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1000 tulosta hakusanalla D Eric Horner

The Life and Times of Rev. Samuel Patton, D. D., and Annals of Holston Conference
The Reverend Samuel Patton was admitted into the Tennessee Conference in 1819. When Holston Conference was formed in 1824, he became a part of that area. He was assigned Sequatchie Valley as his first appointment in 1819 and thus began his ministry years until his death in 1854. Truly one of the first histories of the Holston Conference, listing his appointments from 1824 to 1854. The Irish born Doctor Samuel Patton was born in Lancaster District of South Carolina in 1797. His grandfather John Patton is from Pennsylvania with John's wife being a descendent of a Scots Seceder named Nichols. An appendix (Annals of the Holston Conference, from 1824 to 1853) and an index to full-names, places and subjects add to the value of this work.
D'une phénoménologie de la perception chez Heidegger
Ce travail ambitionne inaugurer la thématisation d'une phénoménologie de la perception chez Heidegger. En prenant le contre-pied de bien des interprétations récentes concernant de questions cruciales de l'ontologie heideggerienne, notamment celles de l'articulation temporelle du présent et de la distinction entre Zuhandenheit et Vorhandenheit, il défend la thèse inattendue que la temporalité de la perception sert de fil conducteur de l'ontologie heideggerienne du temps, dans la mesure où elle impose la scission de la temporalité en modes authentiques et modes inauthentiques. Notre commentaire serré sur les textes de l'époque de Marbourg fera apparaître que l'opposition entre la temporalité authentique de la perception `naturelle', identifiée positivement à la circonspection, et la temporalité inauthentique de la perception `théorique' ne résume pas simplement la critique heideggerienne de Husserl, mais contribue, avant tout, à ouvrir un espace critique dans la problématique phénoménologique de la perception dans son évolution de Husserl jusqu'à Merleau-Ponty. This book claims to inaugurate the thematization of a phenomenology of perception in Heidegger. Running counter to many recent interpretations concerning crucial questions of Heideggerian ontology (particularly the temporal articulation of present and the distinction between Zuhandenheit and Vorhandenheit), it defends the unexpected thesis that the temporality of perception serves as a conductor of the Heideggerian ontology of time, by splitting temporality into authentic and unauthentic modes. Concise commentary on the texts of the Marburg period show that the opposition between the authentic temporality of `natural' perception (positively identified as circumspection) and the unauthentic temporality of `theoretical' perception does not merely summarize the entireHeideggerian critique of Husserl but, above all, helps to open a decisive path in the phenomenological account of perception in its evolution from Husserl to Merleau-Ponty.
University-Industry R&D Collaboration in the United States, the United Kingdom, and Japan
Over the last several decades there has been a growing interest in Research & Development (R&D) policy. This is particularly so in advanced industrialized nations that have adopted science- and technology- based strategies for national economic competitiveness. The United States, the United Kingdom, and Japan -- the three nations that are the subjects of this book -- share this policy strategy. Each of these nations is committed to hamessing the innovations that stern from scientific and technological advance to promote national economic prosperity. Governments can influence their nation's R&D efIort in three general ways. First, they can directly fund the R&D efIort through grants, loans, appropriations, or government contracts. Second, they can provide tax and financing incentives to encourage higher levels of private sector R&D. Third, they can use their power to create inter-organizational collaborations that vastly extend and expand the nation's collective R&D efIort. University-industry collaborations are a principal type of these inter­ organizational R&D efIorts -- and the focus of this book.
D. L. Moody

D. L. Moody

Faith Coxe Bailey

Moody Publishers
2024
nidottu
In an exciting novel form, D. L. Moody: God's Bold Messenger tells the incredible story of one of the greatest evangelists of the nineteenth century. Deeply committed to the gospel and devoted to bringing the love of God to bear on the lives of young and old, Moody preached across America and throughout Europe. Faith Coxe Bailey brings alive the story of the bigger-than-life man who was a servant to poor communities and whose preaching and vision have an ongoing influence in the lives of many. Though his formal education ended after fifth grade, Moody became a champion of education, starting three schools, including Moody Bible Institute. From reaching out to lost children, to training women, to bridging the gap between denominations, Moody is a hero of the faith with whom all should be well acquainted. You will be encouraged by the faithful and adventurous life of Dwight Lyman Moody. D. L. Moody dared to take up a challenge and see what God could do with a life totally committed to Him. Bailey brings to color the story of God's Bold Messenger.
D W Winnicott

D W Winnicott

Michael Jacobs

SAGE Publications Ltd
1995
nidottu
`The importance of Michael Jacobs' book lies in his attempt to convey... Winnicott's profound influence.... Jacobs rightly delights in the creativity and imagination of his subject and illustrates these with numerous quotations and descriptions from Winnicott's writings.... What is conveyed throughout the book is the essence of Winnicott.... [whose] gift was to make psychoanalytic language, methods and concepts more widely available, accepted and appreciated to a nonpsychoanalytic world' - British Psychological Society Counselling Psychology Review One of the best-known British psychoanalysts, D W Winnicott attracts the interest of counsellors and psychotherapists far beyond the strict psychoanalytic tradition in which he was trained. He coined many phrases that have entered the discourse of therapy, such as `good enough mother', `transitional object' and `facilitating environment'. Winnicott has had a profound impact on research into the mother-baby relationship, and his unorthodox manner and sparkling writing style have attracted enthusiastic acclaim. In this book, Michael Jacobs summarizes Winnicott's life and explains his major theoretical concepts. He also rigorously evaluates his practice as a clinician - for example, the holding and management of deeply regressed patients. While highlighting Winnicott's brilliance and creativity, Jacobs is not afraid to scrutinize his contributions more critically. He also discusses criticisms others have made of Winnicott, notably within the psychoanalytic movement. The final chapter assesses the influence of Winnicott's thinking in other countries as well as in Britain.
D. H. Lawrence

D. H. Lawrence

Anaïs Nin

Swallow Press
1964
pokkari
In 1932, two years after D. H. Lawrence's death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: "It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself. He gave it to his assistant to revise." The woman was Anaïs Nin. Nin examined Lawrence's poetry, novels, essays, and travel writing. She analyzed and explained the more important philosophical concepts contained in his writings, particularly the themes of love, death, and religion, as well as his attention to primitivism and to women. But what Anaïs Nin brought to the explication of Lawrence's writing was an understanding of the fusion of imaginative, intuitive, and intellectual elements from which he drew his characters, themes, imagery and symbolism.
D Is for Deadbeat: A Kinsey Millhone Mystery

D Is for Deadbeat: A Kinsey Millhone Mystery

Sue Grafton; Grafton

Henry Holt Company
1987
sidottu
Sue Grafton's #1 New York Times bestselling series, reissued for a whole new generation of readers D IS FOR DEADBEAT He called himself Alvin Limardo, and the job he had for Kinsey was cut-and-dried: locate a kid who'd done him a favor and pass on a check for $25,000. It was only later, after he'd stiffed her for her retainer, that Kinsey found out his name was Daggett. John Daggett. Ex-con. Inveterate liar. Chronic drunk. And dead. The cops called it an accident--death by drowning. Kinsey wasn't so sure. Pulled into the detritus of a dead man's life, Kinsey soon realizes that Daggett had an awful lot of enemies. There's the daughter who grew up with a cheating drunk for a father, and the wife who's become a religious nut in response to an intolerable marriage. There's the lady who thought she was Mrs. Daggett--and has the bruises to prove it--only to discover the legal Mrs. D. And there are the drug dealers out $25,000. But most of all, there are the families of the five people John Daggett killed, victims of his wild, drunken driving. The D.A. called it vehicular manslaughter and put him away for two years. The families called it murder and had very good reason to want John Daggett dead. Deft, cunning, and clever, this latest Millhone mystery also confronts some messy truths, for, as Kinsey herself says, "Some debts of the human soul are so enormous only life itself is sufficient forfeit"--but as she'd be the first to admit, murder is not a socially acceptable solution. "A" Is for Alibi"B" Is for Burglar"C" Is for Corpse"D" Is for Deadbeat"E" Is for Evidence"F" Is for Fugitive"G" Is for Gumshoe"H" Is for Homicide"I" Is for Innocent"J" Is for Judgment"K" Is for Killer"L" is for Lawless"M" Is for Malice"N" Is for Noose"O" Is for Outlaw"P" Is for Peril "Q" Is for Quarry"R" Is for Ricochet "S" Is for Silence "T" Is for Trespass"U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
D. H. Lawrence

D. H. Lawrence

Greiff Louis K.

Southern Illinois University Press
2006
nidottu
Between 1949 and 1999, the life and works of D. H. Lawrence inspired ten feature films: nine based on works of fiction and one based on biography. In ""D. H. Lawrence: Fifty Years on Film"", Louis K. Greiff examines these films as adaptations, as cultural or historical documents, and as independent works of art. Significantly, the films were not spread evenly throughout the decades but appeared in three clusters. The first group, or the ""black and white,"" appeared between 1949 and 1960. With the exception of Marc Allegret's ""L'Amant de Lady Chatterley"" (1955), all celebrate the British common man as a midcentury hero and promote an unmistakable yet never strident postwar ethos that is Marxist in spirit. The second cluster occurred during the late 1960s and early 1970s. These films show Lawrence embraced many values shared by the culture at large of the time - nonconformity, neobohemianism, sexual rebellion, war protest, and the celebration of youth. The third group answers the question, ""Why, in an un-Lawrentian decade like the 1980s, was there a revival of Lawrence's works on film?"" Greiff also deals with the contributions made by directors, Ken Russell and Christopher Miles, both of whom directed Lawrence films of the latter two clusters. He shows how Russell and, to a lesser extent, Miles were responsible for bringing mass audiences in touch with the works of Lawrence. Greiff's final and most important goal is to interpret and evaluate the Lawrence films. He looks first at the film as a visual representation of its text, then as an original act of creation and object of art.
D. H. Lawrence

D. H. Lawrence

Eliseo Vivas

Northwestern University Press
2018
nidottu
In D. H. Lawrence, Eliseo Vivas examines the aesthetic triumphs and failures of Lawrence’s major works through a literary device that he coins “the constitutive symbol.” Understanding how Lawrence uses the constitutive symbol provides new insight into his world views. Vivas covers a wide range of Lawrence's work, including Aaron’s Rod, Kangaroo, The Plumed Serpent, Lady Chatterley’s Lover, Sons and Lovers, The Rainbow, and Women in Love. Vivas was one of the first scholars to use psychological criticism to read Lawrence’s works; Vivas's and his particularly fresh reading of Lawrence’s novels continue to make this a significant literary-critical study.
D-Day Bombers

D-Day Bombers

Stephen Darlow

Stackpole Books
2010
nidottu
Before Allied soldiers set foot on the beaches of Normandy on D-Day, June 6, 1944, American and British bombers helped pave the way by pounding German positions on the shoreline and farther inland, a vital mission that continued as the troops waded ashore and the battle beyond the beachhead began. In this lively look at D-Day in the air, eight different bomber crews--three American and five British--tell their unforgettable stories from inside B-17s, B-24s, Lancasters, and Halifaxes.
D-Day and the Normandy Campaign
Stackpole’s Battle Briefings series offers accessible and insightful summaries of battles, commanders, and other military history topics. This inaugural installment features one of World War II’s most pivotal campaigns: D-Day and the battle for Normandy that followed. It begins with Allied plans for the beachhead assault and Rommel’s construction of German defenses, but the book’s heart is the fighting as seen from both sides, from the Rangers at Pointe du Hoc and the landing at Omaha Beach to hedgerow combat, the air war, and clashes of Shermans and panzers.
D-Day Deception

D-Day Deception

Mary Kathryn Barbier

Stackpole Books
2009
nidottu
Before landing in France on D-Day, June 6, 1944, the Allies executed an elaborate deception plan designed to prevent the Germans from concentrating forces in Normandy. The lesser-known first part, Fortitude North, suggested a threat to Norway. Fortitude South--largely through a fictitious army group under Gen. George S. Patton--indicated that Allied forces would come ashore in the Pas de Calais rather than Normandy. Barbier sheds new light on this story of double agents and phantom units while reassessing the importance of Operation Fortitude.
D-Day

D-Day

Nicholas A. Veronico

Stackpole Books
2019
sidottu
Those who witnessed it never forgot it: the great armada of Allied ships that filled the English Channel on D-Day, June 6, 1944. From battleships, cruisers, and destroyers down to the much smaller landing ships and landing craft, these nearly 7,000 vessels bombarded the Normandy coast, ferried men, tanks, and equipment across the channel, and landed 150,000 troops—under withering German fire—on Omaha, Utah, Gold, Juno, and Sword beaches in a single day. In numbers and scope, it was the largest seaborne invasion in history. Meanwhile, some 12,000 aircraft flew above the sea, a dizzying assortment of fighters and bombers, transports, recon craft, and gliders. Taking off from air fields in England, they dropped thousands of paratroopers and even vehicles, bombed roads and German positions miles inland, provided vital intelligence, and attacked any German planes that were able to take to the skies. It was the largest single-day aerial operation in history. And yet these important—and impressive—aspects of D-Day haven’t received the coverage they deserve, having been overshadowed by the fighting on the beaches. Veronico assembles photos of both the air and sea components of the D-Day invasion, giving the sailors and airmen their due and giving modern readers a vivid sense of what this monumental day was like in the air and at sea.
D-Day General

D-Day General

Noel F. Mehlo

Stackpole Books
2021
sidottu
Omaha was the make-or-break Allied beach on D-Day—in (perhaps) the make-or-break campaign of World War II. If American soldiers couldn’t gain a foothold there, then D-Day was unlikely to succeed. On June 6, 1944, U.S. troops on Omaha suffered the worst casualties of any of the five Allied invasion beaches—so many casualties, and so much tactical difficulty, that Omaha almost didn’t succeed. One big reason why Americans gained a foothold on Omaha was Gen. Norman “Dutch” Cota. A graduate of the West Point class of 1917 (alongside famous classmates Matthew Ridgway, Mark Clark, and Lightning Joe Collins), Norm Cota played football with Dwight Eisenhower, who graduated two years earlier. From March 1941 to February 1943, Cota served with the famous 1st Infantry Division, the Big Red One, as division intelligence officer, plans/training officer, and finally chief of staff. He performed so well in the North Africa campaign that he was sent to England to help plan D-Day. After laying the tactical groundwork for the amphibious landings, Cota was made assistant division commander of the 29th Infantry Division. On the eve of D-Day, he told his men, “You’re going to find confusion. The landing craft aren’t going in on schedule, and people are going to be landed in the wrong place. Some won’t be landed at all. . . . We must improvise, carry on, not lose our heads.” On June 6, 1944, under heavy fire, Cota landed with the second wave of the 29th Infantry Division on Omaha Beach, about an hour after the start of the invasion. He personally rallied the survivors of the landings and led the opening of one of the first exits off Omaha. Cota seemed to be everywhere that day. Coming upon a group of Rangers, the general told them, “Rangers, lead the way” (hence the Rangers’ motto). He is also known for saying, “Gentlemen, we are being killed on the beaches. Let us go inland and be killed.” And, to a captain uncertain how to proceed: “I’ll tell you what, captain. You and your men start shooting at them. I’ll take a squad of men, and you and your men watch carefully. I’ll show you how to take a house with Germans in it.” Having demonstrated the task, Cota asked the officer, “Do you understand? Do you know how to do it now? . . . I won’t be around to do it for you again. I can’t do it for everybody.” Great quips—which American military history will always remember and which show the character, in every sense, of Dutch Cota. Cota was a fighter—a fighting general, a D-Day general—and his contribution to D-Day will remain his rallying of demoralized troops and his blazing the trail toward the breakout and victory on Omaha. Ted Roosevelt Jr., who landed at Utah Beach, has always received credit as the D-Day general (like Cota, Roosevelt also demanded that he land on D-Day—and then died of a heart attack a month later), but Cota is the hero-general of the day, having landed early on D-Day on bloody Omaha. Portrayed by Robert Mitchum in the grand D-Day film The Longest Day, Cota has not yet received his due—and there’s a campaign now afoot to award him a belated Medal of Honor. His story cries out to be told.
D.H. Lawrence

D.H. Lawrence

James C Cowan

OHIO STATE UNIVERSITY PRESS
2003
pokkari
D. H. Lawrence: Self and Sexuality is a psychoanalytic study of D. H. Lawrence's life and writings. James Cowan relies most notably the methods of Heinz Kohut, psychoanalytic "self psychology," and employs as well the object relation theories of D. W. Winnicott and others. This work also examines sexual issues in Lawrence's work from a literary and critical perspective, employing authoritative medical and psychoanalytic sources in human sexuality. Lawrence's work, which was early read in traditional Freudian terms, has only recently been considered from other psychoanalytic perspectives. In this self psychological study, Cowan provides a new and path-breaking analysis of Lawrence. Turning to several problematic issues of sexuality in Lawrence, the author first discusses a number of Lawrence's sexual fallacies, and personal and cultural issues. Cowan also considers contrasting idealized and negative presentations of Mellors and Sir Clifford Chatterley in Lady Chatterley's Lover, and the theme of the "loss of desire" sequence of poems in Pansies.