'Cecilia Knapp is a great writer. I love her' KAE TEMPEST 'Unmissable' STYLIST 'A really gripping read' TIMES RADIO
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1000 tulosta hakusanalla Cecelia Ahern
‘Cecilia Knapp is a great writer. I love her’ KAE TEMPEST ‘Unmissable’ STYLIST ‘A really gripping read’ TIMES RADIO ‘Little Boxes is a powerful, vivid and enchanting debut’ SALENA GODDEN ‘Cecilia Knapp is a rare, rare talent. The sort of writer you get excited to have found and then look forward to devouring more of their work. This book in particular is a work of craft, heart and beauty and I envy new readers their first opportunity to meet these characters and spend time in this world’ KERRY HUDSON ‘Stunning… Knapp, a spectacularly talented writer, observes her characters past and present, their inside and out, in forensic detail’ DAILY MAIL –––––––––––––––––––––––––––––– A story of sacrifice, violence and growing up different – told against the heat and claustrophobia of a seaside city in summer. After Matthew’s grandfather dies suddenly, four friends struggle to face the trauma of their pasts in the wake of this fresh tragedy. Leah and Jay, a couple since their school days, find their relationship tested, while Nathan deals with a vast and unrequited love, and Matthew grapples with his sexuality. In the days that follow, Matthew begins to unearth his grandfather’s past. He finds a different life, full of secrets, and discovers that he and his grandfather may have had more in common than he once thought. Little Boxes is a coming-of-age story about friendship and love, loss and survival. Longlisted for the Authors’ Club Best First Novel Award 2023
lack /lak/ noun the state of being without or not having enough of something.
In the vein of Meg Donohue and Jennifer Close, comes Cecilia Galante's adult debut about the complicated and powerful bonds of female friendship-a compelling, moving novel that is told in both the present and the past. Thrown together by chance as teenagers at Turning Winds Home for Girls, Nora, Ozzie, Monica, and Grace quickly bond over their troubled pasts and form their own family which they dub The Invisibles. But when tragedy strikes after graduation, Nora is left to deal with the horrifying aftermath alone as the other three girls leave home and don't look back. Fourteen years later, Nora is living a quiet, single life working in the local library. She is content to focus on her collection of "first lines" (her favorite opening lines from novels) and her dog, Alice Walker, when out-of-the-blue Ozzie calls her on her thirty-second birthday. But after all these years, Ozzie hasn't called her to wish a happy birthday. Instead, she tells Nora that Grace attempted suicide and is pleading for The Invisibles to convene again. Nora is torn: she is thrilled at the thought of being in touch with her friends, and yet she is hesitant at seeing these women after such a long and silent period of time. Bolstered by her friends at the library, Nora joins The Invisibles in Chicago for a reunion that sets off an extraordinary chain of events that will change each of their lives forever. The Invisibles is an unforgettable novel that asks the questions: How much of our pasts define our present selves? And what does it take to let go of some of our most painful wounds and move on?
In the vein of Meg Donohue and Sarah Jio, Cecilia Galante's second novel delivers the powerful story of one young woman who's faced with an impossible choice-one that could have her making the biggest mistake of her life. Thirteen days. That's all Bernadette, "Bird," Sincavage has left to go until she's done with her probation and can be free again. Free from making payments to the supermarket she wrote bad checks to. Free from living at home with her overzealous mother who's constantly nagging her about attending church again. Free to give her four-year-old son, Angus, the normal life he deserves. Her impending freedom and move to Moon Lake, where she's plunked down a deposit on a brand new apartment, is so close she can almost taste it. What trouble could she possibly get into in just thirteen days? But trouble does follow in the form of James Rittenhouse-someone she worked with a few years ago. At first, Bird is stunned to see James make the evening news when he's arrested for assaulting someone in a local bar. But that's nothing compared to the shock she gets when she discovers James hiding out in an abandoned church choir loft. Somehow he escaped police custody, broke his leg, and got his hand on a gun, which he's now pointing at her. Although Bird doesn't tell anyone she saw James, there's no way she's helping him. She can't screw up her probation or her second chance for a new future. And she has her son's welfare to think about. Still. If only she could stop thinking about the terrified look in James' eyes and the fact that he's hurt. If only she could forget that once, long ago, James helped her out, and she owes him a debt like no other. Will Bird jeopardize her future for someone who helped her out in the past? A past that holds secrets she's not quite sure she's ready to face? Or will she turn a blind eye and learn to live with the consequences?
The Historians: A Thrilling Novel of Conspiracy and Intrigue During World War II
Cecilia Ekbäck
HARPER PERENNIAL
2021
nidottu
"The Historians blends a fascinating historical intrigue with the quick pace and excitement of a thriller." -- Ellen Keith, author of The Dutch Wife"The perfect read.... Exciting and enjoyable ." -- New York Times Book Review The Secret History meets The Alice Network in this riveting tale of murder and conspiracy in Sweden during WWII by critically acclaimed author Cecilia Eckb ck.It is 1943 and Sweden's neutrality in the war is under pressure. Laura Dahlgren, the bright, young right-hand of the chief negotiator to Germany, is privy to these tensions, even as she tries to keep her head down in the mounting fray. However, when Laura's best friend from university, Britta, is discovered murdered in cold blood, Laura is determined to find the killer. Prior to her death, Britta sent a report on the racial profiling in Scandinavia to the secretary to the Minister of Foreign Affairs, Jens Regnell. In the middle of negotiating a delicate alliance with Hitler and the Nazis, Jens doesn't understand why he's received the report. When the pursuit of Britta's murderer leads Laura to his door, the two join forces to get at the truth.But as Jens and Laura attempt to untangle the mysterious circumstance surrounding Britta's death, they only become more mired in a web of lies and deceit. This trail will lead to a conspiracy that could topple their nation's identity--a conspiracy some in Sweden will try to keep hidden at any cost.
Part To All the Boys I've Loved Before, part Everything Leads to You, this queer rom-com puts a smart spin on all the YA tropes we can't get enough of.Film club nerd Cleo Ferrara’s senior year was like a storyboard waiting to be filmed. She knew the scenes, the players, and the eventual happy ending. Attend film school with her boyfriend, Daniel Sheridan. Become a film-making power couple. Take Hollywood by storm. Cut. Print. Fade to black.?But in a plot twist Cleo never saw coming, Daniel dumps her for Kiki Pearson, the head cheerleader. This would be the point in the movie where the Sad Girl Music plays while the protagonist looks longingly out her window, but when Cleo looks out hers, she sees Marianne Lacerda, her former best friend…and a new storyboard unfolds.Marianne is also nursing a heartache. When Daniel was dumping Cleo for Kiki, Kiki was dumping Marianne for Daniel. So instead of watching their exes parade around school, Cleo and Marianne start fake dating each other to ignite a little chaos in this bizarre love square. But any movie buff knows that when you introduce fake dating in Act I, it’s going to get real by Act III. With friendship, the future, and love on the line, can Cleo script a happy ending for herself—or will she get her heart broken again?
"An absolute, triumphant delight from the first word until the last. Told in a playful, witty voice with crackling banter and tension that could power a city, you will fall in love—with this book, with these characters, with everything."—Jeff Zentner, William C. Morris Award-winning author of In the Wild Light"A fizzy, funny, heartfelt romp that treads the delicious line between hatred and attraction, high school and college, late nights and bleary mornings. This is the sapphic Superbad I never knew I needed!"—Kelly Quindlen, author of She Drives Me CrazyBooksmart meets Today, Tonight, Tomorrow in this page-turning romp about two archnemeses—the valedictorian and the class slacker—who band together for a whirlwind night after discovering that they need each other to achieve their very different sunrise goals. Autumn Povitsky is a high-achieving, booked and busy, straight-A nightmare. She’s currently having a crisis of self—she needs a fake ID ASAP—but because she’s a total square, she has no idea where to get one.Enter buzzcut hottie Tara Esposito. She’s a rule breaker and party crasher of the highest degree, and if anyone knows where to get a fake, it’s her. But Tara has hung up her James Dean leather jacket for the night. If she doesn’t finish this godforsaken essay that’s already weeks late, she can kiss her upcoming graduation goodbye.One brainy girl who needs a fake ID before sundown. One serial rebel who needs to turn in an essay before sunrise. It’s obvious what needs to happen here. But with a years-long feud keeping the girls from working together, this may be a night to forget…or one they’ll remember forever.With razor-sharp dialogue and fiery tension perfect for fans of Becky Albertalli and Casey McQuiston, All-Nighter is a caffeine-fueled labyrinth of chaotic escapades—from prom after-parties to library séances to underground roller discos—led by two enemies who must decide if working together is better than their worlds falling apart.
Our century has seen the proliferation of reality shows devoted to ghost hunts, documentaries on hauntings, and horror films presented as found footage. The horror genre is no longer exclusive to fiction and its narratives actively engage us in web forums, experiential viewing, videogames, and creepypasta. These participative modes of relating to the occult, alongside the impulse to seek proof of either its existence or fabrication, have transformed the production and consumption of horror stories. The Ghost in the Image offers a new take on the place that supernatural phenomena occupy in everyday life, arguing that the relationship between the horror genre and reality is more intimate than we like to think. Through a revisionist and transmedial approach to horror this book investigates our expectations about the ability of photography and film to work as evidence. A historical examination of technology's role in at once showing and forging truths invites questions about our investment in its powers. Behind our obsession with documenting everyday life lies the hope that our cameras will reveal something extraordinary. The obsessive search for ghosts in the image, however, shows that the desire to find them is matched by the pleasure of calling a hoax.
Our century has seen the proliferation of reality shows devoted to ghost hunts, documentaries on hauntings, and horror films presented as found footage. The horror genre is no longer exclusive to fiction and its narratives actively engage us in web forums, experiential viewing, videogames, and creepypasta. These participative modes of relating to the occult, alongside the impulse to seek proof of either its existence or fabrication, have transformed the production and consumption of horror stories. The Ghost in the Image offers a new take on the place that supernatural phenomena occupy in everyday life, arguing that the relationship between the horror genre and reality is more intimate than we like to think. Through a revisionist and transmedial approach to horror this book investigates our expectations about the ability of photography and film to work as evidence. A historical examination of technology's role in at once showing and forging truths invites questions about our investment in its powers. Behind our obsession with documenting everyday life lies the hope that our cameras will reveal something extraordinary. The obsessive search for ghosts in the image, however, shows that the desire to find them is matched by the pleasure of calling a hoax.
Defending the Status Quo explores political elites' resistance to electoral gender quota reforms. In order to explain this phenomenon, Cecilia Josefsson develops an original theoretical framework that she calls the Resistance Stage Framework. Anchored in feminist institutionalism and mapped onto the policy process, Josefsson outlines how status quo defenders adapt their resistance strategies to accommodate institutional and ideational changes across agenda setting, policy formulation, decision-making, and implementation phases. She bolsters her theory with a thick description of a 30-year-long process to adopt and implement electoral gender quotas in Uruguay. While Uruguay has been a vanguard in the women's rights movement, men's political dominance has been pervasive in this country. The struggle to introduce a gender quota has been marked by repeated reform attempts, persistent resistance, and a wide variation in the responses of the Uruguayan political parties, making this case apt for developing theory and shedding light on the adaptive nature of resistance. Drawing on extensive interviews with Uruguayan political elites, three quota debates, and party electoral lists, Josefsson carefully examines the power struggle over gender quota reform. She shows how powerful status quo defenders, seeking to ignore, stall, and undermine gendered institutional change, adapt their resistance strategies across different political parties and over time, as quota advocates make advances and manage to change the institutional and ideational context.
Multilevel Social Citizenship
Cecilia Bruzelius; Martin Seeleib-Kaiser; Dominic Afscharian; Thore Menze; Edward Mohr
OXFORD UNIVERSITY PRESS INC
2026
sidottu
Access to minimum social rights for EU citizens who move across member state borders is highly contested in the EU. At the same time, these and other limits to EU social citizenship are often identified in relation to national citizenship. However, the EU and EU citizenship is in many ways comparable to federations and other multi-tiered jurisdictions, which is often overlooked. By comparing how internal migrants gain-or are denied-access to basic social benefits in multi-level political systems, Multilevel Social Citizenship: Free Movement and Minimum Social Protection reveals the political forces that shape who qualifies for help and why. It offers an account of the determinants of social citizenship in federal contexts where freedom of movement of persons is combined with sub-federal welfare provision. We understand social citizenship as the entitlement and access to minimum social benefits and therefore examine the political processes behind the extension and contraction of social assistance rights for internally migrating citizens across time and space, comparing 19th and early 20th century imperial Germany, 20th century United States of America, and the EU, with a focus on Germany. Multilevel Social Citizenship stands out for its use of detailed case studies, each undertaken by experts in their respective fields, and its historical and international comparative analyses. Archival data, policy documents, statistical data, and interviews allow for an original analysis of a broad range of issues from multiple perspectives. This solid empirical foundation permits for an in-depth analysis of a broad range of topics, from political debates at all levels of multi-tiered federal systems to the implementation of the resulting legislation on the ground.
This book explores sets of movement cases in medieval Italian from 1200 to 1315. It offers an integrated description of all the relevant aspects of word order in Old Italian based on uniform principles (analysing the left periphery of the sentence, of the verbal phrase, and of the determiner phrase, and the interaction of these structures with quantification and negation). From the theoretical point of view, it considers the possibilities of a syntactic model in which the (left) edges of the constituents play an essential role in determining the possible structures. The author suggests that Old Italian has a rule preposing topic and focus elements to dedicated positions not only in the left periphery of the complementizer phase but also in the left periphery of other phases. She also provides an account of the apparent optional negative concord pattern exhibited by Old Italian in terms of dedicated positions. The book concludes with a summary of the various types of preposing presented in the book, arguing that all cases of optionality can be resolved within a single grammar and without need to resort to the double base hypothesis, which requires competence of the speakers on two different grammatical systems. The book makes important contributions to the medieval history of Italian, to Romance historical linguistics, and to the study of diachronic syntactic change more generally.
Nearly a century before it became known as Silicon Valley, the Santa Clara Valley was world-renowned for something else: the succulent fruits and vegetables grown in its fertile soil. Virtually all farms were owned by whites, but the soil was largely worked by Asian immigrants. In Harvesting the American Dream, Cecilia Tsu tells the overlooked and intertwined histories of the land of the Santa Clara Valley and the Asian immigrants who cultivated it. Weaving together the story of the three overlapping waves of Asian migration from China, Japan, and the Philippines in the nineteenth and twentieth centuries, Tsu offers a comparative history that sheds light on white and Asian Californians' understandings of race, gender, and national identity. From the mid-nineteenth century on, white farmers had an increased need for labor, and Chinese immigrants willingly and disproportionately filled it. Despite this common labor arrangement, the idea of the independent family farm, worked solely by family members, became even more deeply entrenched, particularly in the West. Farm owners justified the labor of Chinese men as sojourning immigrants disconnected from family, capable of only menial agricultural work. They also viewed Asian crops as marginal, which justified their increasing reliance on foreign workers. Popular belief that the Chinese lacked a coherent family structure was later extended to the Japanese, even though immigrant families began settling in the Valley in the late 1910s. As the earlier family farm framework divided along crop and family lines fell apart, it was adapted, this time barring women from field work. The direct threat of Japanese family farming to the white family farm ideal, Tsu argues, played a significant role in the rise of discrimination against Asians through immigrant exclusion, denial of citizenship, and alien land laws. However, the mutual dependence that characterized Asian-white relations in the Santa Clara Valley prevented the area from becoming a hotbed of racial tension. Efforts to hold on to the white family farm ideal during the Depression led nonwhite laborers, primarily Filipino and Mexican, to be eyed suspiciously, as red-sympathizing foreigners whose involvement in labor militancy revealed a dormant anti-Americanism. Tsu simultaneously tells the story of this agricultural world from the perspectives of the Asian workers who sought to create their own American dream. They saw farming as not just a source of income, but also a way to bolster their community standing. Although they did not share a common heritage, the groups interacted with each other constantly and peacefully, patronizing each others' shops, working for the same landowners, sometimes living in the same area, and encountering many of the same stereotypes.
Nearly a century before it became known as Silicon Valley, the Santa Clara Valley was world-renowned for something else: the succulent fruits and vegetables grown in its fertile soil. Virtually all farms were owned by whites, but the soil was largely worked by Asian immigrants. In Harvesting the American Dream, Cecilia Tsu tells the overlooked and intertwined histories of the land of the Santa Clara Valley and the Asian immigrants who cultivated it. Weaving together the story of the three overlapping waves of Asian migration from China, Japan, and the Philippines in the nineteenth and twentieth centuries, Tsu offers a comparative history that sheds light on white and Asian Californians' understandings of race, gender, and national identity. From the mid-nineteenth century on, white farmers had an increased need for labor, and Chinese immigrants willingly and disproportionately filled it. Despite this common labor arrangement, the idea of the independent family farm, worked solely by family members, became even more deeply entrenched, particularly in the West. Farm owners justified the labor of Chinese men as sojourning immigrants disconnected from family, capable of only menial agricultural work. They also viewed Asian crops as marginal, which justified their increasing reliance on foreign workers. Popular belief that the Chinese lacked a coherent family structure was later extended to the Japanese, even though immigrant families began settling in the Valley in the late 1910s. As the earlier family farm framework divided along crop and family lines fell apart, it was adapted, this time barring women from field work. The direct threat of Japanese family farming to the white family farm ideal, Tsu argues, played a significant role in the rise of discrimination against Asians through immigrant exclusion, denial of citizenship, and alien land laws. However, the mutual dependence that characterized Asian-white relations in the Santa Clara Valley prevented the area from becoming a hotbed of racial tension. Efforts to hold on to the white family farm ideal during the Depression led nonwhite laborers, primarily Filipino and Mexican, to be eyed suspiciously, as red-sympathizing foreigners whose involvement in labor militancy revealed a dormant anti-Americanism. Tsu simultaneously tells the story of this agricultural world from the perspectives of the Asian workers who sought to create their own American dream. They saw farming as not just a source of income, but also a way to bolster their community standing. Although they did not share a common heritage, the groups interacted with each other constantly and peacefully, patronizing each others' shops, working for the same landowners, sometimes living in the same area, and encountering many of the same stereotypes.
In an advanced industrial society like the contemporary U. S., where an array of legal, political, institutional, and economic processes work against gender inequality, how does this inequality persist? Are there general social processes through which gender as a principle of social inequality manages to rewrite itself into new forms of social and economic organization? Framed by Gender claims there are, highlighting a powerful contemporary persistence in people's everyday use of gender as a primary cultural tool for organizing social relations with others. Cecilia L. Ridgeway asserts that widely shared cultural beliefs about gender act as a "common knowledge" frame that people use to make sense of one another in order to coordinate their interaction. The use of gender as an initial framing device spreads gendered meanings, including assumptions about inequality embedded in those meanings, beyond contexts associated with sex and reproduction to all spheres of social life that are carried out through social relationships. These common knowledge cultural beliefs about gender change more slowly than do material arrangements between men and women, even though these beliefs do respond eventually. As a result of this cultural lag, at sites of innovation where people develop new forms of economic activity or new types of social organization, they confront their new, uncertain circumstances with gender beliefs that are more traditional than those circumstances. They implicitly draw on the too convenient cultural frame of gender to help organize their new ways of doing things. As they do so, they reinscribe trailing cultural assumptions about gender difference and gender inequality into the new activities, procedures, and forms of organization that they create, in effect, reinventing gender inequality for a new era. Ridgeway argues that this persistence dynamic does not make equality unattainable but does mean that progress is likely to be uneven and depend on the continued, concerted efforts of people. Thus, a powerful and original take on the troubling endurance of gender inequality, Framed by Gender makes clear that the path towards equality will not be a long, steady march, but a constant and uneven struggle. "The most important book on gender I have read in decades. Why has gender proved so unbending? Ridgeway gives us answers, and paves the way for a new feminist theory that incorporates decades of studies on how gender bias operates at home and at work."-Joan C. Williams, Distinguished Professor of Law, University of California, Hastings College of the Law "In lucid prose, Cecilia Ridgeway describes the social psychological processes that continually reproduce gender inequality. Marshalling research from sociology and psychology, Framed by Gender explains why women have not attained equality and what would be required to reach that goal."-Alice H. Eagly, Professor of Psychology, Northwestern University
In an advanced industrial society like the contemporary U. S., where an array of legal, political, institutional, and economic processes work against gender inequality, how does this inequality persist? Are there general social processes through which gender as a principle of social inequality manages to rewrite itself into new forms of social and economic organization? Framed by Gender claims there are, highlighting a powerful contemporary persistence in people's everyday use of gender as a primary cultural tool for organizing social relations with others. Cecilia L. Ridgeway asserts that widely shared cultural beliefs about gender act as a "common knowledge" frame that people use to make sense of one another in order to coordinate their interaction. The use of gender as an initial framing device spreads gendered meanings, including assumptions about inequality embedded in those meanings, beyond contexts associated with sex and reproduction to all spheres of social life that are carried out through social relationships. These common knowledge cultural beliefs about gender change more slowly than do material arrangements between men and women, even though these beliefs do respond eventually. As a result of this cultural lag, at sites of innovation where people develop new forms of economic activity or new types of social organization, they confront their new, uncertain circumstances with gender beliefs that are more traditional than those circumstances. They implicitly draw on the too convenient cultural frame of gender to help organize their new ways of doing things. As they do so, they reinscribe trailing cultural assumptions about gender difference and gender inequality into the new activities, procedures, and forms of organization that they create, in effect, reinventing gender inequality for a new era. Ridgeway argues that this persistence dynamic does not make equality unattainable but does mean that progress is likely to be uneven and depend on the continued, concerted efforts of people. Thus, a powerful and original take on the troubling endurance of gender inequality, Framed by Gender makes clear that the path towards equality will not be a long, steady march, but a constant and uneven struggle. "The most important book on gender I have read in decades. Why has gender proved so unbending? Ridgeway gives us answers, and paves the way for a new feminist theory that incorporates decades of studies on how gender bias operates at home and at work."--Joan C. Williams, Distinguished Professor of Law, University of California, Hastings College of the Law "In lucid prose, Cecilia Ridgeway describes the social psychological processes that continually reproduce gender inequality. Marshalling research from sociology and psychology, Framed by Gender explains why women have not attained equality and what would be required to reach that goal."--Alice H. Eagly, Professor of Psychology, Northwestern University
Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi's inquisitorial autobiography and the transcripts of her preceding testimony are here transcribed and translated into English, allowing the reader an insight into an unfamiliar sector of the past and to hear "another voice" - that of a Venetian woman who had extraordinary experiences and exhibited exceptional courage.
Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi's inquisitorial autobiography and the transcripts of her preceding testimony are here transcribed and translated into English, allowing the reader an insight into an unfamiliar sector of the past and to hear "another voice" - that of a Venetian woman who had extraordinary experiences and exhibited exceptional courage.
By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture.Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these “sweet girls’” childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women.Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women’s history and to our understanding of Canada in a transnational world.