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1000 tulosta hakusanalla Bob Graham
Bob Dylan hautnah
27amigos
2024
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Bob Gysin + Partner BGP Architekten
Hatje Cantz
2015
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Sustainability has become a guiding principle of the twenty-first century. For the architectural office Bob Gysin + Partner BGP, this is not only an ecological premise but also stimulates and drives its architectural work. They have been setting standards with this approach for forty years and count among the leaders and pioneers in the European architecture scene. The catalogue presents their modes of thought and methods and provides insight into their planning and implementation practices, which can be attributed to the uniqueness of their projects—from the Chriesbach aquatic research institute to the new headquarters of Greenpeace. It is furthermore an opportunity to address the simultaneous practice of architecture and art and their interconnectedness with sustainability. At the same time, it repeatedly succeeds in transgressing boundaries as well as connecting social involvement and cultural relevance with one another.
Bob Willoughby. Audrey Hepburn. Photographs 1953–1966
Taschen GmbH
2014
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In his distinguished career as a Hollywood photographer, Bob Willoughby captured Marilyn Monroe, Elizabeth Taylor and Jane Fonda, but remains unequivocal about his favorite subject: Audrey Kathleen Ruston, later Edda van Heemstra Hepburn-Ruston, best known as Audrey Hepburn. Willoughby was called in to shoot the new starlet one morning shortly after she arrived in Hollywood in 1953. It was a humdrum commission for the portraitist often credited with having perfected the photojournalistic movie still, but when he met the Belgian-born beauty, Willoughby was enraptured. “She took my hand like… well a princess, and dazzled me with that smile that God designed to melt mortal men’s hearts,” he recalled. As Hepburn’s career soared following her Oscar-winning US debut in Roman Holiday, Willoughby became a trusted friend, framing her working and home life. His historic, perfectionist, tender photographs seek out the many facets of Hepburn’s beauty and elegance, as she progresses from her debut to her career high of My Fair Lady in 1963. Willoughby’s studies, showing her on set, preparing for a scene, interacting with actors and directors, and returning to her private life, comprise one of photography’s great platonic love affairs and an unrivalled record of one of the 20th century’s touchstone beauties.
