Reproduction of the original: Andrew Marvell by Augustine Birrell
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1000 tulosta hakusanalla Andrew Slade
Reproduction of the original: Andrew Jackson by William Garrott Brown
Reproduction of the original: Andrew Marvell by Augustine Birrell
Reproduction of the original: Andrew Jackson by William Garrott Brown
Reproduction of the original: Andrew Melville by William Morison
Reproduction of the original: Andrew Melville by William Morison
Reprint of the original, first published in 1867.
Reprint of the original, first published in 1867.
Reprint of the original, first published in 1866.
Reprint of the original, first published in 1866.
Reprint of the original, first published in 1865.
Reprint of the original, first published in 1865.
Andrew Bick (Bilingual edition)
Sabine Schaschl; Museum Haus Konstruktiv Zürich
Hatje Cantz
2021
sidottu
When Andrew Bick goes about his painting, then it is not only in the spirit of creativity, but also in a rich actualization of art history. Influenced above all by English Constructivism and System Art, Bick has found his own style. The starting point of each work is the grid. It structures the ground upon which Bick makes his shapes dance. Some lines define boundaries in the painting process, others are painted over, and sometimes the brush completely departs from the drawing's guidelines and fills the pictorial space with the voluminous quality of its color. This creates a multifaceted interplay between order and freedom, painting and drawing, past and present. The transitions are hardly noticeable, bringing the extremes together and captivating the viewer. Languages: English and German
