurens och Östtysklands fall - som för en analys av den skröplige åldringens utsatthet i ett hårdhänt rationaliserat vårdmaskineri. Det är inte märkligt att denna bok blivit en klassiker. Lena Agevall och Gunnar Olofsson beskriver kort Hirschmans liv och verk och diskuterar i ett förord författarens egen vidareutveckling av bokens begrepp och tematik.
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Literature of Protest

Literature of Protest

Suresh Kumar

Primus Books
2023
sidottu
This book attempts to critically examine Dalit women's literature to analyse how Dalit women perceive and depict caste, class, and gender in their autobiographies and fiction. It endeavours to locate the beginning of Dalit women's socio-political and cultural movements and peruse their nature, scope and significance. Literature of Protest: Reading Dalit Women's Autobiographies and Fiction explores how traditionally suppressed, marginalized and muted Dalit women forayed into writing to express their distress, uncover dominant power structures, voice their indignation, and register their protest against them in order to abrogate disparities and restore their autonomy.
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The Tragic Protest

The Tragic Protest

Zygmunt Adamczewski

Springer
1963
nidottu
is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com­ pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with "the tragic" instead of "tragedy. " The excuse has perhaps transpired in the preceding passage.
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Global Diffusion of Protest

Global Diffusion of Protest

Amsterdam University Press
2017
sidottu
Recent years have seen a new development in the growth and spread of popular protest: protests that began as local, homogeneous events-such as Occupy Wall Street or the protests of the Arab Spring-quickly left their original locations and local specificity behind and became global. This book looks at the development of this wave of protests, with an eye on protests against austerity and neoliberal economic policies, and offers a global view, covering events in Turkey, Brazil, Venezuela, South Africa, Bosnia, Bulgaria, Ukraine, and other locations.
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The Visual Memory of Protest

The Visual Memory of Protest

AMSTERDAM UNIVERSITY PRESS
2023
sidottu
Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory politics, or has the digital production and massive online exchange of images made it harder to identify and remember a movement via a single powerful image? Bringing together experts in visual culture, cultural memory, social movements, and digital humanities, this collection presents new empirical, theoretical, and methodological insights into the visual memory of protest.
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